Results by title

767 books match the query 'Hispanic & Latino Studies' and 75 start with c

cover of Conceiving Cuba: Reproduction, Women, and the State in the Post-Soviet Era

Conceiving Cuba

Reproduction, Women, and the State in the Post-Soviet Era

Andaya, Elise

Rutgers University Press, 2014

Received an Honorable Mention for the 2015 First Michelle Rosaldo Prize for a First Book in Feminist Anthropology from the Association for Feminist Anthropology

Winner of the Adele E. Clarke Book Award from ReproNetwork​

After Cuba’s 1959 revolution, the Castro government sought to instill a new social order. Hoping to achieve a new and egalitarian society, the state invested in policies designed to promote the well-being of women and children. Yet once the Soviet Union fell and Cuba’s economic troubles worsened, these programs began to collapse, with serious results for Cuban families.

Conceiving Cuba offers an intimate look at how, with the island’s political and economic future in question, reproduction has become the subject of heated public debates and agonizing private decisions. Drawing from several years of first-hand observations and interviews, anthropologist Elise Andaya takes us inside Cuba’s households and medical systems. Along the way, she introduces us to the women who wrestle with the difficult question of whether they can afford a child, as well as the doctors who, with only meager resources at their disposal, struggle to balance the needs of their patients with the mandates of the state.

Andaya’s groundbreaking research considers not only how socialist policies have profoundly affected the ways Cuban families imagine the future, but also how the current crisis in reproduction has deeply influenced ordinary Cubans’ views on socialism and the future of the revolution. Casting a sympathetic eye upon a troubled state, Conceiving Cuba gives new life to the notion that the personal is always political.
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cover of Confronting Colonial Legacies: A History of Chicana/o Indigeneities and Transnational Activism

Confronting Colonial Legacies

A History of Chicana/o Indigeneities and Transnational Activism

José Luis Serrano Nájera

University of Arizona Press, 2026

This work offers a groundbreaking account of how Chicana/o activists have engaged in sustained efforts to reclaim Indigenous identity through political struggle, cultural expression, and transnational solidarity.

Author José Luis Serrano Nájera takes an in-depth look at the history of Chicana/o indigeneity, starting with the Chicana/o Movement of the 1960s and 1970s and through twenty-first century transnational activism and solidarity movements. Serrano Nájera reveals how claims to indigeneity were rooted in reciprocal relationships with Indigenous communities and driven by a shared commitment to decolonization. Through chapters on visual and performing arts, ceremony, education, and grassroots organizing, this book challenges reductive narratives of cultural appropriation and instead foregrounds the complex and historically grounded nature of Chicana/o indigeneity.

Drawing on extensive archival research, Serrano Nájera demonstrates how Chicana/o indigeneity has contributed to broader Indigenous rights movements, including efforts that culminated in the 2007 United Nations Declaration on the Rights of Indigenous Peoples. This work highlights the intercontinental dimensions of Chicana/o activism and offers a vital source for scholars and students in Chicana/o studies, Indigenous studies, ethnic studies, history, and political science. Confronting Colonial Legacies is a compelling call to rethink the politics of identity, sovereignty, and solidarity across the Americas.

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cover of Conjured Bodies: Queer Racialization in Contemporary Latinidad

Conjured Bodies

Queer Racialization in Contemporary Latinidad

Laura Grappo

University of Texas Press, 2022

2022 Honorable Mention, John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association (PCA)
2023 Honorable Mention, Outstanding Book, Latinx Studies Section of Latin American Studies Association (LASA)
2024 Honorable Mention — Best LGBTQ+ Themed Book, Empowering Latino Futures’ International Latino Book Awards

This study argues that powerful authorities and institutions exploit the ambiguity of Latinidad in ways that obscure inequalities in the United States.

Is Latinidad a racial or an ethnic designation? Both? Neither? The increasing recognition of diversity within Latinx communities and the well-known story of shifting census designations have cast doubt on the idea that Latinidad is a race, akin to white or Black. And the mainstream media constantly cover the “browning” of the United States, as though the racial character of Latinidad were self-evident.

