Results by title

In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.

DJ Screw, a.k.a. Robert Earl Davis Jr., changed rap and hip-hop forever. In the 1990s, in a spare room of his Houston home, he developed a revolutionary mixing technique known as chopped and screwed. Spinning two copies of a record, Screw would “chop” in new rhythms, bring in local rappers to freestyle over the tracks, and slow the recording down on tape. Soon Houstonians were lining up to buy his cassettes—he could sell thousands in a single day. Fans drove around town blasting his music, a sound that came to define the city’s burgeoning and innovative rap culture. June 27 has become an unofficial city holiday, inspired by a legendary mix Screw made on that date.

Lance Scott Walker has interviewed nearly everyone who knew Screw, from childhood friends to collaborators to aficionados who evangelized Screw’s tapes—millions of which made their way around the globe—as well as the New York rap moguls who honored him. Walker brings these voices together with captivating details of Screw’s craft and his world. More than the story of one man, DJ Screw is a history of the Houston scene as it came of age, full of vibrant moments and characters. But none can top Screw himself, a pioneer whose mystique has only grown in the two decades since his death.

“How many a man has dated a new era in his life from the reading of a book,” wrote Henry David Thoreau in Walden. Today that book continues to provoke, inspire, and change lives all over the world, and each rereading is fresh and challenging. Yet as Thoreau's countless admirers know, there is more to the man than Walden. An engineer, poet, teacher, naturalist, lecturer, and political activist, he truly had multiple lives to lead, and each one speaks forcefully to us today.

Sponsored by the Thoreau Society, the brief, handsomely presented books in this series offer the thoughts of a great writer on a variety of topics, some that we readily associate with him, some that may be surprising. Each volume includes selections from his familiar published works as well as from less well known lectures, letters, and journal entries. The books include original engravings by renowned illustrator and book artist Barry Moser.

This is the first biography of Dale L. Morgan, preeminent Western historian of the fur trade, historic trails, and the Latter Day Saint movement. The book explores how, despite personal struggles, Morgan committed his life to tracking down sources and interpreting the past on the strength of documentary evidence. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with methodological shifts in the historical profession, the mid-twentieth-century collision of interpretations within Latter Day Saint history, and the development of a descriptive, scholarly approach to that history.
 
Morgan’s body of work and commitment to serious scholarship signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Fawn Brodie, Juanita Brooks, Bernard DeVoto, Wallace Stegner, and Leonard Arrington, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.

Dameronia is the first authoritative biography of Tadd Dameron, an important and widely influential figure in jazz history as one of the most significant composers and arrangers of jazz, swing, bebop, and big band. He arranged for names like Count Basie, Artie Shaw, Jimmie Lunceford, and Dizzy Gillespie and played with Bull Moose Jackson and Benny Golson. This book sets out to clarify Dameron's place in the development of jazz in the post–World War II era. It also attempts to shed light on the tragedy of his retreat from the center of jazz activity in the 1950s. By tracing Dameron's career, one finds that until 1958, when he was incarcerated for drug related offenses, he was at the forefront of developments in jazz, sometimes anticipating trends that would not develop fully for several years. Dameron was also an important influence on several high-profile musicians, including Miles Davis, Benny Golson, and Frank Foster. Dameron was a very private man, and while in some aspects of his life he will probably remain an enigma, this book manages to give an intimate portrait of his life at a couple of key stages: the height of his career in 1949 and the brief but productive period between his release from prison and his death.

A biography and anthology of William Wright (1829–1898), better known by the pen name Dan DeQuille or Dan De Quille, an American author, journalist, and humorist. He was best known for his written accounts of the people, events, and silver mining operations on the Comstock Lode at Virginia City, Nevada, including his non-fiction book History of the Big Bonanza (American Publishing Company, 1876).

DeQuille was on the staff of the (Virginia City) Territorial Enterprise for over thirty years, and his writings were also printed in other publications throughout the country and abroad. Highly regarded for his knowledge of silver mining techniques and his ability to explain them in simple terms, he was also appreciated for his humor, similar in style to that of his associate and friend Mark Twain, and of a type very popular in the United States at that time, now referred to as the Sagebrush School literary genre.

An engrossing memoir in which a photojournalist records both the precursors to today’s conflicts in the Middle East and her own deeply felt conviction that news coverage of the region actually increases the conflicts there.

"You're going where?" Carol Spencer Mitchell's father demanded as she set off in 1984 to cover the Middle East as a photojournalist for Newsweek and other publications. In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her—a single Jewish woman—to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist compelled her to set aside her cameras and reexamine the way images are created, scenes are framed, and "real life" is packaged for specific news stories.

In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts—a conviction that eventually, as she says, "shattered [her] career."

Although the events that Spencer Mitchell records took place decades ago, their repercussions reverberate in the MIddle Eastern conflicts of today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.

In 1880 a young medical student named Arthur Conan Doyle embarked upon the “first real outstanding adventure” of his life, taking a berth as ship’s surgeon on an Arctic whaler, the Hope. The voyage took him to unknown regions, showered him with dramatic and unexpected experiences, and plunged him into dangerous work on the ice floes of the Arctic seas. He tested himself, overcame the hardships, and, as he wrote later, “came of age at 80 degrees north latitude.”

