18284 books match the query 'United States' and 1260 start with c

cover of Chicago Style: The Unrivaled History of Chicago's Hot Dog Culture

Chicago Style

The Unrivaled History of Chicago's Hot Dog Culture

Jimmy Jellinek, Patty Carroll, Steve Dolinsky

Northwestern University Press, 2027

The history of the iconic Chicago hot dog and the stands that built its legacy

Part culinary history, part street-corner anthropology, Chicago Style is a love letter to a city that built its identity on a bun. This book dives deep into the neon-lit, steam-fogged world of Chicago’s hot dog stands—those stubborn, glorious institutions where time seems to have stopped somewhere around 1963. Here, the steamed bun is sacred; the snap of the Vienna Beef frank is non-negotiable; and the famous warning—no ketchup—is less a rule than a social philosophy.

Chicago Style tells the story of the families, immigrants, hustlers, and neighborhood lifers who turned a humble Depression-era sandwich into one of the most recognizable foods in America. These stands are more than places to eat—they are tiny republics of flavor where politics, sports, gossip, and history are traded over paper boats loaded with mustard, relish, onions, tomatoes, sport peppers, celery salt, and a spear of pickle. With full-color art photography capturing the stands’ iconic visual culture and a reporter’s instinct for the characters who live behind the counter, Chicago Style reveals the Chicago hot dog stand for what it truly is: a form of civic architecture—democratic, delicious, and defiantly itself.

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cover of Chicago TV Horror Movie Shows: From Shock Theatre to Svengoolie

Chicago TV Horror Movie Shows

From Shock Theatre to Svengoolie

Ted Okuda and Mark Yurkiw

Southern Illinois University Press, 2007

Although the motion picture industry initially disparaged and feared television, by the late 1950s, studios saw the medium as a convenient dumping ground for thousands of films that had long been gathering dust in their vaults. As these films found their way to local TV stations, enterprising distributors grouped the titles by genre so programmers could showcase them accordingly. It was in this spirit that Chicago’s tradition of TV horror movie shows was born. Chicago TV Horror Movie Shows is the first comprehensive look at Chicago’s horror movie programs, from their inception in 1957 to the present.
 
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cover of Chicago Transformed: World War I and the Windy City

Chicago Transformed

World War I and the Windy City

Joseph Gustaitis

Southern Illinois University Press, 2016

WINNER, Russell P. Strange Book of the Year Award from the Illinois State Historical Society, 2017!

It’s been called the “war that changed everything,” and it is difficult to think of a historical event that had a greater impact on the world than the First World War. Events during the war profoundly changed our nation, and Chicago, especially, was transformed during this period. Between 1913 and 1919, Chicago transitioned from a nineteenth-century city to the metropolis it is today. Despite the importance of the war years, this period has not been documented adequately in histories of the city. In Chicago in World War I: How the Great War Transformed a Great City, Joseph Gustaitis fills this gap in the historical record, covering the important wartime events, developments, movements, and people that helped shape Chicago.
 
Gustaitis attributes many of Chicago’s changes to the labor shortage caused by the war. African Americans from the South flocked to Chicago during the Great Migration, and Mexican immigration increased as well. This influx of new populations along with a wave of anti-German hysteria—which nearly extinguished German culture in Chicago—changed the city’s ethnic composition. As the ethnic landscape changed, so too did the culture. Jazz and blues accompanied African Americans to the city, and Chicago soon became America’s jazz and blues capital. Gustaitis also demonstrates how the nation’s first sexual revolution occurred not during the 1960s but during the World War I years, when the labor shortage opened up unprecedented employment opportunities for women. These opportunities gave women assertiveness and freedom that endured beyond the war years. In addition, the shortage of workers invigorated organized labor, and determined attempts were made to organize in Chicago’s two leading industrial workplaces—the stockyards and the steel mills—which helped launch the union movement of the twentieth century. Gustaitis explores other topics as well: Prohibition, which practically defined the city in the 1920s; the exploits of Chicago’s soldiers, both white and black; life on the home front; the War Exposition in Grant Park; and some of the city’s contributions to the war effort. The book also contains sketches of the wartime activities of prominent Chicagoans, including Jane Addams, Ernest Hemingway, Clarence Darrow, Rabbi Emil Hirsch, John T. McCutcheon, “Big Bill” Thompson, and Eunice Tietjens.
 
Although its focus is Chicago, this book provides insight into change nationwide, as many of the effects that the First World War had on the city also affected the United States as a whole. Drawing on a variety of sources and written in an accessible style that combines economic, cultural, and political history, Chicago in World War I: How the Great War Transformed a Great City portrays Chicago before the war, traces the changes initiated during the war years, and shows how these changes still endure in the cultural, ethnic, and political landscape of this great city and the nation.
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cover of Chicago Transit Hikes: A Guide to Getting Out in Nature without a Car

Chicago Transit Hikes

A Guide to Getting Out in Nature without a Car

Lindsay Welbers

University of Illinois Press, 2025

Taking the train to nature in Chicagoland

Beyond the steel and asphalt await natural spaces that are easy to access and balm for the soul. Lindsay Welbers’s guide tells readers how to use Chicagoland’s extensive public rail system to reach forests, prairies, wetlands, dunes, and Lake Michigan. Designed to take up minimal space in a backpack, Chicago Transit Hikes provides train-to-trailhead information for thirty nature treks with features that include:

  • Chapters with hikes organized by each rail line on the Metra, the South Shore train, and the CTA;
  • Information on everything from accessibility to dog-friendliness to flora and fauna;
  • Detailed descriptions of every destination;
  • Practical tips on packing lists and itineraries.

Up-to-date and user-friendly, Chicago Transit Hikes connects Chicagoans and visitors alike with excursions for every season and level of difficulty.

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cover of Chicago Whispers: A History of LGBT Chicago before Stonewall

Chicago Whispers

A History of LGBT Chicago before Stonewall

St. Sukie de la Croix; Foreword by John D’Emilio

University of Wisconsin Press, 2012

Chicago Whispers illuminates a colorful and vibrant record of lesbian, gay, bisexual, and transgendered people who lived and loved in Chicago from the city’s beginnings in the 1670s as a fur-trading post to the end of the 1960s. Journalist St. Sukie de la Croix, drawing on years of archival research and personal interviews, reclaims Chicago’s LGBT past that had been forgotten, suppressed, or overlooked.
    Included here are Jane Addams, the pioneer of American social work; blues legend Ma Rainey, who recorded “Sissy Blues” in Chicago in 1926; commercial artist J. C. Leyendecker, who used his lover as the model for “The Arrow Collar Man” advertisements; and celebrated playwright Lorraine Hansberry, author of A Raisin in the Sun. Here, too, are accounts of vice dens during the Civil War and classy gentlemen’s clubs; the wild and gaudy First Ward Ball that was held annually from 1896 to 1908; gender-crossing performers in cabarets and at carnival sideshows; rights activists like Henry Gerber in the 1920s; authors of lesbian pulp novels and publishers of “physique magazines”; and evidence of thousands of nameless queer Chicagoans who worked as artists and musicians, in the factories, offices, and shops, at theaters and in hotels. Chicago Whispers offers a diverse collection of alternately hip and heart-wrenching accounts that crackle with vitality.

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cover of Chicago and Its Botanic Garden: The Chicago Horticultural Society at 125

Chicago and Its Botanic Garden

The Chicago Horticultural Society at 125

Cathy Jean Maloney

Northwestern University Press, 2015

Formed in 1890, during the heady days before the 1893 World’s Columbian Exposition, the Chicago Horticultural Society boasted members with names deeply rooted in Chicago history: Buckingham, McCormick, and Palmer, among others. Today, as it leads the Garden in a model public-private partnership with the Forest Preserves of Cook County, the Society’s horticultural practices have exceeded the vision of its founders.

Chicago and Its Botanic Garden: The Chicago Horticultural Society at 125 is a lushly illustrated and thoughtful history of the Society and its evolution from a producer of monumental flower and botanical shows, through a fallow period, to the opening in 1972 of the Chicago Botanic Garden, a living museum and world leader in horticulture, plant science and conservation, education, and urban agriculture. Author Cathy Jean Maloney combines meticulous scholarship with a flair for storytelling in a narrative that will delight everyone from casual strollers of the grounds to the volunteers, professionals, and scientists who compose the influential society.


