435 books match the query 'Asian American & Pacific Islander Studies' and 15 start with e

cover of East of East: The Making of Greater El Monte

East of East

The Making of Greater El Monte

Romeo Guzmán

Rutgers University Press, 2020

East of East: The Making of Greater El Monte, is an edited collection of thirty-one essays that trace the experience of a California community over three centuries, from eighteenth-century Spanish colonization to twenty-first century globalization. Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte, showing how interdisciplinary and community-engaged scholarship can break new ground in public history. East of East tells stories that have been excluded from dominant historical narratives—stories that long survived only in the popular memory of residents, as well as narratives that have been almost completely buried and all but forgotten. Its cast of characters includes white vigilantes, Mexican anarchists, Japanese farmers, labor organizers, civil rights pioneers, and punk rockers, as well as the ordinary and unnamed youth who generated a vibrant local culture at dances and dive bars. 
 
 
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cover of Economic Citizens: A Narrative of Asian American Visibility

Economic Citizens

A Narrative of Asian American Visibility

Christine So

Temple University Press, 2009

In the past fifty years, according to Christine So, the narratives of many popular Asian American books have been dominated by economic questions-what money can buy, how money is lost, how money is circulated, and what labor or objects are worth. Focusing on books that have achieved mainstream popularity, Economic Citizens unveils the logic of economic exchange that determined Asian Americans’ transnational migrations and national belonging.

With penetrating insight, So examines literary works that have been successful in the U.S. marketplace but have been read previously by critics largely as narratives of alienation or assimilation, including Fifth Chinese Daughter, Flower Drum Song, Falling Leaves and Turning Japanese. In contrast to other studies that have focused on the marginalization of Asian Americans, Economic Citizens examines how Asian Americans have entered into the public sphere.

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cover of Elaine Black Yoneda: Jewish Immigration, Labor Activism, and Japanese American Exclusion and Incarceration

Elaine Black Yoneda

Jewish Immigration, Labor Activism, and Japanese American Exclusion and Incarceration

Rachel Schreiber

Temple University Press, 2022

During World War II, Elaine Black Yoneda, the daughter of Russian Jewish immigrants, spent eight months in a concentration camp—not in Europe, but in California. She did this voluntarily and in solidarity, insisting on accompanying her husband, Karl, and their son, Tommy, when they were incarcerated at the Manzanar Relocation Center. Surprisingly, while in the camp, Elaine and Karl publicly supported the United States’ decision to exclude Japanese Americans from the coast.

Elaine Black Yoneda is the first critical biography of this pioneering feminist and activist. Rachel Schreiber deftly traces Yoneda’s life as she became invested in radical politics and interracial and interethnic activism. In her work for the International Labor Defense of the Communist Party, Yoneda rose to the rank of vice president. After their incarceration, Elaine and Karl became active in the campaigns to designate Manzanar a federally recognized memorial site, for redress and reparations to Japanese Americans, and in opposition to nuclear weapons.

Schreiber illuminates the ways Yoneda’s work challenged dominant discourses and how she reconciled the contradictory political and social forces that shaped both her life and her family’s. Highlighting the dangers of anti-immigrant and anti-Asian xenophobia, Elaine Black Yoneda recounts an extraordinary life.

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cover of Emerging Voices: Experiences of Underrepresented Asian Americans

Emerging Voices

Experiences of Underrepresented Asian Americans

Ling, Huping

Rutgers University Press, 2008

While a growing number of popular and scholarly works focus on Asian Americans, most are devoted to the experiences of larger groups such as Chinese, Japanese, Korean, Filipino, and Indian Americans. As the field grows, there is a pressing need to understand the smaller and more recent immigrant communities. Emerging Voices fills this gap with its unique and compelling discussion of underrepresented groups, including Burmese, Indonesian, Mong, Hmong, Nepalese, Romani, Tibetan, and Thai Americans.

Unlike the earlier and larger groups of Asian immigrants to America, many of whom made the choice to emigrate to seek better economic opportunities, many of the groups discussed in this volume fled war or political persecution in their homeland. Forced to make drastic transitions in America with little physical or psychological preparation, questions of “why am I here,” “who am I,” and “why am I discriminated against,” remain at the heart of their post-emigration experiences.

Bringing together eminent scholars from a variety of disciplines, this collection considers a wide range of themes, including assimilation and adaptation, immigration patterns, community, education, ethnicity, economics, family, gender, marriage, religion, sexuality, and work.