A special limited, numbered edition of the clothbound book is also available. In addition, a text-only e-book edition is published as Dangerous Work: Diary of an Arctic Adventure, Text-only Edition.

This e-book features the complete text found in the print edition of Dangerous Work, without the illustrations or the facsimile reproductions of Conan Doyle's notebook pages.

Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970's suspense thriller The Bird with the Crystal Plumage to 2009's Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. 

While considerations of Argento's films often describe them as irrational nightmares, L. Andrew Cooper uses controversies and theories about the films' reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento's oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock. Analyzing individual images and sequences as well as larger narrative structures, he reveals how the director's stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema's visual, narrative, and political norms.

The definitive biography of Hollywood horror legend Tod Browning—now revised and expanded with new material

One of the most original and unsettling filmmakers of all time, Tod Browning (1880–1962) began his career buried alive in a carnival sideshow and saw his Hollywood reputation crash with the box office disaster–turned–cult classic Freaks. Penetrating the secret world of “the Edgar Allan Poe of the cinema,” Dark Carnival excavates the story of this complicated, fiercely private man. In this newly revised and expanded edition of their biography first published in 1995, David J. Skal and Elias Savada researched Browning’s recently unearthed scrapbooks and photography archives to add further nuance and depth to their previous portrait of this enigmatic artist.

Skal and Savada chronicle Browning’s turn-of-the-century flight from an eccentric Louisville family into the realm of carnivals and vaudeville, his disastrous first marriage, his rapid climb to riches in the burgeoning silent film industry, and the alcoholism that would plague him throughout his life. They offer a close look at Browning’s legendary collaborations with Lon Chaney and Bela Lugosi as well as the studio politics that brought his remarkable run to an inglorious conclusion. With a revised prologue, epilogue, filmography, and new text and illustrations throughout, Dark Carnival is an unparalleled account of a singular filmmaker and an illuminating depiction of the evolution of horror and the early film industry.

Finalist for the 2022 LAMBDA literary award in bisexual nonfiction

Winner of the 2021 Gournay Prize

A Latina girl’s journey through the shadows of the civil rights era.

Darkroom is a deeply moving graphic memoir that chronicles Lila Quintero Weaver’s experience growing up as an Argentine immigrant in 1960s Alabama during the height of the civil rights movement. Through striking black-and-white illustrations and heartfelt narrative, Weaver explores the complexities of race, identity, and belonging in a society divided by segregation. Neither Black nor White, her family occupies a unique position that offers a powerful lens on the struggles for justice and equality. This coming-of-age story blends personal history with pivotal social change, inviting readers to reflect on themes of immigration, cultural assimilation, and moral courage. Darkroom is both an intimate portrait and a universal tale of resilience, making it an essential read for those interested in civil rights, memoirs, and graphic storytelling.

There has always been a mystery surrounding Darwin: How did this quiet, respectable gentleman come to beget one of the most radical ideas in the history of human thought? It is difficult to overstate what Darwin was risking in publishing his theory of evolution. So it must have been something very powerful—a moral fire, as Desmond and Moore put it—that helped propel him. That moral fire, they argue, was a passionate hatred of slavery.

In opposition to the apologists for slavery who argued that blacks and whites had originated as separate species, Darwin believed the races belonged to the same human family. Slavery was a “sin,” and abolishing it became his “sacred cause.” By extending the abolitionists’ idea of human brotherhood to all life, Darwin developed our modern view of evolution.

Drawing on a wealth of fresh manuscripts, family letters, diaries, and even ships’ logs, Desmond and Moore argue that only by acknowledging Darwin’s abolitionist heritage can we fully understand the development of his groundbreaking ideas.

Daughter of Damascus presents a personal account of a Syrian woman's youth in the Suq Saruja ("old city") quarter of Damascus in the 1940s. Siham Tergeman wrote this book to preserve the details of a "genuine Arab past" for Syrian young people. In it, she relates the customs pertaining to marriage, birth, circumcision, and death. She writes of Ramadan festivities, family picnics to the orchards of the Ghuta, weekly trips to the public bath, her school experiences, Damascene cooking, peddlers' calls, and proverbs. She includes the well-known dramatic skits, songs, and tales of the Syrian Hakawati storytellers. And, through the words of her father, she describes the difficult period when Syrians were involved in the Balkans War and World War I. All this wealth of ethnographic detail is set in real-life vignettes that make the book lively and entertaining reading.

Little has been published about modern Syrian social life. In this English translation of an Arabic memoir originally published in Syria in 1978, Tergeman appeals to a wide audience. General readers will find a charming story, while scholars can find source material for university courses in anthropology, sociology, family and women's studies, and Middle Eastern area studies. The introduction by anthropologist Andrea Rugh portrays Syrian social life for Western readers and points out some of the nuances that might escape the attention of those unacquainted with Arab culture.