Many scholars have argued that the uncertainty surrounding Latinidad is emancipatory: by queering race—by upsetting assumptions about categories of human difference—Latinidad destabilizes the architecture of oppression. But Laura Grappo is less sanguine. She draws on case studies including the San Antonio Four (Latinas who were wrongfully accused of child sex abuse); the football star Aaron Hernandez’s incarceration and suicide; Lorena Bobbitt, the headline-grabbing Ecuadorian domestic-abuse survivor; and controversies over the racial identities of public Latinx figures to show how media institutions and state authorities deploy the ambiguities of Latinidad in ways that mystify the sources of Latinx political and economic disadvantage. With Latinidad always in a state of flux, it is all too easy for the powerful to conjure whatever phantoms serve their interests.

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cover of Constituting Central American–Americans: Transnational Identities and the Politics of Dislocation

Constituting Central American–Americans

Transnational Identities and the Politics of Dislocation

Cárdenas, Maritza E

Rutgers University Press, 2018

Central Americans are the third largest and fastest growing Latino population in the United States. And yet, despite their demographic presence, there has been little scholarship focused on this group. Constituting Central American-Americans is an exploration of the historical and disciplinary conditions that have structured U.S. Central American identity and of the ways in which this identity challenges how we frame current discussions of Latina/o, American ethnic, and diasporic identities. By focusing on the formation of Central American identity in the U.S., Maritza E. Cárdenas challenges us to think about Central America and its diaspora in relation to other U.S. ethno-racial identities.  
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cover of Constructing Identities in Mexican-American Political Organizations: Choosing Issues, Taking Sides

Constructing Identities in Mexican-American Political Organizations

Choosing Issues, Taking Sides

By Benjamin Márquez

University of Texas Press, 2003

A Choice Outstanding Academic Book, 2002

The formation of a group identity has always been a major preoccupation of Mexican American political organizations, whether they seek to assimilate into the dominant Anglo society or to remain separate from it. Yet organizations that sought to represent a broad cross section of the Mexican American population, such as LULAC and the American G.I. Forum, have dwindled in membership and influence, while newer, more targeted political organizations are prospering—clearly suggesting that successful political organizing requires more than shared ethnicity and the experience of discrimination.

This book sheds new light on the process of political identity formation through a study of the identity politics practiced by four major Mexican American political organizations—the Southwest Network for Environmental and Economic Justice, the Southwest Industrial Areas Foundation, the Texas Association of Mexican American Chambers of Commerce, and the Mexican American Women's National Association (now known as MANA—A National Latina Organization). Through interviews with activists in each organization and research into their records, Benjamin Marquez clarifies the racial, class-based, and cultural factors that have caused these organizations to create widely differing political identities. He likewise demonstrates why their specific goals resonate only with particular segments of the Mexican American community.

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cover of Continental Crossroads: Remapping U.S.-Mexico Borderlands History

Continental Crossroads

Remapping U.S.-Mexico Borderlands History

Samuel Truett and Elliott Young, eds.

Duke University Press, 2004

Published in Cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

The U.S.-Mexico borderlands have long supported a web of relationships that transcend the U.S. and Mexican nations. Yet national histories usually overlook these complex connections. Continental Crossroads rediscovers this forgotten terrain, laying the foundations for a new borderlands history at the crossroads of Chicano/a, Latin American, and U.S. history. Drawing on the historiographies and archives of both the U.S. and Mexico, the authors chronicle the transnational processes that bound both nations together between the early nineteenth century and the 1940s, the formative era of borderlands history.

A new generation of borderlands historians examines a wide range of topics in frontier and post-frontier contexts. The contributors explore how ethnic, racial, and gender relations shifted as a former frontier became the borderlands. They look at the rise of new imagined communities and border literary traditions through the eyes of Mexicans, Anglo-Americans, and Indians, and recover transnational border narratives and experiences of African Americans, Chinese, and Europeans. They also show how surveillance and resistance in the borderlands inflected the “body politics” of gender, race, and nation. Native heroine Bárbara Gandiaga, Mexican traveler Ignacio Martínez, Kiowa warrior Sloping Hair, African American colonist William H. Ellis, Chinese merchant Lee Sing, and a diverse cast of politicos and subalterns, gendarmes and patrolmen, and insurrectos and exiles add transnational drama to the formerly divided worlds of Mexican and U.S. history.