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cover of Empire and Environment: Ecological Ruin in the Transpacific

Empire and Environment

Ecological Ruin in the Transpacific

Jeffrey Santa Ana, Heidi Amin-Hong, Rina Garcia Chua, Zhou Xiaojing, Editors

University of Michigan Press, 2022

Empire and Environment argues that histories of imperialism, colonialism, militarism, and global capitalism are integral to understanding environmental violence in the transpacific region. The collection draws its rationale from the imbrication of imperialism and global environmental crisis, but its inspiration from the ecological work of activists, artists, and intellectuals across the transpacific region. Taking a postcolonial, ecocritical approach to confronting ecological ruin in an age of ecological crises and environmental catastrophes on a global scale, the collection demonstrates how Asian North American, Asian diasporic, and Indigenous Pacific Island cultural expressions critique a de-historicized sense of place, attachment, and belonging. In addition to its thirteen chapters from scholars who span the Pacific, each part of this volume begins with a poem by Craig Santos Perez. The volume also features a foreword by Macarena Gómez-Barris and an afterword by Priscilla Wald.
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cover of Empire's Mistress, Starring Isabel Rosario Cooper

Empire's Mistress, Starring Isabel Rosario Cooper

Vernadette Vicuna Gonzalez

Duke University Press, 2021

In Empire's Mistress Vernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography—a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a means to explore the contours of empire as experienced on the scale of personal relationships. Along the way, Gonzalez fills in the archival gaps of Cooper's life with speculative fictional interludes that both unsettle the authority of “official” archives and dislodge the established one-dimensional characterizations of her. By presenting Cooper as a complex historical subject who lived at the crossroads of American colonialism in the Philippines, Gonzalez demonstrates how intimacy and love are woven into the infrastructure of empire.
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cover of Ends of Empire: Asian American Critique and the Cold War

Ends of Empire

Asian American Critique and the Cold War

Jodi Kim

University of Minnesota Press, 2010

Ends of Empire examines Asian American cultural production and its challenge to the dominant understanding of American imperialism, Cold War dynamics, and race and gender formation.
 
Jodi Kim demonstrates the degree to which Asian American literature and film critique the record of U.S. imperial violence in Asia and provides a glimpse into the imperial and gendered racial logic of the Cold War. She unfolds this particularly entangled and enduring episode in the history of U.S. global hegemony—one that, contrary to leading interpretations of the Cold War as a simple bipolar rivalry, was significantly triangulated in Asia.
 
The Asian American works analyzed here constitute a crucial body of what Kim reveals as transnational “Cold War compositions,” which are at once a geopolitical structuring, an ideological writing, and a cultural imagining. Arguing that these works reframe the U.S. Cold War as a project of gendered racial formation and imperialism as well as a production of knowledge, Ends of Empire offers an interdisciplinary investigation into the transnational dimensions of Asian America and its critical relationship to Cold War history.
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cover of Escape from New York: The New Negro Renaissance beyond Harlem

Escape from New York

The New Negro Renaissance beyond Harlem

Davarian L. Baldwin

University of Minnesota Press, 2013

In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world.

In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century.

Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.

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cover of Ethnic Origins: The Adaptation of Cambodian and Hmong Refugees in Four American Cities

Ethnic Origins

The Adaptation of Cambodian and Hmong Refugees in Four American Cities

Jeremy Hein

Russell Sage Foundation, 2006

Immigration studies have increasingly focused on how immigrant adaptation to their new homelands is influenced by the social structures in the sending society, particularly its economy. Less scholarly research has focused on the ways that the cultural make-up of immigrant homelands influences their adaptation to life in a new country. In Ethnic Origins, Jeremy Hein investigates the role of religion, family, and other cultural factors on immigrant incorporation into American society by comparing the experiences of two little-known immigrant groups living in four different American cities not commonly regarded as immigrant gateways. Ethnic Origins provides an in-depth look at Hmong and Khmer refugees—people who left Asia as a result of failed U.S. foreign policy in their countries. These groups share low socio-economic status, but are vastly different in their norms, values, and histories. Hein compares their experience in two small towns—Rochester, Minnesota and Eau Claire, Wisconsin—and in two big cities—Chicago and Milwaukee—and examines how each group adjusted to these different settings. The two groups encountered both community hospitality and narrow-minded hatred in the small towns, contrasting sharply with the cold anonymity of the urban pecking order in the larger cities. Hein finds that for each group, their ethnic background was more important in shaping adaptation patterns than the place in which they settled. Hein shows how, in both the cities and towns, the Hmong's sharply drawn ethnic boundaries and minority status in their native land left them with less affinity for U.S. citizenship or "Asian American" panethnicity than the Khmer, whose ethnic boundary is more porous. Their differing ethnic backgrounds also influenced their reactions to prejudice and discrimination. The Hmong, with a strong group identity, perceived greater social inequality and supported collective political action to redress wrongs more than the individualistic Khmer, who tended to view personal hardship as a solitary misfortune, rather than part of a larger-scale injustice. Examining two unique immigrant groups in communities where immigrants have not traditionally settled, Ethnic Origins vividly illustrates the factors that shape immigrants' response to American society and suggests a need to refine prevailing theories of immigration. Hein's book is at once a novel look at a little-known segment of America's melting pot and a significant contribution to research on Asian immigration to the United States. A Volume in the American Sociological Association's Rose Series in Sociology
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cover of Ethnic Renewal in Philadelphia's Chinatown: Space, Place, and Struggle

