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In Embodied Encuentros, Elena Foulis offers a practical guide for completing ethical fieldwork in Latina/o/e communities, emphasizing equitable and culturally sustaining practices for gathering oral histories. In her critical decolonial model, Foulis centers the agency of the people within these communities while considering the diversity and complexity of their experiences. In doing so, she advocates for the importance of building oral history archives that challenge our understandings of Latina/o/e peoples.

Foulis provides a conceptual framework for building on community knowledge that considers language, cultural practices, gender, and race. She suggests ways to involve students in ethical research; collect evolving oral histories; employ a language justice approach that acknowledges linguistic oppression, translanguaging, and bilingualism as essential aspects of this community; and consider the importance of digital archives for the creation of multimedia projects that foster community pláticas. Grounded in both theoretical approaches and a feminist ethics praxis, Embodied Encuentros ultimately outlines an important model for doing collaborative, ethical research—not only within Latina/o/e communities but within other minoritized communities as well.

America’s cities are increasingly acknowledged as sites of renewal and economic opportunity—but how can city leaders facing physical and financial constraints harness this positive energy to create sustainable development? The story of Cleveland in the early 1980s provides the necessary roadmap. Mayor George V. Voinovich, by drawing on the combined strengths of the public and private sectors, took Cleveland from financial default to becoming “America’s Comeback City,” and he later used the best practices he developed there to tackle state-level challenges as governor of Ohio. The public-private partnership model that Voinovich pioneered has since become the gold standard for cities seeking to maximize resources.

Using lessons from Cleveland, Voinovich developed this handbook for governments and private entities seeking a mutually enriching partnership. It is his legacy to those who will guide America’s cities to new growth and vitality.

In Enchanted Ground, Sharon Hatfield brings to life the true story of a nineteenth-century farmer-turned-medium, Jonathan Koons, one of thousands of mediums throughout the antebellum United States. In the hills outside Athens, Ohio, Koons built a house where it was said the dead spoke to the living, and where ancient spirits communicated the wisdom of the ages. Curious believers, in homespun and in city attire, traveled from as far as New Orleans to a remote Appalachian cabin whose marvels would rival any of P. T. Barnum’s attractions.

Yet Koons’s story is much more than showmanship and sleight of hand. His enterprise, not written about in full until now, embodied the excitement and optimism of citizens breaking free from societal norms. Reform-minded dreamers were drawn to Koons’s seances as his progressive brand of religion displaced the gloomy Calvinism of previous generations. As heirs to the Second Great Awakening, which stretched from New York State to the far reaches of the Northwest Territory, the curious, the faithful, and Koons himself were part of a larger, uniquely American moment that still marks the cultural landscape today.

Every River on Earth: Writing from Appalachian Ohio includes some of the best regional poetry, fiction, and creative nonfiction from forty contemporary writers, both established and up-and-coming. The wide range of material from authors such as David Baker, Don Bogen, Michelle Burke, Richard Hague, Donald Ray Pollock, and others, offers the reader a window into daily life in the region. The people, the landscape, the struggles, and the deepest undercurrents of what it means to be from and of a place are revealed in these original, deeply moving, and sometimes shocking pieces.

The book is divided into four sections: Family & Folks, The Land, The Grind, and Home & Away, each of which explores a different aspect of the place that these authors call home. The sections work together beautifully to capture what it means to live, to love, and to die in this particular slice of Appalachia. The writing is accessible and often emotionally raw; Every River on Earth invites all types of readers and conveys a profound appreciation of the region’s character.

The authors also offer personal statements about their writing, allowing the reader an intimate insight into their processes, aesthetics, and inspirations. What is it to be an Appalachian? What is it to be an Appalachian in Ohio? This book vividly paints that picture.


Every River on Earth
David Lee Garrison

I look out the window and see
through the neighbor’s window

to an Amish buggy
where three children are peeping back,

and in their eyes I see the darkness
of plowed earth hiding seed.

Wind pokes the land in winter,
trying to waken it,

and in the melting snow
I see rainbows and in them

every river on earth. I see all the way
to the ocean, where sand and stones

embrace each falling wave
and reach back to gather it in.