Bolin was appointed to New York City's domestic relations court in 1939 for the first of four ten-year terms. When she retired in 1978, her career had extended well beyond the courtroom. Drawing on archival materials as well as a meeting with Bolin in 2002, historian Jacqueline A. McLeod reveals how Bolin parlayed her judicial position to impact significant reforms of the legal and social service system in New York.

Beginning with Bolin's childhood and educational experiences at Wellesley and Yale, Daughter of the Empire State chronicles Bolin's relatively quick rise through the ranks of a profession that routinely excluded both women and African Americans. Deftly situating Bolin's experiences within the history of black women lawyers and the historical context of high-achieving black New Englanders, McLeod offers a multi-layered analysis of black women's professionalization in a segregated America.

Linking Bolin's activist leanings and integrationist zeal to her involvement in the NAACP, McLeod analyzes Bolin's involvement at the local level as well as her tenure on the organization's national board of directors. An outspoken critic of the discriminatory practices of New York City's probation department and juvenile placement facilities, Bolin also co-founded, with Eleanor Roosevelt, the Wiltwyck School for boys in upstate New York and campaigned to transform the Domestic Relations Court with her judicial colleagues. McLeod's careful and highly readable account of these accomplishments inscribes Bolin onto the roster of important social reformers and early civil rights trailblazers.

A powerful family memoir about inheritance, identity, and the pull of the sea

Surrendered as an infant in America, Maria “Mia” was taken in by Sicilian immigrants in Gloucester, Massachusetts—a gritty working-class town steeped in salt and tradition. She inherits a name that traces back to 19th-century Sicily, where her great-grandfather was abandoned as a newborn on la ruota dei proietti, the “wheel of the castoffs.” Christened Millefoglie, “a thousand leaves, a thousand pages,” he crossed the bold Atlantic to America’s shores, carrying with him a legacy of endurance and exile.

For generations, the Millefoglie men went to sea: dorymen who rose before dawn to cast their nets along jagged coastlines, captains of eastern-rig draggers navigating storms that could split a vessel in half, stowaways chasing the promise of a life they could scarcely imagine. They lived by tides, currents, and the unspoken rules of the ocean; their courage and skill tested daily by wind and water. The women, left on shore, learned a different kind of survival, keeping households, raising children, and enduring the constant absence of fathers, brothers, and husbands. 

Into this world of fishermen and keepers of the shore, Mia was adopted, learning early that bloodlines dictate identity and tradition shapes fate. College is forbidden; marriages are arranged, and no one abandons the family. By nineteen, trapped in a fish-packing job and lost in a haze of drugs, Mia does the unthinkable: she leaves. Decades later, drawn back to Gloucester’s weathered harbor to care for her aging parents, Mia begins to unearth her family’s buried stories, tracing the lineage from a Sicilian orphanage to a New England fishing port and the invisible inheritance that shaped them all. 

Both intimate and historical, Daughters of Stone and Tide is a meditation on identity, abandonment, and belonging—a fisherman’s daughter’s search to understand the forces that bind and break a family across generations and seas.

A powerful family memoir about inheritance, identity, and the pull of the sea

Surrendered as an infant in America, Maria “Mia” was taken in by Sicilian immigrants in Gloucester, Massachusetts—a gritty working-class town steeped in salt and tradition. She inherits a name that traces back to 19th-century Sicily, where her great-grandfather was abandoned as a newborn on la ruota dei proietti, the “wheel of the castoffs.” Christened Millefoglie, “a thousand leaves, a thousand pages,” he crossed the bold Atlantic to America’s shores, carrying with him a legacy of endurance and exile.

For generations, the Millefoglie men went to sea: dorymen who rose before dawn to cast their nets along jagged coastlines, captains of eastern-rig draggers navigating storms that could split a vessel in half, stowaways chasing the promise of a life they could scarcely imagine. They lived by tides, currents, and the unspoken rules of the ocean; their courage and skill tested daily by wind and water. The women, left on shore, learned a different kind of survival, keeping households, raising children, and enduring the constant absence of fathers, brothers, and husbands. 

Into this world of fishermen and keepers of the shore, Mia was adopted, learning early that bloodlines dictate identity and tradition shapes fate. College is forbidden; marriages are arranged, and no one abandons the family. By nineteen, trapped in a fish-packing job and lost in a haze of drugs, Mia does the unthinkable: she leaves. Decades later, drawn back to Gloucester’s weathered harbor to care for her aging parents, Mia begins to unearth her family’s buried stories, tracing the lineage from a Sicilian orphanage to a New England fishing port and the invisible inheritance that shaped them all. 

Both intimate and historical, Daughters of Stone and Tide is a meditation on identity, abandonment, and belonging—a fisherman’s daughter’s search to understand the forces that bind and break a family across generations and seas.

One of Abraham Lincoln’s staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis’s career, as Lincoln named him to the U.S. Supreme Court in 1862.

Raymond J. McKoski offers a biography of Davis’s public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln’s political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War–era rulings. McKoski details these cases while providing an in-depth account of Davis’s role in Lincoln’s two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency.