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“[Dakotah] is about hope, disappointment, impermanence and erasure. . . . This is a meditation Bowden fans will not want to miss.”—Arizona Daily Star

“Bowden’s prose—bleak, fierce, surreal like a swirling sandstorm, like an endlessly ramifying arroyo—provided for me, in its rejection of facile theses and clear-cut answers, an honest mapping of our contemporary predicament.”—Leath Tonino, Lit Hub

The fourth installment in Charles Bowden's acclaimed “Unnatural History of America,” Dakotah uses America’s Great Plains as a lens—sometimes sullied, sometimes shattered, but always sharp—for observing pivotal moments in the lives of anguished figures, including himself.

In scenes that are by turns wrenching and poetic, Bowden describes the Sioux’s forced migrations and rebellions alongside his own ancestors’ migrations from Europe to Midwestern acres beset by unforgiving winters. He meditates on the life of his resourceful mother and his philosophical father, who rambled between farm communities and city life. Interspersed with these images are clear-eyed, textbook-defying anecdotes about Lewis and Clark, Daniel Boone, and, with equal verve, twentieth-century entertainers “Pee Wee” Russell, Peggy Lee, and other musicians. The result is a kaleidoscopic journey that penetrates the senses and redefines the notion of heartland. Dakotah is a powerful ode to loss from one of our most fiercely independent writers.

A paean to traveling by train, to the variety of Europe’s landscape, and to an immersive way of approaching and seeing the world.

For Millay Hyatt, it is the charm of “uncushioned encounters with the world” that makes her, whenever possible, choose to travel by train. 

Days on the Night Train is a story of serendipities and missed connections, of sluggish border crossings, of embracing unpredictability and shunning the stifling regimentation of contemporary travel. In her accounts of her journeys across Europe and beyond, ranging from Edinburgh to Tunis, from Valencia to Tbilisi, Hyatt shows us that it is in movement that our perspective changes, and that this is never truer than when traveling by train, at half speed, with wide carriage windows framing a slowly shifting world. Inside, surrounded by strangers, she becomes intrigued by the intimate habits of her fellow passengers, listens in on arguing couples and bantering teenagers, and gives her imagination free rein to speculate about their lives. Later, in a couchette, even sleep takes on an unfamiliar quality, echoing Proust’s comment that people on trains sleep like fish in the sea, gently rocked by the waves and currents. 

Traveling by rail brings Hyatt into contact with the world in a way that disturbs and upends her certainties. Perception slows and widens. Experiencing the excitement of departure and arrival—and in between the bittersweet joy of being in limbo, of looking inward—she notices how long train journeys, like books, can still alter us in a way jet travel has all but extinguished. Days on the Night Train is itself a journey, abundant with reflection, poetic observation, revealing encounter, and literary excursions. 

An informative handbook and introduction to the Midwest's colorful past, Destination Heartland provides travelers with a knowledgeable companion on the highways and backroads of history.

States covered in the book: Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin.

Charles Dickens traveled to North America twice, in 1842 and twenty-five years later in 1867–68, and on both trips Massachusetts was part of his itinerary. Although many aspects of his U.S. travels disappointed him, Massachusetts was the one state that met and even exceeded Dickens's expectations for “the republic of [his] imagination.” From the mills of Lowell to the Perkins School for the Blind, it offered an alternate vision of America that influenced his future writings, while the deep and lasting friendships he formed with Bostonians gave him enduring ties to the commonwealth. 

This volume provides insight from leading scholars who have begun to reassess the significance of Massachusetts in the author's life and work. The collection begins with a broad biographical and historical overview taken from the full-length narrative of the award-winning exhibition Dickens and Massachusetts: A Tale of Power and Transformation, which attracted thousands of visitors while on display in Lowell. Abundant images from the exhibition, many of them difficult to find elsewhere, enhance the story of Dickens's relationship with the vibrant cultural and intellectual life of Massachusetts. The second section includes essays that consider the importance of Dickens's many connections to the commonwealth.

In addition to the volume editors, contributors include Chelsea Bray, Iain Crawford, Andre DeCuir, Natalie McKnight, Lillian Nayder, and Kit Polga.

Disruptive Situations challenges representations of contemporary Beirut as an exceptional space for LGBTQ people by highlighting everyday life in a city where violence is the norm. Ghassan Moussawi, a Beirut native, seeks to uncover the underlying processes of what he calls “fractal orientalism,” a relational understanding of modernity and cosmopolitanism that illustrates how transnational discourses of national and sexual exceptionalism operate on multiple scales in the Arab world.

Moussawi’s intrepid ethnography features the voices of women, gay men and genderqueers in Beirut to examine how queer individuals negotiate life in this uncertain region. He examines “al-wad’,” or “the situation,” to understand the practices that form these strategies and to raise questions about queer-friendly spaces in and beyond Beirut. 

Disruptive Situations alsoshows how LGBTQ Beirutis resist reconciliation narratives and position their identities and visibility at different times as ways of simultaneously managing their multiple positionalities and al-wad’. Moussawi argues that the daily survival strategies in Beirut are queer—and not only enacted by LGBTQ people—since Beirutis are living amidst an already queer situation of ongoing precarity.

Weaves the author’s own four-month cross-country sojourn in a VW van with thoughts on travel narratives across the history of American literature

In Driving Lessons, Christopher B. Strain sets out on a quintessential American road trip, exploring not just the roads and byways of the country but the road trip’s place in American culture. Strain dives into the well of American travel writing, illuminating fascinating aspects of the road trip, such as how race, class, and gender shape the experiences of road trippers.

In the summer of 1998, amid a professional crisis of confidence, Strain settled on a plan to reconnect with both himself and the country he studies. He purchased a 1972 Volkswagen Westfalia van and set off on his own cross-country odyssey. In the weeks that followed, he ruminated on his own ongoing journey alongside great journeys from the past and how they reveal the heart of the traveler as well as the landscape of the nation.

Visiting archives and landmarks across the United States, Strain's journey became a parallel to the stories he studied—an opportunity to see and experience the cities, national parks, and monuments that define US history. Driving Lessons is a compelling blend of literary analysis and memoir, offering readers an insightful and heartfelt reflection on the enduring power of the American road trip.