Contributors. Grace Peña Delgado, Karl Jacoby, Benjamin Johnson, Louise Pubols, Raúl Ramos, Andrés Reséndez, Bárbara O. Reyes, Alexandra Minna Stern, Samuel Truett, Elliott Young

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cover of Continental Shifts: Migration, Representation, and the Struggle for Justice in Latin(o) America

Continental Shifts

Migration, Representation, and the Struggle for Justice in Latin(o) America

By John D. "Rio" Riofrio

University of Texas Press, 2015

Applying a broad geographical approach to comparative Latino literary and cultural studies, Continental Shifts illuminates how the discursive treatment of Latinos changed dramatically following the enactment of NAFTA—a shift exacerbated by 9/11. While previous studies of immigrant representation have focused on single regions (the US/Mexico border in particular), specific genres (literature vs. political rhetoric), or individual groups, Continental Shifts unites these disparate discussions in a provocative, in-depth examination.

Bringing together a wide range of groups and genres, this intercultural study explores novels by Latin American and Latino writers, a border film by Tommy Lee Jones and Guillermo Arriaga, “viral” videos of political speeches, popular television programming (particularly shows that feature incarceration and public shaming), and user-generated YouTube videos. These cultural products reveal the complexity of Latino representations in contemporary discourse. While tropes of Latino migrants as threatening, diseased foreign bodies date back to the nineteenth century, Continental Shifts marks the more pernicious, recent images of Latino laborers (legal and not) in a variety of contemporary media. Using vivid examples, John Riofrio demonstrates the connections between rhetorical and ideological violence and the physical and psychological violence that has more intensely plagued Latino communities in recent decades. Culminating with a consideration of the “American” identity, this eye-opening work ultimately probes the nation’s ongoing struggle to uphold democratic ideals amid dehumanizing multiethnic tension.

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cover of Conversations Across Our America: Talking About Immigration and the Latinoization of the United States

Conversations Across Our America

Talking About Immigration and the Latinoization of the United States

By Louis G. Mendoza

University of Texas Press, 2012

In the summer of 2007, Louis G. Mendoza set off on a bicycle trip across the United States with the intention of conducting a series of interviews along the way. Wanting to move beyond the media’s limited portrayal of immigration as a conflict between newcomers and “citizens,” he began speaking with people from all walks of life about their views on Latino immigration. From the tremendous number of oral histories Mendoza amassed, the resulting collection offers conversations with forty-three different people who speak of how they came to be here and why they made the journey. They touch upon how Latino immigration is changing in this country, and how this country is being changed by Latinoization. Interviewees reflect upon the concerns and fears they’ve encountered about the transformation of the national culture, and they relate their own experiences of living and working as “other” in the United States.

Mendoza’s collection is unique in its vastness. His subjects are from big cities and small towns. They are male and female, young and old, affluent and impoverished. Many are political, striving to change the situation of Latina/os in this country, but others are “everyday people,” reflecting upon their lives in this country and on the lives they left behind. Mendoza’s inclusion of this broad swath of voices begins to reflect the diverse nature of Latino immigration in the United States today.

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cover of Conversion of a Continent: Contemporary Religious Change in Latin America

Conversion of a Continent

Contemporary Religious Change in Latin America

Steigenga, Timothy

Rutgers University Press, 2007

A massive religious transformation has unfolded over the past forty years in Latin America and the Caribbean. In a region where the Catholic Church could once claim a near monopoly of adherents, religious pluralism has fundamentally altered the social and religious landscape. 

Conversion of a Continent brings together twelve original essays that document and explore competing explanations for how and why conversion has occurred. Contributors draw on various insights from social movement theory to religious studies to help outline its impact on national attitudes and activities, gender relations, identity politics, and reverse waves of missions from Latin America aimed at the American immigrant community. 

