1116 books match the query 'Africa' and 65 start with c

cover of Counting the Tiger's Teeth: An African Teenager's Story

Counting the Tiger's Teeth

An African Teenager's Story

Toyin Falola

University of Michigan Press, 2016

Counting the Tiger’s Teeth narrates a crucial turning point in Nigerian history, the Agbekoya rebellion (“Peasants Reject Poverty”) of 1968-70, as chronicled by Toyin Falola, reflecting on his firsthand experiences as a teenage witness to history. Falola, the foremost scholar of Africa of this generation, illuminates the complex factors that led to this armed conflict and details the unfolding of major events and maneuvers. The narrative provides unprecedented, even poetic, access to the social fabric and dynamic cosmology of the farming communities in rebellion as they confronted the modernizing state. The postcolonial government exercised new modes of power that corrupted or neglected traditional forms of authority, ignoring urgent pleas for justice and fairness by the citizenry. What emerges, as the rural communities organized for and executed the war, is a profound story of traditional culture’s ingenuity and strength in this epic struggle over the future direction of a nation. Falola reveals the rebellion’s ambivalent legacy, the uncertainties of which inform even the present historical moment. Like Falola’s prizewinning previous memoir, A Mouth Sweeter Than Salt, this engagingly written book performs the essential service of providing a way of walking with ancestors, remembering the dead, reminding the living, and converting orality into a permanent text.
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cover of Court of Remorse: Inside the International Criminal Tribunal for Rwanda

Court of Remorse

Inside the International Criminal Tribunal for Rwanda

Thierry Cruvellier

University of Wisconsin Press, 2010

When genocidal violence gripped Rwanda in 1994, the international community recoiled, hastily withdrawing its peacekeepers. Late that year, in an effort to redeem itself, the United Nations Security Council created the International Criminal Tribunal for Rwanda to seek accountability for some of the worst atrocities since World War II: the genocide suffered by the Tutsi and crimes against humanity suffered by the Hutu. But faced with competing claims, the prosecution focused exclusively on the crimes of Hutu extremists. No charges would be brought against the Tutsi-led Rwandan Patriotic Front, which ultimately won control of the country. The UN, as if racked by guilt for its past inaction, gave in to pressure by Rwanda’s new leadership. With the Hutu effectively silenced, and the RPF constantly reminding the international community of its failure to protect the Tutsi during the war, the Tribunal pursued an unusual form of one-sided justice, born out of contrition.  
    Fascinated by the Tribunal’s rich complexities, journalist Thierry Cruvellier came back day after day to watch the proceedings, spending more time there than any other outside observer. Gradually he gained the confidence of the victims, defendants, lawyers, and judges. Drawing on interviews with these protagonists and his close observations of their interactions, Cruvellier takes readers inside the courtroom to witness the motivations, mechanisms, and manipulations of justice as it unfolded on the stage of high-stakes, global politics. It is this ground-level view that makes his account so valuable—and so absorbing. A must-read for those who want to understand the dynamics of international criminal tribunals, Court of Remorse reveals both the possibilities and the challenges of prosecuting human rights violations.
 
 
A Choice Outstanding Academic Book

Best Books for General Audiences, selected by the American Association for School Libraries and the Public Library Association

Best Books for High Schools, selected by the American Association for School Libraries
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cover of Creating Germans Abroad: Cultural Policies and National Identity in Namibia

Creating Germans Abroad

Cultural Policies and National Identity in Namibia

Daniel Joseph Walther

Ohio University Press, 2002

When World War I brought an end to German colonial rule in Namibia, much of the German population stayed on. The German community, which had managed to deal with colonial administration, faced new challenges when the region became a South African mandate under the League of Nations in 1919. One of these was the issue of Germanness, which ultimately resulted in public conversations and expressions of identity.

In Creating Germans Abroad, Daniel Walther examines this discourse and provides striking new insights into the character of the German populace in both Germany and its former colony, Southwest Africa, known today as Namibia. In addition to German colonialism, Walther considers issues of race, class, and gender and the activities of minority groups. He offers new perspectives on German cultural and national identity during the Empire, the Weimar Republic, and the Third Reich.

