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West of the Four Corners and east of the Colorado River, in southeastern Utah, a unique one-hundred-mile-long, two-hundred-foot-high, serrated cliff cuts the sky. Whether viewed as barrier wall or sheltering sanctuary, Comb Ridge has helped define life and culture in this region for thousands of years. Today, the area it crosses is still relatively remote, though an important part of a scenic complex of popular tourist destinations that includes Natural Bridges National Monument and Grand Gulch just to the west, Glen Canyon National Recreation Area and Lake Powell a bit farther west, Canyonlands National Park to the north, Hovenweep National Monument to the east, and the San Juan River and Monument Valley to the south. Prehistorically Comb Ridge split an intensively used Ancient Puebloan homeland. It later had similar cultural—both spiritual and practical—significance to Utes, Paiutes, and Navajos and played a crucial role in the history of European American settlement. To tell the story of this rock that is unlike any other rock in the world and the diverse people whose lives it has affected, Robert S. McPherson, author of multiple books on Navajos and on the Four Corners region, draws on the findings of a major, federally funded project to research the cultural history of Comb Ridge. He carries the story forward to contention over present and future uses of Comb Ridge and the spectacular country surrounding it.

The book is the winner of the 2009 Utah Book Award for Nonfiction.

Loomis provides a clear and disturbing picture of military land-use planning and how it has affected residents in Nevada. He contends that a lack of citizen participation in the development of land-use plans is a weakness in the planning process and that both the military and the citizenry should take an active role to avoid future conflicts.

Pegged pants poodle skirts, record hops, rock ‘n’ roll, soda shops: in the interval between the bombing of Hiroshima and the assassination of John F. Kennedy, these were distinguishing marks of the "typical" postwar teenager-if there was a "typical" teenager. In this richly illustrated account of Youth in postwar Buffalo, William Graebner argues that the so-called Youth culture was really a variety of "disparate subcultures, united by age but in conflict over class, race, ethnicity, and gender." Using scrap books, oral histories, school Yearbooks, and material culture, he shows how Buffalo teenagers were products of diverse and often antagonistic subcultures. The innocuous strains of "Rock Around the Clock" muffled the seething gang loyalties and countercultural influence of James Dean, Marlon Brando, and Buffalo’s own "Hound Dog" Lorenz. Racial antipathies once held in check spilled out on Memorial Day, 1956, when white and black Youth clashed on board a take Erie pleasure boat in a "riot" that recast the city’s race relations for decades to come.

While exploring the diversity within Youth subcultures, Graebner examines the ways in which adults—educators, clergy, representatives of the media, and other authorities—sought to contain this generation. The Hi-Teen Club, Buffalo Plan dress code, record hops, graduation ceremonies, film censorship, and restrictions on secret societies and on corner lounging were all forms of social engineering that reinforced social and economic boundaries that were at the heart of the dominant culture. The prevailing adult influence on activities, attitudes, and style served to redirect the "misguided Youth" of the fifties and to obliterate their image from public memory. Although the media still portrays this decade as the golden age of cultural homogeneity, the diversity in musical preferences, hair and clothing styles, and allegiances to disc jockeys suggest the wide diversity of Youth experiences and challenges to adult authority that were part of coming of age in postwar America.

Between 2011 and 2015, Arkansas commemorated the 150th anniversary of the American Civil War with re-enactments, lectures, placement of historical markers, and a wide variety of other events that were collectively attended by more than 375,000 people. While the sesquicentennial commemoration highlighted the Civil War events that occurred in the state and honored the people who experienced the war in Arkansas, the question of the war’s significance to modern Arkansas remained.

Competing Memories: The Legacy of Arkansas’s Civil War collects the proceedings of the final seminar sponsored by the Arkansas Civil War Sesquicentennial Commission, which sought to define the lasting impact that the nation’s deadliest conflict had on the state by bringing together some of the state’s leading historians.

In these essays, Thomas A. DeBlack explores the post-war lives of both Union and Confederate soldiers who played prominent roles in Civil War Arkansas. Cherisse Jones-Branch delves into the lives of black Arkansans during the war and Reconstruction. Jeannie Whayne discusses the many ways the Civil War affected the state’s economic development, while Kelly Houston Jones investigates the Civil War’s impact on Arkansas women. Mary Jane Warde examines the devastating effects of the Civil War on Native Americans in Arkansas and the Indian Territory. Elliott West scrutinizes Civil War Arkansas from a continental perspective, and Carl Moneyhon considers the evolution of how we remember the Civil War.

Shawn Hall's immensely popular guidebooks to Nevada ghost towns have become essential resources for backcountry explorers and scholars alike. Now Hall returns to Elko County to survey the county's railroad and stage stations, as well as other sites not included in his earlier survey of this colorful section of the state. As in his earlier volumes, Hall includes a history of each site he lists, along with period and contemporary photographs, directions for locating the sites, and an assessment of their present condition. His historical accounts, based on a wide range of primary and secondary sources, are both scholarly and engaging, rich in anecdotes and personalities, and in the fascinating minutia of history often ignored by more academic writers. Shawn Hall's dedication to documenting Nevada's thousands of historic sites has enriched our knowledge of the state's relatively brief but very eventful past. Connecting the West is a worthy addition to Hall's remarkable efforts to preserve the state's history.

