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Dogopolis presents a surprising source for urban innovation in the history of three major cities: human-canine relationships.
 
Stroll through any American or European city today and you probably won’t get far before seeing a dog being taken for a walk. It’s expected that these domesticated animals can easily navigate sidewalks, streets, and other foundational elements of our built environment. But what if our cities were actually shaped in response to dogs more than we ever realized?

Chris Pearson’s Dogopolis boldly and convincingly asserts that human-canine relations were a crucial factor in the formation of modern urban living. Focusing on New York, London, and Paris from the early nineteenth century into the 1930s, Pearson shows that human reactions to dogs significantly remolded them and other contemporary western cities. It’s an unalterable fact that dogs—often filthy, bellicose, and sometimes off-putting—run away, spread rabies, defecate, and breed wherever they like, so as dogs became a more and more common in nineteenth-century middle-class life, cities had to respond to people’s fear of them and revulsion at their least desirable traits. The gradual integration of dogs into city life centered on disgust at dirt, fear of crime and vagrancy, and the promotion of humanitarian sentiments. On the other hand, dogs are some people’s most beloved animal companions, and human compassion and affection for pets and strays were equally powerful forces in shaping urban modernity. Dogopolis details the complex interrelations among emotions, sentiment, and the ways we manifest our feelings toward what we love—showing that together they can actually reshape society.
 

“Brilliant. . . . An absorbing read and a potent lesson in moral behavior—both of rodents and of humans.”—Deborah Blum, Pulitzer Prize–winning author of The Poison Squad • “A fascinating read about an immensely influential scientist.”—Robert M. Sapolsky, author of the New York Times–bestseller Determined • “Stimulating scientific history. . . . Colorful accounts. . . . This fascinates.”—Publishers Weekly

A bizarre and compelling biography of a scientist and his work, using rodent cities to question the potential catastrophes of human overpopulation.
 
It was the strangest of experiments. What began as a utopian environment, where mice had sumptuous accommodations, had all the food and water they could want, and were free from disease and predators, turned into a mouse hell. Science writer and animal behaviorist Lee Alan Dugatkin introduces readers to the peculiar work of rodent researcher John Bumpass Calhoun. In this enthralling tale, Dugatkin shows how an ecologist-turned-psychologist-turned-futurist became a science rock star embedded in the culture of the 1960s and 1970s. As interest grew in his rodent cities, Calhoun was courted by city planners and his work was reflected in everything from Tom Wolfe’s hard-hitting writing to the children’s book Mrs. Frisby and the Rats of NIMH. He was invited to meetings with the Royal Society and the pope and taken seriously when he proposed a worldwide cybernetic brain—a decade before others made the internet a reality.

Readers see how Calhoun’s experiments—rodent apartment complexes like “Mouse Universe 25”—led to his concept of “behavioral sinks” with real effects on public policy discussions. Overpopulation in Calhoun’s mouse (and rat) complexes led to the loss of sex drive, the absence of maternal care, and a class of automatons that included “the beautiful ones,” who spent their time grooming themselves while shunning socialization. Calhoun—and those who followed his work—saw the collapse of this mouse population as a harbinger of the ill effects of an overpopulated human world.

Drawing on previously unpublished archival research and interviews with Calhoun’s family and former colleagues, Dugatkin offers a riveting account of an intriguing scientific figure. Considering Dr. Calhoun’s experiments, he explores the changing nature of scientific research and delves into what the study of animal behavior can teach us about ourselves.