In a larger context, Creating Germans Abroad acts as a model for investigating the strategies and motivations of groups and individuals engaged in national or ethnic engineering and demonstrates how unforeseen circumstances can affect the nature and outcome of these endeavors.

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cover of Creating the Creole Island: Slavery in Eighteenth-Century Mauritius

Creating the Creole Island

Slavery in Eighteenth-Century Mauritius

Megan Vaughan

Duke University Press, 2005

The island of Mauritius lies in the middle of the Indian Ocean, about 550 miles east of Madagascar. Uninhabited until the arrival of colonists in the late sixteenth century, Mauritius was subsequently populated by many different peoples as successive waves of colonizers and slaves arrived at its shores. The French ruled the island from the early eighteenth century until the early nineteenth. Throughout the 1700s, ships brought men and women from France to build the colonial population and from Africa and India as slaves. In Creating the Creole Island, the distinguished historian Megan Vaughan traces the complex and contradictory social relations that developed on Mauritius under French colonial rule, paying particular attention to questions of subjectivity and agency.

Combining archival research with an engaging literary style, Vaughan juxtaposes extensive analysis of court records with examinations of the logs of slave ships and of colonial correspondence and travel accounts. The result is a close reading of life on the island, power relations, colonialism, and the process of cultural creolization. Vaughan brings to light complexities of language, sexuality, and reproduction as well as the impact of the French Revolution. Illuminating a crucial period in the history of Mauritius, Creating the Creole Island is a major contribution to the historiography of slavery, colonialism, and creolization across the Indian Ocean.

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cover of Creole Medievalism: Colonial France and Joseph Bédier’s Middle Ages

Creole Medievalism

Colonial France and Joseph Bédier’s Middle Ages

Michelle R. Warren

University of Minnesota Press, 2010

Joseph Bédier (1864-1938) was one of the most famous scholars of his day. He held prestigious posts and lectured throughout Europe and the United States, an activity unusual for an academic of his time. A scholar of the French Middle Ages, he translated Tristan and Isolde as well as France's national epic, The Song of Roland. Bédier was publicly committed to French hegemony, yet he hailed from a culture that belied this ideal-the island of Réunion in the southern Indian Ocean.

In Creole Medievalism, Michelle Warren demonstrates that Bédier's relationship to this multicultural and economically peripheral colony motivates his nationalism in complex ways. Simultaneously proud of his French heritage and nostalgic for the island, Bédier defends French sovereignty based on an ambivalent resistance to his creole culture. Warren shows that in the early twentieth century, influential intellectuals from Réunion helped define the new genre of the "colonial novel," adopting a pro-colonial spirit that shaped both medieval and Francophone studies. Probing the work of a once famous but little understood cultural figure, Creole Medievalism illustrates how postcolonial France and Réunion continue to grapple with histories too varied to meet expectations of national unity.
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cover of Critical Terms for the Study of Africa

Critical Terms for the Study of Africa

Edited by Gaurav Desai and Adeline Masquelier

University of Chicago Press, 2018

For far too long, the Western world viewed Africa as unmappable terrain—a repository for outsiders’ wildest imaginings. This problematic notion has had lingering effects not only on popular impressions of the region but also on the development of the academic study of Africa. Critical Terms for the Study of Africa considers the legacies that have shaped our understanding of the continent and its place within the conceptual grammar of contemporary world affairs.
 