Unlike other studies on religious conversion, this volume pays close attention to who converts, under what circumstances, the meaning of conversion to the individual, and how the change affects converts’ beliefs and actions. The thematic focus makes this volume important to students and scholars in both religious studies and Latin American studies.
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cover of Coping With Poverty: Pentecostals and Christian Base Communities in Brazil

Coping With Poverty

Pentecostals and Christian Base Communities in Brazil

Cecilia Mariz

Temple University Press, 1994

Only by understanding the enduring poverty of Brazil can one hope to understand the recent growth of Protestant evangelical churches there, Cecília Loreto Mariz contends. Her study investigates how religious groups support individualism and encourage the poor to organize. Groups with shared values are then able to develop strategies to cope with poverty and, ultimately, to transform the social structure.

Interviews with members and leaders of religious groups, accounts of meetings, and close readings of religious literature contribute to a realistic account of Christian base communities and Assembly of God churches, folk Catholic tradition, and Afro Brazilian Spiritism.

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cover of Corridors of Migration: The Odyssey of Mexican Laborers, 1600-1933

Corridors of Migration

The Odyssey of Mexican Laborers, 1600-1933

Rodolfo F. Acuña

University of Arizona Press, 2007

A Choice Outstanding Academic Title

In the San Joaquin Valley Cotton Strike of 1933, frenzied cotton farmers murdered three strikers, intentionally starved at least nine infants, wounded dozens of people, and arrested more. While the story of this incident has been recounted from the perspective of both the farmers and, more recently, the Mexican workers, this is the first book to trace the origins of the Mexican workers’ activism through their common experience of migrating to the United States.

Rodolfo F. Acuña documents the history of Mexican workers and their families from seventeenth-century Chihuahua to twentieth-century California, following their patterns of migration and describing the establishment of communities in mining and agricultural regions. He shows the combined influences of racism, transborder dynamics, and events such as the industrialization of the Southwest, the Mexican Revolution, and World War I in shaping the collective experience of these people as they helped to form the economic, political, and social landscapes of the American Southwest in their interactions with agribusiness and absentee copper barons.

Acuña follows the steps of one of the murdered strikers, Pedro Subia, reconstructing the times and places in which his wave of migrants lived. By balancing the social and geographic trends in the Mexican population with the story of individual protest participants, Acuña shows how the strikes were in fact driven by choices beyond the Mexican workers’ control. Their struggle to form communities graphically retells how these workers were continuously uprooted and their organizations destroyed by capital. Corridors of Migration thus documents twentieth-century Mexican American labor activism from its earliest roots through the mines of Arizona and the Great San Joaquin Valley cotton strike.

From a founding scholar of Chicano studies and the author of fifteen books comes the culmination of three decades of dedicated research into the causes and effects of migration and labor activism. The narrative documents how Mexican workers formed communities against all odds.
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cover of Couture and Consensus: Fashion and Politics in Postcolonial Argentina

Couture and Consensus

Fashion and Politics in Postcolonial Argentina

Regina A. Root

University of Minnesota Press, 2010

Following Argentina’s revolution in 1810, the dress of young patriots inspired a nation and distanced its politics from the relics of Spanish colonialism. Fashion writing often escaped the notice of authorities, allowing authors to masquerade political ideas under the guise of frivolity and entertainment. In Couture and Consensus, Regina A. Root maps this pivotal and overlooked facet of Argentine cultural history, showing how politics emerged from dress to disrupt authoritarian practices and stimulate creativity in a newly independent nation.
 
Drawing from genres as diverse as fiction, poetry, songs, and fashion magazines, Root offers a sartorial history that produces an original understanding of how Argentina forged its identity during the regime of Juan Manuel de Rosas (1829–1852), a critical historical time. Couture and Consensus closely analyzes military uniforms, women’s dress, and the novels of the era to reveal fashion’s role in advancing an agenda and disseminating political goals, notions Root connects to the contemporary moment.
 
An insightful presentation of the discourse of fashion, Couture and Consensus also paints a riveting portrait of Argentine society in the nineteenth century—its politics, people, and creative forces.
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cover of Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island

Creating Aztlán

Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island

Dylan A. T. Miner

University of Arizona Press, 2014

In lowriding culture, the ride is many things—both physical and intellectual. Embraced by both Xicano and other Indigenous youth, lowriding takes something very ordinary—a car or bike—and transforms it and claims it.