 
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cover of Chicago and the Old Northwest, 1673-1835

Chicago and the Old Northwest, 1673-1835

Milo Milton Quaife

University of Illinois Press, 1913

In this sweeping survey, Milo Milton Quaife traces the events leading from Chicago's emergence as a key outpost at the edge of the frontier to its establishment as the crossroads of American commerce.
 
Strategically located at the head of the Great Lakes on the Chicago portage, one of the main highways connecting the Great Lakes-St. Lawrence waterway with the Mississippi River, Chicago was equally valued by explorers, traders, settlers, and governments.

Quaife narrates the opening of trade and the course of European exploration, facilitated by the Chicago portage and subsequent construction of the Illinois and Michigan Canal. He profiles the personalities who shaped the early Chicago area, from the French explorers La Salle, Marquette, and Joliet to the ambitious Champlain, who set the course for decades to come by securing for New France the enmity of the Iroquois.
 
Quaife provides a full description of the Indian trade, which constituted the basis of commerce in the region for the entire period covered by the book, as well as a blow-by-blow account of how old rivalries and alliances between Indian tribes complicated the English and French plans for divvying up the New World. He also describes the conflicts between natives and whites with sympathy and detail on both sides, depicting Indian attacks on white settlements as rationally motivated acts aiming toward specific goals of strategy or revenge.
 
First published in 1913, Chicago and the Old Northwest, 1673-1835 is one of the earliest works of a man who became one of the premier scholars of his generation. In a new introduction, Chicago historian Perry R. Duis sketches Quaife's long and varied career, his influence on the history profession, and his crusade to prove that a black trader was the first permanent resident of Chicago.
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cover of Chicago by Day and Night: The Pleasure Seeker's Guide to the Paris of America

Chicago by Day and Night

The Pleasure Seeker's Guide to the Paris of America

Paul Durica and Bill Savage

Northwestern University Press, 2013

Chicago by Day and Night: The Pleasure Seeker’s Guide to the Paris of America is an actual guidebook to Chicago for visitors to the World’s Columbian Exposition of 1893. This unauthorized handbook to the rowdy city outside the elegant fairgrounds explores pleasures high and low. The theaters and music, architectural glories, parks and boulevards, churches and synagogues, and other elevated pursuits the authors included in 1893 gave the book a veneer of high culture. But the book owed its popularity to its insider tips about Chicago's lurid and louche entertainments—drink, gambling, and sex. With a wink and tongue firmly in cheek, the original authors condemned Gilded Age vice while offering curious travelers precise directions to the dubious, decadent, and debauched quarters of the Windy City. 

To introduce this compulsively readable, gift-quality journey through the Chicago of 1893, Chicago writers and humorists Paul Durica and Bill Savage have added an expert introduction to Gilded Age Chicago and the World's Columbian Exposition. Showcasing the first Ferris wheel, dazzling new electrification technologies, and exhibits from around the world, the Exposition was Chicago’s chance to prove it had risen from the ashes of the Great Fire and would claim a place among the world’s great cities.

Both a perfect keepsake or gift for Chicago travelers as well as an invaluable text for readers interested in the history of Chicago, the Midwest, or Gilded Age urban life, Chicago by Day and Night is a beloved classic of Chicago writing. 

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cover of Chicago by the Book: 101 Publications That Shaped the City and Its Image

Chicago by the Book

101 Publications That Shaped the City and Its Image

Caxton Club

University of Chicago Press, 2018

Despite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair’s The Jungle arose from the midwestern capital’s most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago’s literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city’s robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicago’s rich literary tradition finally gets its due.

Chicago by the Book profiles 101 landmark publications about Chicago from the past 170 years that have helped define the city and its image. Each title—carefully selected by the Caxton Club, a venerable Chicago bibliophilic organization—is the focus of an illustrated essay by a leading scholar, writer, or bibliophile.

Arranged chronologically to show the history of both the city and its books, the essays can be read in order from Mrs. John H. Kinzie’s 1844 Narrative of the Massacre of Chicago to Sara Paretsky’s 2015 crime novel Brush Back. Or one can dip in and out, savoring reflections on the arts, sports, crime, race relations, urban planning, politics, and even Mrs. O’Leary’s legendary cow. The selections do not shy from the underside of the city, recognizing that its grit and graft have as much a place in the written imagination as soaring odes and boosterism. As Neil Harris observes in his introduction, “Even when Chicagoans celebrate their hearth and home, they do so while acknowledging deep-seated flaws.” At the same time, this collection heartily reminds us all of what makes Chicago, as Norman Mailer called it, the “great American city.”

With essays from, among others, Ira Berkow, Thomas Dyja, Ann Durkin Keating, Alex Kotlowitz, Toni Preckwinkle, Frank Rich, Don Share, Carl Smith, Regina Taylor, Garry Wills, and William Julius Wilson; and featuring works by Saul Bellow, Gwendolyn Brooks, Sandra Cisneros, Clarence Darrow, Erik Larson, David Mamet, Studs Terkel, Ida B. Wells-Barnett, Frank Lloyd Wright, and many more.
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cover of Chicago in Quotations

Chicago in Quotations

Compiled by Stuart Shea

Bodleian Library Publishing, 2016

Carl Sandburg was an ardent champion of Chicago, famously issuing the challenge: “Show me another city with lifted head singing so proud to be alive and strong and cunning.” For pianist Otis Spann, it was the “mother of the blues,” and a beacon to “every good musician who ever left the South.” But the union leader Eugene V. Debs had harsher words for the city, calling it “unfit for human habitation,” and Rudyard Kipling claimed it was “inhabited by savages” and hoped never to see it again.
           
Whether you look upon the city with admiration, disgust, or an incongruous combination of the two, Chicago has captured the imagination of generations of poets, novelists, journalists, and commentators who have visited or called it home. Chicago in Quotations offers a compendium of the most colorful impressions that citizens of—or visitors to—the Second City will appreciate.
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cover of Chicago in the Age of Capital: Class, Politics, and Democracy during the Civil War and Reconstruction

Chicago in the Age of Capital

Class, Politics, and Democracy during the Civil War and Reconstruction

John B. Jentz and Richard Schneirov

University of Illinois Press, 2015

In this sweeping interpretive history of mid-nineteenth-century Chicago, historians John B. Jentz and Richard Schneirov boldly trace the evolution of a modern social order. Combining a mastery of historical and political detail with a sophisticated theoretical frame, Jentz and Schneirov examine the dramatic capitalist transition in Chicago during the critical decades from the 1850s through the 1870s, a period that saw the rise of a permanent wage worker class and the formation of an industrial upper class.
 
Jentz and Schneirov demonstrate how a new political economy, based on wage labor and capital accumulation in manufacturing, superseded an older mercantile economy that relied on speculative trading and artisan production. The city's leading business interests were unable to stabilize their new system without the participation of the new working class, a German and Irish ethnic mix that included radical ideas transplanted from Europe. Jentz and Schneirov examine how debates over slave labor were transformed into debates over free labor as the city's wage-earning working class developed a distinctive culture and politics.
 
The new social movements that arose in this era--labor, socialism, urban populism, businessmen's municipal reform, Protestant revivalism, and women's activism--constituted the substance of a new post-bellum democratic politics that took shape in the 1860s and '70s. When the Depression of 1873 brought increased crime and financial panic, Chicago's new upper class developed municipal reform in an attempt to reassert its leadership. Setting local detail against a national canvas of partisan ideology and the seismic structural shifts of Reconstruction, Chicago in the Age of Capital vividly depicts the upheavals integral to building capitalism.
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cover of Chicago under Glass: Early Photographs from the Chicago Daily News

Chicago under Glass

Early Photographs from the Chicago Daily News

Mark Jacob and Richard Cahan in association with the Chicago History Museum

University of Chicago Press, 2007

When the Chicago Daily News closed its doors in March 1978 after over a century of publication, the city mourned the loss of an American original. The Daily News boasted the inventive, aggressive writing of such luminaries as Carl Sandburg and Ben Hecht. It was also one of the first newspapers in the country to feature black-and-white photography. In 1900, staffers from the paper’s art department began lugging bulky cameras, heavy glass plates, and explosive flash powder throughout the city. A labor strike, a boxing match, or a crime scene—it was all in a day’s work for the Daily News photographer.

