615 books match the query 'England' and 27 start with e

Mitchell, Sally
Rutgers University Press, 1984
Dror Goldberg
University of Chicago Press, 2023
A sweeping history of the American invention of modern money.
Economists endlessly debate the nature of legal tender monetary systems—coins and bills issued by a government or other authority. Yet the origins of these currencies have received little attention.
Dror Goldberg tells the story of modern money in North America through the Massachusetts colony during the seventeenth century. As the young settlement transitioned to self-governance and its economy grew, the need to formalize a smooth exchange emerged. Printing local money followed.
Easy Money illustrates how colonists invented contemporary currency by shifting its foundation from intrinsically valuable goods—such as silver—to the taxation of the state. Goldberg traces how this structure grew into a worldwide system in which, monetarily, we are all Massachusetts. Weaving economics, law, and American history, Easy Money is a new touchstone in the story of monetary systems.
Bathsua Makin and Mary More
Iter Press, 2016
This edition offers texts from Bathsua Makin and Mary More, and Robert Whitehall’s response to More’s argument. Makin describes the appropriate education for London merchants’ daughters, arguing that girls should be educated and should aspire to follow learned women in history, and that educated women improve their families and themselves. More argues that women have the right to an education, and that such an education shows that the inequality of married women under English law is a man-made institution. More’s argument drew objections from her Oxford reader, Robert Whitehall, who preserved her manuscript with his own. Makin and More enjoyed a measure of public recognition and esteem, yet after their deaths, they and their texts were largely ignored until the late twentieth century.

Janice Hubbard Harris
Rutgers University Press, 1996
Much as abortion in the United States today is a contentious issue used for scripting women's roles and potential into the national agenda, divorce was an issue dividing England in the Edwardian era. According to Janice Harris, anything and everything, from illicit sex and family values to the Garden of Eden, wrath of children, poverty of women, nature of cruelty, scandal of America, threat of Germany, and future of England were part of the debate over divorce. Living under marriage laws far more restrictive than those of their Protestant neighbors, Edwardian women and men campaigned for reform with a barrage of compelling stories. Organizing her analysis around three major sources of narrative on divorce––the Sunday papers, the Report of the Royal Commission on Divorce and Matrimonial causes, and the novel––Harris uncovers a war of words and a competition of tales. In raising questions about the winners, losers, and spoils, Harris expands our understanding of the history of divorce, the wars between the sexes, and the political import of those wars.
In the end, she presents a complex and lively story herself, one that illuminates battles over marriage and divorce taking place in our own era as well. This humane book on a long-neglected subject marks an important contribution to narrative studies and Edwardian history.
Karen Sullivan
University of Chicago Press, 2023
Stephen Mason and Daniel Seng
University of London Press, 2021
Linda M. Lewis
University of Missouri Press, 1997
Elizabeth Barrett Browning believed that "Christ's religion is essentially poetry—poetry glorified." In Elizabeth Barrett Browning's Spiritual Progress, Linda M. Lewis studies Browning's religion as poetry, her poetry as religion. The book interprets Browning's literary life as an arduous spiritual quest—the successive stages being a rejection of Promethean pride for Christ-like humility, affirmation of the gospels of suffering and of work, internalization of the doctrine of Apocalypse, and ascent to divine love and truth.
Lewis follows this religious crusade from the poet's childhood to her posthumous Last Poems--including such topics as her Bible reading, her introduction to the Greek church fathers and the English Protestant reformers, the theological debates in which she participated, her quarrel with the theology of Paradise Lost, and her scandalous involvement in mesmerism and Swedenborgianism. Using insights from contemporary feminist thought, Lewis argues that Browning's religious assumptions and insights range from the conventional to the iconoclastic and that women's spirituality is, for Browning as well as for other Victorian women writers, separate from orthodox patriarchy. Lewis demonstrates that Browning's political and social ideology--often labeled inconsistent and illogical—really makes sense in light of this spiritual quest, which leads her to confront her God "face to face."
Elizabeth Barrett Browning's Spiritual Progress examines not only Browning's most admired works, such as Sonnets from the Portuguese and Aurora Leigh, but also her large body of political works and her important early poems—The Seraphim and A Drama of Exile. This intertextual book compares Browning's ideology to that of feminists such as Margaret Fuller, Harriet Martineau, and Florence Nightingale; influential conservatives such as Thomas Carlyle; and those most esteemed of Victorian poets, Alfred Lord Tennyson and Robert Browning.
Concluding with an examination of religion as a central focus of Victorian women poets, Lewis clarifies the ways in which Browning differs from Christina Rossetti, Felicia Hemans, Dora Greenwell, Jean Ingelow, and Mary Howitt. Elizabeth Barrett Browning's Spiritual Progress maintains that Browning's peculiar face-to-face struggle with the patristic and poetic tradition—as well as with God—sets her work apart.
Elizabeth I
University of Chicago Press, 2008
Elizabeth I
University of Chicago Press, 2009
Edited by Jessica Edmondes
Iter Press, 2022
Leonard R. N. Ashley
University of Wisconsin Press, 1988
Peter Crowcroft
University of Chicago Press, 1991
Bradley J. Irish
Northwestern University Press, 2018
Christopher Tyerman
University of Chicago Press, 1988

James Chandler
University of Chicago Press, 1998
Marc W. Steinberg
University of Chicago Press, 2016
Mary Clayton
Arizona Center for Medieval and Renaissance Studies, 2017
ISAS Dublin 2013. England, Ireland and the Insular World: Textual and Material Connections in the Early Middle Ages is a collection of twelve essays related to the theme of the 2013 conference of the International Society of Anglo-Saxonists, ‘Insular Cultures’. Contributors cover a broad range of topics, from early medieval agriculture in Ireland and England, to sculpture, manuscript illumination and script, homilies, hagiography, aristocratic gift-giving, relics, calendars, Beowulf, and Anglo-Saxon perceptions of the Celtic peoples, considering connections, parallels and differences between Anglo-Saxon England and its insular neighbors. The volume will be of interest to all those working on Early Medieval history, literature, archaeology, liturgy, art, and manuscripts.
Melinda Watt
Bard Graduate Center, 2009
Eric Saylor
University of Illinois Press, 2017
Heather Ladd
University of Delaware Press, 2022
Delarivier Manley and Mary Pix
Iter Press, 2012
Valerie Hotchkiss and Fred C. Robinson
University of Illinois Press, 2007
Jonathan Beecher Field
Dartmouth College Press, 2012
Julian Yates
University of Minnesota Press, 2002
Barbara Cooke
Bodleian Library Publishing, 2018
Michael Meeuwis
University of Michigan Press, 2019
Nearly all residents of England and its colonies between 1860 and 1914 were active theatergoers, and many participated in the amateur theatricals that defined late Victorian life. The Victorian theater was not an abstract figuration of the world as a stage, but a media system enmeshed in mass lived experience that fulfilled in actuality the concept of a theatergoing nation. Everyone’s Theater turns to local history, the words of everyday Victorians found in their diaries and production records, to recover this lost chapter of theater history in which amateur drama domesticates the stage. Professional actors and playwrights struggled to make their productions compatible with ideas and techniques that could be safely reproduced in the home—and in amateur performances from Canada to India. This became the first true English national theater: a society whose myriad classes found common ground in theatrical display. Everyone’s Theater provides new ways to extend Victorian literature into the dimension of voice, sound, and embodiment, and to appreciate the pleasures of Victorian theatricality.
Lawrence H. Keeley
University of Chicago Press, 1980