Ethnic Renewal in Philadelphia's Chinatown

Space, Place, and Struggle

Kathryn Wilson

Temple University Press, 2015

Philadelphia’s Chinatown, like many urban chinatowns, began in the late nineteenth century as a refuge for immigrant laborers and merchants in which to form a community to raise families and conduct business. But this enclave for expression, identity, and community is also the embodiment of historical legacies and personal and collective memories.
 
In Ethnic Renewal in Philadelphia’s Chinatown. Kathryn Wilson charts the unique history of this neighborhood. After 1945, a new generation of families began to shape Chinatown’s future. As plans for urban renewal—ranging from a cross-town expressway and commuter rail in the 1960s to a downtown baseball stadium in 2000—were proposed and developed, “Save Chinatown” activists rose up and fought for social justice.
 
Wilson chronicles the community’s efforts to save and renew itself through urban planning, territorial claims, and culturally specific rebuilding. She shows how these efforts led to Chinatown’s growth and its continued ability to serve as a living community for subsequent waves of new immigration.  
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cover of Ethnic Routes to Becoming American: Indian Immigrants and the Cultures of Citizenship

Ethnic Routes to Becoming American

Indian Immigrants and the Cultures of Citizenship

Rudrappa, Sharmila

Rutgers University Press, 2004

How does an immigrant become an ethnic American? And does American society fundamentally alter because of these newcomers?

In Ethnic Routes to Becoming American, Sharmila Rudrappa examines the paths South Asian immigrants in Chicago take toward assimilation in the late twentieth-century United States, where deliberations on citizenship rights are replete with the politics of recognition. She takes us inside two ethnic institutions, a battered women’s shelter, Apna Ghar, and a cultural organization, the Indo American Center, to show how immigrant activism, which brings cultural difference into public sphere debates, ironically abets these immigrants’ assimilation. She interlaces ethnographic details with political-philosophical debates on the politics of recognition and redistribution. In this study on the under-researched topic of the incorporation of South Asian immigrants into the American polity, Sharmila Rudrappa compels us to rethink ethnic activism, participatory democracy, and nation-building processes.

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cover of Ethnic Solidarity for Economic Survival: Korean Greengrocers in New York City

Ethnic Solidarity for Economic Survival

Korean Greengrocers in New York City

Pyong Gap Min

Russell Sage Foundation, 2008

Generations of immigrants have relied on small family businesses in their pursuit of the American dream. This entrepreneurial tradition remains highly visible among Korean immigrants in New York City, who have carved out a thriving business niche for themselves operating many of the city's small grocery stores and produce markets. But this success has come at a price, leading to dramatic, highly publicized conflicts between Koreans and other ethnic groups. In Ethnic Solidarity for Economic Survival, Pyong Gap Min takes Korean produce retailers as a case study to explore how involvement in ethnic businesses—especially where it collides with the economic interests of other ethnic groups—powerfully shapes the social, cultural, and economic unity of immigrant groups. Korean produce merchants, caught between white distributors, black customers, Hispanic employees, and assertive labor unions, provide a unique opportunity to study the formation of group solidarity in the face of inter-group conflicts. Ethnic Solidarity for Economic Survival draws on census and survey data, interviews with community leaders and merchants, and a review of ethnic newspaper articles to trace the growth and evolution of Korean collective action in response to challenges produce merchants received from both white suppliers and black customers. When Korean produce merchants first attempted to gain a foothold in the city's economy, they encountered pervasive discrimination from white wholesale suppliers at Hunts Point Market in the Bronx. In response, Korean merchants formed the Korean Produce Association (KPA), a business organization that gradually evolved into a powerful engine for promoting Korean interests. The KPA used boycotts, pickets, and group purchasing to effect enduring improvements in supplier-merchant relations. Pyong Gap Min returns to the racially charged events surrounding black boycotts of Korean stores in the 1990s, which were fueled by frustration among African Americans at a perceived economic invasion of their neighborhoods. The Korean community responded with rallies, political negotiations, and publicity campaigns of their own. The disappearance of such disputes in recent years has been accompanied by a corresponding reduction in Korean collective action, suggesting that ethnic unity is not inevitable but rather emerges, often as a form of self-defense, under certain contentious conditions. Solidarity, Min argues, is situational. This important new book charts a novel course in immigrant research by demonstrating how business conflicts can give rise to demonstrations of group solidarity. Ethnic Solidarity for Economic Survival is at once a sophisticated empirical analysis and a riveting collection of stories—about immigration, race, work, and the American dream.
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cover of Ethnicity and Inequality in Hawai'i

