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22279 books match the query 'Social Science' and 684 start with e

cover of Embodied Histories: New Womanhood in Vienna, 1894–1934

Embodied Histories

New Womanhood in Vienna, 1894–1934

Katya Motyl

University of Chicago Press, 2024

Explores the emergence of a new womanhood in turn-of-the-century Vienna.
 
In Embodied Histories, historian Katya Motyl explores the everyday acts of defiance that formed the basis for new, unconventional forms of womanhood in early twentieth-century Vienna. The figures Motyl brings back to life defied gender conformity, dressed in new ways, behaved brashly, and expressed themselves freely, overturning assumptions about what it meant to exist as a woman.
 
Motyl delves into how these women inhabited and reshaped the urban landscape of Vienna, an increasingly modern, cosmopolitan city. Specifically, she focuses on the ways that easily overlooked quotidian practices such as loitering outside cafés and wandering through city streets helped create novel conceptions of gender. Exploring the emergence of a new womanhood, Embodied Histories presents a new account of how gender, the body, and the city merge with and transform each other, showing how our modes of being are radically intertwined with the spaces we inhabit.
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cover of Embodied Politics: Indigenous Migrant Activism, Cultural Competency, and Health Promotion in California

Embodied Politics

Indigenous Migrant Activism, Cultural Competency, and Health Promotion in California

Rebecca J. Hester

Rutgers University Press, 2022

Embodied Politics illuminates the influential force of public health promotion in indigenous migrant communities by examining the Indigenous Health Project (IHP), a culturally and linguistically competent initiative that uses health workshops, health messages, and social programs to mitigate the structural vulnerability of Oaxacan migrants in California. Embodied Politics reconstructs how this initiative came to exist and describes how it operates. At the same time, it points out the conflicts, resistances, and counter-acts that emerge through the IHP’s attempts to guide the health behaviors and practices of Triqui and Mixteco migrants. Arguing for a structurally competent approach to migrant health, Embodied Politics shows how efforts to promote indigenous health may actually reinforce the same social and political economic forces, namely structural racism and neoliberalism, that are undermining the health of indigenous Oaxacans in Mexico and the United States.
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cover of Embodied Protests: Emotions and Women's Health in Bolivia

Embodied Protests

Emotions and Women's Health in Bolivia

Maria Tapias

University of Illinois Press, 2015

Embodied Protests examines how Bolivia's hesitant courtship with globalization manifested in the visceral and emotional diseases that afflicted many Bolivian women. Drawing on case studies conducted among market- and working-class women in the provincial town of Punata, Maria Tapias examines how headaches and debilidad, so-called normal bouts of infant diarrhea, and the malaise oppressing whole communities were symptomatic of profound social suffering. She approaches the narratives of distress caused by poverty, domestic violence, and the failure of social networks as constituting the knowledge that shaped their understandings of well-being. At the crux of Tapias's definitive analysis is the idea that individual health perceptions, actions, and practices cannot be separated from local cultural narratives or from global and economic forces.

Evocative and compassionate, Embodied Protests gives voice to the human costs of the ongoing neoliberal experiment.

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cover of Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress

Embodied Reckonings

“Comfort Women,” Performance, and Transpacific Redress

Elizabeth W. Son

University of Michigan Press, 2018

Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the “comfort women,” the Japanese military’s euphemism for the sexual enslavement of girls and young women—mostly Korean—in the years before and during World War II. Long silent, in the early 1990s these women and their supporters initiated varied performance practices—protests, tribunals, theater, and memorial-building projects—to demand justice for those affected by state-sponsored acts of violence. The book provides a critical framework for understanding how actions designed to bring about redress can move from the political and legal aspects of this concept to its cultural and social possibilities.

Based on extensive archival and ethnographic research, the study argues for the central role of performance in how Korean survivors, activists, and artists have redressed the histories—and erasures—of this sexual violence. Merging cultural studies and performance theory with a transnational, feminist analysis, the book illuminates the actions of ordinary people, thus offering ways of reconceptualizing legal and political understandings of redress that tend to concentrate on institutionalized forms of state-based remediation.
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cover of Embodied Resistance: Challenging the Norms, Breaking the Rules

Embodied Resistance

Challenging the Norms, Breaking the Rules

Chris Bobel

Vanderbilt University Press, 2011

Embodied Resistance engages the rich and complex range of society's contemporary "body outlaws"—people from many social locations who violate norms about the private, the repellent, or the forbidden. This collection ventures beyond the conventional focus on the "disciplined body" and instead, examines conformity from the perspective of resisters. By balancing accessibly written original ethnographic research with personal narratives, Embodied Resistance provides a window into the everyday lives of those who defy or violate socially constructed body rules and conventions.
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cover of Embodying American Slavery in Contemporary Culture

Embodying American Slavery in Contemporary Culture

Lisa Woolfork

University of Illinois Press, 2008

This study explores contemporary novels, films, performances, and reenactments that depict American slavery and its traumatic effects by invoking a time-travel paradigm to produce a representational strategy of "bodily epistemology." Disrupting the prevailing view of traumatic knowledge that claims that traumatic events are irretrievable and accessible only through oblique reference, these novels and films circumvent the notion of indirect reference by depicting a replaying of the past, forcing present-day protagonists to witness and participate in traumatic histories that for them are neither dead nor past. Lisa Woolfork cogently analyzes how these works deploy a representational strategy that challenges the divide between past and present, imparting to their recreations of American slavery a physical and emotional energy to counter America's apathetic or amnesiac attitude about the trauma of the slave past.
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cover of Embodying Biodiversity: Sensory Conservation as Refuge and Sovereignty

Embodying Biodiversity

Sensory Conservation as Refuge and Sovereignty

Terese V. Gagnon

University of Arizona Press, 2024

Harnessing a myriad of methodologies and research spanning multiple continents, this volume delves into the power of everyday forms of biodiversity conservation, motivated by sensory and embodied engagement with plants. Through an array of interdisciplinary contributions, the authors argue that the vast majority of biodiversity conservation worldwide is carried out not by large-scale, hierarchical initiatives but by ordinary people who cultivate sensory-motivated, place-based bonds with plants.

Acknowledging the monumental role of everyday champions in tending biodiversity, the contributors write that this caretaking is crucial to countering ecological harm and global injustice stemming from colonial violence and racial capitalism.