These cameramen helped sell papers, but, as Mark Jacob and Richard Cahan reveal, they also made art. Chicago under Glass: Early Photographs from the Chicago Daily News is the first collection of images from the photo staff’s early years, 1901 to 1930. Jacob and Cahan, seasoned journalists themselves, have selected more than 250 images—many of which have never before been published—from the nearly 57,000 glass negatives housed at the Chicago History Museum. They include rare photographs of a young Buster Keaton with his wife and child, waiting to board a train and the notorious Al Capone outside a courtroom, smoking a cigar and consulting with his lawyer. Each thematic section begins with a fascinating introduction by the authors, and each image is accompanied by insightful historical commentary.

These fragile glass records are a remarkable piece of American history. Together, they capture a time of massive change and stark contrasts, the defining years in a place Nelson Algren called “Hustlertown.” From candid shots of the Eastland steamer disaster to the glittering electric lights of the White City amusement park and the grim aftermath of the Saint Valentine’s Day Massacre, the history these images reveal is not simply the story of Chicago, but the history of the modern American city.
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cover of Chicago's Block Clubs: How Neighbors Shape the City

Chicago's Block Clubs

How Neighbors Shape the City

Amanda I. Seligman

University of Chicago Press, 2016

What do you do if your alley is strewn with garbage after the sanitation truck comes through? Or if you’re tired of the rowdy teenagers next door keeping you up all night? Is there a vacant lot on your block accumulating weeds, needles, and litter? For a century, Chicagoans have joined block clubs to address problems like these that make daily life in the city a nuisance. When neighbors work together in block clubs, playgrounds get built, local crime is monitored, streets are cleaned up, and every summer is marked by the festivities of day-long block parties.
            In Chicago’s Block Clubs, Amanda I. Seligman uncovers the history of the block club in Chicago—from its origins in the Urban League in the early 1900s through to the Chicago Police Department’s twenty-first-century community policing program. Recognizing that many neighborhood problems are too big for one resident to handle—but too small for the city to keep up with—city residents have for more than a century created clubs to establish and maintain their neighborhood’s particular social dynamics, quality of life, and appearance. Omnipresent yet evanescent, block clubs are sometimes the major outlets for community organizing in the city—especially in neighborhoods otherwise lacking in political strength and clout. Drawing on the stories of hundreds of these groups from across the city, Seligman vividly illustrates what neighbors can—and cannot—accomplish when they work together.
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cover of Chicago's Famous Buildings

Chicago's Famous Buildings

Franz Schulze and Kevin Harrington

University of Chicago Press, 2003

The latest edition of the original and best guide to Chicago architecture for tourists and residents.
 
One of the premier architectural cities of the United States—if not the world—Chicago boasts a breathtaking skyline, dozens of architectural monuments, and a historic legacy few other cities can equal. And it's still growing! Since its first appearance in 1965, Chicago's Famous Buildings has been the standard and bestselling guide to the city's architectural riches. Now thoroughly revised and updated, this fifth edition will remain the leading pocket guide to some of the world's greatest urban architecture.

Chicago's Famous Buildings, fifth edition, completely updated and revised by Franz Schulze and Kevin Harrington, covers more than a decade of extraordinary new architecture and takes a fresh look back at the city's classical legacy of Adler, Sullivan, Burnham, Root, Wright, and Mies van der Rohe. The authors have added many new descriptions and images of the most important projects in Chicago since the fourth edition, including the massive reconstruction of Grant Park around Frank Gehry's Music Pavilion, and they cover as well the current status of older buildings—some destroyed, others, such as Burnham's Reliance Building, marvelously restored and brought back to life. Chicago's Famous Buildings, fifth edition, also includes expanded sections on the city's future and the development of its diverse neighborhoods, presented with new maps to serve as an even more effective walking guide. A glossary of architectural terms, an extensive index, and more than sixty new photographs of both old and new buildings bring this guide completely up-to-date.

Authoritative, informative, and easier to use than ever before, this fifth edition of Chicago's Famous Buildings will serve tourists and residents alike as the leading architectural guide to the treasures of this marvelous city.
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cover of Chicago's Grand Midway: A Walk around the World at the Columbian Exposition

Chicago's Grand Midway

A Walk around the World at the Columbian Exposition

Norman Bolotin

University of Illinois Press, 2017

Created as a centerpiece for the Columbian Exposition of 1893, the Midway Plaisance was for one summer the world's most wondrous thoroughfare. A journey along its length immersed millions of spellbound visitors in a spectacle that merged exoticism with enlightenment and artistic crafts with dizzying technical achievement. Norman Bolotin, with Christine Laing, draws on his vast knowledge of the 1893 exposition to escort readers down the Midway. Step by step he takes you past forbidding Dahomeyans and dozens of belly dancers until, at last, you reach the colossal Ferris Wheel with cabins the size of street cars. The tour reveals the immense scale and variety of the experience in sensual detail--the thirsty crowds and the pungent aromas of exotic foods, the Libbey Glass Factory and the screams from the Ice Railway, the snake charmers and the hawkers selling a thousand souvenirs. Throughout, Bolotin details how the organizers--encouraging patrons to spend a little here and a little there--brought off an extravaganza that paid its costs and achieved every one of its goals, including profitability for the fair and immortality.
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cover of Chicago's Greatest Year, 1893: The White City and the Birth of a Modern Metropolis

Chicago's Greatest Year, 1893

The White City and the Birth of a Modern Metropolis

Joseph Gustaitis

Southern Illinois University Press, 2013

In 1893, the 27.5 million visitors to the Chicago World’s Fair feasted their eyes on the impressive architecture of the White City, lit at night by thousands of electric lights. In addition to marveling at the revolutionary exhibits, most visitors discovered something else: beyond the fair’s 633 acres lay a modern metropolis that rivaled the world’s greatest cities. The Columbian Exposition marked Chicago’s arrival on the world stage, but even without the splendor of the fair, 1893 would still have been Chicago’s greatest year.

An almost endless list of achievements took place in Chicago in 1893. Chicago’s most important skyscraper was completed in 1893, and Frank Lloyd Wright opened his office in the same year. African American physician and Chicagoan Daniel Hale Williams performed one of the first known open-heart surgeries in 1893. Sears and Roebuck was incorporated, and William Wrigley invented Juicy Fruit gum that year. The Field Museum, the Art Institute of Chicago, and the Museum of Science and Industry all started in 1893. The Cubs’ new ballpark opened in this year, and an Austro-Hungarian immigrant began  selling hot dogs outside the World’s Fair grounds. His wares became the famous “Chicago hot dog.”

“Cities are not buildings; cities are people,” writes author Joseph Gustaitis. Throughout the book, he brings forgotten pioneers back to the forefront of Chicago’s history, connecting these important people of 1893 with their effects on the city and its institutions today. The facts in this history of a year range from funny to astounding, showcasing innovators, civic leaders, VIPs, and power brokers who made 1893 Chicago about so much more than the fair. 

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cover of Chicago's Historic Hyde Park

Chicago's Historic Hyde Park

Susan O'Connor Davis

University of Chicago Press, 2013

Stretching south from 47th Street to the Midway Plaisance and east from Washington Park to the lake’s shore, the historic neighborhood of Hyde Park—Kenwood covers nearly two square miles of Chicago’s south side. At one time a wealthy township outside of the city, this neighborhood has been home to Chicago’s elite for more than one hundred and fifty years, counting among its residents presidents and politicians, scholars, athletes, and fiery religious leaders. Known today for the grand mansions, stately row houses, and elegant apartments that these notables called home, Hyde Park—Kenwood is still one of Chicago’s most prominent locales.

Physically shaped by the Columbian Exposition of 1893 and by the efforts of some of the greatest architects of the nineteenth and twentieth centuries—including Daniel Burnham, Frank Lloyd Wright, Mies Van Der Rohe—this area hosts some of the city’s most spectacular architecture amid lush green space. Tree-lined streets give way to the impressive neogothic buildings that mark the campus of the University of Chicago, and some of the Jazz Age’s swankiest high-rises offer spectacular views of the water and distant downtown skyline.

