1107 books match the query 'Memoirs' and 48 start with d

cover of Daddy’s Money: A Memoir of Farm and Family

Daddy’s Money

A Memoir of Farm and Family

Jo McDougall

University of Arkansas Press, 2011

Jo McDougall brings a poet's sensibility to memoir. Recounting five generations of Delta rice farmers, through family archives and oral histories, she traces how the clan made their way into the fabric of America, beginning with her Belgian-immigrant grandfather, a pioneer rice farmer on the Arkansas Delta at the turn of the twentieth century. As John Grisham has for a 1950s Arkansas cotton farm, McDougall illuminates an Arkansas rice farm in the 1930s and 1940s. The Garot family's acreage near DeWitt and the town itself provide the stage for McDougall's wry, compelling, and layered account of the day-to-day of rice growing on the farm that her father inherited. In that setting she discovers a rich "universe of words" in the Great Depression, comes of age during World War II, and finds her way alongside "that whole quirky, compelling cast of characters" that comprised her kin. In this conflicted, ironic, southern-but-universal account of betrayal, heartbreak, loss, and joy, "the vagaries and the grace" of the land join forces with the power of money as family bonds are both forged and dissolved. Deeply felt, unsentimental, and often humorous,Daddy's Money presents McDougall's life and the lives of her relatives in the way that all our lives are eventually framed-as stories. "When all else is lost," the author maintains, "the stories remain."
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cover of Dan de Quille

Dan de Quille

Dwayne Kling

University of Nevada Press, 1990

A biography and anthology of William Wright (1829–1898), better known by the pen name Dan DeQuille or Dan De Quille, an American author, journalist, and humorist. He was best known for his written accounts of the people, events, and silver mining operations on the Comstock Lode at Virginia City, Nevada, including his non-fiction book History of the Big Bonanza (American Publishing Company, 1876).

DeQuille was on the staff of the (Virginia City) Territorial Enterprise for over thirty years, and his writings were also printed in other publications throughout the country and abroad. Highly regarded for his knowledge of silver mining techniques and his ability to explain them in simple terms, he was also appreciated for his humor, similar in style to that of his associate and friend Mark Twain, and of a type very popular in the United States at that time, now referred to as the Sagebrush School literary genre.

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cover of Dark Tourist: Essays

Dark Tourist

Essays

Hasanthika Sirisena

The Ohio State University Press, 2021

Finalist for the 2022 LAMBDA literary award in bisexual nonfiction

Winner of the 2021 Gournay Prize

“Shimmers with honesty, vulnerability, and circumspection.” —Kirkus

“Sirisena explores how stories can become a ‘talisman against the overwhelming darkness of another’s pain’ in her emotionally charged nonfiction debut … [Her] searching spirit leaves readers with plenty to dig into.” —Publishers Weekly


Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth. 
 
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
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cover of Darkroom: A Memoir in Black and White

Darkroom

A Memoir in Black and White

Lila Quintero Weaver

University of Alabama Press, 2012

A Latina girl’s journey through the shadows of the civil rights era.

Darkroom is a deeply moving graphic memoir that chronicles Lila Quintero Weaver’s experience growing up as an Argentine immigrant in 1960s Alabama during the height of the civil rights movement. Through striking black-and-white illustrations and heartfelt narrative, Weaver explores the complexities of race, identity, and belonging in a society divided by segregation. Neither Black nor White, her family occupies a unique position that offers a powerful lens on the struggles for justice and equality. This coming-of-age story blends personal history with pivotal social change, inviting readers to reflect on themes of immigration, cultural assimilation, and moral courage. Darkroom is both an intimate portrait and a universal tale of resilience, making it an essential read for those interested in civil rights, memoirs, and graphic storytelling.

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cover of Daughter in Retrograde: A Memoir

Daughter in Retrograde

A Memoir

Courtney Kersten

University of Wisconsin Press, 2021

When she isn't eavesdropping on family gossip or gazing at taxidermy squirrels in smoky dives, Courtney Kersten charts the uncertainty of her midwestern homeland by looking to the stars and planets. As a teen she had plunged deep into the worlds of signs, symbols, and prophecy. But as her mother—her traveling companion into these spheres—lies dying, Kersten must learn to navigate without the person who always lit the way. Their last journey together, to swim in a Wisconsin lake, is a bittersweet, darkly comic, poignant climax to this transformative memoir.
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cover of Daughters of Stone and Tide: Loss and Resilience in a Fisherman's Family

Daughters of Stone and Tide

Loss and Resilience in a Fisherman's Family

Written by Maria "Mia" Millefoglie. Read by Maria Marquis.

University of Massachusetts Press, 2026

A powerful family memoir about inheritance, identity, and the pull of the sea

Surrendered as an infant in America, Maria “Mia” was taken in by Sicilian immigrants in Gloucester, Massachusetts—a gritty working-class town steeped in salt and tradition. She inherits a name that traces back to 19th-century Sicily, where her great-grandfather was abandoned as a newborn on la ruota dei proietti, the “wheel of the castoffs.” Christened Millefoglie, “a thousand leaves, a thousand pages,” he crossed the bold Atlantic to America’s shores, carrying with him a legacy of endurance and exile.

For generations, the Millefoglie men went to sea: dorymen who rose before dawn to cast their nets along jagged coastlines, captains of eastern-rig draggers navigating storms that could split a vessel in half, stowaways chasing the promise of a life they could scarcely imagine. They lived by tides, currents, and the unspoken rules of the ocean; their courage and skill tested daily by wind and water. The women, left on shore, learned a different kind of survival, keeping households, raising children, and enduring the constant absence of fathers, brothers, and husbands. 

Into this world of fishermen and keepers of the shore, Mia was adopted, learning early that bloodlines dictate identity and tradition shapes fate. College is forbidden; marriages are arranged, and no one abandons the family. By nineteen, trapped in a fish-packing job and lost in a haze of drugs, Mia does the unthinkable: she leaves. Decades later, drawn back to Gloucester’s weathered harbor to care for her aging parents, Mia begins to unearth her family’s buried stories, tracing the lineage from a Sicilian orphanage to a New England fishing port and the invisible inheritance that shaped them all. 

Both intimate and historical, Daughters of Stone and Tide is a meditation on identity, abandonment, and belonging—a fisherman’s daughter’s search to understand the forces that bind and break a family across generations and seas.

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cover of Daughters of Stone and Tide: Loss and Resilience in a Fisherman’s Family

Daughters of Stone and Tide

Loss and Resilience in a Fisherman’s Family

Maria "Mia" Millefoglie

University of Massachusetts Press, 2026

A powerful family memoir about inheritance, identity, and the pull of the sea

Surrendered as an infant in America, Maria “Mia” was taken in by Sicilian immigrants in Gloucester, Massachusetts—a gritty working-class town steeped in salt and tradition. She inherits a name that traces back to 19th-century Sicily, where her great-grandfather was abandoned as a newborn on la ruota dei proietti, the “wheel of the castoffs.” Christened Millefoglie, “a thousand leaves, a thousand pages,” he crossed the bold Atlantic to America’s shores, carrying with him a legacy of endurance and exile.

For generations, the Millefoglie men went to sea: dorymen who rose before dawn to cast their nets along jagged coastlines, captains of eastern-rig draggers navigating storms that could split a vessel in half, stowaways chasing the promise of a life they could scarcely imagine. They lived by tides, currents, and the unspoken rules of the ocean; their courage and skill tested daily by wind and water. The women, left on shore, learned a different kind of survival, keeping households, raising children, and enduring the constant absence of fathers, brothers, and husbands. 

Into this world of fishermen and keepers of the shore, Mia was adopted, learning early that bloodlines dictate identity and tradition shapes fate. College is forbidden; marriages are arranged, and no one abandons the family. By nineteen, trapped in a fish-packing job and lost in a haze of drugs, Mia does the unthinkable: she leaves. Decades later, drawn back to Gloucester’s weathered harbor to care for her aging parents, Mia begins to unearth her family’s buried stories, tracing the lineage from a Sicilian orphanage to a New England fishing port and the invisible inheritance that shaped them all. 