Contributors
Mike Anastario
Ally Ang
Antonia Barreau
Julián Caviedes
Chen Chen
Evelyn Flores
Terese V. Gagnon
José Tomás Ibarra
Fred L. Joiner
Gary Nabhan
Virginia D. Nazarea
Shannon A. Novak
Valentina Peveri
Emily Ramsey
Yasuaki Sato
Justin Simpson
David E. Sutton

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cover of Embodying Black Experience: Stillness, Critical Memory, and the Black Body

Embodying Black Experience

Stillness, Critical Memory, and the Black Body

Harvey Young

University of Michigan Press, 2010

"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative."
---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity College

In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In Embodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime.

Embodying Black Experience pinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived.

Blending humanistic and social science perspectives, Embodying Black Experience explains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings.

Harvey Young is Associate Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University.

A volume in the series Theater: Theory/Text/Performance

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cover of Embodying Black Religions in Africa and Its Diasporas

Embodying Black Religions in Africa and Its Diasporas

Yolanda Covington-Ward and Jeanette S. Jouili, editors

Duke University Press, 2021

The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and transformation of social relationships and political and economic power. Among other topics, the essays examine the dynamics of religious and racial identity among Brazilian Neo-Pentecostals; the significance of cloth coverings in Islamic practice in northern Nigeria; the ethics of socially engaged hip-hop lyrics by Black Muslim artists in Britain; ritual dance performances among Mama Tchamba devotees in Togo; and how Ifá practitioners from Mexico, Colombia, Venezuela, Trinidad, and the United States join together in a shared spiritual ethnicity. From possession and spirit-induced trembling to dance, the contributors outline how embodied religious practices are central to expressing and shaping interiority and spiritual lives, national and ethnic belonging, ways of knowing and techniques of healing, and sexual and gender politics. In this way, the body is a crucial site of religiously motivated social action for people of African descent.

Contributors. Rachel Cantave, Youssef Carter, N. Fadeke Castor, Yolanda Covington-Ward, Casey Golomski, Elyan Jeanine Hill, Nathanael J. Homewood, Jeanette S. Jouili, Bertin M. Louis Jr., Camee Maddox-Wingfield, Aaron Montoya, Jacob K. Olupona, Elisha P. Renne
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cover of Embodying Culture: Pregnancy in Japan and Israel

Embodying Culture

Pregnancy in Japan and Israel

Ivry, Tsipy

Rutgers University Press, 2009

Embodying Culture is an ethnographically grounded exploration of pregnancy in two different cultures—Japan and Israel—both of which medicalize pregnancy. Tsipy Ivry focuses on "low-risk" or "normal" pregnancies, using cultural comparison to explore the complex relations among ethnic ideas about procreation, local reproductive politics, medical models of pregnancy care, and local modes of maternal agency.

The ethnography pieces together the voices of pregnant Japanese and Israeli women, their doctors, their partners, the literature they read, and depicts various clinical encounters such as ultrasound scans, explanatory classes for amniocentesis, birthing classes, and special pregnancy events.

The emergent pictures suggest that although experiences of pregnancy in Japan and Israel differ, pregnancy in both cultures is an energy-consuming project of meaning-making— suggesting that the sense of biomedical technologies are not only in the technologies themselves but are assigned by those who practice and experience them.

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cover of Embodying Honor: Fertility, Foreignness, and Regeneration in Eastern Sudan

Embodying Honor

Fertility, Foreignness, and Regeneration in Eastern Sudan

Amal Hassan Fadlalla

University of Wisconsin Press, 2007

In the Red Sea Hills of eastern Sudan, where poverty, famines, and conflict loom large, women struggle to gain the status of responsible motherhood through bearing and raising healthy children, especially sons. But biological fate can be capricious in impoverished settings. Amidst struggle for survival and expectations of heroic mothering, women face realities that challenge their ability to fulfill their prescribed roles. Even as the effects of modernity and development, global inequities, and exclusionary government policies challenge traditional ways of life in eastern Sudan and throughout many parts of Africa, reproductive traumas—infertility, miscarriage, children’s illnesses, and mortality—disrupt women’s reproductive health and impede their efforts to achieve the status that comes with fertility and motherhood.
    In Embodying Honor Amal Hassan Fadlalla finds that the female body is the locus of anxieties about foreign dangers and diseases, threats perceived to be disruptive to morality, feminine identities, and social well-being. As a “northern Sudanese” viewed as an outsider in this region of her native country, Fadlalla presents an intimate portrait and thorough analysis that offers an intriguing commentary on the very notion of what constitutes the “foreign.” Fadlalla shows how Muslim Hadendowa women manage health and reproductive suffering in their quest to become “responsible” mothers and valued members of their communities. Her historically grounded ethnography delves into women’s reproductive histories, personal narratives, and ritual logics to reveal the ways in which women challenge cultural understandings of gender, honor, and reproduction. 
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cover of Embodying Technesis: Technology beyond Writing

Embodying Technesis

Technology beyond Writing

Mark Hansen

University of Michigan Press, 2000

Critics of contemporary culture have argued that critical theory must keep pace with technological change and, in the process, have instituted a theoretical model that restricts consideration of technology's impact on human experience to those dimensions that can be captured in language. In this wide-ranging critical study of poststructuralism's legacy to contemporary cultural studies, Mark Hansen challenges the hegemony of this model, contending that technologies fundamentally alter our sensory experience and drastically affect what it means to live as embodied human agents.
Embodying Technesis examines how technological changes have rendered obsolete notions of technology as machine and as text. Voicing a sustained plea for rethinking the technological, Hansen argues that radical technological changes--from the steam engine to the internet and virtual reality--have fundamentally altered conditions of perception and, in so doing, changed the prevailing structures of modern experience. By emphasizing the dynamic interaction between technologies and bodies, between the diffuse effects of technological shifts and the collective embodied experiences of contemporary agents, Hansen opens the path for a radical revision of our understanding of the technological.
Mark Hansen is Assistant Professor of English, Princeton University.
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cover of Embodying the Problem: The Persuasive Power of the Teen Mother

Embodying the Problem

The Persuasive Power of the Teen Mother

Vinson, Jenna

Rutgers University Press, 2018

The dominant narrative of teen pregnancy persuades many people to believe that a teenage pregnancy always leads to devastating consequences for a young woman, her child, and the nation in which they reside. Jenna Vinson draws on feminist and rhetorical theory to explore how pregnant and mothering teens are represented as problems in U.S. newspapers, political discourses, and teenage pregnancy prevention campaigns since the 1970s. 