In Chicago’s Historic Hyde Park, Susan O’Connor Davis offers readers a biography of this distinguished neighborhood, from house to home, and from architect to resident. Along the way, she weaves a fascinating tapestry, describing Hyde Park—Kenwood’s most celebrated structures from the time of Lincoln through the racial upheaval and destructive urban renewal of the 1940s, 50s, and 60s into the preservationist movement of the last thirty-five years. Coupled with hundreds of historical photographs, drawings, and current views, Davis recounts the life stories of these gorgeous buildings—and of the astounding talents that built them. This is architectural history at its best.

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cover of Chicago's Irish Legion: The 90th Illinois Volunteers in the Civil War

Chicago's Irish Legion

The 90th Illinois Volunteers in the Civil War

James B. Swan

Southern Illinois University Press, 2009

Extensively documented and richly detailed, Chicago’s Irish Legion tells the compelling story of Chicago’s 90th Illinois Volunteer Infantry, the only Irish regiment in Major General William Tecumseh Sherman’s XV Army Corps. Swan’s sweeping history of this singular regiment and its pivotal role in the Western Theater of the Civil War draws heavily from primary documents and first-person observations, giving readers an intimate glimpse into the trials and triumphs of ethnic soldiers during one of the most destructive wars in American history.

At the onset of the bitter conflict between the North and the South, Irish immigrants faced a wall of distrust and discrimination in the United States. Many Americans were deeply suspicious of Irish religion and politics, while others openly doubted the dedication of the Irish to the Union cause. Responding to these criticisms with a firm show of patriotism, the Catholic clergy and Irish politicians in northern Illinois—along with the Chicago press and community—joined forces to recruit the Irish Legion. Composed mainly of foreign-born recruits, the Legion rapidly dispelled any rumors of disloyalty with its heroic endeavors for the Union. The volunteers proved to be instrumental in various battles and sieges, as well as the marches to the sea and through the Carolinas, suffering severe casualties and providing indispensable support for the Union. Swan meticulously traces the remarkable journey of these unique soldiers from their regiment’s inception and first military engagement in 1862 to their disbandment and participation in the Grand Review of General Sherman’s army in 1865.

Enhancing the volume are firsthand accounts from the soldiers who endured the misery of frigid winters and brutal environments, struggling against the ravages of disease and hunger as they marched more than twenty-six hundred miles over the course of the war. Also revealed are personal insights into some of the war’s most harrowing events, including the battle at Chattanooga and Sherman’s famous campaign for Atlanta. In addition, Swan exposes the racial issues that affected the soldiers of the 90th Illinois, including their reactions to the Emancipation Proclamation and the formations of the first African American fighting units. Swan rounds out the volume with stories of survivors’ lives after the war, adding an even deeper personal dimension to this absorbing chronicle.

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cover of Chicago's North Michigan Avenue: Planning and Development, 1900-1930

Chicago's North Michigan Avenue

Planning and Development, 1900-1930

John W. Stamper

University of Chicago Press, 1991

Since its opening in the 1920s, Chicago's North Michigan Avenue has been one of the city's most prestigious commerical corridors, lined by some of its most architecturally distinctive business, residential, and hotel buildings. Planned by Daniel Burnham in 1909, the avenue became the principal connecting link between downtown and the wealthy, residential "Gold Coast" north of the Loop. Some thirty buildings were constructed along its path in the ten-year period before the Depression, an urban expansion comparable in significance to that of Pennsylvania and Park Avenues.

John W. Stamper traces the complex development of North Michigan Avenue from the 1880s to the 1920s building boom that solidified its character and economic base, describing the initiation of the planning process by private interests to its execution aided by the city's powerful condemnation and taxation proceedings. He focuses on individual buildings constructed on the avenue, including the Renaissance- and Gothic-inspired Wrigley Building, Tribune Tower, and Drake Hotel, and places them within the context of factors governing their construction—property ownership, financing, zoning laws, design theory, and advertising.

Stamper compares this stylistically diverse mixture of low- and high-rise structures with earlier, rejected planning proposals, all of which had prescribed a uniformly designed, European-like avenue of continuous cornice heights, consistent facade widths, and complementary stylistic features. He analyzes the drastically different character the avenue took by 1930, with high-rise towers reaching thirty stories and beyond, in terms of the clash among economic, political, and architectural interests. His argument—that the discrepancies between the rejected plans and reality illustrate the developers' choice of economic return on their investment over aesthetic community—is extended through to the present avenue and the virtual disregard of the urban qualities proposed at its inception. Generously illustrated, with an epilogue condensing the avenue's history between the end of World War II and the present, this is an exhaustive account of an important topic in the history of modern architecture and city planning.
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cover of Chicago's Pride: The Stockyards, Packingtown, and Environs in the Nineteenth Century

Chicago's Pride

The Stockyards, Packingtown, and Environs in the Nineteenth Century

Louise Carroll Wade

University of Illinois Press, 2002

Chicago’s Pride chronicles the growth -- from the 1830s to the 1893 Columbian Exposition - of the communities that sprang up around Chicago’s leading industry. Wade shows that, contrary to the image in Upton Sinclair’s The Jungle, the Stockyards and Packingtown were viewed by proud Chicagoans as “the eighth wonder of the world.”
 
Wade traces the rise of the livestock trade and meat-packing industry, efforts to control the resulting air and water pollution, expansion of the work force and status of packinghouse employees, changes within the various ethnic neighborhoods, the vital role of voluntary organizations (especially religious organizations) in shaping the new community, and the ethnic influences on politics in this “instant” industrial suburb and powerful magnet for entrepreneurs, wage earners, and their families.
 
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cover of Chicago's Tough Jews: Peddlers, Street Brawlers, and Schoolyard Crews

Chicago's Tough Jews

Peddlers, Street Brawlers, and Schoolyard Crews

David Farber

University of Chicago Press, 0

The untold story of the immigrant Jewish boys and men who fought back against violent neighborhood gangs in early twentieth-century Chicago.

In Chicago’s Tough Jews, Farber tells the story of how first- and second-generation Jewish immigrants from Eastern Europe fought their ethnic rivals on Chicago’s mean streets. These Jewish immigrants used their fists and, when necessary, bats and pipes to defend themselves and their neighborhoods.

Farber first heard these stories from his grandfather and his grandfather’s cronies. Jewish Chicagoans, he was told, tried to get the city authorities to stop the vicious antisemitic attacks on peddlers, merchants, and school kids. When that failed, they decided to physically fight to claim their place in the city. Farber vividly details these street battles, particularly with Polish and Irish gangs, up into the 1920s. Ultimately, he argues, “Jewish hard men” were part of a larger community-wide self-defense struggle against violent Jew bashers, antisemites, and an indifferent political and legal system.

Today, when questions of antisemitism and Jewish identity are again being fiercely debated across the country, this account of a past generation’s struggles in Chicago presents a thought-provoking recasting of American Jewish history.

[more]
cover of Chicago's Urban Nature: A Guide to the City's Architecture + Landscape

Chicago's Urban Nature

A Guide to the City's Architecture + Landscape

Sally A. Kitt Chappell

University of Chicago Press, 2007

Chicago—whose motto is “City in a Garden”—is currently at the forefront of a global movement to end the division between town and country. In Chicago’s Urban Nature, Sally A. Kitt Chappell provides a beautifully illustrated guide to the city’s stunning blend of nature and architecture.

At the heart of this new urban concept is the idea of connection, bringing buildings and landscapes, culture and nature, commerce and leisure into an energetic harmony. With Chicago’s Urban Nature in hand, you’ll see those connections woven through the fabric of the city. Chappell provides new insights into such historic Chicago sites as Jens Jensen’s Garfield Park Conservatory, Frederick Law Olmsted’s Jackson Park, and Alfred Caldwell’s Lily Pond, then takes us to the innovative contemporary green spaces they influenced, from City Hall’s rooftop garden to the North Lawndale Green Youth Farm to Chicago’s heralded new Millennium Park. These beautiful green spaces, with their unprecedented melding of art, architecture, and ecology, have become far more than places of escape for Chicagoans—they’re now fully integrated into the urban scene, an essential part of the cultural life of the modern city.