Using the idea that lowriding is an Indigenous way of being in the world, artist and historian Dylan A. T. Miner discusses the multiple roles that Aztlán has played at various moments in time, from the pre-Cuauhtemoc codices through both Spanish and American colonial regimes, past the Chicano Movement and into the present day. Across this “migration story,” Miner challenges notions of mestizaje and asserts Aztlán, as visualized by Xicano artists, as a form of Indigenous sovereignty.

Throughout this book, Miner employs Indigenous and Native American methodologies to show that Chicano art needs to be understood in the context of Indigenous history, anticolonial struggle, and Native American studies. Miner pays particular attention to art outside the U.S. Southwest and includes discussions of work by Nora Chapa Mendoza, Gilbert “Magú” Luján, Santa Barraza, Malaquías Montoya, Carlos Cortéz Koyokuikatl, Favianna Rodríguez, and Dignidad Rebelde, which includes Melanie Cervantes and Jesús Barraza.

With sixteen pages of color images, this book will be crucial to those interested in art history, anthropology, philosophy, and Chicano and Native American studies. Creating Aztlán interrogates the historic and important role that Aztlán plays in Chicano and Indigenous art and culture.
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cover of Creating Ourselves: African Americans and Hispanic Americans on Popular Culture and Religious Expression

Creating Ourselves

African Americans and Hispanic Americans on Popular Culture and Religious Expression

Anthony B. Pinn and Benjamín Valentín, eds.

Duke University Press, 2009

Creating Ourselves is a unique effort to lay the cultural and theological groundwork for cross-cultural collaboration between the African and Latino/a American communities. In the introduction, the editors contend that given overlapping histories and interests of the two communities, they should work together to challenge social injustices. Acknowledging that dialogue is a necessary precursor to collaboration, they maintain that African and Latino/a Americans need to cultivate the habit of engaging “the other” in substantive conversation. Toward that end, they have brought together theologians and scholars of religion from both communities. The contributors offer broadly comparative exchanges about the religious and theological significance of various forms of African American and Latino/a popular culture, including representations of the body, literature, music, television, visual arts, and cooking.

Corresponding to a particular form of popular culture, each section features two essays, one by an African American scholar and one by a Latino/a scholar, as well as a short response by each scholar to the other’s essay. The essays and responses are lively, varied, and often personal. One contributor puts forth a “brown” theology of hip hop that celebrates hybridity, contradiction, and cultural miscegenation. Another analyzes the content of the message transmitted by African American evangelical preachers who have become popular sensations through television broadcasts, video distribution, and Internet promotions. The other essays include a theological reading of the Latina body, a consideration of the “authenticity” of representations of Jesus as white, a theological account of the popularity of telenovelas, and a reading of African American ideas of paradise in one of Toni Morrison’s novels. Creating Ourselves helps to make popular culture available as a resource for theology and religious studies and for facilitating meaningful discussions across racial and ethnic boundaries.

Contributors. Teresa Delgado, James H. Evans Jr., Joseph De León, Cheryl Kirk-Duggan, Angel F. Méndez Montoya, Alexander Nava, Anthony B. Pinn, Mayra Rivera, Suzanne E. Hoeferkamp Segovia, Benjamín Valentín, Jonathan L. Walton, Traci C. West, Nancy Lynne Westfield, Sheila F. Winborne

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cover of Critical Approaches to the Films of Robert Rodriguez

Critical Approaches to the Films of Robert Rodriguez

By Frederick Luis Aldama

University of Texas Press, 2015

Frederick Aldama’s The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez’s feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez’s films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling).

The volume is divided into three parts: “Matters of Mind and Media” includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez’s films complicate Latino identity, as well as how they succeed in remaking audiences’ preconceptions of the world. “Narrative Theory, Cognitive Science, and Sin City: A Case Study” offers tools and models of analysis for the study of Rodriguez’s film re-creation of a comic book (on which Frank Miller was credited as codirector). “Aesthetic and Ontological Border Crossings and Borderlands” considers how Rodriguez’s films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez’s career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.

