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A Southern Whig, a Unionist firebrand—Edward Stanly’s fight for principle in a fractured nation.

This biography of Edward Stanly relates the major political events of his life: his emergence, while still in his twenties, as a fiery and controversial leader of the Whig Party in North Carolina, his role as one of the ablest champions of Whiggery in the United States House of Representatives, 1837–1843; his candidacy for governor of California on the Republican ticket in 1857; his appointment by President Abraham Lincoln as military governor of North Carolina in 1862; and his support in California of President Andrew Johnson’s Reconstruction policy.

Raised under the “Ancient Standard of Federalism,” Edward Stanly was a southern nationalist in the tradition of the two great Virginia Federalists, George Washington and John Marshall. An outspoken opponent of the nullification and secession doctrines of party of section in national politics.
 

Back in print: the playful and personal memoir of Meredith Willson’s creative tribulations and triumphs before The Music Man

Composer, musical director, writer, lecturer, and piccoloist Meredith Willson laid many eggs throughout his career—but not all those eggs would hatch quite so gloriously as his Broadway hit The Music Man. In Eggs I Have Laid, Willson genially chronicles the failures that he faced as he made his place in show business during the pivotal early 1950s, when radio was being overtaken by television.

From Hollywood to New York, London, and Paris, and back to his hometown of Mason City, Iowa, Willson sets each scene vividly, bringing to life his encounters with zeitgeist stars, from collaborators Tallulah Bankhead and Fred Allen to Orson Welles and Carmen Miranda. His signature wit excels as he relates his tales of eggs dropped, notable among them the lavishly produced variety program The Big Show, his ill-fated attempt to be a radio bulwark against the encroaching tide of television.

First published in 1955, Eggs I Have Laid features delightful curiosities, like an eight-page “platonic dialogue” about quitting smoking and the lyrics to a love song with the occupancy limits of the New York Fire Code as its central metaphor. It is at once a vivid chronicle and a trove of insight from the hilarious, perseverant mind of Meredith Willson.

Garcilaso de la Vega, the great chronicler of the Incas and the conquistadors, was born in Cuzco in 1539. At the age of twenty, he sailed to Spain to acquire an education, and he remained there until his death at Córdoba in 1616. As the natural son of a noble conquistador and an Indian woman of royal blood, he took immense pride in both his Spanish and Inca heritage, and, living as he did during a bewildering but stimulating epoch, he personally witnessed the last gasp of the dying Inca empire, the fratricidal conflicts that accompanied the Conquest, and the literary growth as well as the political decline of the Spain of Philip II and Philip III.

Garcilaso left for posterity one of the earliest accounts of the ancient Incas, a reliable though admittedly biased chronicle of Spanish conquests in Andean America and a glowing story of Hernando de Soto’s exploration of North America. Though he never lost pride in his Spanish heritage, continued rebuffs in caste-conscious Spain strengthened his pride in his Indian heritage and his sympathy for his mother’s people. Thus his histories, while ennobling Spaniards, also ennobled the Incas, and eventually were to have some influence in the struggle of South Americans for political independence from Spain. In both blood and character El Inca Garcilaso was a true mestizo. He is generally considered to have been the first native-born American to attain the honor of publication.

This was the life, and these were the times, that Varner has evoked so richly in his narrative. It rings and glitters with the sounds and colors of festivals, pageantry, and battle; it listens to the murmur of prayers, the defeated mutter of the Incas, the scratch of the scholar’s quill; it pictures both highlights and shadows. For the reader already acquainted with Garcilaso’s chronicles, this book will be a welcome complement; for those who are meeting El Inca here for the first time, it will be a rewarding and satisfying introduction.

Del autor aclamado por la crítica Frank Bergon llega una nueva narración personal sobre el Valle de San Joaquín en California. Este libro que acompaña a Two-Buck Chuck & The Marlboro Man nos devuelve a un viejo Oeste que se funde con las realidades del nuevo Oeste, donde el cambio rápido es un rasgo común y los recuerdos son de belleza rural. A pesar de las transformaciones físicas provocadas por la tecnología y la modernidad en el siglo XXI, siguen existiendo elementos de una forma de pensar más antigua, y Bergon rastrea su presencia utilizando experiencias de su propia familia y amigos. 