Ethnicity and Inequality in Hawai'i

Jonathan Y. Okamura

Temple University Press, 2008

Challenging the dominant view of Hawai’i as a “melting pot paradise”—a place of ethnic tolerance and equality—Jonathan Okamura examines how ethnic inequality is structured and maintained in island society. He finds that ethnicity, not race or class, signifies difference for Hawaii’s people and therefore structures their social relations. In Hawai’i, residents attribute greater social significance to the presumed cultural differences between ethnicities than to more obvious physical differences, such as skin color.

According to Okamura, ethnicity regulates disparities in access to resources, rewards, and privileges among ethnic groups, as he demonstrates in his analysis of socioeconomic and educational inequalities in the state. He shows that socially and economically dominant ethnic groups—Chinese Americans, Japanese Americans, and Whites—have stigmatized and subjugated the islands’ other ethnic groups—especially Native Hawaiians, Filipino Americans, and Samoans. He demonstrates how ethnic stereotypes have been deployed against ethnic minorities and how these groups have contested their subordinate political and economic status by articulating new identities for themselves.

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cover of Exit, Miss Saigon: An American Memoir

Exit, Miss Saigon

An American Memoir

David Mura

University of Minnesota Press, 2026

A profound memoir of coming to terms with a lost racial identity

David Mura was well into his twenties when he began to explore his Asian American identity. His Japanese American parents had been incarcerated in internment camps during World War II, and in response to their traumatic experience, they abandoned their Japanese roots to try to assimilate into white, middle-class America. As a result, Mura was raised to consider himself as a white person, and his journey toward understanding and accepting his Asianness was a fraught road—one that left many fractured relationships in its wake. In Exit, Miss Saigon, Mura writes with frank openness about his personal experiences and the irrevocable ways they are rooted in the internalized, systemic racism that permeates American culture.

Starting out as a young poet in Minneapolis working toward a PhD, Mura avoided reading “minority literature,” yearning instead to be like famed poets in their ivory towers—Robert Lowell, Randall Jarrell, John Berryman, artists tortured by their families and personal demons rather than by politics or race. As Mura began to read more widely, his conceptions of race and its societal construction began to broaden. When the Ordway Theater in St. Paul, Minnesota, staged a presentation of Miss Saigon in 1992, Mura published “Secrets and Anger” in Mother Jones, a scathing critique of the play’s racist undertones and the arguments he’d been having with white artist friends about it. As a result, Mura was ostracized from the local, dominantly white writing community, yet in its place he found a deeper connection with other BIPOC writers and eventually started an Asian American arts organization in the Twin Cities.

Far more than a personal memoir, Exit, Miss Saigon is a clear-eyed examination of issues affecting Asian Americans: anti-Asian hate crimes during the pandemic, affirmative action, racial and sexual stereotypes in the media, interracial relationships and raising mixed-race children, the legacy of Japanese American internment, and the shortfalls of therapy in addressing race. Mura excavates the deep-seated racist stereotypes thrust on those perceived as “other” (read: nonwhite people) and works to uncover a more authentic, liberatory path to defining personal identity.

Retail e-book files for this title are screen-reader friendly.

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cover of Experiments in Skin: Race and Beauty in the Shadows of Vietnam

Experiments in Skin

Race and Beauty in the Shadows of Vietnam

Thuy Linh Nguyen Tu

Duke University Press, 2021

In Experiments in Skin Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin.
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