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cover of Critical Ethnic Studies: A Reader

Critical Ethnic Studies

A Reader

Critical Ethnic Studies Editorial Collective

Duke University Press, 2016

Building on the intellectual and political momentum that established the Critical Ethnic Studies Association, this Reader inaugurates a radical response to the appropriations of liberal multiculturalism while building on the possibilities enlivened by the historical work of Ethnic Studies. It does not attempt to circumscribe the boundaries of Critical Ethnic Studies; rather, it offers a space to promote open dialogue, discussion, and debate regarding the field's expansive, politically complex, and intellectually rich concerns. Covering a wide range of topics, from multiculturalism, the neoliberal university, and the exploitation of bodies to empire, the militarized security state, and decolonialism, these twenty-five essays call attention to the urgency of articulating a Critical Ethnic Studies for the twenty-first century. 
 
 
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cover of Critical Perspectives on Latino Education in Massachusetts

Critical Perspectives on Latino Education in Massachusetts

Lorna Rivera and Melissa Colón, editors

University of Massachusetts Press, 2025

In Massachusetts, the Latino population increased by 475 percent between 1980 and 2017, marking a dramatic growth. This diverse ethnic community of Puerto Ricans, Dominicans, Salvadoreans, Colombians, Brazilians, and more also contains a wide range of cultures, immigration and migration experiences, languages, and socio-political backgrounds. However, there are numerous commonalities involving education. Recent research at the Mauricio Gastón Institute for Latino Community Development and Policy reveals that Latino students in Massachusetts are more likely to attend public schools, in communities with significant academic achievement and opportunity gaps as well as other challenges, from food scarcity to higher rates of unemployment. At the same time, the state-wide shift to standards-based education has had a disproportionately negative impact on Latino students, who already feel the effects of politically motivated anti-immigrant policies and laws that limit bilingual education.

This collection of essays, from those working inside the classroom as well as researchers taking a broader look at policy, addresses the array of issues facing Latino students in Massachusetts. These perspectives paint a complex picture of the educational experience for Latinos, and offer expert suggestions for improving classrooms, school environments, and ultimate educational outcomes for an important growing demographic in the Commonwealth.

In addition to editors Lorna Rivera and Melissa Colón, this volume’s contributors include Almudena G. Abeyta, Nasteho Ali, Cristina Araujo Brinkerhoff, Michael Berardino, Alex Briesacher, Thomas Conroy, Judenie Dabel, Liya Escalera, Luis Enrique Esquivel, Deyja Enriquez, Isahiah Erilus, Nyal Fuentes, Jazmin Rubi Flete Gomez, Manuel Frau-Ramos, Kimberly A. S. Howard, Patricia Krueger-Henney, Steven Lue, Mary Jo Marion, Timothy E. Murphy, Cecilia Nardi, Laurie Occhipinti, Alexandra Oliver-Davila, Chong Myung Park, Angelica Rodriquez, Marta T. Rosa, Diana Santiago, Melissa Sargent, Ester Shapiro, V. Scott H. Solberg, Fabián Torres-Ardila, Ashley Torres Carrasquillo, Paul Trunfio, Carmen N. Veloria, and Heilam Xie.

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cover of Crossing Borders: Changing Social Identities in Southern Mexico

Crossing Borders

Changing Social Identities in Southern Mexico

Kimberly M. Grimes

University of Arizona Press, 1998

"Defining borders is a complex task, especially today as globalization accelerates at an unprecedented rate. We have entered a transnational age, one in which borders are more porous." So says Kimberly M. Grimes in Crossing Borders: Changing Social Identities in Southern Mexico, her investigation of migration to the United States from Putla de Guerrero, Oaxaca. Featuring testimonies of residents and migrants, Grimes allows local voices to describe the ways in which Putlecans find themselves negotiating among competing social values. The testaments of the Putlecans indicate that the changes occurring in their small town as a result of the circular migration to and from such immigrant enclaves as Atlantic City, New Jersey, are viewed with mixed emotions. Putlecans recognize the financial need to migrate north but they rue the increased consumerism, pollution, and trash that comes with the rising wealth. Men show off by driving their fancy cars with New Jersey tags around the tiny Mexican town, but influenced by Anglo culture, they also provide greater assistance in child care and housework. Women find the sexual and social freedoms of the United States liberating, but they still return home to baptize their babies. Grimes reminds us, however, that the Putlecans are not passive recipients of change but are actively embracing it, creating it, and mediating it. By reaching across the border to investigate migration, Grimes shows us that social and cultural change are not just the result of national and transnational influences, but are also locally negotiated phenomena.
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cover of Crowding Out Latinos