La camaradería comunitaria, el amor por la tierra y sus alimentos, y la alegría por el trabajo duro bien hecho describen las vidas occidentales ignoradas o mal representadas en la mayoría de las historias sobre California y el Oeste. Sin embargo, la nostalgia no impulsa el regreso intelectual de Frank Bergon a ese mundo. También prevalecía una cultura de la lucha, la ignorancia sobre la adicción al alcohol, el trabajo brutal, y una mentalidad feudal que creaba un dolor que era mejor perder y dar por perdido. 

A través de todo ello, lo que emerge de sus retratos y ensayos es una revelación de la vida en los pueblos y ranchos rurales del Oeste. Un lugar en el que se acelera la forma americana de extirpar el pasado y alterar violentamente la tierra. Lo que Bergon ha escrito es el retrato de un pasado y unas gentes que dieron forma al país que él llamó hogar.

During World War II, Elaine Black Yoneda, the daughter of Russian Jewish immigrants, spent eight months in a concentration camp—not in Europe, but in California. She did this voluntarily and in solidarity, insisting on accompanying her husband, Karl, and their son, Tommy, when they were incarcerated at the Manzanar Relocation Center. Surprisingly, while in the camp, Elaine and Karl publicly supported the United States’ decision to exclude Japanese Americans from the coast.

Elaine Black Yoneda is the first critical biography of this pioneering feminist and activist. Rachel Schreiber deftly traces Yoneda’s life as she became invested in radical politics and interracial and interethnic activism. In her work for the International Labor Defense of the Communist Party, Yoneda rose to the rank of vice president. After their incarceration, Elaine and Karl became active in the campaigns to designate Manzanar a federally recognized memorial site, for redress and reparations to Japanese Americans, and in opposition to nuclear weapons.

Schreiber illuminates the ways Yoneda’s work challenged dominant discourses and how she reconciled the contradictory political and social forces that shaped both her life and her family’s. Highlighting the dangers of anti-immigrant and anti-Asian xenophobia, Elaine Black Yoneda recounts an extraordinary life.

“Only in America can you run for office and get elected by people who can’t even pronounce your name.”—Lily Qi 

Thirty years after her solo journey to America, Chinese-born Lily Qi became a Maryland state delegate. It was a gratifying moment she did not take for granted. Qi had overcome a viral WeChat disinformation campaign from her Chinese community and was met with skepticism from the Democratic establishment before being elected.

Elected American tells the inspirational story of Qi’s dreams, setbacks, and achievements with candor and humility. Growing up in Mao’s Shanghai, when “politics meant danger,” she never imagined running for public office. However, living in America, Qi came to see political participation as a missed opportunity for immigrants. As she campaigned to energize her cultural base, Qi realized she had to teach first-time voters how to make their votes count in a system not designed for them.

As the only U.S. state legislator who lived through China’s Cultural Revolution, Qi brings a rare cross-system perspective to American politics and modern-day Asian American identity. Elected American is a political memoir and an immigrant story that emphasizes that democracy doesn’t wait on the sidelines—it favors those who participate.

International Labor History Association Honorable Mention Book Award for 2025

Elizabeth Gurley Flynn was involved in almost every major campaign of the U.S. Left in the first two thirds of the twentieth century. An outstanding orator, writer, and tactician, Flynn is one of the most important figures in the history of the American labor movement. Inspired by the Irish freedom struggle and appalled by the exploitation and grinding poverty she saw around her, she devoted her life to the advancement of civil liberties. Here, Mary Anne Trasciatti traces Flynn’s personal and political life to explore the broader social issues of a fraught era.
 
Born in 1890, Flynn began her activist career by joining the Industrial Workers of the World (IWW) when she was just sixteen, and she ended it as the first female chair of the American Communist Party, a position she held from 1961 until her death in 1964. In the intervening years she organized workers into unions, led strikes, championed women’s rights, supported anti-imperialist movements around the globe, protested deportation, advocated for prison reform, and fought for Black liberation. Above all, she showed absolute devotion to workers and their struggles.
 
Slandered as an “un-American” in the anticommunist fervor of the 1940s and 1950s, Flynn was eventually ousted from the very organization she helped found, the American Civil Liberties Union, and imprisoned for two years. Though her own movement abandoned her, her commitment to the cause never wavered. This stirring biography illuminates Flynn’s inspiring life and worldview and returns her to her rightful place at the heart of labor and civil liberties history.