An unprecedented look at nuclear politics in California Vehement, widespread opposition accompanied the rise of the U.S. nuclear industry during the 1960s and 1970s. In Conservation Fallout, John Wills examines one of the most controversial atomic projects of the period: Pacific Gas and Electric Company’s decision to build its premier nuclear power plant at Diablo Canyon, a relatively unsettled, biologically rich, and especially scenic part of the central California coastline. Two competing visions of California emerged while the plant underwent construction. Environmentalists used Diablo as a symbol of impending ecological doomsday, while PG&E envisioned it as the model that would usher in a new age of energy production. The Sierra Club almost disbanded over whether to condone or protest the reactor project. Divisions also emerged in the local community as residents and politicians, enticed by the promise of cheap electricity and lucrative tax revenues, found themselves pitted against others who feared the dangers of radiation in their own backyards. The controversy intensified when a fault line was discovered within three miles of the plant. Grassroots groups The Mothers for Peace, a local women’s group, and The Abalone Alliance, a statewide nonviolent direct-action organization, did their utmost to stop the plant from going on-line. In 1979, an Alliance rally in San Francisco attracted 25,000 people, while 40,000 others gathered in San Luis Obispo. During a two-week-long blockade of the Diablo plant in 1981, over 1,900 activists were jailed, the largest arrest in the history of American antinuclear protest. Despite its significance in the history of twentieth-century environmental issues and the continuing debate over the safety of nuclear power, the full story of Diablo Canyon has not been told until now. Wills bases his account on extensive interviews with the individuals involved, as well as on the archives of the Sierra Club, several protest organizations, public agencies, PG&E, and others. The result is an engaging, balanced examination of nuclear politics in California. By focusing on one of the last wild places in the state and its transformation into a major technological center, and on the evolution and strategies of the little-studied grassroots protest groups determined to protect California and resist the spread of nuclear technology, Wills has made a major contribution to our understanding of America’s nuclear age.

Thomas Eakins’ 1875 painting, The Gross Clinic, the Rocky Statue, andthe Barnes Foundation are all iconic in Philadelphia for different reasons. But around the year 2000, this painting, this sculpture, and this entire art collection, respectively, generated extended—and heated—controversies about the “appropriate” location for each item. Contested Image revisits the debates that surrounded these works of visual culture and how each item changed through acts of reception—through the ways that viewers looked at, talked about, and used these objects to define their city.

Laura Holzman investigates the negotiations and spirited debates that affected the city of Philadelphia’s identity and its public image. She considers how the region’s cultural resources reshaped the city’s reputation as well as delves into discussions about official efforts to boost local spirit. In tracking these “contested images,” Holzman illuminates the messy process of public envisioning of place and the ways in which public dialogue informs public meaning of both cities themselves and the objects of urban identity.

A remarkable multifaceted history, Contested Territories examines a region that played an essential role in America's post-revolutionary expansion—the Lower Great Lakes region, once known as the Northwest Territory. As French, English, and finally American settlers moved westward and intersected with Native American communities, the ethnogeography of the region changed drastically, necessitating interactions that were not always peaceful. Using ethnohistorical methodologies, the seven essays presented here explore rapidly changing cultural dynamics in the region and reconstruct in engaging detail the political organization, economy, diplomacy, subsistence methods, religion, and kinship practices in play. With a focus on resistance, changing worldviews, and early forms of self-determination among Native Americans, Contested Territories demonstrates the continuous interplay between actor and agency during an important era in American history.

The Colorado River is a vital resource to urban and agricultural communities across the Southwest, providing water to 30 million people. Contested Waters tells the river's story-a story of conquest, control, division, and depletion.

Beginning in prehistory and continuing into the present day, Contested Waters focuses on three important and often overlooked aspects of the river's use: the role of western water law in its over-allocation, the complexity of power relationships surrounding the river, and the concept of sustainable use and how it has been either ignored or applied in recent times. It is organized in two parts, the first addresses the chronological history of the river and long-term issues, while the second examines in more detail four specific topics: metropolitan perceptions, American Indian water rights, US-Mexico relations over the river, and water marketing issues. Creating a complete picture of the evolution of this crucial yet over-utilized resource, this comprehensive summary will fascinate anyone interested in the Colorado River or the environmental history of the Southwest.

In the late 1870s, Jefferson County, Alabama, and the town of Elyton (near the future Birmingham) became the focus of a remarkable industrial and mining revolution. Together with the surrounding counties, the area was penetrated by railroads. Surprisingly large deposits of bituminous coal, limestone, and iron ore—the exact ingredients for the manufacture of iron and, later, steel—began to be exploited. Now, with transportation, modern extractive techniques, and capital, the region’s geological riches began yielding enormous profits.