Written by a distinguished group of scholars, the essays compiled in this volume take stock of African studies today and look toward a future beyond its fraught intellectual and political past. Each essay discusses one of our most critical terms for talking about Africa, exploring the trajectory of its development while pushing its boundaries. Editors Gaurav Desai and Adeline Masquelier balance the choice of twenty-five terms between the expected and the unexpected, calling for nothing short of a new mapping of the scholarly field. The result is an essential reference that will challenge assumptions, stimulate lively debate, and make the past, present, and future of African Studies accessible to students and teachers alike.
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cover of Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana

Crossing the Color Line

Race, Sex, and the Contested Politics of Colonialism in Ghana

Carina E. Ray

Ohio University Press, 2015

Winner of the 2017 Aidoo-Snyder Book Prize
Winner of the 2016 American Historical Association’s Wesley-Logan Prize in African diaspora
Finalist for the 2016 Fage and Oliver Prize from the African Studies Association of the UK

Interracial sex mattered to the British colonial state in West Africa. In Crossing the Color Line, Carina E. Ray goes beyond this fact to reveal how Ghanaians shaped and defined these powerfully charged relations. The interplay between African and European perspectives and practices, argues Ray, transformed these relationships into key sites for consolidating colonial rule and for contesting its hierarchies of power. With rigorous methodology and innovative analyses, Ray brings Ghana and Britain into a single analytic frame to show how intimate relations between black men and white women in the metropole became deeply entangled with those between black women and white men in the colony in ways that were profoundly consequential.

Based on rich archival evidence and original interviews, the book moves across different registers, shifting from the micropolitics of individual disciplinary cases brought against colonial officers who “kept” local women to transatlantic networks of family, empire, and anticolonial resistance. In this way, Ray cuts to the heart of how interracial sex became a source of colonial anxiety and nationalist agitation during the first half of the twentieth century.

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cover of Cubans in Angola: South-South Cooperation and Transfer of Knowledge, 1976–1991

Cubans in Angola

South-South Cooperation and Transfer of Knowledge, 1976–1991

Christine Hatzky

University of Wisconsin Press, 2015

Angola, a former Portuguese colony in southern central Africa, gained independence in 1975 and almost immediately plunged into more than two decades of conflict and crisis. Fidel Castro sent Cuban military troops to Angola in support of the Movimento Popular de Libertação de Angola (MPLA), leading to its ascension to power despite facing threats both international and domestic. What is less known, and what Cubans in Angola brings to light, is the significant role Cubans played in the transformation of civil society in Angola during these years. Offering not just military support but also political, medical, administrative, and technical expertise as well as educational assistance, the Cuban presence in Angola is a unique example of transatlantic cooperation between two formerly colonized nations in the global South.
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cover of Cultural Heritage in Mali in the Neoliberal Era

Cultural Heritage in Mali in the Neoliberal Era

Rosa De Jorio

University of Illinois Press, 2016

Up to 2012, Mali was a poster child of African democracy, despite multiple signs of growing dissatisfaction with the democratic experiment. Then disaster struck, bringing many of the nation's unresolved contradictions to international attention. A military coup carved off the country's south. A revolt by a coalition of Tuareg and extremist Islamist forces shook the north. The events, so violent and unexpected, forced experts to reassess Mali's democratic institutions and the neoliberal economic reforms enacted in conjunction with the move toward democracy. Rosa De Jorio's detailed study of cultural heritage and its transformations provides a key to understanding the impasse that confronts Malian democracy. As she shows, postcolonial Mali privileged its cultural heritage to display itself on the regional and international scene. The neoliberal reforms both intensified and altered this trend. Profiling heritage sites ranging from statues of colonial leaders to women's museums to historic Timbuktu, De Jorio portrays how various actors have deployed and contested notions of heritage. These actors include not just Malian administrators and politicians but UNESCO, and non-state NGOs. She also delves into the intricacies of heritage politics from the perspective of Malian actors and groups, as producers and receivers--but always highly informed and critically engaged--of international, national and local cultural initiatives.
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cover of Culture Game

Culture Game

Olu Oguibe

University of Minnesota Press, 2004

An acclaimed artist and cultural provocateur reveals the hidden biases of the contemporary art world