Vinson shows that these representations prevent a focus on the underlying structures of inequality and poverty, perpetuate harmful discourses about women, and sustain racialized gender ideologies that construct women’s bodies as sites of national intervention and control.

Embodying the Problem also explores how young mothers resist this narrative. Analyzing fifty narratives written by young mothers, the recent #NoTeenShame social media campaign, and her interviews with thirty-three young women, Vinson argues that while the stigmatization of teenage pregnancy and motherhood does dehumanize young pregnant and mothering women, it is at the same time a means for these women to secure an audience for their own messages.  

More information on the author's website (https://jennavinson.com)
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cover of Embodying the Revolution: The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine

Embodying the Revolution

The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine

Ofer Idels

Rutgers University Press, 2026

This original and thought-provoking study offers a fresh perspective on Zionism by exploring Hebrew culture’s ambivalent attitude toward modern sports. Drawing on extensive archival sources and contemporary literary theories, it focuses on Zionism’s surprising anxiety toward sports during the interwar heyday of “muscular Judaism,” revealing an unusual society in which athletes failed to attain national pride and distinction. Addressing themes such as the body, language, space, immigration, internationalism, amateurism, gender, and militarization, Embodying the Revolution presents an innovative reading of Jewish life in Mandate Palestine, linking the marginalization of sports to the meaning and experience of the Zionist Revolution. Idels' compelling interpretation of the appeal of sports, selfhood, and the compromises inherent in radical aspirations—narrated from the periphery of the interwar global rise of sports—challenges contemporary assumptions that dismiss ideology as an elitist myth.
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cover of Embodying the Sacred: Women Mystics in Seventeenth-Century Lima

Embodying the Sacred

Women Mystics in Seventeenth-Century Lima

Nancy E. van Deusen

Duke University Press, 2018

In seventeenth-century Lima, pious Catholic women gained profound theological understanding and enacted expressions of spiritual devotion by engaging with a wide range of sacred texts and objects, as well as with one another, their families, and ecclesiastical authorities. In Embodying the Sacred, Nancy E. van Deusen considers how women created and navigated a spiritual existence within the colonial city's complex social milieu. Through close readings of diverse primary sources, van Deusen shows that these women recognized the divine—or were objectified as conduits of holiness—in innovative and powerful ways: dressing a religious statue, performing charitable acts, sharing interiorized spiritual visions, constructing autobiographical texts, or offering their hair or fingernails to disciples as living relics. In these manifestations of piety, each of these women transcended the limited outlets available to them for expressing and enacting their faith in colonial Lima, and each transformed early modern Catholicism in meaningful ways.
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cover of Embracing Age: How Catholic Nuns Became Models of Aging Well

Embracing Age

How Catholic Nuns Became Models of Aging Well

Anna I. Corwin

Rutgers University Press, 2021

Embracing Age: How Catholic Nuns Became Models of Aging Well examines a community of individuals whose aging trajectories contrast mainstream American experiences. In mainstream American society, aging is presented as a “problem,” a state to be avoided as long as possible, a state that threatens one’s ability to maintain independence, autonomy, control over one’s surroundings. Aging “well” (or avoiding aging) has become a twenty-first century American preoccupation. Embracing Age provides a window into the everyday lives of American Catholic nuns who experience longevity and remarkable health and well-being at the end of life. Catholic nuns aren’t only healthier in older age, they are healthier because they practice a culture of acceptance and grace around aging. Embracing Age demonstrates how aging in the convent becomes understood by the nuns to be a natural part of the life course, not one to be feared or avoided. Anna I. Corwin shows readers how Catholic nuns create a cultural community that provides a model for how to grow old, decline, and die that is both embedded in American culture and quite distinct from other American models.

Instructor's Guide is available at no cost (https://www.rutgersuniversitypress.org/media/wysiwyg/documents/corwin_instructor_guide_final.pdf).

Open access edition funded by the National Endowment for the Humanities.

The text of this book is licensed under a Creative Commons Attribution NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ 

Download open access ebook here (https://www.rutgersuniversitypress.org/media/wysiwyg/documents/embracing_age_open_access.pdf).
 

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cover of Embracing Arms: Cultural Representation of Slavic and Balkan Women in War

Embracing Arms

Cultural Representation of Slavic and Balkan Women in War

Yana Hashamova

Central European University Press, 2012

Discursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task—destroy the enemy—but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as— what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society?
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cover of Embracing Queer Students’ Diverse Identities at Historically Black Colleges and Universities: A Primer for Presidents, Administrators, and Faculty

Embracing Queer Students’ Diverse Identities at Historically Black Colleges and Universities

A Primer for Presidents, Administrators, and Faculty

Steve D. Mobley Jr.

Rutgers University Press, 2025

Embracing Queer Students’ Diverse Identities at Historically Black Colleges and Universities: A Primer for Presidents, Administrators, and Faculty is both a call to action and a resource for historically Black college and university (HBCU) leaders and administrators, focusing on historical and contemporary issues related to expanding inclusionary policies and practices for members of HBCU communities who identify as lesbian, gay, bisexual, transgender, and queer (LGBTQ+). The essays, by HBCU presidents, faculty, administrators, alumni, and researchers, explore the specific challenges and considerations of serving LGBTQ+ students within these distinct college and university settings, with the ultimate goal of summoning HBCU communities, higher education scholars, and scholar-practitioners to take thoughtful and urgent action to support and recognize LGBTQ+ students. With this book as a primary resource, HBCUs can work toward becoming fully inclusive campus communities for all of their students.

 
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cover of Embracing Risk: The Changing Culture of Insurance and Responsibility

Embracing Risk

The Changing Culture of Insurance and Responsibility

Edited by Tom Baker and Jonathan Simon

University of Chicago Press, 2001

For much of the twentieth century, industrialized nations addressed social problems, such as workers' compensation benefits and social welfare programs, in terms of spreading risk. But in recent years a new approach has emerged: using risk both as a way to conceive of and address social problems and as an incentive to reduce individual claims on collective resources.

