Results by title

2194 books match the query 'Women's Studies' and 132 start with c

cover of Constituting Workers, Protecting Women: Gender, Law and Labor in the Progressive Era and New Deal Years

Constituting Workers, Protecting Women

Gender, Law and Labor in the Progressive Era and New Deal Years

Julie Novkov

University of Michigan Press, 0

Constitutional considerations of protective laws for women were the analytical battlefield on which the legal community reworked the balance between private liberty and the state's authority to regulate. Julie Novkov focuses on the importance of gender as an analytical category for the legal system.
During the Progressive Era and New Deal, courts often invalidated generalized protective legislation, but frequently upheld measures that limited women's terms and conditions of labor. The book explores the reasoning in such cases that were decided between 1873 and 1937. By analyzing all reported opinion on the state and federal level, as well as materials from the women's movement and briefs filed in the U.S. Supreme Court, the study demonstrates that considerations of cases involving women's measures ultimately came to drive the development of doctrine.
The study combines historical institutionalism and feminism to address constitutional interpretation, showing that an analysis of conflict over the meaning of legal categories provides a deeper understanding of constitutional development. In doing so, it rejects purely political interpretations of the so-called Lochner era, in which the courts invalidated many legislative efforts to ameliorate the worst effects of capitalism. By addressing the dynamic interactions among interested laypersons, attorneys, and judges, it demonstrates that no individuals or institutions have complete control over the generation of constitutional meaning.
Julie Novkov is Assistant Professor of Political Science, University of Oregon
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cover of Constructing Inequality: The Fabrication of a Hierarchy of Virtue among the Etoro

Constructing Inequality

The Fabrication of a Hierarchy of Virtue among the Etoro

Raymond C. Kelly

University of Michigan Press, 1993

In Constructing Inequality, Raymond C. Kelly makes a crucial contribution to a central and enduring issue in social theory: the primary source and central locus for the production of inequality in simple (classless) societies. Kelly grounds his thesis in an incisive critique of prior theoretical formulations and a comprehensive analysis of a key ethnographic case, the Etoro of Papua New Guinea.Previous theorists have designated “brideservice” or “simple” societies—in which age, gender, and personal characteristics are the predominant basis of social differentiation—as models of egalitarian societies. But Kelly departs from this view. He evaluates such theories against the relevant data derived from studying the Etoro, and, in so doing, shows that a close examination of the Etoro case reveals basic flaws in both the brideservice model and the theory of social inequality that informs it.Kelly traces the foundations of Etoro social inequality to a male-exclusive shamanic elite’s propagation of a metaphysical doctrine that comprehends reproduction, the spiritual constitution of a person, and the life-cycle transformations of ‘growth, maturation, senescence, and death. Kelly determines that this cosmological system grounds a scheme of social differentiation in which moral evaluation is intrinsically embedded. Social inequality is thus fabricated as a moral hierarchy, or hierarchy of virtue.
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cover of Constructions of the Classical Body

Constructions of the Classical Body

James I. Porter, Editor

University of Michigan Press, 2002

Classical scholarship has traditionally neglected the prominence of the body in antiquity. Constructions of the Classical Body theorizes that the study of antiquity is necessarily a study of the body, and that attention to this fact can lead to a much-needed shift in the way in which classical studies are approached today. This volume aims to reestablish the relevance of the problem of the body at the perimeters of several different kinds of inquiry, and, in this way, to help open up a field of possibilities for future study. The range covered by the essays in this volume is sweeping: from Corinthian vaseware to Athenian and Roman politics, poetry from Homer to Ovid, medical writers from the Hippocratic corpus to the diary of Aelius Aristides (second century c.e.), philosophy (Seneca, Porphyry), the Greek novel, Christian apocrypha, Ovid's medieval reception, and twentieth century film. This range is a consequence of the multidisciplinarity that any study of the body requires, and it attests to the particular richness of the body in classical antiquity and as an object for study today. The volume illustrates that body is located between traditional borders, not within them; the body dissolves traditional objects of study and joins areas usually kept apart. Retracing the fate of the body is thus a way of rendering antiquity truly strange again -- it allows us to see the past afresh, with open eyes. This volume includes essays by Carlin A. Barton, Anne Carson, Eric Downing, Catherine Edwards, Maud W. Gleason, John Henderson, Ralph Hexter, S. C. Humphreys, Helen King, Leslie Kurke, Robert Lamberton, David S. Potter, Amy Richlin, Giulia Sissa, Maria Wyke, and Froma I. Zeitlin, along with an introduction by James I. Porter. ". . . a superb collection, one that I know will be most welcome not only in the field of classical studies, but in the libraries of all those interested in the history and historicity of the body." --Page duBois, University of California, San Diego

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cover of Consuming Motherhood

Consuming Motherhood

Taylor, Janelle S

Rutgers University Press, 2004

Consuming Motherhood addresses the provocative question of how motherhood and consumption—as ideologies and as patterns of social action—mutually shape and constitute each other in contemporary North American and European social life. Ideologically, motherhood and consumption are often constructed in opposition to each other, with motherhood standing in as a naturalized social relation that is thought to be uniquely free of the calculating instrumentality that dominates commercial relations. Yet, in social life, motherhood and consumption are inseparable. Whether shopping for children’s clothing or childbirth services, or making decisions about adopting children, becoming a mother (and maternal practice more generally) is deeply influenced by consumption. How can the relationship between motherhood and consumption be revealed, and critically analyzed? Consuming Motherhood brings together a group of sociologists, anthropologists, and religious studies scholars to address this question through carefully grounded ethnographic studies. This insightful book reveals how mothers negotiate the contradictory forces that position them as both immune from and the target of consumerist tendencies in contemporary global society.

