161 books match the query 'Material culture' and 11 start with e

cover of Early Native Literacies in New England: A Documentary and Critical Anthology

Early Native Literacies in New England

A Documentary and Critical Anthology

Kristina Bross

University of Massachusetts Press, 2008

Designed as a corrective to colonial literary histories that have excluded Native voices, this anthology brings together a variety of primary texts produced by the Algonquian peoples of New England during the seventeenth, eighteenth, and very early nineteenth centuries. Included among these written materials and objects are letters, signatures, journals, baskets, pictographs, confessions, wills, and petitions, each of which represents a form of authorship. Together they demonstrate the continuing use of traditional forms of memory and communication and the lively engagement of Native peoples with alphabetic literacy during the colonial period. Each primary text is accompanied by an essay that places it in context and explores its significance. 

Written by leading scholars in the field, these readings draw on recent trends in literary analysis, history, and anthropology to provide an excellent overview of the field of early Native studies. They are also intended to provoke discussion and open avenues for further exploration by students and other interested readers. Above all, the texts and commentaries gathered in this volume provide an opportunity to see Native American literature as a continuity of expression that reflects choices made long before contact and colonization, rather than as a nineteenth—or even twentieth-century invention.

Contributors include Heidi Bohaker, Heather Bouwman, Joanna Brooks, Kristina Bross, Stephanie Fitzgerald, Sandra Gustafson, Laura Arnold Leibman, Kevin McBride, David Murray, Laura Murray, Jean O'Brien, Ann Marie Plane, Philip Round, Jodi Schorb, David Silverman, and Hilary E. Wyss.

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cover of Eastern Cherokee Fishing

Eastern Cherokee Fishing

Heidi M. Altman

University of Alabama Press, 2006

Cherokee identity as revealed in fishing methods and materials.
 
In Eastern Cherokee Fishing, life histories, folktales, and reminiscences about fish gathered from interviews with Cherokee and non-Cherokee people provide a clear and personal picture of the changes in the Qualla Boundary (Eastern Band of the) Cherokee in the last 75 years. Coupled with documentary research, these ethnographic histories illuminate changes in the language, culture, and environment (particularly, aquatic resources) since contact with Europeans and examine the role these changes have played in the traditions and lives of the contemporary Cherokees.

Interviewees include a great range of informants, from native speakers of Cherokee with extensive knowledge of traditional fishing methods to Euro-American English speakers whose families have lived in North Carolina for many generations and know about contemporary fishing practices in the area. The topic of fishing thus offers perspective on the Cherokee language, the vigor of the Cherokee system of native knowledge, and the history of the relationship between Cherokee people and the local environment. Heidi Altman also examines the role of fishing as a tourist enterprise and how fishing practices affect tribal waters.
         

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cover of Elusive Archives: Material Culture in Formation

Elusive Archives

Material Culture in Formation

Martin Brückner

University of Delaware Press, 2021

The essays that comprise Elusive Archives raise a common question: how do we study material culture when the objects of study are transient, evanescent, dispersed or subjective? Such things resist the taxonomic protocols that institutions, such as museums and archives, rely on to channel their acquisitions into meaningful collections. What holds these disparate things together here are the questions authors ask of them. Each essay creates by means of its method a provisional collection of things, an elusive archive. Scattered matter then becomes fixed within each author’s analytical framework rather than within the walls of an archive’s reading room or in cases along a museum corridor.

This book follows the ways in which objects may be identified, gathered, arranged, conceptualized and even displayed rather than by “discovering” artifacts in an archive and then asking how they came to be there. The authors approach material culture outside the traditional bounds of learning about the past. Their essays are varied not only in subject matter but also in narrative format and conceptual reach, making the volume accessible and easy to navigate for a quick reference or, if read straight through, build toward a new way to think about material culture.

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cover of Engaging Modernity: Asante in the Twenty-First Century

Engaging Modernity

Asante in the Twenty-First Century

Kwasi Ampene. Nana Kwadwo Nyantakyi III

Michigan Publishing Services, 2016

Engaging Modernity is the definitive history of Asante royal regalia and music ensembles. This second edition includes an ethnographical account of the 2014 Asanteman Grand Adae festival that prominently features the complex heritage of the visual and the performing arts in motion. Ampene’s contextual account illuminates the historical narratives the regalia objects render as they move through space and time, as well as the metalanguage embodied in the objects and the symbolic language they convey in Akanland. The book combines text with over three hundred color photographs to construct subtle and nuanced views of the material culture associated with Asante royal court in the twenty-first century. Engaging Modernity is an essential and a vast transdisciplinary resource for the humanities and beyond.

 
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cover of Error, Misuse, Failure: Object Lessons From The English Renaissance

Error, Misuse, Failure

Object Lessons From The English Renaissance

Julian Yates

University of Minnesota Press, 2002

Explores what an object tells us about the culture that created it. If certain objects work well, no one notices them. As with "black boxes," their success may be gauged by their relative invisibility-and this was the indirect goal of the objects that Julian Yates considers here: the portrait miniature, the relic, the privy (flush toilet), the printed text, and the priest-hole (a secret hiding place for Catholic priests in Protestant England). Because each of these contrivances was prone to error, misuse, and sometimes catastrophic failure, they become in Yates's analysis an occasion for recasting the history of the English Renaissance as object lessons-"knowing from the point of view of the known." It is through such lapses-the texts and stories generated to explain away a relic that is too easily faked, a miniature that is too curiously real, the stench of a failing privy, a book that persistently sheds its pages, or the presence of so much "papist trash" in an ostensibly reformed England-that Yates recovers the silent work of "things" in cultural production. Drawing object lessons from failing technological devices, Error, Misuse, Failure plumbs the foundations of Renaissance culture in England, recovering a curious language of mistakes, dirt, and parasitism that associates the failures of these "things" with the figures of Rome, Catholicism, and Sodom. Yates offers a mode of historical inquiry rooted in material culture, sensitive to the way humans induct nonhumans (animals, plants, and manufactured things) into their communities. Historically, the book offers a new set of stories about the rise of printing, the development of domestic architecture, and England's Catholic community-stories that remind readers of the ways in which attending to the history of nonhumans requires a radical rethinking of historical landmarks and boundaries. Julian Yates is associate professor of English at the University of Delaware.
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cover of Espíritu Santo de Zúñiga: A Frontier Mission in South Texas

