324 books match the query 'Comparative literature' and 18 start with f

cover of False Documents: Inter-American Cultural History, Literature, and the Lost Decade (1975–1992)

False Documents

Inter-American Cultural History, Literature, and the Lost Decade (1975–1992)

Frans Weiser

The Ohio State University Press, 2020

False Documents: Inter-American Cultural History, Literature, and the Lost Decade (1975–1992) examines the “return of history” that swept across the Americas during the final two decades of the Cold War as Latin American nations redemocratized and US multiculturalism responded to the conservative bicentennial backlash. Revising the predominantly economic and isolationist accounts of the era, Frans Weiser examines the work of journalists and academics from Hispanic America, Brazil, and the United States who adopted fiction to document recent national discord, repositioning challenges to self-determination in a postnational context.
After deconstructing economic accounts of the “two Americas" model of the hemisphere, including the lost decade (1981–1992) and the “end of history” (1975–1992), Weiser considers six case studies during the same period that reach very different conclusions by drawing on cultural history, including works by Tomás Eloy Martínez, Laura Antillano, Ana Maria Machado, Silviano Santiago, John Updike, and Jay Cantor. In order to expose how governments controlled and misrepresented recent events, these writers created false documents, or fake historical texts, that presented themselves as legitimate eyewitness accounts or archival documents. Weiser establishes how this alternative to postmodern irony more effectively galvanized citizen responses. As the first book to contextualize the parallel, hemispheric evolutions of postwar literary criticism and cultural historiography, False Documents responds to the methodological impasse between Latin American and American studies as well as the antagonism between history and literature, arguing that collaboration and synthesis are particularly vital at a moment when the humanities is increasingly under attack.
 
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cover of Fantasies of Neglect: Imagining the Urban Child in American Film and Fiction

Fantasies of Neglect

Imagining the Urban Child in American Film and Fiction

Pamela Robertson Wojcik

Rutgers University Press, 2016

In our current era of helicopter parenting and stranger danger, an unaccompanied child wandering through the city might commonly be viewed as a victim of abuse and neglect. However, from the early twentieth century to the present day, countless books and films have portrayed the solitary exploration of urban spaces as a source of empowerment and delight for children. 
 
Fantasies of Neglect explains how this trope of the self-sufficient, mobile urban child originated and considers why it persists, even as it goes against the grain of social reality. Drawing from a wide range of films, children’s books, adult novels, and sociological texts, Pamela Robertson Wojcik investigates how cities have simultaneously been demonized as dangerous spaces unfit for children and romanticized as wondrous playgrounds that foster a kid’s independence and imagination. Charting the development of free-range urban child characters from Little Orphan Annie to Harriet the Spy to Hugo Cabret, and from Shirley Temple to the Dead End Kids, she considers the ongoing dialogue between these fictional representations and shifting discourses on the freedom and neglect of children. 
 
While tracking the general concerns Americans have expressed regarding the abstract figure of the child, the book also examines the varied attitudes toward specific types of urban children—girls and boys, blacks and whites, rich kids and poor ones, loners and neighborhood gangs. Through this diverse selection of sources, Fantasies of Neglect presents a nuanced chronicle of how notions of American urbanism and American childhood have grown up together. 
 
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cover of Fiction Beyond Secularism

Fiction Beyond Secularism

Justin Neuman

Northwestern University Press, 2014

Modernist thinkers once presumed a progressive secularity, with the novel replacing religious texts as society’s moral epics. Yet religion—beginning with the Iranian revolution of 1979, through the collapse of communism, and culminating in the singular rupture of September 11, 2001—has not retreated quietly out of sight.

In Fiction Beyond Secularism, Justin Neuman argues that contemporary novelists who are most commonly identified as antireligious—among them Orhan Pamuk, Salman Rushdie, Ian McEwan, Margaret Atwood, Nadine Gordimer, Haruki Murakami, and J. M. Coetzee—have defied assumptions and have instead written some of the most trenchant critiques of secular ideologies, as well as the most exciting and rigorous inquiries into the legacies of the religious imagination. As a result, many readers (or nonreaders) on either side of the religious divide neglect the insights of works like The Satanic Verses, Disgrace, and Snow. Fiction Beyond Secularism serves as a timely corrective.