 

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cover of Content Machines: Reading and Writing in the Platform Era

Content Machines

Reading and Writing in the Platform Era

Sarah Brouillette

Duke University Press, 2026

While much has been said about the democratization of publishing through the rise of platforms like Amazon’s Kindle Direct Publishing, little attention has been paid to the broader effect these technologies have had on writers, readers, and the publishing industry. In Content Machines, Sarah Brouillette considers how short-form, platform-based, and social media writing on digital mediums like Wattpad and TikTok has reshaped modern publishing, reading, and writing. Brouillette identifies three mutually reinforcing processes that platform capitalism entangles in the publishing industry: the marked feminization of book work; the rise of a bibliotherapeutic vocabulary that grounds reading and writing as self-care work; and the growth of platform-based processes that cheapen content and intensify the pressure to engage in self-promotion and entrepreneurial strategizing. She breaks down the business models that have been key to this transformation and traces the social conditions that make online self-published fiction, especially young adult, romance, and fantasy stories, into spaces for community while, conversely, signaling how these publishing practices depend upon undervalued and feminized labor from marginalized groups. Content Machines is a much-needed survey of the contours of the modern reading and writing landscape.
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cover of Contentious Lives: Two Argentine Women, Two Protests, and the Quest for Recognition

Contentious Lives

Two Argentine Women, Two Protests, and the Quest for Recognition

Javier Auyero

Duke University Press, 2003

Contentious Lives examines the ways popular protests are experienced and remembered, individually and collectively, by those who participate in them. Javier Auyero focuses on the roles of two young women, Nana and Laura, in uprisings in Argentina (the two-day protest in the northwestern city of Santiago del Estero in 1993 and the six-day road blockade in the southern oil towns of Cutral-co and Plaza Huincul in 1996) and the roles of the protests in their lives. Laura was the spokesperson of the picketers in Cutral-co and Plaza Huincul; Nana was an activist in the 1993 protests. In addition to exploring the effects of these episodes on their lives, Auyero considers how each woman's experiences shaped what she said and did during the uprisings, and later, the ways she recalled the events. While the protests were responses to the consequences of political corruption and structural adjustment policies, they were also, as Nana’s and Laura’s stories reveal, quests for recognition, respect, and dignity.

Auyero reconstructs Nana’s and Laura’s biographies through oral histories and diaries. Drawing on interviews with many other protesters, newspaper articles, judicial records, government reports, and video footage, he provides sociological and historical context for their stories. The women’s accounts reveal the frustrations of lives overwhelmed by gender domination, the deprivations brought about by hyper-unemployment and the withering of the welfare component of the state, and the achievements and costs of collective action. Balancing attention to large-scale political and economic processes with acknowledgment of the plurality of meanings emanating from personal experiences, Contentious Lives is an insightful, penetrating, and timely contribution to discussions of popular resistance and the combined effects of globalization, neoliberal economic policies, and political corruption in Argentina and elsewhere.

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cover of Contested Terrain: Reflections with Afghan Women Leaders

Contested Terrain

Reflections with Afghan Women Leaders

Sally L Kitch

University of Illinois Press, 2014

Sally L. Kitch explores the crisis in contemporary Afghan women’s lives by focusing on two remarkable Afghan professional women working on behalf of their Afghan sisters. Kitch's compelling narrative follows the stories of Judge Marzia Basel and Jamila Afghani from 2005 through 2013, providing an oft-ignored perspective on the personal and professional lives of Afghanistan's women. Contending with the complex dynamics of a society both undergoing and resisting change, Basel and Afghani speak candidly--and critically--of matters like international intervention and patriarchal Afghan culture, capturing the ways in which immense possibility alternates and vies with utter hopelessness. Strongly rooted in feminist theory and interdisciplinary historical and geopolitical analysis, Contested Terrain sheds new light on the struggle against the powerful forces that affect Afghan women's education, health, political participation, livelihoods, and quality of life. The book also suggests how a new dialogue might be started--in which women from across geopolitical boundaries might find common cause for change and rewrite their collective stories.
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cover of Contesting Archives: Finding Women in the Sources

Contesting Archives

Finding Women in the Sources

Edited by Nupur Chaudhuri, Sherry J. Katz, and Mary Elizabeth Perry

University of Illinois Press, 2010

The contributors of Contesting Archives challenge the assumption that an archive is a neutral, immutable, and a historical repository of information. Instead, these historians view it as a place where decisions are made about whose documents--and therefore whose history--is important. Finding that women's voices and their texts were often obscured or lost altogether, they have developed many new methodologies for creating unique archives and uncovering more evidence by reading documents "against the grain," weaving together many layers of information to reveal complexities and working collectively to reconstruct the lives of women in the past.

