177 books match the query 'Themes, motives' and 8 start with d

cover of D-Passage: The Digital Way

D-Passage

The Digital Way

Trinh T. Minh-ha

Duke University Press, 2013

D-Passage is a unique book by the world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha. Taking as grounding forces her feature film Night Passage and installation L'Autre marche (The Other Walk), both co-created with Jean-Paul Bourdier, she discusses the impact of new technology on cinema culture and explores its effects on creative practice. Less a medium than a "way," the digital is here featured in its mobile, transformative passages. Trinh's reflections shed light on several of her major themes: temporality; transitions; transcultural encounters; ways of seeing and knowing; and the implications of the media used, the artistic practices engaged in, and the representations created. In D-Passage, form and structure, rhythm and movement, and language and imagery are inseparable. The book integrates essays, artistic statements, in-depth conversations, the script of Night Passage, movie stills, photos, and sketches.
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cover of Dance and American Art: A Long Embrace

Dance and American Art

A Long Embrace

Sharyn R. Udall

University of Wisconsin Press, 2012

From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others.
    As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form.
    Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.

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cover of Dangerous Knowledge: The JFK Assassination in Art and Film

Dangerous Knowledge

The JFK Assassination in Art and Film

Art Simon

Temple University Press, 2013

Fifty years ago, the assassination of John F. Kennedy shocked the world and focused attention to the 8mm footage shot by Abraham Zapruder. The event fueled conspiracy theories and repeated viewings of Zapruder's film as seemingly everyone in the world searched for motive and conclusive proof of a single gunman.

In his new Preface to this edition of Dangerous Knowledge, Art Simon discusses public fascination with celebrity deaths and recent assassination-related media-from documentaries to scholarly books to the scandalous video game JFK Reloaded-to show that the assassination continues to inspire writers, artists, and filmmakers.

Dangerous Knowledge examines the seminal works of art associated with the assassination, including Andy Warhol's silk screens, the underground films of Bruce Conner, and provocative Hollywood films like The Parallax View and JFK.  Simon's investigation places assassination art and images within a historical context-one that helps us understand what the assassination has meant to American culture.
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cover of Decolonial Environmentalisms: Climate Justice and Speculative Futures in Latinx Cultural Production

Decolonial Environmentalisms

Climate Justice and Speculative Futures in Latinx Cultural Production

David J. Vázquez

University of Texas Press, 2025

A critical examination of the environmental movement and the Latinx voices that are shifting how to think about a future shaped by climate change.

In Decolonial Environmentalisms, David Vázquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and Central American culture makers, Vázquez surfaces diverse Latinx visions for an equitable and sustainable humanity.

In the creations of Helena María Viramontes, Ester Hernández, Salvador Plascencia, the printmaking collective Dominican York Proyecto GRAFICA, and others, Vázquez locates a bracing critique of racist elisions and assumptions in hegemonic environmentalist thought. At the same time, he shows that the roles of Latinx people in the exploitation of the US West and the ruin of Indigenous communities are ripe for self-examination, in hopes of sparking reform. Indeed, Decolonial Environmentalisms is a work of guarded optimism, finding glimmers of possibility even in dystopic science fiction. The overlooked experiences of Latinx people, Vázquez suggests, can inspire environmental movements capable of transformative advocacy.

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cover of Discovering Sexuality in Dostoevsky

Discovering Sexuality in Dostoevsky

Susanne Fusso

Northwestern University Press, 2008

Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth.

Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.
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cover of Don Gummer

Don Gummer

Don Gummer

The Artist Book Foundation, 2021

The trajectory of Don Gummer's career as a sculptor began in New York City in the late 1970s with his wall reliefs of painted wood, carefully layered geometric works exhibiting a strong architectural influence. Moving beyond wood to stone, bronze, stainless steel, aluminum, and glass as his primary materials, his artworks evolved into subtly inventive freestanding sculptures, often of monumental scale, that exhibit his unfailing attention to craftsmanship and detail.

In a 2001 interview with Peter Plagens, American artist and art critic, Gummer described his interest in sculpture as "the recontextualization of natural phenomena, of unaltered things brought into aesthetic balance by choosing and placing." Using balance, proportion, and his unique sense of harmony, the artist is able to make durable materials seem almost buoyant. Negative space becomes an intrinsic element in his work, imparting a sense that his exquisite, seemingly permanent forms are ultimately as fleeting as any of nature's creations would be. The Artist Book Foundation is delighted to present Don Gummer, a new monograph on the artist and his highly acclaimed body of work.

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cover of Don Proch: Masking and Mapping

Don Proch

Masking and Mapping

Patricia Bovey

University of Manitoba Press, 2019

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cover of Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution

Dread Poetry and Freedom

Linton Kwesi Johnson and the Unfinished Revolution

David Austin

Pluto Press, 2018

What is the relationship between poetry and social change?

Standing at the forefront of political poetry since the 1970s, Linton Kwesi Johnson has been fighting neo-fascism, police violence and promoting socialism while putting pen to paper to refute W.H. Auden's claim that 'poetry makes nothing happen'. For Johnson, only the second living poet to have been published in the Penguin Modern Classics series, writing has always been 'a political act' and poetry 'a cultural weapon'.

In Dread Poetry and Freedom - the first book dedicated to the work of this 'political poet par excellence' - David Austin explores the themes of poetry, political consciousness and social transformation through the prism of Johnson's work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism and feminism, and in dialogue with Aime Cesaire and Frantz Fanon, C.L.R. James and Walter Rodney, and W.E.B. Du Bois and the poetry of d'bi young anitafrika, Johnson's work becomes a crucial point of reflection on the meaning of freedom in this masterful and rich study.

In the process, Austin demonstrates why art, and particularly poetry, is a vital part of our efforts to achieve genuine social change in times of dread.
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