An annotated selection of unpublished letters by Nathaniel Hawthorne's sister.

Retrieved from seven different libraries, this corpus of letters was preserved by the Manning family chiefly for their value as records of Nathaniel Hawthorne's life and work; but they ironically also illuminate the life and mind of a fascinating correspondent and citizen of New England with incisive views and commentaries on her contemporaries, her role as a woman writer, Boston and Salem literary culture, and family life in mid-19th-century America.

This book illuminates Elizabeth's early life; the trauma caused for sister and brother by the death of their father; her and her brother's education; and the tensions the two children experienced when they moved in with their mother's family, the welthier Mannings, instead of the poorer though socially more venerable Hawthornes, following their father's death.  The letters portray Elizabeth's constrained relationship with Nathaniel's wife Sofia Peabody and counter Sophia's portrayal of her sister-in-law as a recluse, oddity, and “queer scribbler.”

These 118 letters also reveal Elizabeth Hawthorne's tremendous gifts as a thinker, correspondent, and essayist, her interest in astronomy, a lifelong drive toward self-edification in many fields, and her extraordinary relationship with Nathaniel.  As a sibling and a fellow author, they were sometimes lovingly codependent and sometimes competitive.  Finally, her writing reveals the larger worlds of politics, war, the literary landscape, class, family life, and the freedoms and constraints of a woman's role, all by a heretofore understudied figure.

One of the most compelling figures in colonial America, Elizabeth Murray (1726–1785) was a Scottish immigrant who settled in Boston in her early twenties and took up shopkeeping. For many years, she practiced her trade successfully while marrying three times, once to a much older man who left her an extremely rich widow. This biography chronicles the life of this extraordinary “ordinary” woman who tried to make a place for herself and other women in the world by asserting her own independence inside and outside of the home. 

As an importer and retailer of British goods, Murray conducted business with merchants and manufacturers in England and buyers in the American colonies, even traveling to London to select her own stock. Deeply satisfied by her work and the economic freedom it brought her, she acted as mentor to other women, helping them to establish shops of their own. She also protected her autonomy by demanding prenuptial agreements from her second and third husbands that gave her a measure of control over her property that was rare for a married woman of her day. 

The spirit of independence that Murray so valued in herself and nurtured in other women was severely tested by the upheavals of the American Revolution. With strong loyalties to both Britain and America, she was torn by the conflict, especially when close relatives chose opposing sides and her third husband abandoned her, leaving her to defend the family estate alone. Her wartime experiences—wild midnight rides, accusations of being a spy, quartering both royal and rebel troops, and brief imprisonment—vividly capture the turmoil of the Revolution and highlight the range of her political commitments.

An in-depth account of the life and career of Minnesota’s first modern architect

2024 Docomomo US Modernism in America Award of Excellence
2021 Finalist, Minnesota Book Award, Emilie Buchwald Award for Minnesota Nonfiction

Elizabeth “Lisl” Scheu Close (1912–2011) left an indelible mark on Minnesota’s built landscape during her six decades as an architect. In 1938, with her husband, Winston Close, she founded the state’s first architecture firm dedicated to modernism. In addition to designing the first International Style house in Minneapolis, the firm also created more than 250 handsome and efficiently planned modern residences. One of few women who were practicing architects in the mid-twentieth century, she blazed a trail for future generations of women in the profession.

As Jane King Hession shows, the trajectory of Lisl’s architectural career was shaped by the political, economic, and aesthetic upheavals of the twentieth century. Raised in a renowned modern house in Vienna, Austria, Lisl was exposed to revolutionary ideas in art and architecture at a young age. Forced to emigrate to the United States as the Nazis rose to power in Europe, she completed her architectural education at MIT. During the Depression, she struggled to find work and encountered challenges as a young woman in the field. In her pursuit of and devotion to a singular and successful career as a modern architect, she proved herself to be talented, determined, and adept at negotiating obstacles.

Through documentation of Lisl’s projects, this personal and professional biography also explores multiple aspects of modern architecture, including the innovative use of new materials and technologies, the design of prefabricated houses, and the relationship between residential design and changing American lifestyles. 