Global in scope, this volume demonstrates innovative research on diverse women from the sixteenth century to the present in Spain, Mexico, Tunisia, India, Iran, Poland, Mozambique, and the United States. Addressing gender, race, class, nationalism, transnationalism, and migration, these essays' subjects include indigenous women of colonial Mexico, Muslim slave women, African American women of the early twentieth century, Bengali women activists of pre-independence India, wives and daughters of Qajar rulers in Iran, women industrial workers in communist Poland and socialist Mozambique, and women club owners in modern Las Vegas. A foreword by Antoinette Burton adroitly synthesizes the disparate themes woven throughout the book.

Contributors are Janet Afary, Maryam Ameli-Rezai, Antoinette Burton, Nupur Chaudhuri, Julia Clancy-Smith, Mansoureh Ettehadieh, Malgorzata Fidelis, Joanne L. Goodwin, Kali Nicole Gross, Daniel S. Haworth, Sherry J. Katz, Elham Malekzadeh, Mary Elizabeth Perry, Kathleen Sheldon, Lisa Sousa, and Ula Y. Taylor.

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cover of Contingent Maps: Rethinking Western Women's History and the North American West

Contingent Maps

Rethinking Western Women's History and the North American West

Edited by Susan E. Gray and Gayle Gullett

University of Arizona Press, 2014

Contingent Maps is an appeal to all who read, write, and care about the history of women in the North American West. Susan E. Gray and Gayle Gullett, former co-editors of Frontiers: A Journal of Women Studies, argue that the discipline of Western women’s history, despite its many years of accomplishment, remains “the stepsister to both U.S. women’s history and the New Western history.” The problem, they assert, is one of place. Western women’s history remains unhappily chained to one place, Frederick Jackson Turner’s mythical frontier, where white civilization vanquished Indigenous savagery. Drawing on the work of feminist geographers, Gray and Gullett contend that the West is better understood as a place of many places.

Contingent Maps demonstrates how employing place as an analytical tool transforms Western women’s history. Gray and Gullett depict place as not only a physical location but as a way of understanding, as the spatial configuration of power relations that are always in flux. As a place and many places, the West is therefore always being constructed. All maps are contingent, as Gray and Gullett’s reading of the articles in this collection attest. Contingent Maps offers histories of Wests ranging from the nineteenth century to the near present. This synthesis of feminist history and geography has the potential to revitalize the field of Western women’s history.
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cover of Contours of Change: Muslim Courts, Women, and Islamic Society in Colonial Bathurst, the Gambia, 1905-1965

Contours of Change

Muslim Courts, Women, and Islamic Society in Colonial Bathurst, the Gambia, 1905-1965

Bala Saho

Michigan State University Press, 2018

Based on a previously unexamined body of qadi court records as well as two hundred oral interviews in Wolof and Mandinka, Contours of Change: Muslim Courts, Women, and Islamic Society in Colonial Bathurst, the Gambia, 1905–1965, offers a new perspective on the impact of British rule in West Africa. It focuses on the formation of present-day Banjul and the role of law, religion, and gender relations. Specifically, this volume explores how colonization affected the evolution of women’s understanding of the importance of law in securing their rights, and how urban women used the new qadi court system to fight for greater rights in the domestic sphere. The fascinating cases discussed in the text show that male Muslim judges often were sympathetic to women’s claims, and that, as a result, the qadi court created opportunities for women to acquire property rights and negotiate patriarchal relationships. Contours of Change sheds light on African subjectivities and the broader social, economic, and political changes taking place in colonial Gambian society during the first half of the twentieth century. This text breaks new ground in Senegambian history and makes a significant contribution to British colonial studies, African legal studies, Islam in Africa studies, and women’s history studies.
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cover of Convents and the Body Politic in Late Renaissance Venice

Convents and the Body Politic in Late Renaissance Venice

Jutta Gisela Sperling

University of Chicago Press, 2000

In late sixteenth-century Venice, nearly 60 percent of all patrician women joined convents, and only a minority of these women did so voluntarily. In trying to explain why unprecedented numbers of patrician women did not marry, historians have claimed that dowries became too expensive. However, Jutta Gisela Sperling debunks this myth and argues that the rise of forced vocations happened within the context of aristocratic culture and society.

Sperling explains how women were not allowed to marry beneath their social status while men could, especially if their brides were wealthy. Faced with a shortage of suitable partners, patrician women were forced to offer themselves as "a gift not only to God, but to their fatherland," as Patriarch Giovanni Tiepolo told the Senate of Venice in 1619. Noting the declining birth rate among patrician women, Sperling explores the paradox of a marriage system that preserved the nobility at the price of its physical extinction. And on a more individual level, she tells the fascinating stories of these women. Some became scholars or advocates of women's rights, some took lovers, and others escaped only to survive as servants, prostitutes, or thieves.



