139 books match the query 'World War, 1914-1918' and 13 start with c
Alexander Anievas
University of Michigan Press, 2014
The history of the modern social sciences can be seen as a series of attempts to confront the challenges of social disorder and revolution wrought by the international expansion of capitalist social relations. Alexander Anievas focuses on one particularly significant aspect of this story: the intersocietal or geosocial origins of the two world wars, and, more broadly, the confluence of factors behind the Thirty Years’ Crisis between 1914 and 1945.
Anievas presents the Thirty Years’ Crisis as a result of the development of global capitalism with all its destabilizing social and geopolitical consequences, particularly the intertwined and co-constitutive nature of imperial rivalries, social revolutions, and anti-colonial struggles. Building on the theory of uneven and combined development, he unites geopolitical and sociological explanations into a single framework, thereby circumventing the analytical stalemate between primacy of domestic politics and primacy of foreign policy approaches.
Michael Streeter
Haus Publishing, 2010
Joseph Gustaitis
Southern Illinois University Press, 2016
Joseph T. Stuart
Catholic University of America Press, 2022

Deborah Cohler
University of Minnesota Press, 2010

Rhonda Hinther
University of Manitoba Press, 2020
Christopher Phillips
University of London Press, 2020
Mary Louise Roberts
University of Chicago Press, 1994
Robert H. Ferrell
University of Missouri Press, 2004
Janis P. Stout
University of Alabama Press, 2005
World War I is widely considered “the Great War” and World War II, “the Good War.” Janis Stout thinks of them as two parts of a whole that continues to engage historians and literary scholars searching for an understanding of both the actual war experiences and the modern culture of grief they embody. In Coming Out of War: Poetry, Grieving, and the Culture of the World Wars Stout argues that poetry, of all the arts, most fully captures and conveys those cultural responses.
While probing the work of such well known war poets as Rupert Brooke, Wilfred Owen, and Randall Jarrell, Stout also highlights the impact of the wars on lesser studied, but equally compelling, sources such as the music of Charles Ives and Cole Porter, Aaron Copland and Irving Berlin. She challenges the commonplace belief that war poetry came only from the battlefield and was written only by men by examining the wartime writings of women poets such as Rose Macaulay, Marianne Moore, Elizabeth Bishop, and Gwendolyn Brooks. She also challenges the assumption that World War II did not produce poetry of distinction by studying the work of John Ciardi, Karl Shapiro, Louis Simpson, Robert Frost, and Wallace Stevens. While emphasizing aesthetic continuity between the wars, Stout stresses that the poetry that emerged from each displays a greater variety than is usually recognized.
A final chapter considers Benjamin Britten’s War Requiem as a culmination and embodiment of the anti-war tradition in 20th-century poetry and music, and speculates on the reasons why, despite their abundance and eloquence, these expressions of grief and opposition to war have effected so little change.William March
University of Alabama Press, 1989
Through fragmented testimonies of Marines, the novel exposes the psychological and moral wreckage left in the wake of modern warfare.
This book was originally published in 1933. It is the first novel by William March, pen name for William Edward Campbell. Stemming directly from the author's experiences with the US Marines in France during World War I, the book consists of 113 sketches, or chapters, tracing the fictional Company K's war exploits and providing an emotional history of the men of the company that extends beyond the boundaries of the war itself.
William Edward Campbell served courageously in France as evidenced by his chestful of medals and certificates, including the Croix de Guerre, the Distinguished Service Cross, and the Navy Cross. However, without the medals and citations we would know of his bravery. For it is clear in the pages of Company K that this book was written by a man who had been to war, who had clearly seen his share of the worst of it, who had somehow survived, and who had committed himself afterward to the new bravery of sense-making embodied in the creation of major literary art. It is of that bravery that we still have the record of magnificent achievement, the brave terrible gift of Company K.
Alan Sharp
Haus Publishing, 2010
Evan P. Sullivan
University of Illinois Press, 2024