A crack shot, expert skinner and tanner, seamstress, sculptor, and later writer—a list that only hints at her intelligence and abilities—Ella Elgar Bird Dumont was one of those remarkable women who helped tame the Texas frontier. First married at sixteen to a Texas Ranger, she followed her husband to Comanche Indian country in King County, where they lived in a tepee while participating in the final slaughter of the buffalo. Living off the land until the frontier was opened for ranching, Ella and Tom Bird typified the Old West ideals of self-sufficiency and generosity, with a hesitancy to complain about the hard life in the late 1800s.

Yet, in one important way, Ella Dumont was unsuited for life on the frontier. Endowed with an instinctive desire and ability to carve and sculpt, she was largely prevented from pursuing her talents by the responsibilities of marriage and frontier life and later, widowhood with two small children. Even though her second marriage, to Auguste Dumont, made life more comfortable, the realities of her existence still prevented the fulfillment of her artistic longings.

Ella Bird Dumont’s memoir is rich with details of the frontier era in Texas, when Indian depredations were still a danger for isolated settlers, where animals ranged close enough to provide dinner and a new pair of gloves, and where sheer existence depended on skill, luck, and the kindness of strangers. The vividness and poignancy of her life, coupled with the wealth of historical material in the editor’s exhaustive notes, make this Texas pioneer’s autobiography a very special book.

Ellen Wilkinson was a key radical figure in the 20th century British socialist and feminist movement, a woman of passionate energy who was involved in most of the major struggles of her time.

Born in October 1891 into a working-class textile family, Wilkinson was involved in women’s suffrage, helped found the British Communist Party, led the Labour Party’s anti-fascist campaign, headed the iconic Jarrow Crusade and was the first female Minister of Education.

In this lively and engaging biography, Paula Bartley charts the political life of this extraordinary campaigner who went from street agitator to government minister whilst keeping her principles intact.

Expansive and essential, Elliott Carter Speaks opens up the artist's teaching and introspection to new contemporary perspectives on his thought and art.

Please note that the order and arrangement of materials in this book differs from that of Elliott Carter’s original lectures.

 "A magisterially written, well-researched, informative, and entertaining biography of a woman who helped throw open the doors to broader participation and power for women in the Republican Party and American politics."
---Dave Dempsey, author of William G. Milliken: Michigan's Passionate Moderate

"Elly Peterson will be a text to which historians and researchers turn for insight into the yin and yang of mainstream politics in the mid-century."
---Patricia Sullivan, past president, Journalism and Women Symposium

"This lively portrait of a leading woman in the Republican Party between 1952 and 1982 also charts the party's shift to the right after 1964, revealingly viewed through the eyes of liberal Republican women. Intensively researched with ethnographic attention to the subtleties of political culture, Fitzgerald's book is essential reading for anyone interested in how the Republican Party changed during the turbulent decades after 1960 and how women and women's issues shaped those changes."
---Kathryn Kish Sklar, Distinguished Professor of History, State University of New York, Binghamton

"Sara Fitzgerald tells Peterson's story in this superb and timely biography. It carries a message that deserves the widest audience as the nation struggles to find needed consensus on critical issues amid poisonous political partisanship that has made it increasingly difficult for public officials to bridge their differences. I hope that every American reads it."
---Pulitzer Prize winner Haynes Johnson, from the Foreword

"To understand the quest for equal rights in America you really need to meet those women who were active at the time of transition. In this gripping biography we meet one woman who entered a male dominated world and triumphed."
---Francis X. Blouin Jr., Director, Bentley Historical Library

"Sara Fitzgerald's writing is as intelligent as it is entertaining."
---Best-selling novelist Diane Chamberlain

Elly Peterson was one of the highest ranking women in the Republican Party. In 1964 she ran for a Michigan seat in the U.S. Senate and became the first woman to serve as chair of the Michigan Republican Party. During the 1960s she grew disenchanted with the increasing conservatism of her party, united with other feminists to push for the Equal Rights Amendment and reproductive choice, battled Phyllis Schlafly to prevent her from gaining control of the National Federation of Republican Women, and became an independent.

Elly Peterson's story is a missing chapter in the political history of Michigan, as well as the United States. This new biography, written by Sara Fitzgerald (a Michigan native and former Washington Post editor), finally gives full credit to one of the first female political leaders in this country.