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cover of Conversational Rhetoric: The Rise and Fall of a Women's Tradition, 1600-1900

Conversational Rhetoric

The Rise and Fall of a Women's Tradition, 1600-1900

Jane Donawerth

Southern Illinois University Press, 2011

Much of the scholarly exchange regarding the history of women in rhetoric has emphasized women’s rhetorical practices. In Conversational Rhetoric: The Rise and Fall of a Women’s Tradition, 1600–1900, Jane Donawerth traces the historical development of rhetorical theory by women for women, studying the moments when women produced theory about the arts of communication in alternative genres—humanist treatises and dialogues, defenses of women’s preaching, conduct books, and elocution handbooks. She examines the relationship between communication and gender and between theory and pedagogy and argues that women constructed a theory of rhetoric based on conversation, not public speaking, as a model for all discourse. 

Donawerth traces the development of women’s rhetorical theory through the voices of English and American women (and one much-translated French woman) over three centuries. She demonstrates how they cultivated theories of rhetoric centered on conversation that faded once women began writing composition textbooks for mixed-gender audiences in the latter part of the nineteenth century. She recovers and elucidates the importance of the theories in dialogues and defenses of women’s education by Bathsua Makin, Mary Astell, and Madeleine de Scudéry; in conduct books by Hannah More, Lydia Sigourney, and Eliza Farrar; in defenses of women’s preaching by Ellen Stewart, Lucretia Mott, Catherine Booth, and Frances Willard; and in elocution handbooks by Anna Morgan, Hallie Quinn Brown, Genevieve Stebbins, and Emily Bishop. In each genre, Donawerth explores facets of women’s rhetorical theory, such as the recognition of the gendered nature of communication in conduct books, the incorporation of the language of women’s rights in the defenses of women’s preaching, and the adaptation of sentimental culture to the cultivation of women’s bodies as tools of communication in elocution books. 

Rather than a linear history, Conversational Rhetoric follows the starts, stops, and starting over in women’s rhetorical theory. It covers a broad range of women’s rhetorical theory in the Anglo-American world and places them in their social, rhetorical, and gendered historical contexts. This study adds women’s rhetorical theory to the rhetorical tradition, advances our understanding of women’s theories and their use of rhetoric, and offers a paradigm for analyzing the differences between men’s and women’s rhetoric from 1600 to 1900.
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cover of Cookstove Chronicles: Social Life of a Women’s Technology in India

Cookstove Chronicles

Social Life of a Women’s Technology in India

Meena R. Khandelwal

University of Arizona Press, 2024

Stove improvers have been designing and promoting “clean” or “efficient” biomass cookstoves in India since the 1940s and have been frustrated to find their carefully engineered stoves abandoned in trash heaps or repurposed as storage bins, while the traditional mud chulha retains a central place in the kitchen. Why do so many Indian women continue to use wood-burning, smoke-spewing stoves when they have other options?

Based on anthropological research in Rajasthan, Cookstove Chronicles argues that the supposedly obsolete chulha persists because it offers women control over the tools needed to feed their families. Their continued use of old stoves alongside the new is not a failure to embrace new technologies but instead a strategy to maximize flexibility and autonomy. The chulha is neither the villain nor hero of this story. It produces particulate matter that harms people’s bodies, leaves soot on utensils and walls, and accelerates glacial melting and atmospheric warming. Yet it also depends on renewable biomass fuel and supports women’s autonomy as a local, do-it-yourself technology.

Meena Khandelwal, a feminist anthropologist, describes her collaboration with engineers, archaeologists, and others. She employs critical social theory and reflections from fieldwork to bring together research from a range of fields, including history, geography, anthropology, energy and environmental studies, public health, and science and technology studies (STS). In so doing she not only demystifies multidisciplinary research but also highlights the messy reality of actual behavior.

Cookstove Chronicles critically examines why, despite extensive development efforts, use of the chulha persists. It offers an important new framework for looking at development, technology, environmental change, and human behavior.
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cover of Corporal Rhetoric: Regulating Reproduction in the Progressive Era

Corporal Rhetoric

Regulating Reproduction in the Progressive Era

Barbara Schneider

University of Alabama Press, 2021

Examines public discourse from the Progressive Era over the state’s right to regulate women’s bodies and their reproduction

When Justice Oliver Wendell Holmes determined in 1927 that sterilization was a legitimate means of safeguarding the nation’s health, he was asserting the state’s right to regulate the production of the national body. His opinion represented a culmination of arguments about reproduction and immigration that had been circulating for years but that intensified during the Progressive Era. Arguments about reproductive and immigration practices surged to the foreground, and tectonic shifts in the conceptual schemes and practices of reproduction in the United States followed.

Drawing on feminist historiography and genre studies, Corporal Rhetoric: Regulating Reproduction in the Progressive Era explores the rhetoric of medical research, new technologies, and material practices that shifted the idea of childbirth as an act of God or Nature to a medical procedure enacted by male physicians on the bodies of women made passive by both drugs and discourse. Barbara Schneider considers how efficiency, the hallmark of scientific management, was raised to a cardinal virtue by its inclusions in the powerful mediums of presidential speeches, national educational policies, and eugenics discourse to reclassify babies, long regarded as gifts, as either valuable assets or defective products.

Schneider shows how the legal system drew upon medicine, scientific management, and the emerging discipline of sociology to restrict women’s labor in order to preserve reproductive capacity, categorized by Supreme Court opinions as a public good rather than a private capacity. Throughout, she ties the arguments developed during this era to current debates about mothering rhetorics, reproductive rights, immigration, and conceptions of the nation.