In self-congratulatory tones of tolerance and open-mindedness, the Western gatekeepers of the contemporary art world—gallery owners and museum curators, patrons and promoters—take great pains to demonstrate their inclusive vision of world culture. They highlight the Latin American show mounted “a few years ago” or the African works featured in a recent exhibition of non-Western artists. Non-Western artists soon discover that this veneer of liberalism masks an array of unwritten, unspoken, and unseemly codes and quotas dictating the acquisition and exhibition of their works and the success of their careers. In past decades, cultural institutions and the critical establishment in the West resisted difference; today, they are obsessed with exoticism. Both attitudes reflect firmly entrenched prejudices that prescribe the rules of what Nigerian-born artist, curator, and scholar Olu Oguibe terms the “culture game.”

In the celebrated, controversial essays gathered here, Oguibe exposes the disparities and inconsistencies of the reception and treatment afforded Western and non-Western artists; the obstacles that these contradictions create for non-Western and minority artists, especially those who live and practice in the Western metropolis; and the nature and peculiar concerns of contemporary non-Western art as it deals with the ramifications and residues of the colonial encounter as well as its own historical and cultural past. Ranging from the impact of the West’s appetite for difference on global cultural relations and the existence of a digital Third World to the African redefinition of modernity, Oguibe’s uncompromising and unapologetic criticism provides a uniquely global vision of contemporary art and culture.
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cover of Culture and Liberation: Exile Writings, 1966–1985

Culture and Liberation

Exile Writings, 1966–1985

Alex La Guma

Seagull Books, 2020

One of South Africa’s best-known writers during the apartheid era, Alex La Guma was a lifelong activist and a member of the South African Communist Party and the African National Congress. Persecuted and imprisoned by the South African regime in the 1950s and 60s, La Guma went into exile in the United Kingdom with his wife and children in 1966, eventually serving as the ANC’s diplomatic representative for Latin America and the Caribbean in Cuba. Culture and Liberation captures a different dimension of his long writing career by collecting his political journalism, literary criticism, and other short pieces published while he was in exile.
 
This volume spans La Guma’s political and literary life in exile through accounts of his travels to Algeria, Lebanon, Vietnam, Soviet Central Asia, and elsewhere, along with his critical assessments of Paul Robeson, Nadine Gordimer, Maxim Gorky, Alexander Solzhenitsyn, and Pablo Neruda, among other writers. The first dedicated collection of La Guma’s exile writing, Culture and Liberation restores an overlooked dimension of his life and work, while opening a window on a wider world of cultural and political struggles in Africa, Asia, and Latin America during the second half of the twentieth century.
 
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cover of Culture in Chaos: An Anthropology of the Social Condition in War

Culture in Chaos

An Anthropology of the Social Condition in War

Stephen C. Lubkemann

University of Chicago Press, 2007

Fought in the wake of a decade of armed struggle against colonialism, the Mozambican civil war lasted from 1977 to 1992, claiming hundreds of thousands of lives while displacing millions more. As conflicts across the globe span decades and generations, Stephen C. Lubkemann suggests that we need a fresh perspective on war when it becomes the context for normal life rather than an exceptional event that disrupts it. Culture in Chaos calls for a new point of departure in the ethnography of war that investigates how the inhabitants of war zones live under trying new conditions and how culture and social relations are transformed as a result.

Lubkemann focuses on how Ndau social networks were fragmented by wartime displacement and the profound effect this had on gender relations. Demonstrating how wartime migration and post-conflict return were shaped by social struggles and interests that had little to do with the larger political reasons for the war, Lubkemann contests the assumption that wartime migration is always involuntary. His critical reexamination of displacement and his engagement with broader theories of agency and social change will be of interest to anthropologists, political scientists, historians, and demographers, and to anyone who works in a war zone or with refugees and migrants.
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cover of Cultured States: Youth, Gender, and Modern Style in 1960s Dar es Salaam

