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Debut short-story collection in English from acclaimed fiction writer Ali Hosseini, named a Favorite Short Story Collection of 2023 by the Chicago Review of Books

The stories in Dare the Sea explore Iran’s landscape, culture, and the undercurrent of change affecting its people—both in Iran and the United States. The stories in the first half of the collection are set in Iran in the time before and just after the Iranian Revolution of 1979. Each tale discloses the obstacles rural Iranians lived with on a daily basis and the exigencies of survival: petty theft, corruption, drug trafficking, religion, and love. Stories in the second half take place in exile, where characters are seemingly dropped into American locales like the Midwest or Hawaii, taking in their situation with only the survival skills they’ve learned in their own land and enduring the hardships of being strangers in a new country.

Loosely interconnected by reappearing characters, the stories in Dare the Sea are strongly linked by the country of Iran, its landscape, its history, and its hold on its people.

Winner of the John Ciardi Prize for Poetry, selected by Doug Ramspeck
Julie Suk Prize longlist

Through the use of imagination, fairy tale and persona Dark Braid bridges the universal and the personal by focusing on the body, problematic relationships, illness (both mental and physical) and feelings of being an outsider.

A fragmented manuscript left unfinished, a voice inherited by time, a ghost lingering in the margins—Daydreamers is what remains when fiction forgets its fiction and when the story you’re translating becomes your own.

Upon the discovery of an unfinished manuscript left behind by his late father, a son’s act of literary translation quickly descends into a ghost story of family rumors, art, and the history we inherit, whether we want them or not. As the son translates the mysterious text, what emerges is a narrative haunted by betrayal, artistic rivalry, and a murder in California’s Chinese literary underground—one that was never solved but perhaps was fictionalized.

Cycling between San Francisco, Los Angeles, China, and Taiwan, the novel unfolds across generations of Chinese immigrants and diaspora artists, linked by tenuous friendships, publishing feuds, and the obscure threads of an act of violence. At the center: a spectral woman named Lena Wu, the object of literary fixation, political allegory, and real-life scandal.

Was the manuscript meant as a novel or a confession? Was the story’s central figure—Lena Wu—a real person or an idea and persona passed between generations of writers, each shaping her into their own myth? And what is the narrator’s responsibility when his father’s version of events begins to implicate those still living? 

Told through letters, interviews, travelogues, and unclaimed fragments, Daydreamers moves through foggy cities, cluttered studios, desert highways, and vanished publishing circles—where stories are currency and silence is survival. Lu constructs a novel that is both noir and anti-noir, both memoir and anti-memoir—a mystery that resists solving, and a translation that becomes its own original work.

A collection of poetry showcasing the diversity of subjects and forms in Yau’s writing.
 
This collection brings together work from half a century of writing by John Yau. Preoccupied with forms and musical structures, Yau’s work includes sestinas, sonnets, pantoums, and lists, as well as invented forms. Employing both strict and open-ended frameworks, Yau creates multi-faceted poems that can shift abruptly from humor to outrage and consider topics including Chinese American identity, school shootings, invented countries, and haunted memories. Some poems are grounded in an autobiographical voice, while others take on the voices of other characters, including contemporary artists and a fictional Chinese private eye.
 
Spanning the vast diversity of Yau’s forms and subjects, the poems in Diary of Small Discontents add up to an unapologetically original collection.
 

Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization.

Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Thủy Nguyễn's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss.

Developing a theory of intergenerational trauma, Nguyễn rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.

Winner, 2021 Northeast Popular Culture Association's Peter C. Rollins Book PrizeDiverse Futures: Science Fiction and Authors of Color examines the contributions of late-twentieth- and twenty-first-century US and Canadian science fiction authors of color. By looking at the intersections among science fiction authors of multiple races and ethnicities, Joy Sanchez-Taylor seeks to explain how these authors of color are juxtaposing tropes of science fiction with specific cultural references to comment on issues of inclusiveness in Eurowestern cultures. The central argument of this work is that these authors are challenging science fiction’s history of Eurocentric representation through the depiction of communities of color in fantastic or futuristic settings, specifically by using cognitive estrangement and the inclusion of non-Eurowestern cultural beliefs and practices to comment on the alienation of racially dominated groups. By exploring science fiction tropes—such as first contact, genetic modification, post-apocalyptic landscapes, and advanced technologies in the works of Octavia E. Butler, Ted Chiang, Sabrina Vourvoulias, and many others—Sanchez-Taylor demonstrates how authors of various races and ethnicities write science fiction that pays homage to the genre while also creating a more diverse and inclusive portrait of the future.