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Evocative and compassionate, Embodied Protests gives voice to the human costs of the ongoing neoliberal experiment.

Making sense of the body in Victorian literature

What does it mean to be human? British writers in the Victorian period found a surprising answer to this question. What is human, they discovered, is nothing more or less than the human body itself. In literature of the period, as well as in scientific writing and journalism, the notion of an interior human essence came to be identified with the material existence of the body. The organs of sensory perception were understood as crucial routes of exchange between the interior and the external worlds.

A compelling naval memoir of Arctic submarine duty—operations, engineering realities, and split‑second leadership choices in Emergency Deep.

Captain Alfred Scott McLaren served as commander of the USS Queenfish (SSN 651) from September 1969 to May 1973, the very height of the Cold War. As commander, McLaren led at least six major clandestine operations, including the first-ever exploration of the entire Siberian Continental Shelf: a perilous voyage detailed in his previous book Unknown Waters.

Emergency Deep: Cold War Missions of a Submarine Commander conveys the entire spectrum of Captain McLaren’s experiences commanding the USS Queenfish, mainly in the waters of the Russian Far East and also off Vietnam. McLaren offers a riveting and deeply human story that illuminates the intensity and pressures of commanding a nuclear attack submarine in some of the most difficult circumstances imaginable.

Relying on his own notes and records, as well as discussions with former officers and shipmates, McLaren focuses on operational matters both great and small. He recounts his unique perspectives on attack-submarine tactics and exploratory techniques in high-risk or uncharted areas, matters of leadership and team-building and the morale of his crews, and the innumerable and often unforeseen ways his philosophy of command played out on a day-to-day basis, with consequences that ran the gamut from the mundane to the dire and life-threatening.

Readers are also treated to significant new information and insight on submarine strategy, maneuvers, and culture. Such details illuminate and bring to life, with both great humor and gravitas, the intensity and pressures on those engaged in covert missions on nuclear attack submarines.
 

Arguing for equality as the necessary foundation of liberty

During Ralph Waldo Emerson’s lifetime, the idea of universal human equality was under intensive assault. Repeatedly—in contexts ranging from slavery, to marriage, to politics and workers’ rights—Americans of the time were being told that equality was an obsolete ideal and that the future would belong to those who accepted the hard truth that liberty lies not in egalitarian values but in hierarchies of domination and submission. Greg Garvey’s Emerson and the Defense of Equality focuses on Emerson as a real-time defender of equality during the antebellum culture wars.

In contrast to studies that treat individual liberty as Emerson’s primary concern, Garvey argues that Emerson’s works define a broad and sustained defense of equality as the necessary foundation of liberty. When read as part of a debate about equality, Emerson’s Nature is a treatise on individuality and the common weal; his anti-slavery speeches and English Traits advance evolutionary theories to rebut polygenesist arguments for white supremacy; the essays “Love” and “Domestic Life” challenge gender spheres and explore equality in marriage, friendship, and citizenship. As Emerson speculates on the future, “Politics” and “The Young American” anticipate a “beneficent socialism” in which human rights will always have priority over property rights. In his career-long effort to defend a threatened ideal, Emerson develops an aspirational vision of society that understands equality to be a fundamental aspect of liberty.

Longlisted for the 2026 Plutarch Award

Ellen Tucker Emerson and Edith Emerson Forbes, the daughters of Lidian Jackson and Ralph Waldo Emerson, grew up in the heart of Concord, Massachusetts’s famed literary community. In a culture that celebrated self-reliance, Ellen and Edith formed a partnership that only strengthened as their paths diverged, with Ellen remaining in the family home and Edith marrying William Forbes, moving to Milton, Massachusetts, and having eight children. The partnership allowed them to tend to the demands and opportunities created by their father’s career, including serving as his secretaries and editors, and helped them shape his posthumous image. It also enabled them to adapt to historical developments stretching from the Civil War to American imperialism as well as personal ones, including Edith’s growing family and travel and study abroad, and inevitable ones brought on by the aging processes of their parents and themselves.

Emerson’s Daughters is a biography of a sisterhood, the first full-length study of Ellen’s and Edith’s lives. Building on archival research into the extensive correspondence between the sisters, it adds to the growing body of work on women’s contribution to Transcendentalism while opening a window onto the rich, and understudied, family life of the “Sage of Concord.” 

After years of studying piano as a young woman in her family home in Amherst, Massachusetts, Emily Dickinson curated her music book, a common practice at the time. Now part of the Dickinson Collection in the Houghton Library of Harvard University, this bound volume of 107 pieces of published sheet music includes the poet’s favorite instrumental piano music and vocal music, ranging from theme and variation sets to vernacular music, which was also enjoyed by the family’s servants.

Offering a fresh historical perspective on a poetic voice that has become canonical in American literature, this original study brings this artifact to life, documenting Dickinson’s early years of musical study through the time her music was bound in the early 1850s, which tellingly coincided with the writing of her first poems. Using Dickinson’s letters and poems alongside newspapers and other archival sources, George Boziwick explores the various composers, music sellers, and publishers behind this music and Dickinson’s attendance at performances, presenting new insights into the multiple layers of meaning that music held for her.