Cultured States

Youth, Gender, and Modern Style in 1960s Dar es Salaam

Andrew Ivaska

Duke University Press, 2011

Cultured States is a vivid account of the intersections of postcolonial state power, the cultural politics of youth and gender, and global visions of modern style in Dar es Salaam, Tanzania, during the 1960s and early 1970s. Andrew Ivaska describes a cosmopolitan East African capital rocked by debates over youth culture, national cultural policy, the rumored sexual escapades of the postcolonial elite, the content of university education, leftist activism, and the reform of colonial-era marriage laws. If young Tanzanians saw themselves as full-fledged participants in modern global culture, their understandings of the modern conflicted with that of a state launching “decency campaigns” banning cultural forms such as soul music, miniskirts, wigs, and bell-bottoms. Promoted by the political elite as a radical break from the colonial order, these campaigns nonetheless contained strong echoes of colonial assumptions about culture, tradition, and African engagements with the modern city. Exploring the ambivalence over the modern at the heart of these contests, Ivaska uses them as lenses through which to analyze struggles around gender relations and sexual politics, youth and masculinity, and the competition for material resources in a Dar es Salaam in rapid flux. Cultured States is a major contribution to understandings of urban cultural politics; national political culture; social struggles around gender, generation, and wealth; and the transnational dimensions of postcolonial histories too often conceived within national frames.
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cover of Custodians of the Land: Ecology and Culture in the History of Tanzania

Custodians of the Land

Ecology and Culture in the History of Tanzania

Gregory H. Maddox

Ohio University Press, 1995

Farming and pastoral societies inhabit ever-changing environments. This relationship between environment and rural culture, politics and economy in Tanzania is the subject of this volume which will be valuable in reopening debates on Tanzanian history.

In his conclusion, Isaria N. Kimambo, a founding father of Tanzanian history, reflects on the efforts of successive historians to strike a balance between external causes of change and local initiative in their interpretations of Tanzanian history.

He shows that nationalist and Marxist historians of Tanzanian history, understandably preoccupied through the first quarter-century of the country's post-colonial history with the impact of imperialism and capitalism on East Africa, tended to overlook the initiatives taken by rural societies to transform themselves.

Yet there is good reason for historians to think about the causes of change and innovation in the rural communities of Tanzania, because farming and pastoral people have constantly changed as they adjusted to shifting environmental conditions.

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cover of Cyclonic Lives in an Indian Ocean World: Environment, Disaster, and Identity in Modern Mauritius

Cyclonic Lives in an Indian Ocean World

Environment, Disaster, and Identity in Modern Mauritius

Robert M. Rouphail

Ohio University Press, 0

Disasters as historical processes shaping identity, governance, and diasporic memory in colonial and postcolonial Mauritius

In a world marked by increasingly destructive ecological and meteorological upheavals, Cyclonic Lives in an Indian Ocean World offers a historical analysis of how these catastrophes shape people’s understanding of themselves, their collective history, and their relationship to the institutions that govern them. An examination of cyclonic disasters in the multiethnic Indian Ocean island of Mauritius throws into stark relief how deep histories of diasporic identity formation, of imperial governance, and of the informal practices of racial difference making graft onto how everyday people interpret these moments of loss and the futures that emerge in their wake.

Cyclonic Lives shows that disasters are not only events; they are also processes through which people evaluate and rethink the most elemental social and cultural categories that give meaning to their lives. Beginning in the late nineteenth century and continuing until the early postcolonial era, this book tracks, for example, how Mauritians of African descent integrated these disasters into broader collective histories and memories of the Indian Ocean slave trade, how Hindu Indo-Mauritians understood cyclones’ ecological effects as material elements to be accounted for in a broader Hindu diasporic space, and how the late colonial and early postcolonial state built infrastructures—material, conceptual, and financial—to mitigate the threats posed by these storms and ensure their own long-term durability.

The increasing political, social, and economic instability that climate change has already triggered demands that humanists develop analytical geographies and methodologies that shed light on how power can modulate in asymmetrical ways at moments of crisis. If there is one central takeaway from this historical study of this small island in a big ocean, it is that catastrophic events are not things that merely happen to people; they are processes that remake them.

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