By weaving together medical research reports, clinical practices, case studies, legal opinions and legislative acts, and the epistemology of scientific management, Schneider illuminates the network that women such as Margaret Sanger, Jane Addams, Lillian Gilbreth and multiple others negotiated as they sought to give women room to exercise their reproductive capacity. Through her analysis of the machinery of these discourses and the material uptake of their genres in the daily practices of reproductive bodies, Schneider offers a provisional theory of corporal rhetoric that begins to answer the call for a new material theory of the body.

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cover of Counter Cultures: Saleswomen, Managers, and Customers in American Department Stores, 1890-1940

Counter Cultures

Saleswomen, Managers, and Customers in American Department Stores, 1890-1940

Susan Porter Benson

University of Illinois Press, 1986

The luxurious appearance and handsome profits of American department stores from 1890 to 1940 masked a three-way struggle among saleswomen, managers, and customers for control of the selling floor. Counter Cultures explores the complex nature and contradictions of the conflict in an arena where class, gender, and the emerging culture of consumption all came together. The result is a fascinating illumination of the emotional labor of the workplace and the work-culture of consumerism that still defines the workday for millions of Americans.
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cover of Courting Desire: Litigating for Love in North India

Courting Desire

Litigating for Love in North India

Rama Srinivasan

Rutgers University Press, 2020

Inquiries into marital patterns can serve as an effective lens to analyze social structures and material cultures not only on the question of sexuality, but also on the nature of a private citizen’s engagement with state and law. Through ethnographic research in courtrooms, community,and kinship spaces, the author outlines the transformations in material culture and political economy that have led to renewed negotiations on the institution of marriage in North India, especially in legal spaces. Tracing organically evolving notions of sexual consent and legal subjectivity, Courting Desire underlines how non-normative decisions regarding marriage become possible in a region otherwise known for high instances of honor killings and rigid kinship structures. Aspirations for consensual relationships have led to a tentative attempt to forge relationships that are non-normative but grudgingly approved after state intervention. The book traces this nascent and under-explored trend in the North Indian landscape.  
 
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cover of Crack Mothers: Pregnancy, Drugs, and the Media

Crack Mothers

Pregnancy, Drugs, and the Media

Drew Humphries

The Ohio State University Press, 1999

In Crack Mothers, Drew Humphries asserts that medicine and criminal justice have always been at odds on the subject of drug use. One treats drug users as patients, the other as criminals. However, beginning in the late 1980s, the “crack mother” scare led to an unprecedented alliance between doctors and prosecutors in some states, where doctors turned addicted pregnant women over to the police for arrest, trial, and incarceration.

Humphries analyzes the public reaction to crack cocaine and the policies instituted to combat it. She shows us that more often than not, policies were generated by the fears that crack mothers were harbingers of even more serious social problems. The media’s construction of the crack mother as a model of depravity is, she argues, a reflection of mainstream desires and fears, not a reflection of truth. Humphries offers a more balanced view of the women who use crack and the policies that have been adopted to stop them.

Humphries does not dwell on the transgressions of crack mothers, nor does she endorse the punitive measures of the drug war policy makers. After ten years of studying a wide range of state policies, she finds that zero tolerance, mandatory sentences, and interdiction have not only failed to reduce drug use but also increased the sense of persecution among the urban poor and contributed to the crisis of overcrowding in courts and prisons. Moreover, she states, before crack mothers became a media spectacle, no one had considered the special needs of women in designing drug treatment programs. Crack Mothers is a timely and important contribution to our growing understanding of maternal health, treatment, and drug use.
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cover of Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States

Cracking Up

Black Feminist Comedy in the Twentieth and Twenty-First Century United States

Katelyn Hale Wood

University of Iowa Press, 2021

Cracking Up archives and analyzes Black feminist stand-up comedy in the United States over the past sixty years. Looking closely at the work of Jackie “Moms” Mabley, Mo’Nique, Wanda Sykes, Sasheer Zamata, Sam Jay, Phoebe Robinson, Jessica Williams, Amanda Seales, and Michelle Buteau, this book shows how Black feminist comedy and the laughter it ignites are vital components of feminist, queer, and anti-racist protest.

Katelyn Hale Wood interprets these artists not as tokens in a white, male-dominated field, but as part of a continuous history of Black feminist performance and presence. Broadly, Cracking Up frames stand-up comedy as an important platform from which to examine citizenship in the United States, articulate Black feminist political thought, and subvert structures of power. Wood also champions comedic performance and theatre history as imperative contexts for advancing historical studies of race, gender, and sexuality. From the comedy routines popular on Black vaudeville circuits to stand-up on contemporary social media platforms, Cracking Up excavates an overlooked history of Black women who have made the art of joke-telling a key part of radical performance and political engagement.
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cover of Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace

Crafting Selves

Power, Gender, and Discourses of Identity in a Japanese Workplace

Dorinne K. Kondo

University of Chicago Press, 1990

"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo's book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women's studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist

"Kondo's work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies
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cover of Creating Rosie the Riveter: Class, Gender, and Propaganda during World War II