Emily Dickinson has often been pictured as a sensitive but isolated poet—someone who published very little in her lifetime and limited herself to lyrics, considered to be the kind of poems most removed from social and political life. In recent years, scholars have challenged that view, and this book extends the discussion in valuable new directions. 

Domhnall Mitchell begins by focusing on three historical phenomena—the railroad, the Dickinson homestead, and horticulture—and argues that poems about trains, home, and flowers engage with their meanings in ways that extend beyond the confines of the aesthetic. He shows how Dickinson's poems and letters reveal the full complexity of her position as a woman situated within a larger social and economic class. 

In the second half of the book, Mitchell considers the ideological, textual, and editorial implications of Dickinson's strategic privatization of her art. He relates the particular forms of her manuscripts' appearance, distribution, and collation to aspects of her social as well as her literary consciousness. In a chapter that is certain to provoke debate, he explores what it means to read individual poems and letters in manuscript versions rather than in printed editions. By paying close attention to textual evidence, he makes the case that various features of the manuscripts are actually matters of accident or immediate convenience rather than the visual markers of a new aesthetic principle. 

Mitchell closes by using the theories of Mikhail Bakhtin to explore the contradictions of a “private” poetry that engages verbally in multiple areas of nineteenth-century life and discourse. By attending to the contemporaneous particularities of recurrent words and images, he demonstrates that Dickinson could stay at home and still be at home in history, too.

This 1854 novel traces a mulatto son's quest for vengeance against his white father, a sugar planter who abandoned him and his mother. Intent on redeeming his mother's honor and outraged by the cruelty and greed that slavery has engendered Appadocca sails the seas with a band of ruthless pirates on a ship named the Black Schooner. The novel, written by the important activist and intellectual Michel Maxwell Philip (1829–1888) deals with themes, symbols, and literary techniques that are reminiscent of other major authors such as Melville, Douglass, and Stowe. This new edition with scholarly commentaries and annotations will reorient our understanding of the development of Caribbean literature in relation to English and American literary production.

For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies.

First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.

Contributors: Jon Arrizabalaga, Rob Boddice, Leticia Fernández-Fontecha, Emma Hutchison, Dolores Martín-Moruno, Piroska Nagy, Beatriz Pichel, María Rosón, Pilar León-Sanz, Bertrand Taithe, and Gian Marco Vidor.

Coming to terms with emotions and how they influence human behaviour, seems to be of the utmost importance to societies that are obsessed with everything "neuro." On the other hand, emotions have become an object of constant individual and social manipulation since "emotional intelligence" emerged as a buzzword of our times. Reflecting on this burgeoning interest in human emotions makes one think of how this interest developed and what fuelled it. From a historian's point of view, it can be traced back to classical antiquity. But it has undergone shifts and changes which can in turn shed light on social concepts of the self and its relation to other human beings (and nature). The volume focuses on the historicity of emotions and explores the processes that brought them to the fore of public interest and debate.

Reveals how Emperor Charles IV’s efforts to secure the imperial coronation of his son intersect with the early stages of the Great Western Schism.

Emperor Otto I the Great made history in the Holy Roman Empire with a significant dynastic achievement: in 967, he persuaded the pope to crown his son co-emperor in Rome. Two centuries later, another renowned emperor, Frederick Barbarossa, attempted a similar feat, negotiating with four different popes for the coronation of his descendant, but ultimately failed. A lesser-known parallel can be found in the life of Emperor Charles IV of the Luxembourg dynasty in the fourteenth century. After the Papal Curia returned to Rome from Avignon in early 1377, Charles made concerted efforts in Italy, France, and Germany to secure the imperial coronation of his son, Wenceslas. However, this bold ambition coincided with an unprecedented crisis in relations between the "French” cardinals and the newly elected Italian pope, Urban VI. Recognizing that the final chapter of Charles IV’s biography is deeply intertwined with the early history of the Great Western Schism offers a fresh perspective on a subject that has long captivated international scholarship.

The 1870s is a key decade in the evolution of British thinking about the nature, purpose, and future of empire. Increasing economic competition began to disturb the complacent assumption about Britain's leadership in technology and in the world economy. The growth of other countries, most notably the United States and Germany, put in question Britain's survival as a great power. These changes set in motion a reappraisal of Britain's empire and its importance to the motherland, and a heated debated as to whether colonialism and imperialism were a burden rather than a benefit to Britain. The discussion of the 1870s set the agenda for the debates of the next half-century. This volume documents the writing central to the debate; it includes contributions by such leading British thinkers and statesmen as J. A. Froude, Robert Lowe, Edward Dicey, Frederic Seebohm, Lord Carnarvon, Gladstone, Julius Vogel, and Lord Blachford.