Embracing Risk explores this new approach from a variety of perspectives. The first part of the book focuses on the interplay between risk and insurance in various historical and social contexts. The second part examines how risk is used to govern fields outside the realm of insurance, from extreme sports to policing, mental health institutions, and international law. Offering an original approach to risk, insurance, and responsibility, the provocative and wide-ranging essays in Embracing Risk demonstrate that risk has moved well beyond its origins in the insurance trade to become a central organizing principle of social and cultural life.

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cover of Embroidering the Scarlet A: Unwed Mothers and Illegitimate Children in American Fiction and Film

Embroidering the Scarlet A

Unwed Mothers and Illegitimate Children in American Fiction and Film

Janet Mason Ellerby

University of Michigan Press, 2015

Embroidering the Scarlet A traces the evolution of the “fallen woman” from the earliest novels to recent representations in fiction and film, including The Scarlet Letter, The Sound and the Fury, The Color Purple, and Love Medicine, and the films Juno and Mother and Child. Interweaving her own experience as a pregnant teen forced to surrender her daughter and pledge secrecy for decades, Ellerby interrogates “out-of-wedlock” motherhood, mapping the ways archetypal scarlet women and their children have been exiled as social pariahs, pardoned as blameless pawns, and transformed into empowered women. Drawing on narrative, feminist, and autobiographical theory, the book examines the ways that the texts have affirmed, subverted, or challenged dominant thinking and the prevailing moral standards as they have shifted over time. Using her own life experience and her uniquely informed perspective, Ellerby assesses the effect these stories have on the lives of real women and children. By inhabiting the space where ideology meets narrative, Ellerby questions the constricting historical, cultural, and social parameters of female sexuality and permissible maternity.

As a feminist cultural critique, a moving autobiographical journey, and an historical investigation that addresses both fiction and film, Embroidering the Scarlet A will appeal to students and scholars of literature, history, sociology, psychology, women’s and gender studies, and film studies. The book will also interest general readers, as it relates the experience of surrendering a child to adoption at a time when birthmothers were still exiled, birth records were locked away, and secrecy was still mandatory. It will also appeal to those concerned with adoption or the cultural shifts that have changed our thinking about illegitimacy.
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cover of Emergency Broadcasting & 1930'S Am Radio

Emergency Broadcasting & 1930'S Am Radio

Edward Miller

Temple University Press, 2002

The voice we hear on the radio—the voice with no body attached—is a key element in the history of media in the twentieth century. Before television and the internet, there was radio; and much of what defined the makeup of these newer media was influenced by the way radio was broadcast to people and the way people listened to it.Emergency Broadcasting focuses on key moments in the history of early radio in order to come to an understanding of the role voice played in radio to describe national crises, a fictional invasion from outer space, and general entertainment. Taking the Hindenburg disaster, The War of the Worlds hoax, Franklin Roosevelt's Fireside Chats, and the serial mystery The Shadow as his focal points, Edward Miller illustrates how the radio, for the first time, instantly communicated to a mass audience, and how that communication—where the voice counts more than the image—is still at work today in television and the World Wide Web.Theoretically sophisticated, yet grounded in historical detail, Emergency Broadcasting offers a unique examination of radio and at the same time develops a complex understanding of the media whose birth is owed to the innovations—and disembodied power—established by it.
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cover of Emergency: COVID-19 and the Uneven Valuation of Life

Emergency

COVID-19 and the Uneven Valuation of Life

Claire Laurier Decoteau

University of Chicago Press, 2024

A forceful critique of how and why states failed to protect marginalized communities in their responses to the COVID-19 pandemic and the implications of ignoring the existing emergencies that exacerbated the pandemic’s devastating effects.
 

The COVID-19 pandemic inaugurated a state of emergency unprecedented for most Americans. Some could observe this emergency from the relative safety of their homes, but those in marginalized communities, without access to the same privileges, were forced to risk their health and well-being. 
 
In Emergency, sociologist Claire Laurier Decoteau documents and theorizes the emergencies of COVID-19 by looking at the experiences of Chicagoans and the policies that shaped their lives. She describes the uneven racial impact of COVID-19 on Black and Latinx Chicagoans as a crisis within a crisis, caused by a convergence of emergencies: a state of emergency that protected white supremacy and wealth, the slow emergencies racially marginalized populations have faced for decades due to the long-term gutting of care infrastructure and deindustrialization, and the sacrifice “essential workers” were asked to make to protect the United States economy. As Decoteau shows, the city’s “racial equity” project used data to determine which communities would be given scarce resources, but once positivity or death rates declined, resources were retracted and redistributed elsewhere. City officials thus attempted to manage these converging emergencies by manipulating epidemiological data and orchestrating systems for interpreting that data. Decoteau makes clear that the emergencies precipitated by COVID-19 long predated the pandemic, and that we will continue to live with their compounding crises if we do not tackle their structural underpinnings.
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cover of Emergency: Reading the Popol Vuh in a Time of Crisis

Emergency

Reading the Popol Vuh in a Time of Crisis

Edgar Garcia

University of Chicago Press, 2022

Nine short essays exploring the K’iche’ Maya story of creation, the Popol Vuh.
 
Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world’s creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth.
 
Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh—while implicated in deep social crisis—nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.
 
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cover of Emergent Ecologies

Emergent Ecologies

Eben Kirksey

Duke University Press, 2015

In an era of global warming, natural disasters, endangered species, and devastating pollution, contemporary writing on the environment largely focuses on doomsday scenarios. Eben Kirksey suggests we reject such apocalyptic thinking and instead find possibilities in the wreckage of ongoing disasters, as symbiotic associations of opportunistic plants, animals, and microbes are flourishing in unexpected places. Emergent Ecologies uses artwork and contemporary philosophy to illustrate hopeful opportunities and reframe key problems in conservation biology such as invasive species, extinction, environmental management, and reforestation. Following the flight of capital and nomadic forms of life—through fragmented landscapes of Panama, Costa Rica, and the United States—Kirksey explores how chance encounters, historical accidents, and parasitic invasions have shaped present and future multispecies communities. New generations of thinkers and tinkerers are learning how to care for emergent ecological assemblages—involving frogs, fungal pathogens, ants, monkeys, people, and plants—by seeding them, nurturing them, protecting them, and ultimately letting go.
 