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cover of Fictional Environments: Mimesis, Deforestation, and Development in Latin America

Fictional Environments

Mimesis, Deforestation, and Development in Latin America

Victoria Saramago

Northwestern University Press, 2021

Winner of the Brazilian Studies Association’s Roberto Reis Book Award for First Monograph • Honorable Mention for the Latin American Studies Association’s Antonio Candido Book Award • Shortlisted for the Association for the Study of Literature and Environment Book Award 

Fictional Environments: Mimesis, Deforestation, and Development in Latin America investigates how fictional works have become sites for the production of knowledge, imagination, and intervention in Latin American environments. It investigates the dynamic relationship between fictional images and real places, as the lasting representations of forests, rural areas, and deserts in novels clash with collective perceptions of changes like deforestation and urbanization.

From the backlands of Brazil to a developing Rio de Janeiro, and from the rainforests of Venezuela and Peru to the Mexican countryside, rapid deforestation took place in Latin America in the second half of the twentieth century. How do fictional works and other cultural objects dramatize, resist, and intervene in these ecological transformations? Through analyses of work by João Guimarães Rosa, Alejo Carpentier, Juan Rulfo, Clarice Lispector, and Mario Vargas Llosa, Victoria Saramago shows how novels have inspired conservationist initiatives and offered counterpoints to developmentalist policies, and how environmental concerns have informed the agendas of novelists as essayists, politicians, and public intellectuals. This book seeks to understand the role of literary representation, or mimesis, in shaping, sustaining, and negotiating environmental imaginaries during the deep, ongoing transformations that have taken place from the 1950s to the present.

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cover of Figurations of France: Literary Nation-Building in Times of Crisis (1550-1650)

Figurations of France

Literary Nation-Building in Times of Crisis (1550-1650)

Marcus Keller

University of Delaware Press, 2011

In Figurations of France: Literary Nation-Building in Times of Crisis (1550-1650), Marcus Keller explores the often indirect and subtle ways in which key texts of early modern French literature, from Joachim Du Bellay’s Défense et illustration de la langue française to Corneille’s Le Cid, contribute to the fiction of France as a nation. Through his fresh take on these and other classics, he shows that they not only create the French as an imaginary community but also provide venues for an incisive critique of the political and cultural construct that underpins the modern nation-state.

Current theories of nationhood, in particular the concepts of the nation form and fictive ethnicity (Étienne Balibar), inform the close readings of Du Bellay’s Défense, Ronsard’s Discours, d’Aubigné’s Tragiques, Montaigne’s Essays, Malherbe’s odes, and Corneille’s Le Cid and Horace. They reveal the imaginary power and unifying force of early modern figurations of France that come to bear in this heteregoneous corpus of French literature, with texts ranging from manifesto and epic poem to essay and tragedy. Situating each author and text in their particular historical context, the study suggests that the literary invention of France in the sixteenth and seventeenth centuries is as abundant as it is conceptually innovative: Du Bellay, for example, develops an idea of France by portraying the French language as a pruned and grafted tree while d’Aubigné proposes to think of the French as a nuclear but fatherless family. Blood functions as a highly charged metaphor of nationhood in all texts.

Opening up new perspectives on these canonical works, the focus on literary nation-building also puts them into unexpected and thought-provoking relationships to each other. Figurations of France deliberately crosses the fictive boundary between the sixteenth and the seventeenth centuries and argues that, in terms of imaginary nation-building, the contours that delineate the early modern period and separate it from what we call the modern era quickly begin to dissolve. Ultimately, the book makes the case for early modern literature as a creative and critical discourse, able to nourish and nuance our thinking about the nation as the postmodern nation-state is increasingly called into question by the economical, political, and cultural effects of globalization.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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cover of Figurative Inquisitions: Conversion, Torture, and Truth in the Luso-Hispanic Atlantic

Figurative Inquisitions

Conversion, Torture, and Truth in the Luso-Hispanic Atlantic

Erin Graff Zivin

Northwestern University Press, 2014

Winner, 2015 LAJSA Best Book in Latin American Jewish Studies

The practices of interrogation, torture, and confession have resurfaced in public debates since the early 2000s following human rights abuses around the globe. Yet discussion of torture has remained restricted to three principal fields: the legal, the pragmatic, and the moral, eclipsing the less immediate but vital question of what torture does.Figurative Inquisitions seeks to correct this lacuna by approaching the question of torture from a literary vantage point.