Both intimate and historical, Daughters of Stone and Tide is a meditation on identity, abandonment, and belonging—a fisherman’s daughter’s search to understand the forces that bind and break a family across generations and seas.

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cover of Day by Day: The Chronicles of a Hard of Hearing Reporter

Day by Day

The Chronicles of a Hard of Hearing Reporter

Elizabeth Thompson

Gallaudet University Press, 2008

The Seventh Volume in the Deaf Lives Series

Elizabeth Thompson’s hearing loss was detected when she was in elementary school, and her hearing continued to deteriorate until she became completely deaf. Like many other hard of hearing and late-deafened individuals, her hearing loss complicated the general challenges of life. She struggled through school, worked as a secretary, married, had a daughter, and then found herself living as a single mother. She remarried, and soon after learned that she had contracted Multiple Sclerosis (MS). Despite these hurdles, Thompson always expressed her determination to enjoy the best life had to offer. Her astonishing exuberance might have gone unnoticed if she hadn’t accepted a new position as a reporter/columnist in 1998 for the Suburban News Publications (SNP). Day by Day: The Chronicles of a Hard of Hearing Reporter presents a marvelous blend of her experiences and best SNP columns that illustrate how she crafted her remarkable outlook.

In her columns, Thompson presented how she handled her hearing loss as a personal guide for readers. She used every stratagem available to function full-throttle – hearing aids, FM systems, lights for alarms, TTYs, even training her dog Snert. She also gently counseled readers on how to treat deaf and hard of hearing people with practical consideration and respect. Her pursuit of a fully realized life enabled her to do what she loved most, to meet and write about inspiring persons, many of whom are profiled in her memoir. Thompson eventually underwent cochlear implantation that restored 95% of her hearing, an exalting moment for her. Yet, Day by Day celebrates the entire arc of her life, a wonderful testament to her joyous resilience.

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cover of Days on the Family Farm: From the Golden Age through the Great Depression

Days on the Family Farm

From the Golden Age through the Great Depression

Carrie A. Meyer

University of Minnesota Press, 2007

From the beginning of the twentieth century to World War II, farm wife May Lyford Davis kept a daily chronicle that today offers a window into a way of life that has all but disappeared. May and her husband Elmo lived through two decades of prosperity, the Great Depression, and two World Wars in their Midwestern farming community. Like many women of her time, Davis kept diaries that captured the everyday events of the family farm; she also kept meticulous farming accounts. In doing so, she left an extraordinary record that reflects not only her own experiences but also the history of early twentieth-century American agriculture.

May and Elmo’s story, engagingly told by Carrie A. Meyer, showcases the large-scale evolution of agriculture from horses to automobile and tractors, a surprisingly vibrant family and community life, and the business of commercial farming. Details such as what items were bought and sold, what was planted and harvested, the temperature and rainfall, births and deaths, and the direction of the wind are gathered to reveal a rich picture of a world shared by many small farmers.

With sustainable and small-scale farming again on the rise in the United States, Days on the Family Farm resonates with both the profound and mundane aspects of rural life—past and present—in the Midwest.

Carrie A. Meyer is associate professor of economics at George Mason University.

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cover of Daytime Stars

Daytime Stars

Olga Berggolts, translated by Lisa Kirschenbaum

University of Wisconsin Press, 2018

For 872 days during World War II, the city of Leningrad endured a crushing blockade at the hands of German forces. Close to one million civilians died, most from starvation. Amid the devastation, Olga Berggolts broadcast her poems on the one remaining radio station, urging listeners not to lose hope. When the siege had begun, the country had already endured decades of revolution, civil war, economic collapse, and Stalin's purges. Berggolts herself survived the deaths of two husbands and both of her children, her own arrest, and a stillborn birth after being beaten under interrogation.

Berggolts wrote her memoir Daytime Stars in the spirit of the thaw after Stalin's death. In it, she celebrated the ideals of the revolution and the heroism of the Soviet people while also criticizing censorship of writers and recording her doubts and despair. This English translation by Lisa A. Kirschenbaum makes available a unique autobiographical work by an important author of the Soviet era. In her foreword, Katharine Hodgson comments on experiences of the Terror about which Berggolts was unable or unwilling to write.
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cover of Dead Weight: A Memoir in Essays

Dead Weight

A Memoir in Essays

Randall Horton

Northwestern University Press, 2022

Dead Weight chronicles the improbable turnaround of a drug smuggler who, after being sentenced to eight years in state prison, returned to society to earn a PhD in creative writing and become the only tenured professor in the United States with seven felony convictions. Horton’s visceral essays highlight the difficulties of trying to change one’s life for the better, how the weight of felony convictions never dissipates.
 
The memoir begins with a conversation between Horton and Ralph Ellison’s Invisible Man statue in New York City. Their imagined dialogue examines the psychological impact of racism on Black men and boys, including Horton’s separation from his mother, immediately after his birth, in a segregated Alabama hospital. From his current life as a professor and prison reformer, Horton looks back on his experiences as a drug smuggler and trafficker during the 1980s–1990s as well as the many obstacles he faced after his release. He also examines the lasting impact of his drug activity on those around him, reflecting on the allure of economic freedom and the mental escapism that cocaine provided, an allure so strong that both sellers and users were willing to risk prison. Horton shares historical context and vivid details about people caught in the war on drugs who became unsuspecting protagonists in somebody else’s melodrama.
 
Lyrical and gripping, Dead Weight reveals the lifelong effects of one man’s incarceration on his psyche, his memories, and his daily experience of American society.
 
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cover of Deaf Daughter, Hearing Father

Deaf Daughter, Hearing Father

Richard Medugno

Gallaudet University Press, 2005

When Richard Medugno and his wife Brenda learned in 1993 that their 17-month-old daughter Miranda was deaf, they grieved, as many hearing parents do. Soon, however, Medugno seized hold of the need to take positive action for Miranda. Deaf Daughter, Hearing Father recounts the remarkable story of their journey during the past fourteen years.

Medugno first researched the best communication mode for Miranda. Quickly dismissing the speech pathology model, he and his wife chose ASL alone as the best, natural language for Miranda. He surrounded his daughter with opportunities to learn ASL, by arranging to meet deaf individuals and families, and also by hiring deaf babysitters. He also determined to learn ASL himself, to ensure communication with his daughter. As Miranda neared school age, Medugno spearheaded a transcontinental search for exactly the right school for her education. So that Miranda could attend the California School for the Deaf (CSD), the Medugno family moved from Toronto, Canada to Fremont, CA.

In Deaf Daughter, Hearing Father, Medugno shares practical information on many of the common challenges faced by hearing parents. He provides a list of games that hearing and deaf children can play together, an important consideration for many families. His enthusiasm for all possibilities, from exploring the potential of video phones to helping stage CSD musicals, reveals his abiding devotion to Miranda. Such a foundation has enabled her to feel proud, confident, and happy in her pursuits. At the same time, Medugno recognizes that the rewards of having a deaf daughter are far greater than he could have hoped for or imagined.
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cover of Deaf Lives in Contrast: Two Women's Stories

Deaf Lives in Contrast

Two Women's Stories

Mary V. Rivers

Gallaudet University Press, 2008

The Eighth Volume in the Deaf Lives Series

Deaf Lives in Contrast: Two Women’s Stories might seem to bring together polar opposites in the broad range of deaf experience. Yet, as these narratives unfold, the reader will recognize that common threads run through them despite their different circumstances.

Mary V. Rivers, who came from a “dirt poor” Cajun family in Louisiana, was only 17 when she married Bruce Rivers, a member of the U.S. Air Force during World War II. She bore three children in quick succession, all boys, and traveled with them to Europe with her husband. When her third son Clay was nearly two, however, she learned that he was deaf. From that time on, she devoted her life to securing a good education for Clay.