When Peterson resigned in 1970 as assistant chairman of the Republican National Committee, David Broder of the Washington Post wrote that "her abilities would have earned her the national chairmanship, were it not for the unwritten sex barrier both parties have erected around that job."

A compelling naval memoir of Arctic submarine duty—operations, engineering realities, and split‑second leadership choices in Emergency Deep.

Captain Alfred Scott McLaren served as commander of the USS Queenfish (SSN 651) from September 1969 to May 1973, the very height of the Cold War. As commander, McLaren led at least six major clandestine operations, including the first-ever exploration of the entire Siberian Continental Shelf: a perilous voyage detailed in his previous book Unknown Waters.

Emergency Deep: Cold War Missions of a Submarine Commander conveys the entire spectrum of Captain McLaren’s experiences commanding the USS Queenfish, mainly in the waters of the Russian Far East and also off Vietnam. McLaren offers a riveting and deeply human story that illuminates the intensity and pressures of commanding a nuclear attack submarine in some of the most difficult circumstances imaginable.

Relying on his own notes and records, as well as discussions with former officers and shipmates, McLaren focuses on operational matters both great and small. He recounts his unique perspectives on attack-submarine tactics and exploratory techniques in high-risk or uncharted areas, matters of leadership and team-building and the morale of his crews, and the innumerable and often unforeseen ways his philosophy of command played out on a day-to-day basis, with consequences that ran the gamut from the mundane to the dire and life-threatening.

Readers are also treated to significant new information and insight on submarine strategy, maneuvers, and culture. Such details illuminate and bring to life, with both great humor and gravitas, the intensity and pressures on those engaged in covert missions on nuclear attack submarines.
 

Longlisted for the 2026 Plutarch Award

Ellen Tucker Emerson and Edith Emerson Forbes, the daughters of Lidian Jackson and Ralph Waldo Emerson, grew up in the heart of Concord, Massachusetts’s famed literary community. In a culture that celebrated self-reliance, Ellen and Edith formed a partnership that only strengthened as their paths diverged, with Ellen remaining in the family home and Edith marrying William Forbes, moving to Milton, Massachusetts, and having eight children. The partnership allowed them to tend to the demands and opportunities created by their father’s career, including serving as his secretaries and editors, and helped them shape his posthumous image. It also enabled them to adapt to historical developments stretching from the Civil War to American imperialism as well as personal ones, including Edith’s growing family and travel and study abroad, and inevitable ones brought on by the aging processes of their parents and themselves.

Emerson’s Daughters is a biography of a sisterhood, the first full-length study of Ellen’s and Edith’s lives. Building on archival research into the extensive correspondence between the sisters, it adds to the growing body of work on women’s contribution to Transcendentalism while opening a window onto the rich, and understudied, family life of the “Sage of Concord.” 

Emily Dickinson has often been pictured as a sensitive but isolated poet—someone who published very little in her lifetime and limited herself to lyrics, considered to be the kind of poems most removed from social and political life. In recent years, scholars have challenged that view, and this book extends the discussion in valuable new directions. 

Domhnall Mitchell begins by focusing on three historical phenomena—the railroad, the Dickinson homestead, and horticulture—and argues that poems about trains, home, and flowers engage with their meanings in ways that extend beyond the confines of the aesthetic. He shows how Dickinson's poems and letters reveal the full complexity of her position as a woman situated within a larger social and economic class. 

In the second half of the book, Mitchell considers the ideological, textual, and editorial implications of Dickinson's strategic privatization of her art. He relates the particular forms of her manuscripts' appearance, distribution, and collation to aspects of her social as well as her literary consciousness. In a chapter that is certain to provoke debate, he explores what it means to read individual poems and letters in manuscript versions rather than in printed editions. By paying close attention to textual evidence, he makes the case that various features of the manuscripts are actually matters of accident or immediate convenience rather than the visual markers of a new aesthetic principle. 

Mitchell closes by using the theories of Mikhail Bakhtin to explore the contradictions of a “private” poetry that engages verbally in multiple areas of nineteenth-century life and discourse. By attending to the contemporaneous particularities of recurrent words and images, he demonstrates that Dickinson could stay at home and still be at home in history, too.