Packed with maps and recommended tours, and bursting with splendid photos, this is an essential guidebook for day-trippers, lifelong Chicago residents, and professionals in landscape architecture, urbanism, and design.
[more]
cover of Chicago: A Biography

Chicago

A Biography

Dominic A. Pacyga

University of Chicago Press, 2009

Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.”

At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns.

 Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.

[more]
cover of Chicago: A Biography

Chicago

A Biography

Dominic A. Pacyga

University of Chicago Press, 2009

This is an auto-narrated audiobook version of this book. 

Chicago has been called by many names. Nelson Algren declared it a “City on the Make.” Carl Sandburg dubbed it the “City of Big Shoulders.” Upton Sinclair christened it “The Jungle,” while New Yorkers, naturally, pronounced it “the Second City.”

At last there is a book for all of us, whatever we choose to call Chicago. In this magisterial biography, historian Dominic Pacyga traces the storied past of his hometown, from the explorations of Joliet and Marquette in 1673 to the new wave of urban pioneers today. The city’s great industrialists, reformers, and politicians—and, indeed, the many not-so-great and downright notorious—animate this book, from Al Capone and Jane Addams to Mayor Richard J. Daley and President Barack Obama. But what distinguishes this book from the many others on the subject is its author’s uncommon ability to illuminate the lives of Chicago’s ordinary people. Raised on the city’s South Side and employed for a time in the stockyards, Pacyga gives voice to the city’s steelyard workers and kill floor operators, and maps the neighborhoods distinguished not by Louis Sullivan masterworks, but by bungalows and corner taverns.

 Filled with the city’s one-of-a-kind characters and all of its defining moments, Chicago: A Biography is as big and boisterous as its namesake—and as ambitious as the men and women who built it.

[more]
cover of Chicago: A Geography of the City and Its Region

Chicago

A Geography of the City and Its Region

John C. Hudson

University of Chicago Press, 2006

The geography of Chicago is central to its history and to its success as the nation’s now third largest metropolitan area. The first geography of the Windy City in more than fifty years, Chicago: A Geography of the City and Its Region is a topical and chronological analysis of the area that both considers the city’s historical geography and anticipates its future trends.

Renowned geographer John C. Hudson leaves no aspect unexplored in this ambitious and peerless book. Beginning with an overview of metropolitan Chicago, Hudson describes how the city has served as a model to social scientists and examines its unique neighborhoods and communities from the perspectives of Chicagoans themselves. A thorough description of the physical geography of the region introduces a series of studies in historical geography that consider the origins of the city and its early development through to its present state, paying particular attention to race, ethnicity, and suburbanization, as well as commuting patterns, neighborhood change, and patterns of income distribution. Chicago concludes with a comparison of the balanced geography that prevailed in the early twentieth century with the skewed pattern of sectoral imbalances that exists today.

Supplemented with more than one hundred maps that illustrate the evolution of Chicago over time and sixty-four black-and-white and color photographs that capture iconic images of the city’s landscapes and its people, Chicago beautifully synthesizes the city’s social and economic strata with geographical features to provide an authoritative guide to modern Chicagoland.
[more]
cover of Chicago: City on the Make: 50th Anniversary Edition, Newly Annotated

Chicago

City on the Make: 50th Anniversary Edition, Newly Annotated

Nelson Algren

University of Chicago Press, 2001

Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. This 50th anniversary edition is newly annotated with explanations for everything from slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, "the best book about Chicago."

"This short, crisp, fighting creed is both a social document and a love poem, a script in which a lover explains his city's recurring ruthlessness and latent power; in which an artist recognizes that these are portents not of death, but of life."—New York Herald Tribune

Nelson Algren (1909-1981) won the National Book Award in 1950 for The Man with the Golden Arm. His other works include Walk on the Wild Side, The Neon Wilderness, and Conversations with Nelson Algren, the last available from the University of Chicago Press. David Schmittgens teaches English at St. Ignatius College Prep in Chicago, Illinois. Bill Savage is a lecturer at Northwestern University and coeditor of the 50th Anniversary Critical Edition of The Man with the Golden Arm.
[more]
cover of Chicago: City on the Make: Sixtieth Anniversary Edition

Chicago

City on the Make: Sixtieth Anniversary Edition

Nelson Algren

University of Chicago Press, 2011

“Once you’ve become a part of this particular patch, you’ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.”

Ernest Hemingway once said of Nelson Algren’s writing that “you should not read it if you cannot take a punch.” The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its “nobodies nobody knows”: the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.

Upon its original publication in 1951, Algren’s Chicago: City on the Make was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall’s business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city’s breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.

The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, “the best book about Chicago.”

[more]
cover of Chicago: Growth of a Metropolis

Chicago

Growth of a Metropolis

Harold M. Mayer and Richard C. Wade

University of Chicago Press, 1969

This is the story of Chicago and how it grew. In a little over a century it rose from a mere frontier outpost to become one of the great cities of the world. No single book can possibly encompass the immense scope of this development or convey the endless diversity of the life of Chicago's people. But with the help of the camera it is possible to capture many dimensions of this extraordinary story.

This volume, however, which comprises over 1,000 pictures and 50 maps, tries to do more than show physical development—it attempts to suggest how the city expanded and why it looks the way it does. Because it asks different questions, this book differs markedly from other "pictorial histories" of American cities. Instead of emphasizing society and customs, this volume deals with the physical conditions of life. In place of the conventional interest in "founding fathers" and leading families, it is more concerned with street scenes and ordinary people. Without neglecting downtown, it also reaches into the residential areas and neighborhood shopping centers. Moreover, this volume is concerned with suburbs and "satellite" towns as well as the historic city.

"Chicago: Growth of a Metropolis is an incredible book. Like its subject it is excessive, and nothing succeeds like excess. It is handsomely designed, with a thousand photographs that document the physical growth and the spatial patterns of the city. . . . A dimensionalism comes through that no other city has. Carl Sandburg sang it in his poetry, and the book does more to grasp it . . . than any other book I have seen."—Hugh Newell Jacobson, New Republic
[more]
cover of Chicago: Metropolis of the Mid-Continent, 4th Edition

Chicago

Metropolis of the Mid-Continent, 4th Edition

Irving Cutler. Foreword by James F. Marran

Southern Illinois University Press, 2006

Chicago: Metropolis of the Mid-Continent provides a comprehensive portrayal of the growth and development of Chicago from the mudhole of the prairie to today’s world-class city. This completely revised fourth edition skillfully weaves together the geography, history, economy, and culture of the city and its suburbs with a special emphasis on the role of the many ethnic and racial groups that comprise the “real Chicago” of its neighborhoods. Cutler demonstrates how the geography of “Chicagoland” and the influx of a diverse population spurred transportation, industrial technology, the economy, and sporadic planning to foster rapid urban growth, which brought both great progress and severe problems.

Through insightful analysis, Cutler also traces the demographic and societal changes to Chicago, critically examining such problems as the environment, education, racial tension, crime, welfare, housing, employment, and transportation. Richly illustrated with nearly three hundred drawings, photos, maps, and tables, the volume includes six appendices with sections dedicated to Chicago facts, population growth and income data, weather and climate, significant dates, and historic sites.

[more]
cover of Chicago: With the Chicago Tribune Articles That Inspired It

Chicago

With the Chicago Tribune Articles That Inspired It

Maurine Watkins, Edited by Thomas H. Pauly, Foreword by Charles H. Cosgrove

Southern Illinois University Press, 2025

In 1924, the murder trials of Beulah Annan and Belva Gaertner shocked the world, providing the real-life inspiration for Maurine Watkins’s unforgettable characters, Roxie Hart and Velma Kelly. Now, a century later, this reissue of Watkins’s play offers a fresh look at the origins of the story that has since become a household name.

From the silent film Chicago produced by Cecil B. DeMille in 1927 to the 1942 film Roxie Hart starring Ginger Rogers and the Broadway sensation created by Bob Fosse, Fred Ebb, and John Kander, this play has continuously evolved. It even inspired the 2002 Oscar-winning film Chicago starring Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. But until recently, as editor Thomas H. Pauly writes in the book’s introduction, the real-life roots of the story were obscured.