Creating Rosie the Riveter

Class, Gender, and Propaganda during World War II

Maureen Honey

University of Massachusetts Press, 1984

Creating Rosie the Riveter examines advertisements and fiction published in the Saturday Evening Post and True Story in order to show how propaganda was used to encourage women to enter the work force.
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cover of Credit, Fashion, Sex: Economies of Regard in Old Regime France

Credit, Fashion, Sex

Economies of Regard in Old Regime France

Clare Haru Crowston

Duke University Press, 2013

In Old Regime France credit was both a central part of economic exchange and a crucial concept for explaining dynamics of influence and power in all spheres of life. Contemporaries used the term credit to describe reputation and the currency it provided in court politics, literary production, religion, and commerce. Moving beyond Pierre Bourdieu's theorization of capital, this book establishes credit as a key matrix through which French men and women perceived their world. As Clare Haru Crowston demonstrates, credit unveils the personal character of market transactions, the unequal yet reciprocal ties binding society, and the hidden mechanisms of political power.

Credit economies constituted "economies of regard" in which reputation depended on embodied performances of credibility. Crowston explores the role of fashionable appearances and sexual desire in leveraging credit and reconstructs women's vigorous participation in its gray markets. The scandalous relationship between Queen Marie Antoinette and fashion merchant Rose Bertin epitomizes the vertical loyalties and deep social divides of the credit regime and its increasingly urgent political stakes.

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cover of Criminal Woman, the Prostitute, and the Normal Woman

Criminal Woman, the Prostitute, and the Normal Woman

Cesare Lombroso and Guglielmo Ferrero

Duke University Press, 2004

Cesare Lombroso is widely considered the founder of the field of criminology. His theory of the “born” criminal dominated discussions of criminology in Europe and the Americas from the 1880s into the early twentieth century. His book, La donna delinquente, originally published in Italian in 1893, was the first and most influential book ever written on women and crime. This comprehensive new translation gives readers a full view of his landmark work.

Lombroso’s research took him to police stations, prisons, and madhouses where he studied the tattoos, cranial capacities, and sexual behavior of criminals and prostitutes to establish a female criminal type. Criminal Woman, the Prostitute, and the Normal Woman anticipated today’s theories of genetic criminal behavior. Lombroso used Darwinian evolutionary science to argue that criminal women are far more cunning and dangerous than criminal men. Designed to make his original text accessible to students and scholars alike, this volume includes extensive notes, appendices, a glossary, and more than thirty of Lombroso’s own illustrations. Nicole Hahn Rafter and Mary Gibson’s introduction, locating his theory in social context, offers a significant new interpretation of Lombroso’s place in criminology.

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cover of Critical Perspectives in International Studies

Critical Perspectives in International Studies

Frank P. Harvey and Michael Brecher, Editors

University of Michigan Press, 2002

Critical Perspectives in International Studies offers an exciting survey of recent approaches to the study of international politics, including critical theory, radical theory, constructivism, postmodernism, system change, and feminist and gender perspectives. The authors—among the founders and leaders of these innovative ways to comprehend and re-present world politics—reflect on the strengths and weaknesses of each school of thought and suggest future research agendas.
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cover of Critical Terms for the Study of Gender

Critical Terms for the Study of Gender

Edited by Catharine R. Stimpson and Gilbert Herdt

University of Chicago Press, 2014

“Gender systems pervade and regulate human lives—in law courts and operating rooms, ballparks and poker clubs, hair-dressing salons and kitchens, classrooms and playgroups. . . . Exactly how gender works varies from culture to culture, and from historical period to historical period, but gender is very rarely not at work. Nor does gender operate in isolation. It is linked to other social structures and sources of identity.”
 
So write women’s studies pioneer Catharine R. Stimpson and anthropologist Gilbert Herdt in their introduction to Critical Terms for the Study of Gender, laying out the wide-ranging nature of this interdisciplinary and rapidly changing field. The sixth in the series of “Critical Terms” books, this volume provides an indispensable introduction to the study of gender through an exploration of key terms that are a part of everyday discourse in this vital subject.
 
Following Stimpson and Herdt’s careful account of the evolution of gender studies and its relation to women’s and sexuality studies, the twenty-one essays here cast an appropriately broad net, spanning the study of gender and sexuality across the humanities and social sciences. Written by a distinguished group of scholars, each essay presents students with a history of a given term—from bodies to utopia—and explains the conceptual baggage it carries and the kinds of critical work it can be made to do. The contributors offer incisive discussions of topics ranging from desire, identity, justice, and kinship to love, race, and religion that suggest new directions for the understanding of gender studies. The result is an essential reference addressed to students studying gender in very different disciplinary contexts.
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cover of Crossing Borders, Claiming a Nation: A History of Argentine Jewish Women, 1880–1955

Crossing Borders, Claiming a Nation

A History of Argentine Jewish Women, 1880–1955

Sandra McGee Deutsch

Duke University Press, 2010

In Crossing Borders, Claiming a Nation, Sandra McGee Deutsch brings to light the powerful presence and influence of Jewish women in Argentina. The country has the largest Jewish community in Latin America and the third largest in the Western Hemisphere as a result of large-scale migration of Jewish people from European and Mediterranean countries from the 1880s through the Second World War. During this period, Argentina experienced multiple waves of political and cultural change, including liberalism, nacionalismo, and Peronism. Although Argentine liberalism stressed universal secular education, immigration, and individual mobility and freedom, women were denied basic citizenship rights, and sometimes Jews were cast as outsiders, especially during the era of right-wing nacionalismo. Deutsch’s research fills a gap by revealing the ways that Argentine Jewish women negotiated their own plural identities and in the process participated in and contributed to Argentina’s liberal project to create a more just society.