Crowding Out Latinos

Marco Portales

Temple University Press, 2000

In this groundbreaking analysis, Marco Portales examines the way in which education and the media act as immobilizing social forces to shape the Latino world that exists despite the best efforts of many Mexican Americans and other Latinos. The delicate relationships between what Latinos are and what they seem to be, as perceived both by the larger society and by Latinos themselves, create and craft a culture that students of American culture have not sufficiently studied or understood.

As bandidos or gigolos, drug users or unwed mothers, Latinos continue to figure in the public consciousness primarily as undesirables. Despite decades of effort by Spanish-speaking Americans to improve their image in the United States, Mexican Americans and other resident Latinos are still largely perceived by other Americans as  poverty-stricken immigrants and second-class citizens. Accordingly, the great majority of Latino citizens receive substandard educations, equipping them for substandard jobs in substandard living environments.

The lives of Mexican Americans and other Latinos, Portales contends, can best be illuminated by looking at the history of Chicanos and particularly Chicano literature, which dramatizes the impact of education and the media on Latinos. Like Irish literature, Chicano literature has sought to articulate and to establish itself as a postcolonial voice that has struggles for national attention. Through psychological and sociopolitical representations, Chicano writers have variously used anger, indifference, fear, accommodation, and other conflicting emotions and attitudes to express how it feels to be seen as an immigrant or a foreigner in one's own country.

Portales looks at four Chicano literary works -- Americo Paredes' George Washington Gomez, Anthony Quinn's The Original Sin, Sandra Cisnero's House on Mango Street, and Ana Castillo's Massacre of the Dreamers -- to focus attention on social issues that impede the progress of Latinos. By doing so, he hopes to engage both Latino and non-Latino Americans in an overdue dialogue about the power of education and the media to form perceptions that can either empower or repress Latino citizens.
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cover of Cuban Miami

Cuban Miami

Robert M Levine

Rutgers University Press, 2000

For two centuries, Cuban exiles have found their way to the United States, especially to Florida. But since Castro's victory in 1959, Miami has seen almost one million Cubans arrive by sea and air. The impact on this area has been enormous. Miami---known as the "Exile Capital"---has a greater cultural affinity to Havana and the rest of Latin America than to Tallahassee, Florida's capital.

Cuban Miami is the first analytical, photographic record of Cuban migration to south Florida. Robert M. Levine and Moises Asis have interviewed members of every sector of the Cuban exile community, from the first pioneers to the mass waves in the early 1960s to those who arrived by raft during the late 1990s. In their wide-ranging investigation of Cuban-U.S. history, they touch upon all aspects of Cuban influence: politics, cuisine, music, assimilation, discrimination, and institution buildings. Miami has more Cuban food establishments than the nearby island does. The city has been fertile ground for germinating a unique synthesis of Cuban and Americans are the most prosperous immigrant group in the United States today, this success has come at a price---living in exile can exact a personal toll.

Cuban Miami is a feast for the eyes, including 180 photographs and original cartoons drawn for the book by Jose M. Varela, a well-known member of the Cuban-American community.

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cover of Cuban Palimpsests

Cuban Palimpsests

Jose Quiroga

University of Minnesota Press, 2005

Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. 

In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. 

From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. 

José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America.
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cover of Cultura y Corazón: A Decolonial Methodology for Community Engaged Research

Cultura y Corazón

A Decolonial Methodology for Community Engaged Research

Rosa D. Manzo, Lisceth Brazil-Cruz, Yvette G. Flores, and Hector Rivera-Lopez

University of Arizona Press, 2020

Cultura y Corazón is a research approach and practice that is rooted in the work of Latinx and Chicanx scholars and intellectuals. The book documents best practices for Community Based and Participatory Action Research (CBPAR), which is both culturally attuned and scientifically demonstrated. This methodology takes a decolonial approach to engaging community members in the research process and integrates critical feminist and indigenous epistemologies.