Dvora Shurman’s parents, deaf Jewish immigrants from Russia, met in Chicago after World War I. Both were educated orally, declaring “I am not born deaf. Signing only for born-deaf.” They did sign, but they also wanted hearing children, stemming from their own sense of devaluation. Shurman lived a dual life in the deaf and hearing worlds. She saw herself as her deaf parents’ ears, their voice to the hearing world, and as sharing with her mother the task of being mother.

The resonating theme that echoes with both of these women centers on their resentment of the treatment received by their deaf loved ones. Early in her life, Shurman adopted a slogan with her sister, “‘It's Not Fair,’ to rebel against the shaming, the demeaning, our family suffered.” After years of struggling for her son, Rivers asserts that “deaf people have a right to prove themselves as first class citizens.” Their uncommon stories reveal that they share more in common, a belief in equal rights for all, deaf and hearing.

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cover of Deaf Peddler: Confessions of an Inside Man

Deaf Peddler

Confessions of an Inside Man

Dennis S. Buck

Gallaudet University Press, 2000

In airports and train stations it is not unusual for waiting passengers to be approached by a person who will hand out a brochure or trinket, then indicate that he or she is deaf and ask for payment, anything they can afford. In many instances, the travelers feel pity for the poor unfortunate and dole out a dollar or two, yet most are utterly unaware that these pitiful beggars earn hundred of dollars this way in a matter of a few hours. Dennis Buck knows this unique form of panhandling intimately because, despite holding a degree in computer science and receiving Supplemental Security Income (SSI) and Social Security Disability Insurance (SSDI), he was a deaf peddler for 11 years.

In Deaf Peddler: Confessions of an Inside Man, Buck unveils all of the ins and outs of exploiting his “disabilities” to earn easy money. Buck details the day-to-day life of a deaf peddler, including where to go to make the most money in the least time (airports with their constant transient clientele, malls on weekends, and fast food restaurants), how to live on the cheap (wait for people checking out to leave their motel rooms, then sneak in to use the shower), and how to live well when business is good. He also explains how he organized his rounds using a spreadsheet program.

Deaf Peddler also provides a historical perspective on deaf peddling as a way for under-educated deaf people to make a living when jobs were hard to find, wages were low, and Social Security did not exist. The “no good” life served as the rationale to many deaf people for peddling, but many more in the Deaf community deplored their actions, and the National Association of the Deaf campaigned to discourage this behavior that reinforced deaf stereotypes. Buck abandoned peddling himself for this reason, but he points out that deaf peddling survives today, frequently in the highly exploitative form of rings of deaf workers completely controlled by oppressive deaf and hearing overseers. Deaf Peddler presents in engaging fashion a little-known cultural phenomenon that offers a revealing turn on the general issue of panhandling in our society today.

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cover of Deaf Women's Lives: Three Self-Portraits

Deaf Women's Lives

Three Self-Portraits

Bainy Cyrus

Gallaudet University Press, 2005

Three deaf women with widely varying stories share their experiences in this unique collection, revealing the vast differences in the circumstances of their lives, but also striking similarities. In Bainy Cyrus’s All Eyes, she vividly describes her life as a young child who was taught using the oral method at the Clarke School for the Deaf in Northampton, MA. Her account of the methods used (for example, repeating the same word over and over again, as many as 35 times), animates the extraordinary amount of work performed by deaf children to learn to read and speak. Cyrus also relates the importance of her lifelong friendships with two girls she met at Clarke, and how the different paths that they took influenced her as an adult.

     Eileen Katz’s story, as told to Celeste Cheyney, offers a glimpse into a deaf girl’s life a generation before Cyrus. In Making Sense of It All: The Battle of Britain Through a Jewish Deaf Girl’s Eyes, Katz juxtaposes the gradual learning of the words who, what, where, and why with the confusing events of 1938 to 1941. As she and her fellow students grasped the meanings of these questions, they also realized the threat from the Nazi air attacks upon England. Katz also understood the compound jeopardy that she and her classmates faced by being both deaf and Jewish.

     In contrast to the predominantly oral orientation of Cyrus and Katz, Frances M. Parsons writes of a year-long journey overseas in 1976 to lecture about Total Communication. Parsons traveled to Iran, India, Ceylon, Thailand, Malaysia, Singapore, Hong Kong, Taipei, the Philippines, Australia, and seven countries in Africa to teach administrators, teachers, and deaf students to communicate using sign, speechreading, writing, and any other means available. Her harrowing and fascinating anecdotes detail visits to ministries of education, schools, hospitals, clinics, palaces, hovels for the poorest of the poor, and all kinds of residential homes and apartments. Taken together, her travels testify to the aptness of her title I Dared!

     The combined effect of these three Deaf women’s stories, despite the variation in their experiences, reveals the common thread that weaves through the lives of all deaf individuals.

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cover of Deaf in DC: A Memoir

Deaf in DC

A Memoir

Madan Vasishta

Gallaudet University Press, 2011

In his first memoir, Madan Vasishta described being a deaf boy in his homeland India, where “deaf” meant someone who is not human. After rising from herding cattle to being a respected photographer in Delhi, his first memoir concluded with his acceptance at Gallaudet College far away in America. Vasishta’s new memoir begins with his arrival in Washington, DC in 1967 with $40.00 in his pocket and very little knowledge of the new worlds he was entering.

Vasishta faced myriad challenges from the outset— he knew no American Sign Language and could not speech read, yet he found himself thrust into classes at Gallaudet two weeks into the semester. Cultural differences mystified him, such as how all American car accidents were someone else’s fault even when one’s car hits a stationary object. He was amazed that his fellow students did not deride him for his mistakes, unlike in India where he would have been scorned for his weakness. After five years, he returned home to India for a visit and was stunned to learn that he no longer fit in, that “even if you do not have an American Dream, the American Dream will have you.”

Deaf in DC follows Vasishta through half a century living in America. He witnessed the transformation from facing bias as a deaf, foreign man of color who could not get a job despite having a Ph.D., to receiving five offers as a school superintendent in the wake of the Civil Rights movement and Deaf President Now. His new memoir reflects a genuine worldview informed by the sage perceptions of a person who has lived widely in many worlds.

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cover of Dear Denise: Letters to the Sister I Never Knew

Dear Denise

Letters to the Sister I Never Knew

Lisa McNair

University of Alabama Press, 2022

Poignant, honest, and heartfelt letters to a sister who perished in the 16th Street Baptist Church bombing.

Lisa McNair was born in 1964, one year after her older sister, Denise, was murdered in the bombing of the 16th Street Baptist Church in Birmingham, Alabama. Dear Denise is a collection of forty letters from Lisa addressed to the sister she never knew, but in whose shadow of sacrifice and lost youth she was raised. These letters offer an intimate look into the life of a family touched by one of the most heinous tragedies of the Civil Rights Movement. 

Written in a genuine, accessible, familiar, and easy-to-read voice, Lisa’s letters apprise her late sister of all that has come to pass in the years since her death. Lisa considers her own challenges and accomplishments as a student in remarkably different—and very racially complex—schools; the birth of their baby sister, Kim; their father’s election to the Alabama legislature; her evolving sense of faith and place, and sometimes lack thereof, within the Black church; her college experiences; and her own sense of self as she’s matured into adulthood. She reveals some of the family’s difficulties and health challenges, and shares some of their joys and celebrations.

The letters are accompanied by 29 black-and-white photographs, most of them from the McNair family collection, many of them taken by her father, a professional photographer who documented the Civil Rights Movement in Alabama both before and after Denise’s murder. An unswervingly candid, gentle, and nuanced book, Dear Denise is a testament to one singular life lived bravely and truthfully (if sometimes confusedly or awkwardly), during decades of bewildering social change and in the shadow of one life never fully lived.
 