Drawing on extensive archival research and original oral histories, Deutsch tells the stories of individual women, relating their sentiments and experiences as both insiders and outsiders to state formation, transnationalism, and cultural, political, ethnic, and gender borders in Argentine history. As agricultural pioneers and film stars, human rights activists and teachers, mothers and doctors, Argentine Jewish women led wide-ranging and multifaceted lives. Their community involvement—including building libraries and secular schools, and opposing global fascism in the 1930s and 1940s—directly contributed to the cultural and political lifeblood of a changing Argentina. Despite their marginalization as members of an ethnic minority and as women, Argentine Jewish women formed communal bonds, carved out their own place in society, and ultimately shaped Argentina’s changing pluralistic culture through their creativity and work.

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cover of Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana

Crossing the Color Line

Race, Sex, and the Contested Politics of Colonialism in Ghana

Carina E. Ray

Ohio University Press, 2015

Winner of the 2017 Aidoo-Snyder Book Prize
Winner of the 2016 American Historical Association’s Wesley-Logan Prize in African diaspora
Finalist for the 2016 Fage and Oliver Prize from the African Studies Association of the UK

Interracial sex mattered to the British colonial state in West Africa. In Crossing the Color Line, Carina E. Ray goes beyond this fact to reveal how Ghanaians shaped and defined these powerfully charged relations. The interplay between African and European perspectives and practices, argues Ray, transformed these relationships into key sites for consolidating colonial rule and for contesting its hierarchies of power. With rigorous methodology and innovative analyses, Ray brings Ghana and Britain into a single analytic frame to show how intimate relations between black men and white women in the metropole became deeply entangled with those between black women and white men in the colony in ways that were profoundly consequential.

Based on rich archival evidence and original interviews, the book moves across different registers, shifting from the micropolitics of individual disciplinary cases brought against colonial officers who “kept” local women to transatlantic networks of family, empire, and anticolonial resistance. In this way, Ray cuts to the heart of how interracial sex became a source of colonial anxiety and nationalist agitation during the first half of the twentieth century.

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cover of Crossings: "Varied Imagination" and "Living between Languages"

Crossings

"Varied Imagination" and "Living between Languages"

Sylvia Molloy

Seagull Books, 2025

A captivating exploration of identity, language, and memory, weaving together whimsical and profound vignettes that challenge our understanding of home and self in a multicultural world.

In Crossings, Sylvia Molloy embarks on an evocative exploration of the intricate and profound experience of living between languages, cultures, and geographies. A pioneering Argentine writer, fluent in Spanish, English, and French, Molloy inhabited all three languages, shuttling back, forth, and between, aware that each place and each language bring forth a different self.

The short entries that make up “Varied Imagination” and “Living Between Languages”—the two collections gathered in this volume for the first time—revolve around an interrelated set of questions. What makes “home”? Does language make or destabilize a sense of home? How does speaking a language or switching between languages perform one’s place in the world? These vignettes capture the realization that the most seemingly natural things in life—such as home, language, and identity—depend entirely on performance. Each act, each word communicates something, means something, does something to their specific audience; another audience might react quite differently. Molloy wrote, rewrote, edited, and reworked to find the right mix to express the estar entre or “between” that was her life.

In this compelling volume, Molloy’s reflections on the fluidity of identity and the transient nature of home resonate deeply, prompting readers to contemplate the profound connections between language, place, memory, and lived experience.
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cover of Cuir Dissidence: Tracing Restorative Criticism and Breaking Bonds with the Mexican Canon

Cuir Dissidence

Tracing Restorative Criticism and Breaking Bonds with the Mexican Canon

Francesca Dennstedt

Vanderbilt University Press, 2025

In Cuir Dissidence, Francesca Dennstedt uses affect and queer feminist theory to rethink the boundaries and hierarchies of the Mexican literary canon. Steeped in ideas of male genius and intrinsic aesthetic quality, the canon has long marginalized women writers by overlooking their contributions or placing their work into literary categories that perpetuate stereotypes about femininity. In response to this history of erasure and neglect, Dennstedt shows how women writers who identify as non-heterosexual or whose work is focused on critique of heteropatriarchal power structures have challenged the very idea of the canon through affect and non-conformity. Over the course of four chapters, she examines how writers like Inés Arredondo, Rosa Maria Roffiel, and Cristina Rivera Garza employ alternative sexual intimacies, gender dissidence, collective authorship, and experimental blending of genres to actively reject the canon. In addition to these creative readings of Mexican women writers, Dennstedt centers her own affective response to these texts to further challenge the traditional boundaries of literary criticism. The book thus prompts readers to see the intellectual project of these writers as a premeditated act of rebellion, one that can help deconstruct the power structures deeply ingrained in Mexican literature written in Spanish and create a space for these voices to flourish across time.
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cover of Cultivating Health: Los Angeles Women and Public Health Reform

Cultivating Health

Los Angeles Women and Public Health Reform

Koslow, Jennifer

Rutgers University Press, 2009

At the dawn of the Progressive Era, when America was experiencing an industrial boom, many working families often ate contaminated food, lived in decaying urban tenements, and had little access to medical care. In a city that demanded change, Los Angeles women, rather than city officials, championed the call to action.

