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221 books match the query 'Personal narratives' and 4 start with e

cover of EXILE: A MEMOIR OF 1939

EXILE

A MEMOIR OF 1939

Bronka Schneider Edited with forewords by Erika Bourguignon and Barbara Hill Rigney

The Ohio State University Press, 1998

Bronka Schneider and her husband, Joseph, were two of the thirty thousand Austrian Jews admitted as refugees to Great Britain between March 1938 and 2 September 1939. It was not until 1960, however, that Schneider wrote her memoir about the year she spent as a housekeeper, with Joseph as a butler, in a Scottish castle.

Schneider tells of daily encounters—with her employers, the English lady and her husband, a retired British civil servant who had spent many years in India; the village locals; other refugees; and a family of evacuees from the slums of Glasgow.

The editors have divided this memoir into chapters, adding headlines from the London Times as epigraphs. These headlines, reporting the escalating events of World War II, are in stark contrast to daily activities of the residents of this isolated region of Scotland. A commentary by Erika Bourguignon provides historical, political, and cultural background of this period.

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cover of Escape Via Berlin: Eluding Franco In Hitler's Europe

Escape Via Berlin

Eluding Franco In Hitler's Europe

Jose Antonio Aguirre

University of Nevada Press, 1991

José Antonio de Aguirre, the exiled President of the Basque Republic, found himself caught between the Spanish Nationalists and the Gestapo as the Germans invaded France in 1940. This book is first and foremost the exciting account of a miraculous escape from the Germans, but it contains far more than mere adventure; threaded into the story are pictures of democracy and dictatorship and their effects on the lives of individuals, of religion in war, of human progress and decency surviving every adversity, of optimism where it might be least expected. Here is a man, by temperament a philosopher and by career the president of his people, interpreting 1940s Europe for his readers and explaining how people in Berlin, Antwerp, and Paris felt. This annotated edition, published nearly 50 years after the book first appeared, attests to the timeliness and foresight of Aguirre's message. Annotations and introduction by Robert Clark.
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cover of Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh

Ethical Encounters

Transnational Feminism, Human Rights, and War Cinema in Bangladesh

Elora Halim Chowdhury

Temple University Press, 2022

Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity. 

By examining contemporary, women-centered Muktijuddho cinema—features and documentaries that focus on the Bangladesh Liberation War of 1971—Elora Chowdhury shows how these films imagine, disrupt, and reinscribe a gendered nationalist landscape of trauma, freedom, and agency. Chowdhury analyzes Bangladeshi feminist films including Meherjaan, and Itihaash Konna (Daughters of History), as well as socially-engaged films by activist-filmmakers including Jonmo Shathi (Born Together), and Shadhinota (A Certain Liberation), to show how war films of Bangladesh can generate possibilities for gender justice. 

Chowdhury argues that justice-driven films are critical to understanding and negotiating the layered meanings and consequences of catastrophic human suffering yet at the same time they hint at subjectivities and identities that are not reducible to the politics of suffering. Rather, they are key to creating an alternative and disruptive archive of feminist knowledge—a sensitive witnessing, responsible spectatorship, and just responsibility across time, and space. 

Drawing on Black and transnational feminist critiques, Chowdhury explores questions around women’s place, social roles, and modes of participation in war as well as the visual language through which they become legible as victims/subjects of violence and agents of the nation. Ethical Encounters illuminates the possibilities of film as a site to articulate an ethics that acknowledges a founding violence of the birth of a nation, recuperates it even if in fragments, and imagines differently the irreconcilable relationship between humanity, liberty, and justice.




 

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cover of Exiled Memories: Stories of Iranian Diaspora

Exiled Memories

Stories of Iranian Diaspora

Zohreh T. Sullivan

Temple University Press, 2001

"I feel I am the wandering Jew who has no place to which she belongs. I thought I could settle down, but can't imagine staying. Whenever I bought a bar of soap and two came in the package, I thought there would be no need to buy a package of two because I would never last through the second. Why? Because I knew I was returning to Iran -- tomorrow. So too, I would buy the smallest size of toothpastes and jars of oil. Putting down roots here is an impossibility."

These are the words of one Iranian emigre, driven from Tehran by the revolution of 1979. They are echoed time and again in this powerful portrayal of loss and survival. Impelled by these word and her own concerns about nationality and identity, Zohreh Sullivan has gathered together here the voices of sixty exiles and emigres. The speakers come from various ethnic and religious backgrounds and range in age from thirteen to eighty-eight. Although most are from the middle class, they work in a variety of occupations in the United States. But whatever their differences, here they engage in remembering the past, producing a discourse about their lives, and negotiating the troubled transitions from one culture to another.

Unlike man  other Iranian oral history projects, Exiled Memories looks at the reconstruction of memory and identity through diasporic narratives, through a focus on the Americas rather than on Iran. The narratives included here reveal the complex ways in which events and places transform identities, how overnight radical s become conservatives, friends become enemies, the strong become weak. Indeed, the narratives themselves serve this function -- serving to transfer or transform power and establish credibility. They reveal a diverse group of people in the process of knitting the story of themselves with the story of the collective after it  has been torn apart.
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