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cover of Dear Queer Self: An Experiment in Memoir

Dear Queer Self

An Experiment in Memoir

Jonathan Alexander

Acre Books, 2022

An unvarnished accounting of one man’s struggle toward sexual and emotional maturity.

In this unconventional memoir, Jonathan Alexander addresses wry and affecting missives to a conflicted younger self. Focusing on three years—1989, 1993, and 1996—Dear Queer Self follows the author through the homophobic heights of the AIDS epidemic, the fall of the Berlin Wall, the election of Bill Clinton, and the steady advancements in gay rights that followed. With humor and wit afforded by hindsight, Alexander relives his closeted college years, his experiments with his sexuality in graduate school, his first marriage to a woman, and his budding career as a college professor.
 
As he moves from tortured self-denial to hard-won self-acceptance, the author confronts the deeply uncomfortable ways he is implicated in his own story. More than just a coming-out narrative, Dear Queer Self is both an intimate psychological exploration and a cultural examination—a meshing of inner and outer realities and a personal reckoning with how we sometimes torture the truth to make a life. It is also a love letter, an homage to a decade of rapid change, and a playlist of the sounds, sights, and feelings of a difficult, but ultimately transformative, time.
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cover of Dear World: Contemporary Uses of the Diary

Dear World

Contemporary Uses of the Diary

Kylie Cardell

University of Wisconsin Press, 2014

Where has the personal diary gone—and what forms has it taken—in the digital age? From the diary spaces of reality television and the how-to diary and its audience of self-helpers, in the emerging genre of the graphic diary or the online diaries of sex bloggers, in the published diaries of war correspondents or the urgent personal writing of Arab women under conflict, this book explores a new wave in diary publication and production. It also provides a fresh look at the diary as a contemporary form of autobiography.
            In Dear World, Kylie Cardell is sensitive to how changes to our notions of privacy and the personal—spurred by the central presence the Internet has come to occupy in our daily lives—impact how and why diaries are written, and for whom. She considers what these new uses of the diary tell us about the cultural politics of self-representation in a time of mass attention to (and anxiety about) the personal. Cardell sees the twenty-first-century diary as a vibrant and popular cultural practice as much as a literary form, one that plays a key role in mass-mediated notions of authenticity, subjectivity, and truth. Dear World provides much-needed new attention to the innovation, evolution, and persistence of a familiar yet complex autobiographical mode.
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cover of Deep Are the Roots: Memoirs of a Black Expatriate

Deep Are the Roots

Memoirs of a Black Expatriate

Gordon Heath

University of Massachusetts Press, 1992

In these pages we meet a man, meet him as a child, an actor in training, an actor in performance. We meet a black man born in the United States in 1918 who fashioned a life for himself that kept him mostly abroad, mostly in Paris. Gordon Heath can be counted among such distinguished black expatriates as Ira Aldridge, Paul Robeson, Richard Wright, and James Baldwin. Their names have been written larger than his in the record books, but with the publication of his memoirs Gordon Heath moves from footnote status to deserved inclusion in the text itself.
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cover of Deep Powder Snow: Forty Years of Ecstatic Skiing, Avalanches, and Earth Wisdom

Deep Powder Snow

Forty Years of Ecstatic Skiing, Avalanches, and Earth Wisdom

Dolores LaChapelle

University of Wyoming Press, 2027

“Everything I know, I learned from skiing powder.”— Dolores LaChapelle, the godmother of powder skiing

An out-of-print classic returns… Deep Powder Snow, originally published in 1993, is an autobiographical account of how Dolores LaChapelle’s experiences powder skiing gave her a path to cultural resistance. More than a memoir of one woman’s love for the sport, this philosophical exploration of skiing and the relationship between humanity and nature became a cult classic for mountain recreationists around the world who connected deeply with her worldview.

LaChapelle’s words still give voice to why skiing and other outdoor recreation feel like so much more than a pastime to so many. In this reprint of the classic text, ski journalist and historian Clare George offers a new generation of readers the opportunity to engage with LaChappelle, adding a foreword with critical contextualization of the book’s significance and impact.

Deep Powder Snow is more relevant than ever. In the age of rapid climate change and the ever-more-jarring effects of the Anthropocene, this memoir advocates for a different way of thinking about our place in the world and of skiing as not merely a hobby but the foundation of a good life.

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cover of Deep Woods, Wild Waters: A Memoir

Deep Woods, Wild Waters

A Memoir

Douglas Wood

University of Minnesota Press, 2025

A journey through the wilds of nature and the twists and turns of daily life with an icon of the North Woods—now in paperback​


Wait, young Douglas’s grandfather says as the bobber twitches on the surface of Little Lake. Be patient. And so begins an encounter with the wonder and promise of nature that will last a lifetime. Deep Woods, Wild Waters traces the winding path that carried Douglas Wood from one marvel to the next, through a landscape of rocks, woods, and waters, with stops along the way for questions and reflections that link human nature to the larger mysteries of the natural world.

 

Like life itself, the author’s way is not linear. One landmark leads back to a favorite campsite, another prompts him to consider the “gospel of rocks,” another launches him into the wilderness beyond the stars—a contemplation of time and space and humanity’s place in all of it. The creator of thirty-four books, including the classic Old Turtle, and an expert woodsman and wilderness canoe guide, Wood brings all his storytelling and bushwhacking skills to bear as he takes us hurtling down wild rapids, crossing stormy lakes, or simply navigating the treacherous currents and twisty trails of everyday life.

 

 A warm, generous, and knowing guide, Wood maps a journey that, as he says, “anyone can take, through a landscape anyone can know.” Turning the pages, hiking the portages, running the rapids, or scanning the wild country from a high promontory, he invites us to say, in a soul-satisfying moment of recognition, “I know that place.”

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cover of Degas at the Gas Station: Essays

Degas at the Gas Station

Essays

Thomas Beller

Duke University Press, 2025

In his latest collection, Thomas Beller trains his piercing literary eye on how a single, seismic event indelibly shapes the trajectory of the common and mundane experiences of one’s life. Weaving together a charming set of autobiographical stories, Beller interrogates the randomness and contingencies that separate sadness from joy, death from life. His father escaped the Nazis, only to die in America from cancer when Beller was nine years old. Beller measures how this loss impacted his life as the father of two young children and became both a catalyst for understanding an ever-present sorrow. At the same time, ordinary moments—from retrieving an iPod from the subway tracks to encountering the police at a Kinks concert to observing his young tutued ballerina daughter at a gas station—lead to instances of penetrating insight, self-deprecation, and humor. Degas at the Gas Station presents an endearing and bracingly honest portrait of the author as an ever-curious observer of the mysteries and profundities of everyday life.
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Desert Birthright

A Midwife's Memoir

Lori Wrankle

University of Utah Press, 2025

The coming-of-age memoir of a homebirth midwife in the Southwest

Lori Wrankle was sixteen when she helped deliver her first baby. “I witnessed the entire universe unfold at my feet,” she writes in Desert Birthright. Later, working as a hospital doula, Wrankle observed firsthand the suffering inflicted upon birthing women by male-dominated Western childbirth practices, from casual racism to unnecessary and nonconsensual procedures, including the dreaded “husband stitch.” After a traumatic labor and delivery of her own, she decided to take back woman-centered childbirth and start a homebirth midwifery practice.
 
Desert Birthright traverses twenty-five years of midwifery, often in fundamentalist polygamist circles, weaving together birth stories with childhood memories as Wrankle grapples with her shifting Mormon faith. Her poetic voice shines—a placenta becomes the tree of life, the folds in a baby’s arm layers of sand in the desert. Desert Birthright is a deeply personal story of life, death, and modern womanhood in the rural Southwest, and of one midwife’s journey of faith, self-discovery, and liberation in the face of adversity.
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Detailing Trauma

A Poetic Anatomy

Arianne Zwartjes

University of Iowa Press, 2012

In a series of linked lyric essays, Detailing Trauma explores in vivid, sometimes graphic detail the many types of wounds from which the human body and spirit may suffer—and heal. Mapping the diseases and injuries that can afflict the body, the author asks how we can continue to live and love in the face of the great potential for suffering and loss.
 