This book investigates the uncanny presence of the Inquisition and marranismo (crypto-Judaism) in modern literature, theater, and film from Mexico, Brazil, and Portugal. Through a critique of fictional scenes of interrogation, it underscores the vital role of the literary in deconstructing the relation between torture and truth. Figurative Inquisitions traces the contours of a relationship among aesthetics, ethics, and politics in an account of the "Inquisitional logic" that continues to haunt contemporary political forms. In so doing, the book offers a unique humanistic perspective on current torture debates.

 
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cover of Figures of the World: The Naturalist Novel and Transnational Form

Figures of the World

The Naturalist Novel and Transnational Form

Christopher Laing Hill

Northwestern University Press, 2020

Figures of the World: The Naturalist Novel and Transnational Form overturns Eurocentric genealogies and globalizing generalizations about “world literature” by examining the complex, contradictory history of naturalist fiction. Christopher Laing Hill follows naturalism’s emergence in France and circulation around the world from North and South America to East Asia. His analysis shows that transnational literary studies must operate on multiple scales, combine distant reading with close analysis, and investigate how literary forms develop on the move.
 
The book begins by tracing the history of naturalist fiction from the 1860s into the twentieth century and the reasons it spread around the world. Hill explores the development of three naturalist figures—the degenerate body, the self-liberated woman, and the social milieu—through close readings of fiction from France, Japan, and the United States. Rather than genealogies of European influence or the domination of cultural “peripheries” by the center, novels by Émile Zola, Tayama Katai, Frank Norris, and other writers reveal conspicuous departures from metropolitan models as writers revised naturalist methods to address new social conditions. Hill offers a new approach to studying culture on a large scale for readers interested in literature, the arts, and the history of ideas.
 
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cover of Figuring Jerusalem: Politics and Poetics in the Sacred Center

Figuring Jerusalem

Politics and Poetics in the Sacred Center

Sidra DeKoven Ezrahi

University of Chicago Press, 2022

Figuring Jerusalem explores how Hebrew writers have imagined Jerusalem, both from the distance of exile and from within its sacred walls.
 
For two thousand years, Hebrew writers used their exile from the Holy Land as a license for invention. The question at the heart of Figuring Jerusalem is this: how did these writers bring their imagination “home” in the Zionist century? Sidra DeKoven Ezrahi finds that the same diasporic conventions that Hebrew writers practiced in exile were maintained throughout the first half of the twentieth century. And even after 1948, when the state of Israel was founded but East Jerusalem and its holy sites remained under Arab control, Jerusalem continued to figure in the Hebrew imagination as mediated space. It was only in the aftermath of the Six Day War that the temptations and dilemmas of proximity to the sacred would become acute in every area of Hebrew politics and culture.

Figuring Jerusalem ranges from classical texts, biblical and medieval, to the post-1967 writings of S. Y. Agnon and Yehuda Amichai. Ultimately, DeKoven Ezrahi shows that the wisdom Jews acquired through two thousand years of exile, as inscribed in their literary imagination, must be rediscovered if the diverse inhabitants of Jerusalem are to coexist.
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cover of First Contact: Speculative Visions of the Conquest of the Americas

First Contact

Speculative Visions of the Conquest of the Americas

Zac Zimmer

Northwestern University Press, 2025

Examining the power of speculative fiction to reimagine historical accounts of the conquest of the Americas

The historical conquest of the Americas resides at the core of all first-contact narratives, which stage colonization and resistance in the generic guise of speculative fiction. Starting from this axiom, First Contact: Speculative Visions of the Conquest of the Americas moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac Zimmer examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. First Contact thus poses a foundational question: Can we understand the conquest as an originary world-historical event without eclipsing the other cosmologies that existed, and continue to exist, within the contact zone? Can we decolonize the speculative imagination itself?