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cover of Emergent Forms of Life and the Anthropological Voice

Emergent Forms of Life and the Anthropological Voice

Michael M. J. Fischer

Duke University Press, 2003

Anthropology as Cultural Critique helped redefine cultural anthropology in the 1980s. Now, with Emergent Forms of Life and the Anthropological Voice, pathbreaking scholar Michael M. J. Fischer moves the discussion to a consideration of the groundwork laid in the 1990s for engagements with the fast-changing worlds of technoscience, telemedia saturation, and the reconstruction of societies after massive trauma. Fischer argues that new methodologies and conceptual tools are necessitated by the fact that cultures of every kind are becoming more complex and differentiated at the same time that globalization and modernization are bringing them into exponentially increased interaction. Anthropology, Fischer explains, now operates in a series of third spaces well beyond the nineteenth- and twentieth-century dualisms of us/them, primitive/civilized, East/West, or North/South. He contends that more useful paradigms—such as informatics, multidimensional scaling, autoimmunity, and visual literacy beyond the frame—derive from the contemporary sciences and media technologies.

A vigorous advocate of the anthropological voice and method, Fischer emphasizes the ethical dimension of cultural anthropology. Ethnography, he suggests, is uniquely situated to gather and convey observations fundamental to the creation of new social institutions for an evolving civil society. In Emergent Forms of Life and the Anthropological Voice Fischer considers a dazzling array of subjects—among them Iranian and Polish cinema, cyberspace, autobiographical and fictional narrative, and genomic biotechnologies—and, in the process, demonstrates a cultural anthropology for a highly networked world. He lays the groundwork for a renewed and powerful twenty-first-century anthropology characterized by a continued insistence on empirical fieldwork, engagements with other disciplines, and dialogue with interlocutors around the globe.

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cover of Emergent Genders: Living Otherwise in Tokyo's Pink Economies

Emergent Genders

Living Otherwise in Tokyo's Pink Economies

Michelle H. S. Ho

Duke University Press, 2025

In Emergent Genders, Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism.
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cover of Emergent Masculinities: Gendered Power and Social Change in the Biafran Atlantic Age

Emergent Masculinities

Gendered Power and Social Change in the Biafran Atlantic Age

Ndubueze L. Mbah

Ohio University Press, 2019

In Emergent Masculinities, Ndubueze L. Mbah argues that the Bight of Biafra region’s Atlanticization—or the interaction between regional processes and Atlantic forces such as the slave trade, colonialism, and Christianization—between 1750 and 1920 transformed gender into the primary mode of social differentiation in the region. He incorporates over 250 oral narratives of men and women across a range of social roles and professions with material culture practices, performance traditions, slave ship data, colonial records, and more to reveal how Africans channeled the socioeconomic forces of the Atlantic world through their local ideologies and practices. The gendered struggles over the means of social reproduction conditioned the Bight of Biafra region’s participation in Atlantic systems of production and exchange, and defined the demography of the region’s forced diaspora. By looking at male and female constructions of masculinity and sexuality as major indexes of social change, Emergent Masculinities transforms our understanding of the role of gender in precolonial Africa and fills a major gap in our knowledge of a broader set of theoretical and comparative issues linked to the slave trade and the African diaspora.

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cover of Emergent Quilombos: Black Life and Hip-Hop in Brazil

Emergent Quilombos

Black Life and Hip-Hop in Brazil

Bryce Henson

University of Texas Press, 2023

2024 Best Book Award, National Communication Association, Ethnography Division
2024 Roberto Reis Book Prize, First Book category, Brazilian Studies Association
2024 Outstanding Book Award, National Communication Association, Critical and Cultural Studies Division
2024 International and Intercultural Best Book Award, National Communication Association, International and Intercultural Division

How disenfranchised Black Brazilians use hip-hop to reinvigorate the Black radical tradition.

Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population’s African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.

Based on years of ethnographic research, Emergent Quilombos illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.

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cover of Emerging Intersections: Race, Class, and Gender in Theory, Policy, and Practice

Emerging Intersections

Race, Class, and Gender in Theory, Policy, and Practice

Dill, Bonnie Thornton

Rutgers University Press, 2009

The United States is known as a "melting pot" yet this mix tends to be volatile and contributes to a long history of oppression, racism, and bigotry.

Emerging Intersections, an anthology of ten previously unpublished essays, looks at the problems of inequality and oppression from new angles and promotes intersectionality as an interpretive tool that can be utilized to better understand the ways in which race, class, gender, ethnicity, and other dimensions of difference shape our lives today. The book showcases innovative contributions that expand our understanding of how inequality affects people of color, demonstrates the ways public policies reinforce existing systems of inequality, and shows how research and teaching using an intersectional perspective compels scholars to become agents of change within institutions. By offering practical applications for using intersectional knowledge, Emerging Intersections will help bring us one step closer to achieving positive institutional change and social justice.

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cover of Emerging Threats to Human Rights: Resources, Violence, and Deprivation of Citizenship

Emerging Threats to Human Rights

Resources, Violence, and Deprivation of Citizenship

Heather Smith-Cannoy

Temple University Press, 2019

As widespread environmental degradation threatens the basic human rights of a large proportion of the world’s population, we are also confronting the worst migration crisis in the modern era. Emerging Threats to Human Rights searches among the interrelated causes of these overlapping crises. The editor and contributors to this timely anthology assess how environmental resources, state violence, and the deprivation of nationality/citizenship are linked to gain a better understanding of how human rights abuses intersect with patterns of migration.

As some refugees flee violence at home, they arrive in an asylum country only to experience violence at the hands of the native population. Likewise, those denied citizenship rights in their country become vulnerable to human traffickers and other rights violations when they flee. 

Bringing together scholars of resource dilemmas, violence, and citizenship as well as lawyers and human rights practitioners, Emerging Threats to Human Rights begins by identifying the core causes of human rights violations confronting our world today. Chapters also consider whether and to what extent these emerging threats to human rights serve as drivers of displacement.