She names each section of the book for body parts or processes, then juxtaposes the functions and failures of human anatomy with experiences in her own life and those of people she knows and loves, meticulously stitching together life’s fractures and ruptures with skillful narrative. Each essay offers glimpses of hope and reasons for living with the likelihood of chaos and pain, reasons for choosing to love despite the risks.
 

Zwartjes’s beautifully crafted poetic prose humanizes the technical descriptions of medical conditions and illuminates the scientific understanding of emotional states. Far more than a popularization of science, Detailing Trauma explores the wondrous anatomy and physiology of the human body, a geography of our human frailties—and also our wealth, as humans, of love and hope and the capacity for meditative thought. 

[more]
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Diaries from the House of Atonement

By Zengxin Yang, translated by Berlin Fang

Bridwell Press, 2026

Diaries from the House of Atonement offers a rare glimpse into the intellectual world of Yang Zengxin (1864–1928), the pragmatic ruler who maintained relative stability in Xinjiang from the fall of the Qing dynasty until his assassination in 1928.

Rather than recounting his administration, Yang's diaries explore Confucian and Daoist thought, personal cultivation, political philosophy, and China's uncertain future. They reveal the intellectual principles that may have shaped his approach to governance, including his reflections on moral order, cultural tradition, and religion.

The diaries also show Yang's understanding of the Bagua (八卦) and the I Ching, showing how classical Chinese philosophy could inform practical life and political thought. This translation introduces English-language readers to Yang not merely as a regional ruler, but as a reflective thinker whose writings illuminate the encounter between Chinese tradition, political crisis, religious thought, and the search for social order. 

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Diary of a Detour

Lesley Stern

Duke University Press, 2020

Diary of a Detour is film scholar and author Lesley Stern's memoir of living with chronic lymphocytic leukemia. She chronicles the fears and daily experience of coming to grips with an incurable form of cancer by describing the dramas and delving into the science. Stern also nudges cancer off center stage by turning to alternative obsessions and pleasures. In seductive writing she describes her life in the garden and kitchen, the hospital and the library, and her travels—down the street to her meditation center, across the border to Mexico, and across the world to Australia. Her immediate world is inhabited with books, movies, politics, and medical reports that provoke essayistic reflections. As her environment is shared with friends, chickens, a cat called Elvis, mountain goats, whales, lions, and microbes the book opens onto a larger than human world. Intimate and meditative, engrossing and singular, Diary of a Detour offers new ideas about what it might mean to live and think with cancer, and with chronic illness more broadly.
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Diary of a Reluctant Dreamer

Undocumented Vignettes from a Pre-American Life

Alberto Ledesma

The Ohio State University Press, 2017

In this hybrid memoir, Alberto Ledesma wonders, At what point does a long-time undocumented immigrant become an American in the making? From undocumented little boy to “hyper documented” university professor, Ledesma recounts how even now, he sometimes finds himself reverting to the child he was, recalling his father’s words: “Mijo, it doesn’t matter how good you think your English is, la migra will still get you.”
 
 
Exploring Ledesma’s experiences from immigrant to student to academic, Diary of a Reluctant Dreamer presents a humorous, gritty, and multilayered portrait of undocumented immigrant life in urban America. Ledesma’s vignettes about life in the midst of ongoing social trauma give voice to a generation that has long been silent about its struggles. Delving into the key moments of cultural transition throughout his childhood and adulthood—police at the back door waiting to deport his family, the ex-girlfriend who threatens to call INS and report him, and the interactions with law enforcement even after he is no longer undocumented—Ledesma, through his art and his words, provides a glimpse into the psychological and philosophical concerns of undocumented immigrant youth who struggle to pinpoint their identity and community.  
 
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Dictionary of Modern Consternation

Brook McClurg

University of Alaska Press, 2024

Winner of the 2022 Permafrost Prize in Nonfiction

A Dictionary of Modern Consternation is a genre-bending nonfiction lyric following one family through the years from the financial crisis to the COVID-19 pandemic. In this cheeky dictionary-shaped exploration of how language can often alienate and dehumanize, weakening feelings of community with societal trends that subsume individual lives, Brook McClurg offers a footnote narrative of an international life pursuing the business of words.
 
What starts as a lighthearted academic exploration becomes real when the pandemic hits—at the letter P—and the ability to treat each other humanely suddenly has grave consequences. Questioning the ways specialized jargon in language—often corporate, legal, and militaristic in nature—encroaches on our feelings of community and responsibility to one another, McClurg employs an abecedarian format, concealing his meaningful and sensitive explorations of personal strife inside a more formal facade. A Dictionary of Modern Consternation reveals its subjective viewpoint and ironic tone over the course of the text, confronting themes of loneliness and isolation, global strife and endless war, and intimacy, love, and family.
 
With approximately 500 satirical dictionary entries and 143 flash essays as footnotes, this experimental memoir is filled with satirical definitions, pseudo-aphorisms, and inquisitions into words or phrases. A Dictionary of Modern Consternation is for general readers, collectors, book-as-art lovers, and anyone interested in the political economy of language, as well as graduate classes exploring experimental forms.
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Dining at the Lineman's Shack

John Weston

University of Arizona Press, 2003

Mountain lion barbacoa. Margarita's yam soufflé. Pastel de Choclo, a.k.a. Rodeo Pie. And for dessert, perhaps, Miss Ruby Cupcakes. These are but a few of the gustatory memories of John Weston that waft us on a poignant journey into the past in the company of a gifted writer and unabashed bon vivant.

The place is Skull Valley in central Arizona, the time the 1930s. Taking food as his theme, Weston paints an instructive and often hilarious portrait of growing up, of rural family life under difficult circumstances, and of a remote Arizona community trying to hold body and soul together during tough times. His book recalls life in a lineman's shack, interlaced with "disquisitions on swamp life, rotting water, and the complex experience of finding enough to eat during the Great Depression."

Central to Weston's account is his mother Eloine, a valiant woman rearing a large brood in poverty with little help from her husband. Eloine cooks remarkably well—master of a small repertory from which she coaxes ideas surprising even to herself—and feeds her family on next to nothing. She is a woman whose first instinct is to cry out "Lord, what am I going to feed them" whenever visitors show up close to mealtime. Recalls Weston, "Her strength lay in a practical- and poverty-born sense that there must be more edible food in the world than most people realized," and he swears that six out of seven meals were from parts of four or five previous meals coming round again, like the buckets on a Ferris wheel.

Although Weston evokes a fond remembrance of a bygone era that moves from Depression-era Skull Valley to wartime Prescott, rest assured: food—its acquisition, its preparation, its wholehearted enjoyment—is the foundation of this book. "I did not have a deprived childhood, despite its slim pickings," writes Weston. "If I recall a boiling pig's head now and then, it is not to be read as some Jungian blip from Lord of the Flies but simply a recurring flicker of food-memory." Whether remembering his father's occasional deer poaching or his community's annual Goat Picnic, Weston laces his stories with actual recipes—even augmenting his instructions for roasted wild venison with tips for preparing jerky.

Dining at the Lineman's Shack teems with sparkling allusions, both literary and culinary, informed by Weston's lifetime of travels. Even his nagging memory of desperate boyhood efforts to trade his daily peanut-butter sandwich for bacon-and-egg, baloney, jelly, or most anything else is tempered by his acquaintance with "the insidious sa-teh sauce in Keo Sananikone's hole-in-the-wall restaurant on Kapahulu Street"—a peanut-butter-based delicacy for which he obligingly provides the ingredients (and which he promises will keep, refrigerated in a jar, for several weeks before baroque things begin to grow on it).