While researching for a book on crime-as-entertainment during the 1920s, Pauly came across Maurine Watkins’s play, which was then out of print. After noticing similarities between the play and a series of articles Watkins penned for the Chicago Tribune prior to the creation of her play, Pauly knew he had stumbled upon a revelation: Watkins’s play was based on real people. His republication of the play, alongside substantial background material and a reprinting of Watkins’s news articles, has become an indispensable starting point for all subsequent interest in Watkins and Chicago, whose subject remains as topical as ever.

This special edition includes a new foreword by Charles H. Cosgrove, author of They Both Reached for the Gun: Beulah Annan, Maurine Watkins, and the Trial That Became Chicago. Cosgrove’s extensive research into the real-life cases provides deeper insight into the world that Watkins portrayed with such satirical brilliance. Additionally, the original editor, Thomas H. Pauly, has contributed a new preface, further enhancing understanding of the play and its inspiration, the thrilling true-crime story that captivated a nation and birthed a cultural phenomenon.

[more]
cover of Chicagoland Dream Houses: How a Mid-Century Architecture Competition Reimagined the American Home

Chicagoland Dream Houses

How a Mid-Century Architecture Competition Reimagined the American Home

Siobhan Moroney

University of Illinois Press, 2024

“Chicagoland Dream Houses is an engaging addition to the growing body of scholarship concerning Chicago’s twentieth-century residential landscape characterized by a diverse group of architects and builders.”--Michelangelo Sabatino, coauthor of Modern in the Middle: Chicago Houses 1929–1975
[more]
cover of Chicago’s Art Deco Skyscrapers

Chicago’s Art Deco Skyscrapers

Joseph Gustaitis

University of Chicago Press, 2026

With stunning photography and abundant historical details, this book is a treasure trove that will delight any fan of architecture, Chicago, or the Art Deco era.

Chicago is America’s premier city for both historic and modern architecture. Even so, many of its finest buildings remain little known to visitors and Chicagoans alike. In Chicago’s Art Deco Skyscrapers, Joseph Gustaitis showcases nearly two dozen Art Deco towers that were built during the exhilarating years of the Jazz Age, from 1927 to 1933. These skyscrapers exemplify a state of mind from the time—an optimistic, forward-looking aesthetic that has been called the “last of the total styles,” as well as the first American style that spread across the globe. In the time between the Great War and the Great Depression, cities and their architects embraced industrial modernity and the exciting new possibilities of scale. Exploring places like the Board of Trade Building, the Merchandise Mart, and the Carbide and Carbon tower, Gustaitis tells the stories of their creation, architects and developers, construction and financing, zoning and engineering, and so much more.

With stunning aerial photography by Ian McClellan, this book also includes color photos of the buildings’ features, vintage images, a travel map, and in-depth historical information. Chicago’s Art Deco Skyscrapers is both a guidebook to these remarkable structures and a history of the upbeat era that created them. 

[more]
cover of Chicago’s Modern Mayors: From Harold Washington to Lori Lightfoot

Chicago’s Modern Mayors

From Harold Washington to Lori Lightfoot

Edited by Dick Simpson and Betty O'Shaughnessy

University of Illinois Press, 2024

Political profiles of five mayors and their lasting impact on the city

Chicago’s transformation into a global city began at City Hall. Dick Simpson and Betty O’Shaughnessy edit in-depth analyses of the five mayors that guided the city through this transition beginning with Harold Washington’s 1983 election: Washington, Eugene Sawyer, Richard M. Daley, Rahm Emmanuel, and Lori Lightfoot. Though the respected political science, sociologist, and journalist contributors approach their subjects from distinct perspectives, each essay addresses three essential issues: how and why each mayor won the office; whether the City Council of their time acted as a rubber stamp or independent body; and the ways the unique qualities of each mayor’s administration and accomplishments influenced their legacy.

Filled with expert analysis and valuable insights, Chicago’s Modern Mayors illuminates a time of transition and change and considers the politicians who--for better and worse--shaped the Chicago of today.

[more]
cover of Chicana Art: The Politics of Spiritual and Aesthetic Altarities

Chicana Art

The Politics of Spiritual and Aesthetic Altarities

Laura E. Pérez

Duke University Press, 2007

In Alma Lopez’s digital print Lupe & Sirena in Love (1999), two icons—the Virgin of Guadalupe and the mermaid Sirena, who often appears on Mexican lottery cards—embrace one another, symbolically claiming a place for same-sex desire within Mexican and Chicano/a religious and popular cultures. Ester Hernandez’s 1976 etching Libertad/Liberty depicts a female artist chiseling away at the Statue of Liberty, freeing from within it a regal Mayan woman and, in the process, creating a culturally composite Lady Liberty descended from indigenous and mixed bloodlines. In her painting Coyolxauhqui Last Seen in East Oakland (1993), Irene Perez reimagines as whole the body of the Aztec warrior goddess dismembered in myth. These pieces are part of the dynamic body of work presented in this pioneering, lavishly illustrated study, the first book primarily focused on Chicana visual arts.

Creating an invaluable archive, Laura E. Pérez examines the work of more than forty Chicana artists across a variety of media including painting, printmaking, sculpture, performance, photography, film and video, comics, sound recording, interactive CD-ROM, altars and other installation forms, and fiction, poetry, and plays. While key works from the 1960s and 1970s are discussed, most of the pieces considered were produced between 1985 and 2001. Providing a rich interpretive framework, Pérez describes how Chicana artists invoke a culturally hybrid spirituality to challenge racism, bigotry, patriarchy, and homophobia. They make use of, and often radically rework, pre-Columbian Mesoamerican and other non-Western notions of art and art-making, and they struggle to create liberating versions of familiar iconography such as the Virgin of Guadalupe and the Sacred Heart. Filled with representations of spirituality and allusions to non-Western visual and cultural traditions, the work of these Chicana artists is a vital contribution to a more inclusive canon of American arts.


[more]
cover of Chicana Feminisms: A Critical Reader

Chicana Feminisms

A Critical Reader

Gabriela F. Arredondo, Aida Hurtado, Norma Klahn, Olga Nájera-Ramírez, and Patricia Zavella, eds.

Duke University Press, 2003

Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry. The collection is structured as a series of dynamic dialogues: each of the main pieces is followed by an essay responding to or elaborating on its claims. The broad range of perspectives included here highlights the diversity of Chicana experience, particularly the ways it is made more complex by differences in class, age, sexual orientation, language, and region. Together the essayists enact the contentious, passionate conversations that define Chicana feminisms.

The contributors contemplate a number of facets of Chicana experience: life on the Mexico-U.S. border, bilingualism, the problems posed by a culture of repressive sexuality, the ranchera song, and domesticana artistic production. They also look at Chicana feminism in the 1960s and 1970s, the history of Chicanas in the larger Chicano movement, autobiographical writing, and the interplay between gender and ethnicity in the movie Lone Star. Some of the essays are expansive; others—such as Norma Cantú’s discussion of the writing of her fictionalized memoir Canícula—are intimate. All are committed to the transformative powers of critical inquiry and feminist theory.

Contributors. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella

[more]
cover of Chicana Liberation: Women and Mexican American Politics in Los Angeles, 1945-1981

Chicana Liberation

Women and Mexican American Politics in Los Angeles, 1945-1981

Marisela R. Chávez

University of Illinois Press, 2024

Mexican American women reached across generations to develop a bridging activism that drew on different methods and ideologies to pursue their goals. Marisela R. Chávez uses a wealth of untapped oral histories to reveal the diverse ways activist Mexican American women in Los Angeles claimed their own voices and space while seeking to leverage power. Chávez tells the stories of the people who honed beliefs and practices before the advent of the Chicano movement and the participants in the movement after its launch in the late 1960s. As she shows, Chicanas across generations challenged societal traditions that at first assumed their place on the sidelines and then assigned them second-class status within political structures built on their work. Fueled by a surging pride in their Mexican heritage and indigenous roots, these activists created spaces for themselves that acknowledged their lives as Mexicans and women.

Vivid and compelling, Chicana Liberation reveals the remarkable range of political beliefs and life experiences behind a new activism and feminism shaped by Mexican American women.