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cover of Emerging Voices: Experiences of Underrepresented Asian Americans

Emerging Voices

Experiences of Underrepresented Asian Americans

Ling, Huping

Rutgers University Press, 2008

While a growing number of popular and scholarly works focus on Asian Americans, most are devoted to the experiences of larger groups such as Chinese, Japanese, Korean, Filipino, and Indian Americans. As the field grows, there is a pressing need to understand the smaller and more recent immigrant communities. Emerging Voices fills this gap with its unique and compelling discussion of underrepresented groups, including Burmese, Indonesian, Mong, Hmong, Nepalese, Romani, Tibetan, and Thai Americans.

Unlike the earlier and larger groups of Asian immigrants to America, many of whom made the choice to emigrate to seek better economic opportunities, many of the groups discussed in this volume fled war or political persecution in their homeland. Forced to make drastic transitions in America with little physical or psychological preparation, questions of “why am I here,” “who am I,” and “why am I discriminated against,” remain at the heart of their post-emigration experiences.

Bringing together eminent scholars from a variety of disciplines, this collection considers a wide range of themes, including assimilation and adaptation, immigration patterns, community, education, ethnicity, economics, family, gender, marriage, religion, sexuality, and work.

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cover of Emerson and the Defense of Equality

Emerson and the Defense of Equality

Greg Garvey

University of Massachusetts Press, 2025

Arguing for equality as the necessary foundation of liberty

During Ralph Waldo Emerson’s lifetime, the idea of universal human equality was under intensive assault. Repeatedly—in contexts ranging from slavery, to marriage, to politics and workers’ rights—Americans of the time were being told that equality was an obsolete ideal and that the future would belong to those who accepted the hard truth that liberty lies not in egalitarian values but in hierarchies of domination and submission. Greg Garvey’s Emerson and the Defense of Equality focuses on Emerson as a real-time defender of equality during the antebellum culture wars.

In contrast to studies that treat individual liberty as Emerson’s primary concern, Garvey argues that Emerson’s works define a broad and sustained defense of equality as the necessary foundation of liberty. When read as part of a debate about equality, Emerson’s Nature is a treatise on individuality and the common weal; his anti-slavery speeches and English Traits advance evolutionary theories to rebut polygenesist arguments for white supremacy; the essays “Love” and “Domestic Life” challenge gender spheres and explore equality in marriage, friendship, and citizenship. As Emerson speculates on the future, “Politics” and “The Young American” anticipate a “beneficent socialism” in which human rights will always have priority over property rights. In his career-long effort to defend a threatened ideal, Emerson develops an aspirational vision of society that understands equality to be a fundamental aspect of liberty.

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cover of Emil W. Haury's Prehistory of the American Southwest

Emil W. Haury's Prehistory of the American Southwest

Edited by J. Jefferson Reid and David E. Doyel

University of Arizona Press, 1986

"Emil Haury stands as one of the finest archaeologists of the American Southwest. He skills were sharpened by the best mentors—Cummings, Douglass, Gladwin—and eventually Haury's excavations became the definitive work on the Mogollon and Hohokam cultures. . . . This work is a 'best of Haury' collection of many of his previously published works, with excellent introductory essays by colleagues and noted archaeologists—gathered into one, readable volume."—Choice
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cover of Emile Durkheim on Institutional Analysis

Emile Durkheim on Institutional Analysis

Emile Durkheim

University of Chicago Press, 1978

Ranging from Durkheim's original lecture in sociology to an excerpt from the work incomplete at his death, these selections illuminate his multiple approaches to the crucial concept of social solidarity and the study of institutions as diverse as the law, morality, and the family. Durkheim's focus on social solidarity convinced him that sociology must investigate the way that individual behavior itself is the product of social forces. As these writings make clear, Durkheim pursued his powerful model of sociology through many fields, eventually synthesizing both materialist and idealist viewpoints into his functionalist model of society.
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cover of Emile Durkheim on Morality and Society

Emile Durkheim on Morality and Society

Emile Durkheim

University of Chicago Press, 1975

Emile Durkheim is best known in this country as a great sociologist and methodologist. Yet it was Durkheim's reflections on morality and society that spoke most deeply of his vital concerns. In his informative introduction to this work, Robert N. Bellah describes Durkheim as moralist, philosopher, theologian, and prophet, as well as sociologist, and the selections in this volume are representative of these aspects of Durkheim's many-faceted scholarship.

The first two selections of the volume set the context for the development of Durkheim's sociology of morality. Section I, "The French Tradition of Social Thought," gives Durkheim's picture of how his sociology is to be situated relative to the general French tradition. Section II, "Sociology and Social Action," shows Durkheim grappling with moral and political issues in his society and indicates the immediate social context of his thinking.

The remaining selections indicate some of the major substantive areas of Durkheim's sociology of morality. Section III, taken from The Division of Labor in Society, demonstrates his basically evolutionary approach to the development of moral norms in society. Section IV, "The Learning of Morality," gives examples of Durkheim's work on socialization. Section V, "Social Creativity," deals with the important question of how new moral norms arise in society.
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cover of Emily Dickinson and the Labor of Clothing

Emily Dickinson and the Labor of Clothing

Daneen Wardrop

University of New Hampshire Press, 2009

Daneen Wardrop's Emily Dickinson and the Labor of Clothing begins by identifying and using the dating tools of fashion to place the references to clothing in Dickinson's letters and poems, and to locate her social standing through examining her fashion choices in the iconic daguerreotype. In addition to detailing the poetics of fashion in Dickinson's work, the author argues that close examination of Dickinson and fashion cannot be separated from the changing ways that garments were produced during the nineteenth century, embracing issues of domestic labor, the Lowell textile mills, and the Amherst industry of the Hills Hat Factory located almost next door to Dickinson's Homestead. The recent retrieval of clothing from approximately thirty trunks found in the attic of the Evergreens house, which formerly belonged to Dickinson's brother and sister-in-law, further enhances this remarkable and original interdisciplinary work.
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cover of Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing

Emily Dickinson's Open Folios

Scenes of Reading, Surfaces of Writing

Marta L. Werner

University of Michigan Press, 1996

Emily Dickinson's Open Folios: Scenes of Reading, Surfaces of Writing is a fine facsimile edition and aesthetic exploration of a group of forty late drafts and fragments hitherto known as the "Lord letters." The drafts are presented in facsimile form on high-quality paper alongside typed transcriptions that reproduce as fully as possible the shock of script and startling array of visual details inscribed on the surfaces of the manuscripts.Werner argues that a redefinition of the editorial enterprise is needed to approach the revelations of these writings-- the details that have been all but erased by editorial interventions and print conventions in the twentieth century. Paradoxically, "un-editing" them allows an exploration of the relationship between medium and messages. Werner's commentary forsakes the claims to comprehensiveness generally associated with scholarly narrative in favor of a series of speculative and fragmentary "close-ups"--a portrait in pieces. Finally, she proposes the acts of both reading and writing as visual poems.A crucial reference for Dickinson scholars, this book is also of primary importance to textual scholars, editorial theorists, and students of gender and cultural studies interested in the production, dissemination, and interpretation of works by women writers.This publication has been supported by a grant from the National Endowment for the Humanities.
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cover of Emily Greene Balch: The Long Road to Internationalism

Emily Greene Balch

The Long Road to Internationalism

Kristen E. Gwinn

University of Illinois Press, 2010

A well-known American academic and cofounder of Boston's first settlement house, Emily Greene Balch was an important Progressive Era reformer and advocate for world peace. Balch served as a professor of economics and sociology at Wellesley College for twenty years until her opposition to World War I resulted with the board of trustees to refusing to renew her contract. Afterwards, Balch continued to emphasize the importance of international institutions for preventing and reconciling conflicts. She was awarded a Nobel Peace Prize in 1946 for her efforts in cofounding and leading the Women's International League for Peace and Freedom (WILPF). In tracing Balch's work at Wellesley, for the WILPF, and for other peace movements, Kristen E. Gwinn draws on a rich collection of primary sources such as letters, lectures, a draft of Balch's autobiography, and proceedings of the WILPF and other organizations in which Balch held leadership roles. Gwinn illuminates Balch's ideas on negotiated peace, internationalism, global citizenship, and diversity while providing pointed insight into her multifaceted career, philosophy, and temperament. Detailing Balch's academic research on Slavic immigration and her arguments for greater cultural and monetary cohesion in Europe, Gwinn shows how Balch's scholarship and teaching reflected her philosophical development. This first scholarly biography of Balch helps contextualize her activism while taking into consideration changes in American attitudes toward war and female intellectuals in the early twentieth century.
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cover of Eminent Maricones: Arenas, Lorca, Puig, and Me

Eminent Maricones

Arenas, Lorca, Puig, and Me

Jaime Manrique

University of Wisconsin Press, 2001

Jaime Manrique weaves into his own memoir the lives of three important twentieth-century Hispanic writers: the Argentine Manuel Puig, author of Kiss of the Spider Woman; the Cuban Reinaldo Arenas, author of Before Night Falls; and Spanish poet and playwright Federico García Lorca. Manrique celebrates the lives of these heroic writers who were made outcasts for both their homosexuality and their politics.

"Manrique's double vision yields insights into Puig, Arenas, and Lorca unavailable to a writer less attuned to the complex interplay of culture and sexuality, as well as that of race and class in Latino and Anglo societies."—George DeStefano, The Nation


"A splendid memoir of Manuel Puig. It evokes him—how he really was—better than anything I've read."—Susan Sontag



"Where Manrique's tale differs from others is in its unabashed and sensitive treatment of sexuality. One reads his autobiographical account with pleasure and fascination."—Jose Quiroga, George Washington University



"Manrique's voice is wise, brave, and wholly original. This chronicle of self-discovery and literary encounters is heartening and deep."—Kennedy Fraser



"In this charmingly indiscreet memoir, Jaime Manrique writes with his customary humor and warm sympathy, engaging our delighted interest on every page. He has the rare gift of invoking and inviting intimacy, in this case a triangulated intimacy between himself, his readers, and his memories. These are rich double portraits."—Phillip Lopate

[more]
cover of Emma Goldman, Vol. 2: A Documentary History of the American Years, Volume 2: Making Speech Free, 1902-1909

Emma Goldman, Vol. 2

A Documentary History of the American Years, Volume 2: Making Speech Free, 1902-1909

Emma Goldman. Edited by Candace Falk; Barry Pateman, Assoc Ed; Jessica Moran, As

University of Illinois Press, 2007

Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history.

Volume 2: Making Speech Free, 1902-1909 extends many of the themes introduced in the previous volume, including Goldman's evolving attitudes toward political violence and social reform, intensified now by documentary accounts of the fomenting revolution in Russia and the legal opposition toward anarchism and labor organizing in the United States. Always an impassioned defender of free expression, Goldman's launch of her magazine Mother Earth in 1906 signaled a desire to bring radical thought into wider circulation, and its pages brought together modern literary and cultural ideas with a radical social agenda, quickly becoming a platform for her feminist critique, among her many other challenges to the status quo. With abundant examples from her writings and speeches, this volume details Goldman's emergence as one of American history's most fiercely outspoken opponents of hypocrisy and pretension in politics and public life.

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cover of Emma Goldman: A Documentary History of the American Years, Volume 1: Made for America, 1890-1901

Emma Goldman

A Documentary History of the American Years, Volume 1: Made for America, 1890-1901

Emma Goldman. Edited by Candace Falk; Barry Pateman, Assoc Ed; Jessica Moran, A

University of Illinois Press, 2007

Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history.

Volume 1: Made for America, 1890-1901 introduces readers to the young Emma Goldman as she begins her association with the international anarchist movement and especially with the German, Jewish, and Italian immigrant radicals in New York City. From early on, Goldman's movement through political and intellectual circles is marked by violence, from the attempted murder of industrialist Henry Clay Frick by Goldman's lover, Alexander Berkman, to the assassination of President William McKinley, in which Goldman was falsely implicated. The documents surrounding these events illuminate Goldman's struggle to balance anarchism's positive gains and its destructive costs. This volume introduces many of the themes that would pervade much of Goldman's later writings and speeches: the untold possibilities of anarchism; the transformative power of literature; the interplay of human relationships; and the importance of free speech, education, labor, women's freedom, and radical social reform.