Through this tantalizing smorgasbord of memories, stories, and recipes, John Weston has fashioned a wholly captivating commentary on American culture, both in an earlier time and in our own. Dining at the Lineman's Shack is a book that will satisfy any reader's hunger for the unusual—and a book to savor, in every sense of the word.

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Distant Fires

Duluth to Hudson Bay

Scott Anderson

University of Minnesota Press, 2008

"The waves on Lake Superior nearly splattered them all over the cliffs, and mosquitoes almost ate them alive in the Boundary Waters. Halfway through the three-month trip, they buried their underwear. But who needs underwear when you’re 22 years old and living out the adventure of a boyhood dream?" —St. Paul Pioneer Press

"Distant Fires, a true-life adventure, describes a 1,700-mile canoe trip from Duluth to York Factory on Hudson Bay. Anderson and a companion retraced the paddles taken by Eric Sevareid and a companion almost sixty years earlier. Their trials and tribulations, plus Anderson’s sense of humor, make the trip fun in book form. Pen-and-ink illustrations are by noted Minnesota wildlife artist Les Kouba." —Minneapolis Star Tribune

"Distant Fires is a voyage of discovery. Scott Anderson is an inquisitive traveler, and when he sees something that piques his interest, he stops for a chat. He also has a marvelous eye for the natural world that surrounds him in his summerlong journey. He is a natural-born writer." —Duluth News Tribune

"Some of [Anderson’s] phrasing is very happy indeed: ‘the resting place of the rivers.’ I wish I had written that." —Eric Sevareid
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Dizzy

A Memoir

Rachel Weaver

West Virginia University Press, 2026

Gold Medal Winner, Living Now Book Awards, Inspirational Memoir (Female) 

“An arresting new memoir….”
– Maureen Corrigan, NPR’s Fresh Air

Beverly Donofrio, author of Riding in Cars with Boys, says “Dizzy is a testament to the power of hope. Weaver’s courage and strength are so inspiring they encourage the same in the reader.  If all of that isn’t enough, the beauty and agility of the prose may make you regret reaching the last page.” 

In her early thirties, Rachel Weaver woke up dizzy and unable to function. She spent the next ten years seeing more than thirty medical practitioners before receiving a diagnosis, and then another eight years before finding relief from her condition. Dizzy is amedical mystery and a cautionary tale about our broken healthcare system. It is a story about learning to live with life's uncertainty, persevering in the pursuit of answers, and striving to find joy in an imperfect yet beautiful world.

[more]
cover of Doctor Jim: A Community, a Commune, and a Clinic in the Oregon Woods

Doctor Jim

A Community, a Commune, and a Clinic in the Oregon Woods

Jim Shames

Oregon State University Press, 2027

In 1973 Jim Shames, a young doctor questioning life in a country divided by the Vietnam War, learned of a counterculture community in Southern Oregon interested in establishing its own medical clinic. A recent graduate from medical school, with limited hands-on experience as a doctor, Jim found the promise and opportunity of a community in the woods, far from the turmoil of the times, appealing. In a leap of faith, he joined the back-to-the-earth movement and became a country doctor. 

In the impoverished Illinois River Valley of Southern Oregon, Shames moved to Takilma and the Mystic Mountain commune. There Shames found a home, family, and fulfilling work at the Takilma People’s Clinic. It was a different world, offering an alternative journey and self-reflection. Surrounded by uninhibited friendliness, joy, and music, Doctor Jim cared for the patients of the community. Collectively the clinic treated rattlesnake bites, gunshot wounds, obstetrical complications, meningitis, cancer, and more for the residents of Southern Oregon.

Doctor Jim offers a window into communal life and the challenges of healthcare in rural Oregon. Shames highlights the struggles and rewards to be found in simple daily activities with like-minded souls sharing emotional and physical work. In reflecting on his unique medical career, Shames teaches that healing is about the intimate interaction between the patient and the doctor rather than medications or procedures. What started as an experiment evolved into a medical practice caring for a broader community beyond its counterculture brethren.

[more]
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Doctor Mary in Arabia

Memoirs

By Mary Bruins Allison

University of Texas Press, 1994

Until fairly recently, Arab women rarely received professional health care, since few women doctors had ever practiced in Arabia and their culture forbade them from consulting male doctors. Not surprisingly, Dr. Mary Bruins Allison faced an overwhelming demand when she arrived in Kuwait in 1934 as a medical missionary of the Reformed Church of America. Over the next forty years, "Dr. Mary" treated thousands of women and children, faithfully performing the duties that seemed required of her as a Christian—to heal the sick and seek converts.

These memoirs record a fascinating life. Dr. Allison briefly describes her upbringing and her professional training at Women's Medical College of Pennsylvania. She then focuses on her experiences in Kuwait, where women of all classes, including royalty, flocked to her care. In addition to describing many of her cases, Dr. Allison paints a richly detailed picture of life in Kuwait both before and after the discovery of oil transformed the country. Her recollections include invaluable details of women's lives in the Middle East during the early and mid-twentieth century. They add a valuable chapter to the story of modern medicine, to the largely unsuccessful efforts of the Christian church to win converts in the Middle East, and to the opportunities and limitations that faced American women of the period.

Dr. Allison also worked briefly in Bahrain, Qatar, Oman, and India, and she includes material on each country. The introduction situates her experiences in the context of Middle Eastern and medical developments of the period.

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Doctors in the Making

Memoirs and Medical Education

Suzanne Poirier

University of Iowa Press, 2009

Recent surveys of medical students reveal stark conditions: more than a quarter have experienced episodes of depression during their medical school and residency careers, a figure much higher than that of the general population. Compounded by long hours of intellectually challenging, physically taxing, and emotionally exhausting work, medical school has been called one of the most harrowing experiences a student can encounter. Plumbing the diaries, memoirs, and blogs of physicians-in-training, Suzanne Poirier’s Doctors in the Making illuminates not just the process by which students become doctors but also the physical, emotional, and spiritual consequences of the process.

Through close readings of these accounts, Poirier draws attention to the complex nature of power in medicine, the rewards and hazards of professional and interpersonal relationships in all aspects of physicians’ lives, and the benefits to and threats from the vulnerability that medical students and residents experience.

Although most students emerge from medical education as well-trained, well-prepared professionals, few of them will claim that they survived the process unscathed. The authors of these accounts document—for better or for worse—the ways in which they have been changed. Based on their stories, Poirier recommends that medical education should make room for the central importance of personal relationships, the profound sense of isolation and powerlessness that can threaten the wellbeing of patients and physicians alike, and the physical and moral vulnerability that are part of every physician’s life.

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cover of Dog and Gun: A Few Loose Chapters on Shooting, Among Which Will Be Found Some Anecdotes and Incidents

Dog and Gun

A Few Loose Chapters on Shooting, Among Which Will Be Found Some Anecdotes and Incidents

Johnson J. Hooper, with an Introduction by Philip D. Beidler

University of Alabama Press, 1992

A classic portrait of hunting, sport, and gentlemanly culture in the antebellum South.

The least well known of Johnson Jones Hooper’s works, Dog and Gun was first published as a newspaper series, then appeared in six book editions between 1856 and 1871. Hooper is Alabama’s most celebrated antebellum author, and here he gives insight into the meaning of a culture where every male hunts – and a man who shoots as a gentleman will be assumed a gentleman. Beidler’s introduction to this reprint edition explores the social, literary, and technical dimensions of Dog and Gun, which he sees as an important commentary on class distinctions in the antebellum South, as well as a straightforward treatise on hunting.

Although the book is a manual for the hunter, with characteristic humor and a certain disdain, Hooper gives a full picture of the gentlemanly sport of hunting – clearly distinct from hunting for food – in all aspects including hunter, weaponry, and sporting dogs. He takes us back to an autumnal ritual of the hunt, where one is always a boy with his first gun – to the natural mystery of quest, competition, predation, pursuit, survival, bravery, endurance, and eventual defeat, called the mystery of the hunt.