The Copts, or Egyptian Christians, are a relatively small and tight-knit ethno-religious group, numbering perhaps three thousand people and living mostly in the Detroit metropolitan area. Since they began immigrating to Michigan in the mid-1960s, their community has grown exponentially.
     Granted exceptional access to the Coptic community, Eliot Dickinson provides the first in- depth profile of this unique and remarkably successful immigrant group. Drawing on personal interviews to infuse the book with warmth and depth. Copts in Michigan offers readers a compelling view into this vibrant community.

Teddy Roosevelt’s head sculpted from butter. The Liberty Bell replicated in oranges. The Sioux City Corn Palace of 1891 encased with corn, grains, and grasses and stretching for two city blocks—with a trolley line running down its center. Between 1870 and 1930, from county and state fairs to the world’s fairs, large exhibition buildings were covered with grains, fruits, and vegetables to declare in no uncertain terms the rich agricultural abundance of the United States. At the same fairs—but on a more intimate level—ice-cooled cases enticed fairgoers to marvel at an array of butter sculpture models including cows, buildings, flowers, and politicians, all proclaiming the rich bounty and unending promise held by the region.

Often viewed as mere humorous novelties—fun and folksy, but not worthy of serious consideration—these lively forms of American art are described by Pamela H. Simpson in a fascinating and comprehensive history. From the pioneering cereal architecture of Henry Worrall at the Philadelphia Centennial Exposition to the vast corn palaces displayed in Sioux City, Iowa, and elsewhere between 1877 and 1891, Simpson brings to life these dazzling large-scale displays in turn-of-the-century American fairs and festivals. She guides readers through the fascinating forms of crop art and butter sculpture, as they grew from state and regional fairs to a significant place at the major international exhibitions. The Minnesota State Fair’s Princess Kay of the Milky Way contest, Lillian Colton’s famed pictorial seed art, and the work of Iowa’s “butter cow lady,” Norma “Duffy” Lyon, are modern versions of this tradition.

Beautifully illustrated with a bounty of never-before-seen archival images, Corn Palaces and Butter Queens is an accessible history of one of America’s most unique and beguiling Midwestern art forms—an amusing and peculiar phenomenon that profoundly affected the way Americans saw themselves and their country’s potential during times of drought and great depression.

Several ethnic groups have come to Michigan from the British Isles. Each group of immigrants from this region—the Cornish, English, Irish, and Welsh—has played a significant role in American history. 
     Historic records show that some early nineteenth-century Cornish immigrants were farmers and settled in the Lower Peninsula of Michigan. However, the majority of early Cornish immigrants were miners, and much of their influence was felt in the Upper Peninsula of the state. Many of the underground miners from Cornwall got their start in this region before they migrated to other mining regions throughout the United States. 
     Hard-working families came from throughout the peninsula of Cornwall, bringing their history, recipes, songs, religions, and other traditions to Michigan’s northern mining country. This nineteenth-century migration brought them to new homes in Keweenaw County, Houghton County, Copper Harbor, Eagle Harbor, and Presque Isle. In the 1830s, newly arrived immigrants also settled in the lower parts of Michigan, in Macomb, Washtenaw, Lenawee, and Oakland counties. The automobile boom of the 1920s sent many of these immigrants and their children to Metro Detroit from the Upper Peninsula, where their traditions are perpetuated today.

Winner of Two Colorado Book Awards

In a bold reconsideration of the late sixties San Francisco counterculture movement, Counterculture Kaleidoscope takes a close look at the cultural and musical practices of that era. Addressing the conventional wisdom that the movement was grounded in rebellion and opposition, the book exposes two myths: first, that the counterculture was an organized social and political movement of progressives with a shared agenda who opposed the mainstream (dubbed "hippies"); and second, that the counterculture was an innocent entity hijacked by commercialism and transformed over time into a vehicle of so-called "hip consumerism."

Seeking an alternative to the now common narrative, Nadya Zimmerman examines primary source material including music, artwork, popular literature, personal narratives, and firsthand historical accounts. She reveals that the San Francisco counterculture wasn't interested in commitments to causes and made no association with divisive issues---that it embraced everything in general and nothing in particular.

"Astute and accessible, Counterculture Kaleidoscope provides thought-provoking insights into the historical, cultural and social context of the San Francisco counter-culture and its music scene, including discussions of Vietnam and student protest, the Haight-Ashbury Diggers, the Grateful Dead, Led Zeppelin, Altamont, and Charlie Manson. A must for students and scholars of socio-musical activity and for all of us to whom music matters."
---Sheila Whiteley, author of The Space Between the Notes: Rock and the Counter-Culture and Too Much Too Young: Popular Music, Age and Gender

"The hippie counterculture has never garnered the scholarly attention accorded the new left and the black freedom struggle. Overviews of the period ritualistically mention it as part and parcel of that apparently incandescent era---the Sixties---but rarely capture its distinctiveness. Counterculture Kaleidoscope is a timely and provocative intervention in Sixties scholarship that significantly deepens our understanding of this important but understudied phenomenon."
—Alice Echols, Associate Professor, University of Southern California, and author of Scars of Sweet Paradise: The Life and Times of Janis Joplin