[more]
cover of Emmanuel Appadocca; or, Blighted Life: A Tale of the Boucaneers

Emmanuel Appadocca; or, Blighted Life

A Tale of the Boucaneers

Maxwell Philip

University of Massachusetts Press, 1997

This 1854 novel traces a mulatto son's quest for vengeance against his white father, a sugar planter who abandoned him and his mother. Intent on redeeming his mother's honor and outraged by the cruelty and greed that slavery has engendered Appadocca sails the seas with a band of ruthless pirates on a ship named the Black Schooner. The novel, written by the important activist and intellectual Michel Maxwell Philip (1829–1888) deals with themes, symbols, and literary techniques that are reminiscent of other major authors such as Melville, Douglass, and Stowe. This new edition with scholarly commentaries and annotations will reorient our understanding of the development of Caribbean literature in relation to English and American literary production.

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cover of Emo: How Fans Defined a Subculture

Emo

How Fans Defined a Subculture

Judith May Fathallah

University of Iowa Press, 2020

For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies.

First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.

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cover of Emotional Landscapes: Love, Gender, and Migration

Emotional Landscapes

Love, Gender, and Migration

Edited by Marcelo J. Borges, Sonia Cancian, and Linda Reeder

University of Illinois Press, 2020

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others.
 
Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion.
 
Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milharčič Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni
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cover of Emotional Signals: Auto-Tune, Melodyne, and the Cultural Politics of Pitch Correction

Emotional Signals

Auto-Tune, Melodyne, and the Cultural Politics of Pitch Correction

Catherine Provenzano

University of Michigan Press, 2027

An ethnographic account of the history, development, and cultural impacts of digital tuning software

[more]
cover of Emotional and Priestly Logic of Plural Marriage, The

Emotional and Priestly Logic of Plural Marriage, The

Kathleen Flake

Utah State University Press, 2010

Kathleen Flake, associate professor of American religious history at Vanderbilt University examines the logic of those women who thrived, rather than suffered, in early Mormon polygamy, and finds that the marriage covenant granted them priestly rights and independence through the powers of heaven.

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cover of Emotions in History – Lost and Found

Emotions in History – Lost and Found

Ute Frevert

Central European University Press, 2011

Coming to terms with emotions and how they influence human behaviour, seems to be of the utmost importance to societies that are obsessed with everything "neuro." On the other hand, emotions have become an object of constant individual and social manipulation since "emotional intelligence" emerged as a buzzword of our times. Reflecting on this burgeoning interest in human emotions makes one think of how this interest developed and what fuelled it. From a historian's point of view, it can be traced back to classical antiquity. But it has undergone shifts and changes which can in turn shed light on social concepts of the self and its relation to other human beings (and nature). The volume focuses on the historicity of emotions and explores the processes that brought them to the fore of public interest and debate.

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cover of Empathy and Performance: Enactments of Power in Latinx America

Empathy and Performance

Enactments of Power in Latinx America

Laura V. Sández

Vanderbilt University Press, 2024

Empathy and Performance advances a study of empathy and enactments of power by examining works from author-actors whose performances explore the boundaries between two kinship positions. Author Laura V. Sández studies the dramatized dilemma of cultural understanding in “Our America,” a notion that refers first to a collective political identity marking a common belonging in the Spanish-speaking America but also alludes to current struggles in the contemporary US. This book sees empathy as an affective response grounded in subjectivity and kinship. Sández argues that to conceptualize empathy one needs to understand how subjects organize, classify, and limit themselves, not only as agents, but also as interpreters. What sort of affiliations do these performances promote? How do they break, reinforce, or queer societal expectations about the Latinx body, the white body, or simply, the staged body?

To survey different answers to these queries, Sández studies Indigurrito (Nao Bustamante); Dominicanish (Josefina Báez); ¡Bienvenidos Blancos! or Welcome White People! (Alex Torra); the apology delivered by the group Veterans Stand with Standing Rock during protests against the Dakota Access Pipeline; and Kukuli Velarde’s body of work, from We, the Colonized Ones to A Mi Vida. In these artistic enactments, which range from 1992 to 2021, the historical construct of boundaries and bodies becomes evident. Following recent work on empathy by Lanzoni, Maibom, Calloway-Thomas, Bloom, Hogan, and Matravers, among others, Sández examines in-group/out-group divisions, the establishment of identity categories through performance, and the exploration of subaltern identities.
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cover of Empire Burlesque: The Fate of Critical Culture in Global America

Empire Burlesque

The Fate of Critical Culture in Global America

Daniel T. O Hara

Duke University Press, 2003

Empire Burlesque traces the emergence of the contemporary global context within which American critical identity is formed. Daniel T. O’Hara argues that globalization has had a markedly negative impact on American cultural criticism, circumscribing both its material and imaginative potential, reducing much of it to absurdity. By highlighting the spectacle of its own self-parody, O’Hara aims to shock U.S. cultural criticism back into a sense of ethical responsibility.

Empire Burlesque presents several interrelated analyses through readings of a range of writers and cultural figures including Henry James, Freud, Said, De Man, Derrida, and Cordwainer Smith (an academic, spy, and classic 1950s and 1960s science fiction writer). It describes the debilitating effects of globalization on the university in general and the field of literary studies in particular, it critiques literary studies’ embrace of globalization theory in the name of a blind and vacant modernization, and it meditates on the ways critical reading and writing can facilitate an imaginative alternative to institutionalized practices of modernization. Drawing on Lacanian psychoanalytical theory, it diagnoses contemporary American Studies as typically driven by the mindless abjection and transference of professional identities.

A provocative commentary on contemporary cultural criticism, Empire Burlesque will inform debates on the American university across the humanities, particularly among those in literary criticism, cultural studies, and American studies.

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cover of Empire City: The Making And Meaning Of

Empire City

The Making And Meaning Of

David Scobey

Temple University Press, 2003

New York's metamorphosis from compact port to modern metropolis occurred during the mid-nineteenth century. Empire City tells the story of the dreams that inspired the changes in the landscape and the problems that eluded solution.

Author David Scobey paints a remarkable panorama of New York's uneven development, a city-building process careening between obsessive calculation and speculative excess. Envisioning a new kind of national civilization, "bourgeois urbanists" attempted to make New York the nation's preeminent city. Ultimately, they created a mosaic of grand improvements, dynamic change, and environmental disorder. Empire City sets the stories of the city's most celebrated landmarks -- Central Park, the Brooklyn Bridge, the downtown commercial center -- within the context of this new ideal of landscape design and a politics of planned city building. Perhaps such an ambitious project  for guiding growth, overcoming spatial problems, and uplifting public was bound to fail; still, it grips the imagination.
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