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Dolly and Zane Grey

Letters from a Marriage

Candace C. Kant

University of Nevada Press, 2011

Popular western writer Zane Grey was a literary celebrity during his lifetime and the center of a huge enterprise based on his writing, which included books, magazine serials, film and stage versions of his stories, even comic strips. His wife, Dolly, closely guided Grey's career almost from its beginning, editing and sometimes revising his work, negotiating with publishers and movie studios, and skillfully managing the considerable fortune derived from these activities.

Dolly maintained the facade of a conventional married life that was essential to Grey's public image and the traditional middle-class values his work reflected. This facade was constantly threatened by Grey's numerous affairs with other women. The stress of hiding these dalliances placed a huge strain on their relationship, and much of Zane and Dolly's union was sustained largely by correspondence. Their letters--thousands of them--reveal the true nature of this complex partnership. As edited by Candace Kant, the letters offer an engrossing portrait of an extremely unorthodox marriage and its times.

[more]
cover of Don't Let the Sun Step Over You: A White Mountain Apache Family Life, 1860–1975

Don't Let the Sun Step Over You

A White Mountain Apache Family Life, 1860–1975

Eva Tulene Watt with Assistance from Keith Basso

University of Arizona Press, 2004

When the Apache wars ended in the late nineteenth century, a harsh and harrowing time began for the Western Apache people. Living under the authority of nervous Indian agents, pitiless government-school officials, and menacing mounted police, they knew that resistance to American authority would be foolish. But some Apache families did resist in the most basic way they could: they resolved to endure. Although Apache history has inspired numerous works by non-Indian authors, Apache people themselves have been reluctant to comment at length on their own past. Eva Tulene Watt, born in 1913, now shares the story of her family from the time of the Apache wars to the modern era. Her narrative presents a view of history that differs fundamentally from conventional approaches, which have almost nothing to say about the daily lives of Apache men and women, their values and social practices, and the singular abilities that enabled them to survive.

In a voice that is spare, factual, and unflinchingly direct, Mrs. Watt reveals how the Western Apaches carried on in the face of poverty, hardship, and disease. Her interpretation of her people’s past is a diverse assemblage of recounted events, biographical sketches, and cultural descriptions that bring to life a vanished time and the men and women who lived it to the fullest. We share her and her family’s travels and troubles. We learn how the Apache people struggled daily to find work, shelter, food, health, laughter, solace, and everything else that people in any community seek.

Richly illustrated with more than 50 photographs, Don’t Let the Sun Step Over You is a rare and remarkable book that affords a view of the past that few have seen before—a wholly Apache view, unsettling yet uplifting, which weighs upon the mind and educates the heart.
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Don’t Come Back

Lina María Ferreira Cabeza-Vanegas

The Ohio State University Press, 2017

In this collection of linked lyrical and narrative essays, experimental translations, and reinterpreted myths, Lina Maria Ferreira Cabeza-Vanegas launches into an exploration of home and identity, family history and belonging, continually examining what it means to feel familiarity but never really feel at home.
 
Don’t Come Back intermixes translations of Spanish adages and adaptations of major Colombian myths with personal essays about growing up amidst violence, magic, and an unyielding Andean sun. Home is place and time and people and language and history, and none of these are ever set in stone. Attempting to reconcile the irreconcilable and translate the untranslatable—to move smoothly and cohesively between culture, language, and place—Ferreira Cabeza-Vanegas is torn between spaces, between the aunt who begs her to return to Colombia and the mother who tells her, “There’s nothing here for you, Lina. Don’t come back.” Don’t Come Back is an exploration of home and identity that constantly asks, “If you really could go back, would you?”
 
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cover of Down By The Lemonade Springs: Essays On Wallace Stegner

Down By The Lemonade Springs

Essays On Wallace Stegner

Jackson J. Benson

University of Nevada Press, 2001

Jackson J. Benson, the noted literary biographer and critic, offers a collection of essays on novelist Wallace Stegner. Stegner’s fiction was frequently autobiographical, and Benson’s essays evaluate the man, his work, and the close connections between the two. In mid-career Stegner became a spokesman for the burgeoning environmental movement, and Benson evaluates this aspect of his career, as well his work for racial equality. These collected essays go beyond Benson’s biography of Stegner to explore various aspects of the writer in greater detail.
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cover of Down from the Mountaintop: From Belief to Belonging

Down from the Mountaintop

From Belief to Belonging

Joshua Dolezal

University of Iowa Press, 2014

A lyrical coming-of-age memoir, Down from the Mountaintop chronicles a quest for belonging. Raised in northwestern Montana by Pentecostal homesteaders whose twenty-year experiment in subsistence living was closely tied to their faith, Joshua Doležal experienced a childhood marked equally by his parents’ quest for spiritual transcendence and the surrounding Rocky Mountain landscape. Unable to fully embrace the fundamentalism of his parents, he began to search for religious experience elsewhere: in baseball, books, and weightlifting, then later in migrations to Tennessee, Nebraska, and Uruguay. Yet even as he sought to understand his place in the world, he continued to yearn for his mountain home.

For more than a decade, Doležal taught in the Midwest throughout the school year but returned to Montana and Idaho in the summers to work as a firefighter and wilderness ranger. He reveled in the life of the body and the purifying effects of isolation and nature, believing he had found transcendence. Yet his summers tied him even more to the mountain landscape, fueling his sense of exile on the plains.

It took falling in love, marrying, and starting a family in Iowa to allow Doležal to fully examine his desire for a spiritual mountaintop from which to view the world. In doing so, he undergoes a fundamental redefinition of the nature of home and belonging. He learns to accept the plains on their own terms, moving from condemnation to acceptance and from isolation to community. Coming down from the mountaintop means opening himself to relationships, grounding himself as a husband, father, and gardener who learns that where things grow, the grower also takes root.
[more]
cover of Dragging Wyatt Earp: A Personal History of Dodge City

Dragging Wyatt Earp

A Personal History of Dodge City

Robert Rebein

Ohio University Press, 2013

In Dragging Wyatt Earp essayist Robert Rebein explores what it means to grow up in, leave, and ultimately return to the iconic Western town of Dodge City, Kansas. In chapters ranging from memoir to reportage to revisionist history, Rebein contrasts his hometown’s Old West heritage with a New West reality that includes salvage yards, beefpacking plants, and bored teenagers cruising up and down Wyatt Earp Boulevard.

Along the way, Rebein covers a vast expanse of place and time and revisits a number of Western myths, including those surrounding Francisco Vasquez de Coronado, the Cheyenne chief Black Kettle, George Armstrong Custer, and of course Wyatt Earp himself. Rebein rides a bronc in a rodeo, spends a day as a pen rider at a local feedlot, and attempts to “buck the tiger” at Dodge City’s new Boot Hill Casino and Resort.

Funny and incisive, Dragging Wyatt Earp is an exciting new entry in what is sometimes called the nonfiction of place. It is a must- read for anyone interested in Western history, contemporary memoir, or the collision of Old and New West on the High Plains of Kansas.

[more]
cover of Dream Not of Other Worlds: Teaching in a Segregated Elementary School, 1970

Dream Not of Other Worlds

Teaching in a Segregated Elementary School, 1970

Huston Diehl

University of Iowa Press, 2007

When Huston Diehl began teaching a fourth-grade class in a "Negro" elementary school in rural Louisa County, Virginia, the school's white superintendent assured her that he didn't expect her to teach "those children" anything. She soon discovered how these low expectations, widely shared by the white community, impeded her students' ability to learn. With its overcrowded classrooms, poorly trained teachers, empty bookshelves, and meager supplies, her segregated school was vastly inferior to the county's white elementary schools, and the message it sent her students was clear: "dream not of other worlds."

In her often lyrical memoir, Diehl reveals how, in the intimacy of the classroom, her students reached out to her, a young white northerner, and shared their fears, anxieties, and personal beliefs. Repeatedly surprised and challenged by her students, Diehl questions her long-standing middle-class assumptions and confronts her own prejudices. In doing so, she eloquently reflects on what the students taught her about the hurt of bigotry and the humiliation of poverty as well as dignity, courage, and resiliency.

