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2022 Alfred B. Thomas Book Award, Southeastern Council of Latin American Studies (SECOLAS)
2022 Bolton-Johnson Prize, Conference on Latin American History (CLAH)
2022 Best Book in Non-North American Urban History, Urban History Association (Co-winner)
2023 Honorable Mention, Best Book in the Humanities, Latin American Studies Association Mexico Section
2023 Turriano Book Prize, International Committee for the History of Technology
2023 Michael C. Meyer Award for Best Book on Mexican History in a Five-Year Period, Rocky Mountain Council for Latin American Studies

Many visitors to Mexico City’s 1886 Electricity Exposition were amazed by their experience of the event, which included magnetic devices, electronic printers, and a banquet of light. It was both technological spectacle and political messaging, for speeches at the event lauded President Porfirio Díaz and bound such progress to his vision of a modern order.

Diana J. Montaño explores the role of electricity in Mexico’s economic and political evolution, as the coal-deficient country pioneered large-scale hydroelectricity and sought to face the world as a scientifically enlightened “empire of peace.” She is especially concerned with electrification at the social level. Ordinary electricity users were also agents and sites of change. Montaño documents inventions and adaptations that served local needs while fostering new ideas of time and space, body and self, the national and the foreign. Electricity also colored issues of gender, race, and class in ways specific to Mexico. Complicating historical discourses in which Latin Americans merely use technologies developed elsewhere, Electrifying Mexico emphasizes a particular national culture of scientific progress and its contributions to a uniquely Mexican modernist political subjectivity.

Over the past century American agriculture has shifted dramatically with small, commercial farms finding it increasingly difficult to compete with large-scale (mostly indoor) animal feeding operations (AFOs). In this book, Terence J. Centner investigates the environmental, social, economic, and political impact of the rise of the so-called factory farm, exposing the ramifications of the contemporary trend toward industrial-scale food production.
 
Just as Rachel Carson's landmark Silent Spring used the disappearance of songbirds as a jumping-off point for a work that raised public awareness of pesticides' devastating environmental impact, Empty Pastures sees the dwindling numbers of livestock in the American countryside as a symptom of a broader transformation, one with serious consequences for the rural landscape and its inhabitants--animal as well as human.
 
After outlining the rise of the AFO, Centner examines the troubling consequences of consolidation in animal farming and suggests a number of remedies. The issues he tackles include groundwater contamination, the loss of biodiversity, animal welfare, concentrated odors and other nuisances, soil erosion, and the economic effects of the disappearance of the small family farm.
 
Inspired by largely abandoned traditional practices rather than a radical and unrealistic vision of a return to an idealized past, Centner proposes a series of pragmatic reforms for regulating factory farms to halt ecological degradation and revitalize rural communities.
 

This book is about exile and transformation. It is primarily about Mary Hallock Foote, nineteenth-century artist and writer, easterner-turned-westerner, but it is a hybrid work - as well as being about Mary, it is about what it has been like for me, a twenty-first century American expatriate, Californian-turned-Londoner, to find common ground in the life of a nineteenth century woman.