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In 1937 during the Spanish Civil War, Arthur Koestler, a German exile writing for a British newspaper, was arrested by Nationalist forces in Málaga. He was then sentenced to execution and spent every day awaiting death—only to be released three months later under pressure from the British government. Out of this experience, Koestler wrote Darkness at Noon, his most acclaimed work in the United States, about a man arrested and executed in a Communist prison.

Dialogue with Death is Koestler’s riveting account of the fall of Málaga to rebel forces, his surreal arrest, and his three months facing death from a prison cell. Despite the harrowing circumstances, Koestler manages to convey the stress of uncertainty, fear, and deprivation of human contact with the keen eye of a reporter.

A critical, dialogic examination of Cuban and Caribbean archaeology, advancing contemporary interpretations of heritage and identity.

Many Americans are aware of the political, economic, and personal impacts of the U.S. embargo on Cuba. But the communication blockade between scholars has also affected the historical course of academic disciplines and research in general. With the easing of restrictions in the 1990s, academics are now freer to conduct research in Cuba, and the Cuban government has been more receptive to collaborative projects.

This volume provides a forum for the principal Cuban and American archaeologists to update the current state of Cuban archaeological research--from rock art and potsherds to mortuary practices and historical renovation--thereby filling in the information gap created by the political separation. Each group of researchers brings significant new resources to the effort, including strong conservation regulations, innovative studies of lithic and shell assemblages, and transculturation theories. Cuban research on the hacienda system, slavery, and urban processes has in many ways anticipated developments in North American archaeology by a decade or more. Of special interest are the recent renovation projects in Old Havana that fully integrate the work of historians, architects, and archaeologists--a model project conducted by agreement between the Cuban government and UNESCO.

The selection of papers for this collection is based on a desire to answer pressing research questions of interest for North American Caribbeanists and to present a cross-section of Cuban archaeological work. With this volume, then, the principal players present results of recent collaborations and begin a renewed conversation, a dialogue, that can provide a foundation for future coordinated efforts.

 

Leopold Tyrmand, a Polish Jew who survived World War II by working in Germany under a false identity, would go on to live and write under Poland’s Communist regime for twenty years before emigrating to the West, where he continued to express his deeply felt anti-Communist views. Diary 1954—written after the independent weekly paper that employed him was closed for refusing to mourn Stalin’s death—is an account of daily life in Communist Poland. Like Czesław Miłosz, Václav Havel, and other dissidents who described the absurdities of Soviet-backed regimes, Tyrmand exposes the lies—big and small—that the regimes employed to stay in power. Witty and insightful, Tyrmand’s diary is the chronicle of a man who uses seemingly minor modes of resistance—as a provocative journalist, a Warsaw intellectual, the "spiritual father" of Polish hipsters, and a promoter of jazz in Poland—to maintain his freedom of thought.

Charles Dickens traveled to North America twice, in 1842 and twenty-five years later in 1867–68, and on both trips Massachusetts was part of his itinerary. Although many aspects of his U.S. travels disappointed him, Massachusetts was the one state that met and even exceeded Dickens's expectations for “the republic of [his] imagination.” From the mills of Lowell to the Perkins School for the Blind, it offered an alternate vision of America that influenced his future writings, while the deep and lasting friendships he formed with Bostonians gave him enduring ties to the commonwealth. 

This volume provides insight from leading scholars who have begun to reassess the significance of Massachusetts in the author's life and work. The collection begins with a broad biographical and historical overview taken from the full-length narrative of the award-winning exhibition Dickens and Massachusetts: A Tale of Power and Transformation, which attracted thousands of visitors while on display in Lowell. Abundant images from the exhibition, many of them difficult to find elsewhere, enhance the story of Dickens's relationship with the vibrant cultural and intellectual life of Massachusetts. The second section includes essays that consider the importance of Dickens's many connections to the commonwealth.

In addition to the volume editors, contributors include Chelsea Bray, Iain Crawford, Andre DeCuir, Natalie McKnight, Lillian Nayder, and Kit Polga.

Striking photographs and stories from more than two decades on the frontlines by a groundbreaking photojournalist—and the first female American war correspondent to be killed in action.

In 1941, twenty-two-year-old Georgette "Dickey" Chapelle sold her first photo essay to Look magazine. A year later, with World War II underway, she was photographing American soldiers in combat training in Panama. By the end of the war, she had captured the devastation at Iwo Jima and Okinawa, and in the ensuing decades, Dickey and her camera were on the scene at many of the world’s hotspots—from Cuba and the Dominican Republic to Algeria and Lebanon to Vietnam and Laos. Dickey Chapelle Under Fire exposes her remarkable story and shares over 150 stunning images from her extraordinary career as a photojournalist.

In the male-dominated world of war journalism, Chapelle fought to be taken seriously. She eventually earned the respect of many of her male colleagues and broke down barriers for future generations of female journalists. She embedded herself with military units on frontlines around the globe, capturing not only the horrors of war but also the camaraderie and everyday routines of service men and women.