Cultivating Health, an interdisciplinary chronicle, details women's impact on remaking health policy, despite the absence of government support. Combining primary source and municipal archival research with comfortable prose, Jennifer Lisa Koslow explores community nursing, housing reform, milk sanitation, childbirth, and the campaign against venereal disease in late nineteenth and early twentieth century Los Angeles. She demonstrates how women implemented health care reform and civic programs while laying the groundwork for a successful transition of responsibility back to government.

Koslow highlights women's home health care and urban policy-changing accomplishments and pays tribute to what would become the model for similar service-based systems in other American centers.

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cover of Cupcakes, Pinterest, and Ladyporn: Feminized Popular Culture in the Early Twenty-First Century

Cupcakes, Pinterest, and Ladyporn

Feminized Popular Culture in the Early Twenty-First Century

Edited by Elana Levine

University of Illinois Press, 2015

Media expansion into the digital realm and the continuing segregation of users into niches has led to a proliferation of cultural products targeted to and consumed by women. Though often dismissed as frivolous or excessively emotional, feminized culture in reality offers compelling insights into the American experience of the early twenty-first century.

Elana Levine brings together writings from feminist critics that chart the current terrain of feminized pop cultural production. Analyzing everything from Fifty Shades of Grey to Pinterest to pregnancy apps, contributors examine the economic, technological, representational, and experiential dimensions of products and phenomena that speak to, and about, the feminine. As these essays show, the imperative of productivity currently permeating feminized pop culture has created a generation of texts that speak as much to women's roles as public and private workers as to an impulse for fantasy or escape.

Incisive and compelling, Cupcakes, Pinterest, and Ladyporn sheds new light on contemporary women's engagement with an array of media forms in the context of postfeminist culture and neoliberalism.

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cover of Curved Thought and Textual Wandering: Gertrude Stein's Postmodernism

Curved Thought and Textual Wandering

Gertrude Stein's Postmodernism

Ellen E. Berry

University of Michigan Press, 1992

This wide-ranging and provocative study traces Gertrude Stein's production of avant-garde texts that radically disrupted traditional notions of how fiction should be defined, valued, and read. The book combines feminist and postmodern perspectives to illuminate new facets of Stein’s novels and to situate them within an expanded definition of the postmodern. The author argues that if we fail to consider the contexts within which postmodern innovations occur, and if we subsume all formal disruptions under a generalized postmodern mode, we obscure important differences among authors and distort the notion of the postmodern itself.The study expands our understanding of Stein as a novelist and a narrative theorist, repositions her work within a revised notion of literary history, and thus clarifies points of relation and divergence between modernism and postmodernism. It also assists in the historicizing of the postmodern literary emergence by insisting on the centrality of gender as a category of analysis. Finally, it argues for the importance of constructing definitions of postmodernism that will allow space to consider the complexity and diversity of its cultural practices. Curved Thought and Textual Wandering will be welcomed by scholars of modernism, of Gertrude Stein, and of feminist and narrative theory and postmodern culture.
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cover of Cutting and the Pedagogy of Self-Disclosure

Cutting and the Pedagogy of Self-Disclosure

Jeffrey Berman

University of Massachusetts Press, 2007

Cutting, a form of self-mutilation, is a growing problem in the United States, especially among adolescent females. It is regarded as self-destructive behavior, yet paradoxically, people who cut themselves generally do not wish to die but to find relief from unbearable psychological pain. 

Cutting and the Pedagogy of Self-Disclosure is the first book to explore how college students write about their experiences as cutters. The idea behind the book arose when Patricia Hatch Wallace, a high school English teacher, wrote a reader-response diary for a graduate course taught by Professor Jeffrey Berman in which she revealed for the first time that she had cut herself twenty years earlier. At Berman's suggestion, Wallace wrote her Master's thesis on cutting. Not long after she finished her thesis, two students in Berman's expository writing course revealed their own experiences as cutters. Their disclosures encouraged several students in another writing class to share their own cutting stories with classmates. Realizing that so many students were writing about the same phenomenon, Berman and Wallace decided to write a book about a subject that is rarely discussed inside or outside the classroom. 

In Part 1, Wallace discusses clinical and theoretical aspects of cutting and then applies these insights to several memoirs and novels, including Susanna Kaysen's Girl, Interrupted, Caroline Kettlewell's Skin Game, and Patricia McCormick's Cut. The motivation behind Wallace's research was the desire to learn more about herself, and she reads these stories through her own experience as a cutter. In Part 2, Berman focuses on the pedagogical dynamics of cutting: how undergraduate students write about cutting, how their writings affect classmates and teachers, and how students who cut themselves can educate everyone in the classroom about a problem that has personal, psychological, cultural, and educational significance.

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