Espíritu Santo de Zúñiga

A Frontier Mission in South Texas

By Tamra Lynn Walter

University of Texas Press, 2007

San Antonio Conservation Society Citation, 2009

In the early part of the eighteenth century, the Spanish colonial mission Espíritu Santo de Zúñiga was relocated from far south Texas to a site along the Guadalupe River in Mission Valley, Victoria County. This mission, along with a handful of others in south Texas, was established by the Spaniards in an effort to Christianize and civilize the local Native American tribes in the hopes that they would become loyal Spanish citizens who would protect this new frontier from foreign incursions.

With written historical records scarce for Espíritu Santo, Tamra Walter relies heavily on material culture recovered at this site through a series of recent archaeological investigations to present a compelling portrait of the Franciscan mission system. By examining findings from the entire mission site, including the compound, irrigation system, quarry, and kiln, she focuses on questions that are rarely, if ever, answered through historical records alone: What was daily life at the mission like? What effect did the mission routine have on the traditional lifeways of the mission Indians? How were both the Indians and the colonizers changed by their frontier experiences, and what does this say about the missionization process?

Walter goes beyond simple descriptions of artifacts and mission architecture to address the role these elements played in the lives of the mission residents, demonstrating how archaeology is able to address issues that are not typically addressed by historians. In doing so, she presents an accurate portrait of life in South Texas at this time. This study of Mission Espíritu Santo will serve as a model for research at similar early colonial sites in Texas and elsewhere.

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cover of Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome

Eternal Sovereigns

Indigenous Artists, Activists, and Travelers Reframing Rome

Gloria Jane Bell

Duke University Press, 2024

In 1925, Pius XI staged the Vatican Missionary Exposition in Rome’s Vatican City. Offering a narrative of the Catholic Church’s beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities, which were seen by one million pilgrims. Gloria Jane Bell’s Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the “Indian Museum” of nineteenth-century sculptor Ferdinand Pettrich, acquired by the Vatican, with the oeuvre of Indigenous artist Edmonia Lewis. Focusing on Turtle Island, Bell analyzes Indigenous cultural belongings made by artists from nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien’kehá:ka, Wolastoqiyik, and Kwakwaka’wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church’s colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy’s staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums.
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cover of Excavations at Snaketown: Material Culture

Excavations at Snaketown

Material Culture

Harold S. Gladwin, Emil W. Haury, E. B. Sayles, and Nora Gladwin

University of Arizona Press, 1965

"[Gladwin] accomplished, from the 1920's on, a series of fundamentally important studies of the prehistoric cultures of the region from Texas to California. None of these surveys or excavations was more important than the excavation of Snaketown, in the southern Arizona desert. It provided a wealth of details for a major prehistoric culture, the Hohokam, which previously had been scarcely recognized. It dislodged many long-held dogmas of Southwestern archaeology and provided the basis for a major reorientation in thinking about the nature of the prehistoric occupations of Arizona and adjacent states. . . . [This volume] has remained indispensable for its detailed reporting of house remains, ball courts, canals, cremations, pottery, carved stone, and other artifacts."—Science

"The reprint will come as a blessing to many archaeologists who have sought in vain to obtain a copy of the original volume. It now stands as a body of data easily accessible to all workers, and we look forward to a new phase of synthesis of Hohokam archaeology."—American Antiquity
 
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cover of Excavations at Tel Nebi Mend, Syria Volume I

Excavations at Tel Nebi Mend, Syria Volume I

Peter J. Parr

Council for British Research in the Levant, 2015

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cover of Explorations in Behavioral Archaeology

Explorations in Behavioral Archaeology

William H. Walker and James M. Skibo

University of Utah Press, 2015

Behavioral archaeology, defined as the study of people-object interactions in all times and places, emerged in the 1970s, in large part because of the innovative work of Michael Schiffer and colleagues. This volume provides an overview of how behavioral archaeology has evolved and how it has affected the field of archaeology at large.

The contributors to this volume are Schiffer’s former students, from his first doctoral student to his most recent. This generational span has allowed for chapters that reflect Schiffer’s research from the 1970s to 2012. They are iconoclastic and creative and approach behavioral archaeology from varied perspectives, including archaeological inference and chronology, site formation processes, prehistoric cultures and migration, modern material culture variability, the study of technology, object agency, and art and cultural resources. Broader questions addressed include models of inference and definitions of behavior, study of technology and the causal performances of artifacts, and the implications of artifact causality in human communication and the flow of behavioral history. 


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cover of Exploring Folk Art

Exploring Folk Art

Michael Owen Jones

Utah State University Press, 1993

Jones explores the human impulse to create, the necessity for having aesthetically satisfying experiences, and the craving for tradition. He also considers topics such as making chairs, remodeling houses, using and preserving soda-fountain slang, preparing and eating food, and sculpting lifelike figures out of cement.

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