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Amid the city’s ruins, the director of the Pompeii Archaeological Park seeks signs of profound religious and cultural transformation to come. 

Recent excavations in Pompeii have unearthed stunning discoveries and a new understanding of how people really lived, revealing a city simmering with tension in an age of great upheaval. From the author of The Buried City comes a riveting account of religious and ritual engagement in and around Pompeii at the time of its destruction in 79 CE, a moment when Christianity was just beginning to gain footing in the Roman world.

Drawing on ancient artifacts and the latest findings from Pompeii, Gabriel Zuchtriegel, director of the Pompeii Archaeological Park, considers how such a momentous transformation might have come to pass. Each chapter takes a different deity as its starting point, exploring the place of the ancient gods in the life of the city and its people. Inviting readers behind the scenes to experience discoveries through the eyes of the excavation team, Zuchtriegel shares insights about Pompeii’s red-light district, where archaeologists have found graffiti that may refer to Christians; excavations in several of the city’s sanctuaries and in nearby Longola, a Bronze and Early Iron Age precursor of Pompeii; a top-secret dig in the House of the Thiasus that has yielded wall paintings as provocative as those of the famous Villa of the Mysteries; and much more. With intimate detail, this book brings to life a raw and often brutal society, capturing beauty and humanity in places both expected and surprising.

Only one surviving source provides a continuous narrative of Greek history from Xerxes' invasion to the Wars of the Successors following the death of Alexander the Great—the Bibliotheke, or "Library," produced by Sicilian historian Diodorus Siculus (ca. 90–30 BCE). Yet generations of scholars have disdained Diodorus as a spectacularly unintelligent copyist who only reproduced, and often mangled, the works of earlier historians. Arguing for a thorough critical reappraisal of Diodorus as a minor but far from idiotic historian himself, Peter Green published Diodorus Siculus, Books 11-12.37.1, a fresh translation, with extensive commentary, of the portion of Diodorus's history dealing with the period 480–431 BCE, the so-called "Golden Age" of Athens.

This is the only recent modern English translation of the Bibliotheke in existence. In the present volume—the first of two covering Diodorus's text up to the death of Alexander—Green expands his translation of Diodorus up to Athens' defeat after the Peloponnesian War. In contrast to the full scholarly apparatus in his earlier volume (the translation of which is incorporated) the present volume's purpose is to give students, teachers, and general readers an accessible version of Diodorus's history. Its introduction and notes are especially designed for this audience and provide an up-to-date overview of fifth-century Greece during the years that saw the unparalleled flowering of drama, architecture, philosophy, historiography, and the visual arts for which Greece still remains famous.

‘Usher ... does the best foreign on-the-spot reporting from Palestine.’ Edward Said, London Review of Books

‘The reader vicariously experiences what will become great moments of popular oral history that official historians will forget in the great scheme of things.’ Middle East International

Named one of Lit Hub's most anticipated books of the year.

A searing reflection on the last day of the Vietnam War and the beginning of the end of foreign reporting in the nation’s daily newspapers. 

Done in a Day turns on a single event: the April 30, 1975, departure of the last helicopter evacuating civilians from the rooftop of the US embassy in Saigon. Elisa Tamarkin’s interest in that helicopter begins with the fact that her stepfather, the Saigon bureau chief for the Chicago Daily News, was on it—the last American correspondent to leave Saigon as it fell. His report was filed from a naval ship on the South China Sea at a time when no other telexes were going through.

Now, more than fifty years later, Tamarkin offers a social and cultural autopsy of that moment, based in personal history but vividly unfolding amid the vast documentation of America’s obvious defeat, which never seemed to register even as it got out, in the writings of journalists and essayists, in the backchannel cables between US ambassador Graham Martin and Henry Kissinger, in congressional hearings, and in photographs of the war’s end. The story is also set against the imminent disappearance of war coverage in city newspapers—and of the newspapers themselves—once proud, in the words of the Chicago Daily News, of bringing readers the “literature of the day” that was “done in a day.”

Done in a Day braids history, criticism, and memoir to tell the paired stories of Saigon’s liberation and the demise of the news. The result is a haunting essay about all that ended in a day—and about what it means to recognize and to write about endings even as we live through them.