[more]
cover of Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era

Chicana Movidas

New Narratives of Activism and Feminism in the Movement Era

Edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell

University of Texas Press, 2018

Winner, Best Multiauthor Nonfiction Book, International Latino Book Awards, 2019

With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance.

These are the technologies of resistance documented in Chicana Movidas, a volume that brings together critical biographies of Chicana activists and their bodies of work; essays that focus on understudied organizations, mobilizations, regions, and subjects; examinations of emergent Chicana archives and the politics of collection; and scholarly approaches that challenge the temporal, political, heteronormative, and spatial limits of established Chicano movement narratives. Charting the rise of a field of knowledge that crosses the boundaries of Chicano studies, feminist theory, and queer theory, Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era offers a transgenerational perspective on the intellectual and political legacies of early Chicana feminism.

[more]
cover of Chicana Sexuality and Gender: Cultural Refiguring in Literature, Oral History, and Art

Chicana Sexuality and Gender

Cultural Refiguring in Literature, Oral History, and Art

Debra J. Blake

Duke University Press, 2008

Since the 1980s Chicana writers including Gloria Anzaldúa, Cherríe Moraga, Sandra Cisneros, Ana Castillo, and Alma Luz Villanueva have reworked iconic Mexican cultural symbols such as mother earth goddesses and La Llorona (the Wailing Woman of Mexican folklore), re-imagining them as powerful female figures. After reading the works of Chicana writers who created bold, powerful, and openly sexual female characters, Debra J. Blake wondered how everyday Mexican American women would characterize their own lives in relation to the writers’ radical reconfigurations of female sexuality and gender roles. To find out, Blake gathered oral histories from working-class and semiprofessional U.S. Mexicanas. In Chicana Sexuality and Gender, she compares the self-representations of these women with fictional and artistic representations by academic-affiliated, professional intellectual Chicana writers and visual artists, including Alma M. López and Yolanda López.

Blake looks at how the Chicana professional intellectuals and the U.S. Mexicana women refigure confining and demeaning constructions of female gender roles and racial, ethnic, and sexual identities. She organizes her analysis around re-imaginings of La Virgen de Guadalupe, La Llorona, indigenous Mexica goddesses, and La Malinche, the indigenous interpreter for Hernán Cortés during the Spanish conquest. In doing so, Blake reveals how the professional intellectuals and the working-class and semiprofessional women rework or invoke the female icons to confront the repression of female sexuality, limiting gender roles, inequality in male and female relationships, and violence against women. While the representational strategies of the two groups of women are significantly different and the U.S. Mexicanas would not necessarily call themselves feminists, Blake nonetheless illuminates a continuum of Chicana feminist thinking, showing how both groups of women expand lifestyle choices and promote the health and well-being of women of Mexican origin or descent.

[more]
cover of Chicana Spiritual Activism: Making Change, Making Soul

Chicana Spiritual Activism

Making Change, Making Soul

Brenda Sendejo

University of Arizona Press, 2026

This book explores the profound impact of spiritual activism within the Chicana feminist movement in Texas. It illuminates how a cohort of Texas Chicanas embraced spiritual activism in pursuit of social change during the movement and into the present day.

The book draws on an array of qualitative methodologies—including interviews, autoethnography, testimonio, pláticas, and archival analysis—to develop what the author formulates as “methodologies of the spirit.” Focusing on the lived experiences, histories, and spiritual activism of sixteen Chicanas/Tejanas, Sendejo shows how these trailblazing women confronted the enduring impacts and repercussions of colonial legacies in Texas through their involvement in movement initiatives such as electoral politics through Mujeres Por La Raza, the cultural arts movement, developing Chicana feminist thought, and the establishment of bilingual education and Chicana/o studies programs.

The activists highlighted in the book include well-known figures such as Santa Barraza, Norma E. Cantú, Rosie Castro, Martha P. Cotera, Inés Hernández-Ávila, and others. Through their work, these activists emerged as architects of their own healing and transformation. Simultaneously, they opened avenues for others to embark on similar journeys reshaping religious practices and unearthing and disseminating spiritual, feminist, and ancestral knowledges.

[more]
cover of Chicana Ways: Conversations With Ten Chicana Writers

Chicana Ways

Conversations With Ten Chicana Writers

Karin Rosa Ikas

University of Nevada Press, 2001

Karin Rosa Ikas offers probing and insightful interviews with ten Chicana writers of diverse backgrounds: Denise Chávez, Gloria Anzaldúa, Lucha Corpi, Cherríe Moraga, Lorna Dee Cervantes, Mary Helen Ponce, Jamie Lujan, Demetria Martinez, Estela Portillo-Trambley, and Pat Mora. The interviews address such topics as personal background, education, sense of ethnic and gender identity, the origins and intention of published works, and general views on writing, culture, and art, revealing a rich multiplicity of Chicana voices and views in diverse genres including poetry, drama, and fiction. For each of these women, though, her identity as a Chicana and as a woman is critically important to her evolution and purpose as a writer. Chicana Ways documents the rich diversity and brilliance of contemporary Mexican American writing and is essential reading for anyone interested in multicultural and feminist literature.
 
[more]
cover of Chicana and Chicano Mental Health: Alma, Mente y Corazón

Chicana and Chicano Mental Health

Alma, Mente y Corazón

Yvette G. Flores

University of Arizona Press, 2013

Spirit, mind, and heart—in traditional Mexican health beliefs all three are inherent to maintaining psychological balance. For Mexican Americans, who are both the oldest Latina/o group in the United States as well as some of the most recent arrivals, perceptions of health and illness often reflect a dual belief system that has not always been incorporated in mental health treatments.

Chicana and Chicano Mental Health offers a model to understand and to address the mental health challenges and service disparities affecting Mexican immigrants and Mexican Americans/Chicanos. Yvette G. Flores, who has more than thirty years of experience as a clinical psychologist, provides in-depth analysis of the major mental health challenges facing these groups: depression; anxiety disorders, including post-traumatic stress disorder; substance abuse; and intimate partner violence. Using a life-cycle perspective that incorporates indigenous health beliefs, Flores examines the mental health issues affecting children and adolescents, adult men and women, and elderly Mexican Americans.

Through case studies, Flores examines the importance of understanding cultural values, class position, and the gender and sexual roles and expectations Chicanas/os negotiate, as well as the legacies of migration, transculturation, and multiculturality. Chicana and Chicano Mental Health is the first book of its kind to embrace both Western and Indigenous perspectives.

Ideally suited for students in psychology, social welfare, ethnic studies, and sociology, the book also provides valuable information for mental health professionals who desire a deeper understanding of the needs and strengths of the largest ethnic minority and Hispanic population group in the United States.
[more]
cover of Chicanas of 18th Street: Narratives of a Movement from Latino Chicago

Chicanas of 18th Street

Narratives of a Movement from Latino Chicago

Leonard G. Ramirez

University of Illinois Press, 2011

Overflowing with powerful testimonies of six female community activists who have lived and worked in the Pilsen neighborhood of Chicago, Chicanas of 18th Street reveals the convictions and approaches of those organizing for social reform. In chronicling a pivotal moment in the history of community activism in Chicago, the women discuss how education, immigration, religion, identity, and acculturation affected the Chicano movement. Chicanas of 18th Street underscores the hierarchies of race, gender, and class while stressing the interplay of individual and collective values in the development of community reform.
 
Highlighting the women's motivations, initiatives, and experiences in politics during the 1960s and 1970s, these rich personal accounts reveal the complexity of the Chicano movement, conflicts within the movement, and the importance of teatro and cultural expressions to the movement. Also detailed are vital interactions between members of the Chicano movement with leftist and nationalist community members and the influence of other activist groups such as African Americans and Marxists.
[more]
cover of Chicane Mental Health, Second Edition: Alma, Mente y Corazón

Chicane Mental Health, Second Edition

Alma, Mente y Corazón

Yvette G. Flores

University of Arizona Press, 2026

A new edition of a key text on mental health

Chicane Mental Health offers an intersectional and developmental framework for understanding and addressing the mental health needs of Chicane communities. Drawing on over four decades of clinical and academic experience, Yvette G. Flores addresses the entire lifespan from children and youth to emerging adults, adults, and elders.
 
Foregrounding cultural humility and an understanding of Chicane strengths and community cultural wealth, the author uses vivid vignettes and community-based insights to address how historical trauma, systemic oppression, and sociocultural dynamics shape mental well-being. Flores highlights the cultural strengths and protective factors that foster resilience.
 
This new edition expands on Flores’s influential work by integrating Indigenous healing practices, decolonial theory, and liberatory models of care. It challenges dominant Western paradigms and calls for culturally affirming, community-engaged approaches to mental health. With a focus on issues such as depression, substance use, intimate partner violence, and intergenerational trauma, the book provides practical tools for scholars, clinicians, and students committed to social justice and healing in Chicane and Latine communities.
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cover of Chicano Communists and the Struggle for Social Justice

Chicano Communists and the Struggle for Social Justice

Enrique M. Buelna

University of Arizona Press, 2019

In the 1930s and 1940s the early roots of the Chicano Movement took shape. Activists like Jesús Cruz, and later Ralph Cuarón, sought justice for miserable working conditions and the poor treatment of Mexican Americans and immigrants through protests and sit-ins.

Lesser known is the influence that Communism and socialism had on the early roots of the Chicano Movement, a legacy that continues today. Examining the role of Mexican American working-class and radical labor activism in American history, Enrique M. Buelna focuses on the work of the radical Left, particularly the Communist Party (CP) USA.

Buelna delves into the experiences of Cuarón, in particular, as well as those of his family. He writes about the family’s migration from Mexico; work in the mines in Morenci, Arizona; move to Los Angeles during the Great Depression; service in World War II; and experiences during the Cold War as a background to exploring the experiences of many Mexican Americans during this time period.

The author follows the thread of radical activism and the depth of its influence on Mexican Americans struggling to achieve social justice and equality. The legacy of Cuarón and his comrades is significant to the Chicano Movement and in understanding the development of the labor and civil rights movements in the United States. Their contributions, in particular during the 1960s and 1970s, informed a new generation to demand an end to the Vietnam War and to expose educational inequality, poverty, civil rights abuses, and police brutality.
 
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Chicano Popular Culture, Second Edition

Que Hable el Pueblo

Charles M. Tatum

University of Arizona Press, 2017

Chicano Popular Culture, Second Edition provides a fascinating, timely, and accessible introduction to Chicano cultural expression and representation. New sections discuss music, with an emphasis on hip-hop and rap; cinema and filmmakers; media, including the contributions of Jorge Ramos and María Hinojosa; and celebrations and other popular traditions, including quinceañeras, cincuentañeras, and César Chávez Day.
 
This edition features:
  • Chicanas in the Chicano Movement and Chicanos since the Chicano Movement
  • New material on popular authors such as Denise Chávez, Alfredo Vea, Luis Alberto Urrea, and Juan Felipe Herrera
  • Suggested Readings to supplement each chapter
  • Theoretical approaches to popular culture, including the perspectives of Norma Cantú, Alicia Gaspar de Alba, Pancho McFarland, Michelle Habell-Pallán, and Víctor Sorell
 
With clear examples, an engaging writing style, and helpful discussion questions, Chicano Popular Culture, Second Edition invites readers to discover and enjoy Mexican American popular culture.
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cover of Chicano Popular Culture: Que Hable el Pueblo

Chicano Popular Culture

Que Hable el Pueblo

Charles M. Tatum

University of Arizona Press, 2001

This edition of Chicano Popular Culture has been replaced by Chicano Popular Culture, Second Edition, ISBN 978-0-8165-3652-8, also by Charles M. Tatum.
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cover of Chicano San Diego: Cultural Space and the Struggle for Justice

Chicano San Diego

Cultural Space and the Struggle for Justice

Richard Griswold del Castillo

University of Arizona Press, 2008

The Mexican and Chicana/o residents of San Diego have a long, complicated, and rich history that has been largely ignored. This collection of essays shows how the Spanish-speaking people of this border city have created their own cultural spaces. Sensitive to issues of gender—and paying special attention to political, economic, and cultural figures and events—the contributors explore what is unique about San Diego’s Mexican American history.

In chronologically ordered chapters, scholars discuss how Mexican and Chicana/o people have resisted and accommodated the increasingly Anglo-oriented culture of the region. The book’s early chapters recount the historical origins of San Diego and its development through the mid-nineteenth century, describe the “American colonization” that followed, and include examples of Latino resistance that span the twentieth century—from early workers’ strikes to the United Farm Workers movement of the 1960s. Later chapters trace the Chicana/o Movement in the community and in the arts; the struggle against the gentrification of the barrio; and the growth of community organizing (especially around immigrants’ rights) from the perspective of a community organizer.

To tell this sweeping story, the contributors use a variety of approaches. Testimonios retell individual lives, ethnographies relate the stories of communities, and historical narratives uncover what has previously been ignored or discounted. The result is a unique portrait of a marginalized population that has played an important but neglected role in the development of a major American border city.
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Chicano Sketches

Short Stories by Mario Suárez

Mario Suárez; Edited by Francisco A. Lomelí, Cecilia Cota-Robles Suárez, and Juan Casillas-Núñez

University of Arizona Press, 2004

Mario Suárez will tell you: Garza’s Barber Shop is more than razors, scissors, and hair. It is where men, disgruntled at the vice of the rest of the world, come to get things off their chests. The lawbreakers come in to rub elbows with the sheriff’s deputies. And when zoot-suiters come in for a trim, Garza puts on a bit of zoot talk and "hep-cats with the zootiest of them."

A key figure in the foundation of Chicano literature, Mario Suárez (1923–1998) was among the first writers to focus not only on Chicano characters but also on the multicultural space in which they live, whether a Tucson barbershop or a Manhattan boxing ring. Many of his stories have received wide acclaim through publication in periodicals and anthologies; this book presents those eleven previously published stories along with eight others from the archive of his unpublished work. It also includes a biographical introduction and a critical analysis of the stories that will broaden readers’ appreciation for his place in Chicano literature.

In most of his stories, Suárez sought to portray people he knew from Tucson’s El Hoyo barrio, a place usually thought of as urban wasteland when it is thought of at all. Suárez set out to fictionalize this place of ignored men and women because he believed their human stories were worth telling, and he hoped that through his depictions American literature would recognize their existence. By seeking to record the so-called underside of America, Suárez was inspired to pay close attention to people’s mannerisms, language, and aspirations. And by focusing on these barrio characters he also crafted a unique, mild-mannered realism overflowing with humor and pathos.

Along with Fray Angélico Chávez, Suárez stands as arguably the mid-twentieth century’s most important short story writer of Mexican descent. Chicano Sketches reclaims Suárez as a major figure of the genre and offers lovers of fine fiction a chance to rediscover this major talent.
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Chicano and Chicana Art

A Critical Anthology

Jennifer A. Gonzalez, C. Ondine Chavoya, Chon Noriega, and Terezita Romo, editors

Duke University Press, 2019

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice.

Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor
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cover of Chicano-Chicana Americana: Pop Culture Pluralism Starring Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros

Chicano-Chicana Americana

Pop Culture Pluralism Starring Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros

Anthony Macías

University of Arizona Press, 2023

Chicano-Chicana Americana is a cultural history of Mexican Americans in film, television, and theater. Through biographical sketches of performers such as Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros, this work asserts Mexican Americans’ proper place in the national narratives of our collective imaginary. Conveying a multicentered, polycultural America, this book shows us intriguing performers in bit parts who steal the scene and redefine what it means to be American.

Each biographical chapter analyzes an underappreciated actor, revealing their artistic contributions to U.S. common culture. Their long-shot careers tell a tale of players taking action with agency and fighting for screen time and equal opportunity despite disadvantages and differential treatment in Hollywood. These dynamic and complex individuals altered cinematic representations—and audience expectations—by surpassing stereotypes.

The book explores American national character by showing how ethnic Mexicans attained social and cultural status through fair, open competition without a radical realignment of political or economic structures. Their creative achievements demanded dignity and earned respect. Anthony Macías argues that these performances demonstrated a pop culture pluralism that subtly changed mainstream America, transforming it from the mythological past of the Wild West to the speculative future of science fiction.
 
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