Always one to follow the action, Chapelle traveled with Algerian rebels across the North African desert and with Fidel Castro through the jungles of Cuba. She spent two months in a Hungarian prison after being caught smuggling aid to refugees fleeing a Soviet invasion. Beginning in 1961, Chapelle set her lens and viewfinder on Southeast Asia, capturing the growing conflict there, until she was killed while on patrol with marines in Vietnam in April 1965—making her the first female American war correspondent to be killed in action.

For twenty-five years, Chapelle's photographs graced the pages of National Geographic, the National Observer, Life, and other major publications. Despite her tragic end, Chapelle’s tenacity, courage, and compassion shine throughout her work, highlighting the human impact of war while revealing the larger stories beyond the battlefield. Her legacy lives on through this powerful collection. 

Roman consuls were routinely trained by background and experience to handle the usual problems of a twelve-month turn in office.  But what if a crisis arose that wasn’t best met by whoever happened to be in office that year? The Romans had a mechanism for that: the dictatorship, an alternative emergency executive post that granted total, unanswerable power to that man who was best suited to resolve the crisis and then stand down, restoring normality. This office was so useful and effective that it was invoked at least 85 times across three centuries against every kind of serious problem, from conspiracies and insurgencies to the repelling of invaders to propitiation of the gods.

In Dictator: The Evolution of the Roman Dictatorship, Mark B. Wilson makes the first detailed and comprehensive examination of the role and evolution of the dictatorship as an integral element of the Roman Republic. Each stage of a dictatorship—need, call, choice, invocation, mandate, imperium, answerability, colleague, and renunciation—is explored, with examples and case studies illustrating the dictators’ rigorous adherence to a set of core principles, or, in rare cases of deviation, showing how exceptions tended to demonstrate the rule as vividly as instances. Wilson also charts the flexibility of the dictatorship as it adapted to the needs of the Republic, reshaping its role in relation to the consuls, the senate, and the people.

The routine use of the dictatorship is only part of the story. The abandonment and disuse of the dictatorship for 120 years, its revival under Sulla, and its appropriation and transformation under Caesar are all examined in detail, with attention paid to what the dictatorship meant to the Romans of the late Republic, alternative means of crisis resolution in contrast with the dictatorship, and the groundwork laid in those last two centuries for that which was to come. Dictator provides a new basis for discussion and debate relating to the Roman dictatorship, Roman crisis management, and the systems and institutions of the Roman Republic.

A groundbreaking, innovative exploration of what the ancient Greeks really believed

Did the Greeks believe in their mythology? This question implies other difficult ones concerning the meaning of belief. While knowing that Theseus never slew the Minotaur, the Greeks were still capable of believing in the existence of Theseus, of crafting a genealogy for him and assigning him a place in history. This apparently contradictory process, the application of reason to myth, prompts legendary archaeologist Paul Veyne’s meditation on the nature of “truth.” Beginning with the example of the Greeks’ attitude toward their myths, Veyne argues that truth is not found, but created, as is history. His discussion reveals the historical quality of the imagination and its role in the constitution of a cultural tradition.

Explore the Jewish traditions preserved in the commentaries of a largely neglected Alexandrian Christian exegete

Justin M. Rogers surveys commentaries on Genesis, Job, Psalms, Ecclesiastes, and Zechariah by Didymus the Blind (ca. 313–398 CE), who was regarded by his students as one of the greatest Christian exegetes of the fourth century. Rogers highlights Didymus’s Jewish sources, zeroing in on traditions of Philo of Alexandria, whose treatises were directly accessible to Didymus while he was authoring his exegetical works. Philonic material in Didymus is covered by extensive commentary, demonstrating that Philo was among the principle sources for the exegetical works of Didymus the Blind. Rogers also explores the mediating influence of the Alexandrian Christian tradition, focusing especially on the roles of Clement and Origen.

Features

• Fresh insights into the Alexandrian Christian reception of Philo
• A thorough discussion of Didymus’s exegetical method, particularly in the Commentary on Genesis
• Examination of the use and importance of Jewish and Christian sources in Late Antique Christian commentaries

This volume also provides an independent assessment of the results of other Petexbatun region subprojects and a comparative evaluation of recent studies by other projects of Late and Terminal Classic culture change. For bioarchaeologists, this work sets a new standard in breadth and depth of osteological study. For Pre-Columbian scholars in general, it provides new insights into the environmental and biological issues involved in the debate on the end of the Classic period of Maya civilization.

VIMA Series #2

With Digging Up the Dead, Pulitzer Prize–winning historian Michael Kammen reveals a treasure trove of fascinating, surprising, and occasionally gruesome stories of exhumation and reburial throughout American history. Taking us to the contested grave sites of such figures as Sitting Bull, John Paul Jones, Frank Lloyd Wright, Daniel Boone, Jefferson Davis, and even Abraham Lincoln, Kammen explores how complicated interactions of regional pride, shifting reputations, and evolving burial practices led to public and often emotional battles over the final resting places of famous figures. Grave-robbing, skull-fondling, cases of mistaken identity, and the financial lures of cemetery tourism all come into play as Kammen delves deeply into this little-known—yet surprisingly persistent—aspect of American history.

 Simultaneously insightful and interesting, masterly and macabre, Digging Up the Dead reminds us that the stories of American history don’t always end when the key players pass on. Rather, the battle—over reputations, interpretations, and, last but far from least, possession of the remains themselves—is often just beginning.