Cultura y Corazón presents case studies from the authors’ work within the fields of education and health. It offers key strategies to working in partnership with marginalized Latinx communities that are grounded in deep respect for the communities’ cultures and lived experiences. This book is intended for students, researchers, and practitioners who want to work with vulnerable populations through a community-based approach that truly respects and integrates culture, values, and funds of knowledge.
 
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cover of Cultural Residues: Chile In Transition

Cultural Residues

Chile In Transition

Nelly Richard

University of Minnesota Press, 2004

A complex portrait of postdictatorial Chile by one of that country’s most incisive cultural critics, this book uses memoirs, photographs, the plastic arts, novels, and other texts—the “residues” of a culture—to analyze the political-cultural Chilean landscape in the wake of Augusto Pinochet’s seventeen-year military rule. Such residual areas reveal the flaws and lapses in Chile’s transition from violent military dictatorship to electoral democracy.

Nelly Richard's analysis ranges from an exploration of false memories of the recent past—especially memories of violence—to a discussion of the university under neoliberalism; from debates about the use of the word “gender” to an examination of refractory texts and cultural activities such as Diamela Eltit’s “testimonio” of a schizophrenic vagabond, Eugenio Dittborn’s use of photography in art installations, and transvestite performances. In Cultural Residues, each instance becomes a suggestive metaphor for understanding a rapidly modernizing Chile attempting to re-democratize its public life.

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cover of Culture across Borders: Mexican Immigration and Popular Culture

Culture across Borders

Mexican Immigration and Popular Culture

Edited by David R. Maciel and María Herrera-Sobek

University of Arizona Press, 1998

For as long as Mexicans have emigrated to the United States they have responded creatively to the challenges of making a new home. But although historical, sociological, and other aspects of Mexican immigration have been widely studied, its cultural and artistic manifestations have been largely overlooked by scholars—even though Mexico has produced the greatest number of cultural works inspired by the immigration process. And recently Chicana/o artists have addressed immigration as a central theme in their cultural productions and motifs. Culture across Borders is the first and only book-length study to analyze a wide range of cultural manifestations of the immigration experience, including art, literature, cinema, corridos, and humor. It shows how Mexican immigrants have been depicted in popular culture both in Mexico and the United States—and how Mexican and Chicano/Chicana artists, intellectuals, and others have used artistic means to protest the unjust treatment of immigrants by U.S. authorities. Established and upcoming scholars from both sides of the border contribute their expertise in art history, literary criticism, history, cultural studies, and other fields, capturing the many facets of the immigrant experience in popular culture. Topics include the difference between Chicano/a and Mexican representation of immigration; how films dealing with immigrants are treated differently by Mexican, Chicano, and Hollywood producers; the rich literary and artistic production on immigration themes; and the significance of immigration in Chicano jokes. As a first step in addressing the cultural dimensions of Mexican immigration to the United States, this book captures how the immigration process has inspired powerful creative responses on both sides of the border.
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cover of Curandereando: Sacred Decolonial Healing

Curandereando

Sacred Decolonial Healing

Lani Cupchoy

University of Arizona Press, 2026

Curandereando: Sacred Decolonial Healing reclaims curanderismo as a living and revolutionary practice of ancestral wisdom, resilience, and renewal. Blending poetry, Spanglish storytelling, oral histories, and testimonios, this hybrid work illuminates healing as both a sacred tradition and a decolonial act of resistance.

The book traces curanderismo’s survival under colonial oppression, its adaptations across diasporas, and its vital role in addressing contemporary struggles for ecological balance, cultural survival, and social justice. By centering diverse healers and community voices, it resists folkloric portrayals and instead presents curanderismo as an evolving practice deeply relevant to today’s crises.

Accessible yet scholarly, Curandereando bridges sacred traditions with academic discourse, challenging Western medical dominance while offering holistic frameworks grounded in ancestral knowledge. This book is an essential resource for Chicana/o and Latina/o studies, ethnic studies, Indigenous studies, gender and sexuality studies, and environmental justice. It will also resonate with community healers, educators, and readers seeking decolonial approaches to wellness, spirituality, and cultural renewal.

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