Set in the waning days of the Jim Crow South, Dream Not of Other Worlds chronicles an important moment in American history. Diehl examines the history of black education in the South and narrates the dramatic struggle to integrate Virginia's public schools. Meeting with some of her former students and colleagues and visiting the school where she once taught, she considers what has—and has not—changed after more than thirty years of integrated schooling. This provocative book raises many issues that are of urgent concern today: the continuing social consequences of segregated schools, the role of public education in American society, and the challenges of educating minority and poor children.

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cover of Drift Smoke: Loss and Renewal in a Land of Fire

Drift Smoke

Loss and Renewal in a Land of Fire

David J. Strohmaier

University of Nevada Press, 2009

David Strohmaier’s long career as a firefighter has given him intimate knowledge of wildfire and its complex role in the natural world of the American West. It has also given him rare understanding of the painful losses that are a consequence of fire. Strohmaier addresses our ambivalence about fire and the realities of loss to it—of life, human and animal, of livelihoods, of beloved places. He also examines the process of renewal that is yet another consequence of fire, from the infusion of essential nutrients into the soil, to the sprouting of seeds that depend on fire for germination, to the renewal of species as the land restores itself. Ultimately, according to Strohmaier, living with fire is a matter of choices, of “seeing the connection between loss on a personal scale and loss on a landscape scale: in relationship with persons, and in relationship to and with the land.” We must cultivate a longer perspective, he says, accepting that loss is a part of life and that “humility and empathy and care are not only core virtues between humans but are also essential virtues in our attitudes and actions toward the earth.” Drift Smoke is a powerful and moving meditation on wildfire by someone who has seen it in all its terror and beauty, who has lost colleagues and beloved terrain to its ferocity, and who has also seen the miracle of new life sprouting in the ashes. The debate over the role and control of fire in the West will not soon end, but Strohmaier’s contribution to the debate will help all of us better appreciate both the complexity of the issues and the possibilities of hitherto unconsidered solutions that will allow us to inhabit a place where fire is a natural, and needed, part of life.

[more]
cover of Driving Lessons: A Road Trip through American Travel Literature

Driving Lessons

A Road Trip through American Travel Literature

Christopher B. Strain

University of Alabama Press, 2025

Weaves the author’s own four-month cross-country sojourn in a VW van with thoughts on travel narratives across the history of American literature

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip’s place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

In the summer of 1998, amid a professional crisis of confidence, Strain settled on a plan to reconnect with both himself and the country he studies. He purchased a 1972 Volkswagen Westfalia van and set off on his own cross-country odyssey. In the weeks that followed, he ruminated on his own ongoing journey alongside great journeys from the past and how they reveal the heart of the traveler as well as the landscape of the nation.

Visiting archives and landmarks across the United States, Strain's journey became a parallel to the stories he studied—an opportunity to see and experience the cities, national parks, and monuments that define US history. Driving Lessons is a compelling blend of literary analysis and memoir, offering readers an insightful and heartfelt reflection on the enduring power of the American road trip.

[more]
cover of Dummy Up And Deal: Inside The Culture Of Casino Dealing

Dummy Up And Deal

Inside The Culture Of Casino Dealing

H. Lee Barnes

University of Nevada Press, 2011

The glitter and excitement that tourists associate with casinos is only a facade. To the gaming industry's front-line employees, its dealers, the casino is a far less glamorous environment, a workplace full of emotional tension, physical and mental demands, humor and pathos. Author H. Lee Barnes, who spent many years as a dealer in some of Las Vegas's best-known casinos, shows us this world from the point of view of the table-games dealer. Told in the voices of dozens of dealers, male and female, young and old, Dummy Up and Deal takes us to the dealer's side of the table. We observe the "breaking in" that constitutes a dealer's training, where the hands learn the motions of the game while the mind undergoes the requisite hardening to endure long hours of concentration and the demands of often unreasonable and sometimes abusive players. We discover how dealers are hired and assigned to shifts and tables, how they interact with each other and with their supervisors, and how they deal with players—the winners and the losers, the "Sweethearts" and the "Dragon Lady," the tourists looking for a few thrills and the mobsters showing off their "juice." We observe cheaters on both sides of the table and witness the exploits of such high-rollers as Frank Sinatra and Colonel Parker, Elvis's manager. And we learn about the dealers' lives after-hours, how some juggle casino work with family responsibilities while others embrace the bohemian lifestyle of the Strip and sometimes lose themselves to drugs, drink, or sex. It's a life that invites cynicism and bitterness, that can erode the soul and deaden the spirit. But the dealer's life can also offer moments of humor, encounters with generous and kindly players, moments of pride or humanity or professional solidarity. Barnes writes with the candor of a keen observer of his profession, someone who has seen it all—many times—but has never lost his capacity to wonder, to sympathize, or to laugh. Dummy Up and Deal is a colorful insider's view of the casino industry, a fascinating glimpse behind the glitter into the real world of the casino worker.

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cover of During Wind and Rain: The Jones Family Farm in the Arkansas Delta 1848-2006

During Wind and Rain

The Jones Family Farm in the Arkansas Delta 1848-2006

Margaret Jones Bolsterli

University of Arkansas Press, 2008

n telling the story of five generations of her family and its farm in the Arkansas Delta, Margaret Jones Bolsterli brings together her own research, historical perspective, and family lore as it reaches her from the days of her great-grandfather down to her nephew. The result is a family saga that is at once universal and personal, historical and timeless. During Wind and Rain moves from the land’s acquisition in 1848 through the Civil War and Reconstruction, the 1927 Flood, the Great Depression, and the drought of 1930 to the modern considerations of mechanization, fertilizer, pesticides, and irrigation. The transformation of dense swamp and forest to today’s commercial agriculture is the story of two hundred acres worked by people sowing their fate with sweat, ingenuity, and luck. From the hoes of Bolsterli’s great-grandfather Uriah’s time to her nephew Casey’s machinery capable of cultivating an acre in five minutes, During Wind and Rain poignantly portrays five generations of farmers motivated by dreams of “a crop so good that the memory of it can warm the drafty floors of adversity for the rest of one's life.”
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cover of Dying in Character: Memoirs on the End of Life

Dying in Character

Memoirs on the End of Life

Jeffrey Berman

University of Massachusetts Press, 2012

In the past twenty years, an increasing number of authors have written memoirs focusing on the last stage of their lives: Elizabeth Kübler-Ross, for example, in The Wheel of Life, Harold Brodkey in This Wild Darkness, Edward Said in Out of Place, and Tony Judt in The Memory Chalet. In these and other end-of-life memoirs, writers not only confront their own mortality but in most cases struggle to "die in character"—that is, to affirm the values, beliefs, and goals that have characterized their lives.

Examining the works cited above, as well as memoirs by Mitch Albom, Roland Barthes, Jean-Dominique Bauby, Art Buchwald, Randy Pausch, David Rieff, Philip Roth, and Morrie Schwartz, Jeffrey Berman's analysis of this growing genre yields some surprising insights. While the authors have much to say about the loneliness and pain of dying, many also convey joy, fulfillment, and gratitude. Harold Brodkey is willing to die as long as his writings survive. Art Buchwald and Randy Pausch both use the word fun to describe their dying experiences. Dying was not fun for Morrie Schwartz and Tony Judt, but they reveal courage, satisfaction, and fearlessness during the final stage of their lives, when they are nearly paralyzed by their illnesses.

It is hard to imagine that these writers could feel so upbeat in their situations, but their memoirs are authentically affirmative. They see death coming, yet they remain stalwart and focused on their writing. Berman concludes that the contemporary end-of-life memoir can thus be understood as a new form of death ritual, "a secular example of the long tradition of ars moriendi, the art of dying."
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