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Jan Bowers lives in the right place. A lover of nature and the outdoors, an avid hiker and backpacker, she is surrounded by mountain ridges, peaks, and canyons of almost every description. In this book, she invites us to come along and find out why some of these places are special, why some of them stay in her mind long after she has returned to the workaday world of the city. Readers have come to expect the best from this writer, termed "a rare talent. . . uncommonly good at the craft" by Wilderness magazine. Her new book is filled with creeks and meadows, tiny ferns and towering oaks, bears and butterflies and Red-tailed Hawks. We see gray clouds clogging the sky in a canyon, "wildly, almost tastelessly romantic, as full of clouds as a tea kettle with steam," and we startle a female grouse and her half-dozen fuzzy chicks "exploding from underfoot like billiard balls scattered with a cue stick."

Faced with the prospect of moving to another place, Bowers finds herself thinking about the familiar world in new and unfamiliar ways. Through her eyes, too, we see how an interest in nature and the outdoors developed from early childhood and how simple curiosity has led her to the most surprising discoveries. At odd and unexpected moments, her work also seems to bring new insights into herself and her life as a writer, a wife, and a mother. These pages promise a new adventure at every turn in the trail. For sheer terror, there's a climb up the face of Baboquivari, for laughs, there's the great bagworm caper, and for some quiet truths, there are themes of gain and loss, of connection and reconcilliation. Crunching through winter snow or sweating under summer sun, we know we're in the hands of an experienced guide. And we know we couldn't ask for a better companion.

Dream worlds, real worlds: this book ushers in an extraordinary collection of new work by nearly forty poets currently living and writing in Arizona. From campuses and coffee houses, prisons and pueblos, classrooms and kitchen tables comes the work of both well-known and emerging writers drawn to the state's blazing days and starry nights in search of place, time, idea, and self.Brief introductions for each poet reveal that socially, geographically, and emotionally, they come from anywhere and everywhere. Here and together, however, their energy and synergy are shaping a literary landscape unlike any other. They write of jazz, serotonin levels and talk shows, homelessness, convenience stores and gunplay, Tiananmen Square and Bosnia. Their poems, like these lines by Alberto Ríos, are as clear as the desert air: "The birds, they make this happen. / In the sky with nothing else to do, a Saturday, / The slow knee-bend of an afternoon, out there. / I have seen them myself / The birds caw down a rain, tease it / To a hard ground of grass and flat and edge."For the anthology, well-known contributors—Ríos, Richard Shelton, Steve Orlen, Alison Deming, and others—were asked to surprise the editors with their ideas for the best less-known artists to include in the volume. Like a kaleidoscope, then, each page brings a shift in tone and color from the one before, from mainstream, "language," and experimental poetry, to that shaped by rural or traditional cultures.In English, Spanish, and Native languages, voices here reach out to those readers whose home—or whose heart—is in Arizona, and to many others who will never travel here. "Each distinct and other," says Forché of the words in Fever Dreams, make of poetry "what it could not be without this place, translating into poetry its timelessness and awe."Contributors:
William Aberg
Ai
Jed Allen
Barbara Anderson
Jon Anderson
Michael Bowden
Becky Byrkit
Cordelia Candelaria
James Cervantes
David Chorlton
Jeanne E. Clark
Jane Candia Coleman
Michael Cuddihy
Barbara Cully
Alison Hawthorne Deming
Norman Dubie
Beckian Fritz Goldberg
Catherine Hammond
Rex Lee Jim
Ramson Lomatewama
Rita Magdaleno
Jane Miller
Paul Morris
Sheila Murphy
Rick Noguchi
Steve Orlen
Henry Quintero
Alberto R¡os
William Pitt Root
Jeannine Savard
Richard Shelton
Jim Simmerman
Virginia Chase Sutton
Laura Tohe
Tracy Trefethen
Peter Wild
Leilani Wright
Brian Young
Ofelia Zepeda

Knowledge held about animals by Pima-speaking Native Americans of Arizona and northwest Mexico is intimately entwined with their way of life—a way that is fading from memory as beavers and wolves vanish also from the Southwest. Ethnobiologist Amadeo Rea has conducted extensive fieldwork among the Northern Pimans and here shares what these people know about mammals and how mammals affect their lives.

Rea describes the relationship of the River Pima, Tohono O'odham (Papago), Pima Bajo, and Mountain Pima to the furred creatures of their environment: how they are named and classified, hunted, prepared for consumption, and incorporated into myth. He also identifies associations between mammals and Piman notions of illness by establishing correlations between the geographical distribution of mammals and ideas regarding which animals do or do not cause staying sickness. This information reveals how historical and ecological factors can directly influence the belief systems of a people. At the heart of the book are detailed species accounts that relate Piman knowledge of the bats, rabbits, rodents, carnivores, and hoofed mammals in their world, encompassing creatures ranging from deer mouse to mule deer, cottontail to cougar.

Rea has been careful to emphasize folk knowledge in these accounts by letting the Pimans tell their own stories about mammals, as related in transcribed conversations. This wide-reaching study encompasses an area from the Rio Yaqui to the Gila River and the Gulf of California to the Sierra Madre Occidental and incorporates knowledge that goes back three centuries. Folk Mammalogy of the Northern Pimans preserves that knowledge for scholars and Pimans alike and invites all interested readers to see natural history through another people's eyes.

In Forging Arizona Anita Huizar-Hernández looks back at a bizarre nineteenth-century land grant scheme that tests the limits of how ideas about race, citizenship, and national expansion are forged. During the aftermath of the U.S.-Mexico War and the creation of the current border, a con artist named James Addison Reavis falsified archives around the world to pass his wife off as the heiress to an enormous Spanish land grant so that they could claim ownership of a substantial portion of the newly-acquired Southwestern territories. Drawing from a wide variety of sources including court records, newspapers, fiction, and film, Huizar-Hernández argues that the creation, collapse, and eventual forgetting of Reavis’s scam reveal the mechanisms by which narratives, real and imaginary, forge borders. An important addition to extant scholarship on the U.S Southwest border, Forging Arizona recovers a forgotten case that reminds readers that the borders that divide nations, identities, and even true from false are only as stable as the narratives that define them. 

Bisbee, Arizona...July 12, 1917...6:30 a.m....

Just after dawn, two thousand armed vigilantes took to the streets of this remote Arizona mining town to round up members and sympathizers of the radical Industrial Workers of the World. Before the morning was over, nearly twelve hundred alleged Wobblies had been herded onto waiting boxcars. By day's end, they had been hauled off to New Mexico.

While the Bisbee Deportation was the most notorious of many vigilante actions of its day, it was more than the climax of a labor-management war—it was the point at which Arizona donned the copper collar. That such an event could occur, James Byrkit contends, was not attributable so much to the marshaling of public sentiment against the I.W.W. as to the outright manipulation of the state's political and social climate by Eastern business interests.

In Forging the Copper Collar, Byrkit paints a vivid picture of Arizona in the early part of this century. He demonstrates how isolated mining communities were no more than mercantilistic colonies controlled by Eastern power, and how that power wielded control over all the Arizona's affairs—holding back unionism, creating a self-serving tax structure, and summarily expelling dissidents.

Because the years have obscured this incident and its background, the writing of Copper Collar involved extensive research and verification of facts. The result is a book that captures not only the turbulence of an era, but also the political heritage of a state.

The Franciscan mission San José de Tumacácori and the perennially undermanned presidio Tubac become John L. Kessell's windows on the Arizona–Sonora frontier in this colorful documentary history. His fascinating view extends from the Jesuit expulsion to the coming of the U.S. Army.

Kessell provides exciting accounts of the explorations of Francisco Garcés, de Anza's expeditions, and the Yuma massacre. Drawing from widely scattered archival materials, he vividly describes the epic struggle between Bishop Reyes and Father President Barbastro, the missionary scandals of 1815–18, and the bloody victory of Mexican civilian volunteers over Apaches in Arivaipa Canyon in 1832. Numerous missionaries, presidials, and bureaucrats—nameless in histories until now—emerge as living, swearing, praying, individuals.

This authoritative chronicle offers an engrossing picture of the continually threatened mission frontier. Reformers championing civil rights for mission Indians time and again challenged the friars' "tight-fisted paternalistic control" over their wards. Expansionists repeatedly saw their plans dashed by Indian raids, uncooperative military officials, or lack of financial support.

Frairs, Soldiers, and Reformers brings into sharp focus the long, blurry period between Jesuit Sonora and Territorial Arizona.

The Santa Catalina Mountains north of Tucson—whose summit is called “Frog Mountain” by native Tohono O’odham people—offer citizens of a major metropolis a wilderness in their own backyard. Today recreational facilities dot the Catalinas’ peaks, while housing developments creep up their foothills. Charles Bowden and Jack W. Dykinga here convey the natural beauty of the Catalinas and warn readers that this unique wilderness could easily be lost through easy access and overuse.

The Santa Catalina Mountains north of Tucson—whose summit is called Frog Mountain by the Tohono O’odham—offers up to the citizens of the basins below a wilderness in their own backyard.

When it was first published in 1987, Frog Mountain Blues documented the creeping sprawl of new development up the Catalinas’ foothills. Today, that development is fully visible, but Charles Bowden’s prescience of the urgency to preserve and protect a sacred recreational space remains as vivid as ever. Accompanied by Jack W. Dykinga’s photographs from the original work, this book continues to convey the natural beauty of the Catalinas and warns readers that this unique wilderness could easily be lost.

As Alison Hawthorne Deming writes in the new foreword, “Frog Mountain Blues continues to be an important book for learning to read this place through the eyes of experience and history, and Bowden remains a sobering voice for facing our failures in protecting what we love in this time of global destruction, for taking seriously the power of language to set ourselves right again with the enormous task of living with purpose and presence and care on the land.”

Cities in the arid West would not be what they are today without water and the technology needed to deliver it to users. The history of water development in Arizona goes hand in hand with the state's economic growth, and Arizona's future is inextricably tied to this scarce resource.

Fuel for Growth describes and interprets the history of water resource development and its relationship to urban development in Arizona's three signature cities: Phoenix, Tucson, and Flagstaff. These three urban areas could hardly be more different: a growth-oriented metropolis, an environmentally conscious city with deep cultural roots, and an outdoor-friendly mountain town. Despite these differences, their community leaders and public officials have taken similar approaches to developing water resources with varying degrees of success and acceptance.

Douglas Kupel has created a new vision of water history based on the Arizona experience. He challenges many of the traditional assumptions of environmental history by revealing that the West's aridity has had relatively little impact on the development of municipal water infrastructure in these cities. While urban growth in the West is often characterized as the product of an elite group of water leaders, the development of Arizona's cities is shown to reflect the broad aspirations of all their citizens.

The book traces water development from the era of private water service to municipal ownership of water utilities and examines the impact of the post-World War II boom and subsequent expansion. Taking in the Salt River Project, the Central Arizona Project, and the Groundwater Management Act of 1980, Kupel explores the ongoing struggle between growth and environmentalism. He advocates public policy measures that can sustain a water future for the state.

As the urban West enters a new century of water management, Arizona's progress will increasingly be tied to that of its ever-expanding cities. Fuel for Growth documents an earlier era of urban water use and provides important recommendations for the future path of water development in the West's key population centers.