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cover of Fishing by Obstinate Isles: Modern and Postmodern British Poetry and American Readers

Fishing by Obstinate Isles

Modern and Postmodern British Poetry and American Readers

Keith Tuma

Northwestern University Press, 1998

Fishing by Obstinate Isles explores the relations of recent British and American poetries, challenging American views of a British poetry dominated by antimodernism while discussing the role of rhetorics of national identity on both sides of the Atlantic in the persistence of these views. Devoting its most extensive commentary to a collection of British modernist and postmodernist poets, it attacks the relegation of British poetry to the zones of the quaint, making a compelling case for renewed engagements with fields of British poetry deserving of attention.
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cover of Five Words: Critical Semantics in the Age of Shakespeare and Cervantes

Five Words

Critical Semantics in the Age of Shakespeare and Cervantes

Roland Greene

University of Chicago Press, 2013

Blood. Invention. Language. Resistance. World. Five ordinary words that do a great deal of conceptual work in everyday life and literature. In this original experiment in critical semantics, Roland Greene considers how these words changed over the course of the sixteenth century and what their changes indicate about broader forces in science, politics, and other disciplines.

Rather than analyzing works, careers, or histories, Greene discusses a broad swath of Renaissance and transatlantic literature—including Shakespeare, Cervantes, Camões, and Milton—in terms of the development of these five words. Aiming to shift the conversation around Renaissance literature from current approaches to riskier enterprises, Greene also proposes new methods that take advantage of digital resources like full-text databases, but still depend on the interpreter to fashion ideas out of ordinary language. Five Words is an innovative and accessible book that points the field of literary studies in an exciting new direction.
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cover of Flamboyant Fictions: The Failed Art of Passing

Flamboyant Fictions

The Failed Art of Passing

Ian Fleishman

Northwestern University Press, 2025

Exposes a stylistic tradition of flamboyantly failed passing in queer literature and film

This book posits formal experimentation as an index for evolving expressions of male homosexuality from literary modernism to the German New Wave and the present day. Ian Fleishman exposes a tradition of flamingly failed passing that is itself a surreptitious mode of passing: the flaunting of queer style as an intentionally unconvincing cover for queer content. Exploring a corpus of films and novels by André Gide, Jean Genet, Rainer Werner Fassbinder, Werner Schroeter, François Ozon, and Xavier Dolan, among others, Flamboyant Fictions: The Failed Art of Passing intervenes in trenchant debates about queer agency, visibility, negativity, and disidentification. Mapping queer strategies of storytelling onto queer practices of self-invention, Flamboyant Fictions wagers that it is precisely in instances of conflict between these auteurs and their inventions that narrative becomes a laboratory for testing the sovereignty and self-determination of queer identity.

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cover of Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico

Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico

Rafael Ocasio

Rutgers University Press, 2021

This exciting new anthology gathers together Puerto Rican folktales that were passed down orally for generations before finally being transcribed beginning in 1914 by the team of famous anthropologist Franz Boas. These charming tales give readers a window into the imaginations and aspirations of Puerto Rico’s peasants, the Jíbaro.
 
Some stories provide a distinctive Caribbean twist on classic tales including “Snow White” and “Cinderella.” Others fictionalize the lives of local historical figures, such as infamous pirate Roberto Cofresí, rendered here as a Robin Hood figure who subverts the colonial social order. The collection also introduces such beloved local characters as Cucarachita Martina, the kind cockroach who falls in love with Ratoncito Pérez, her devoted mouse husband who brings her delicious food. 
 
Including a fresh English translation of each folktale as well as the original Spanish version, the collection also contains an introduction from literary historian Rafael Ocasio that highlights the historical importance of these tales and the Jíbaro cultural values they impart. These vibrant, funny, and poignant stories will give readers unique insights into Puerto Rico’s rich cultural heritage.
 

Esta nueva y emocionante antología reúne cuentos populares puertorriqueños que fueron transmitidos oralmente durante generaciones antes de ser finalmente transcritos comenzando en 1914 por el equipo del famoso antropólogo Franz Boas. Estos encantadores cuentos ofrecen a los lectores un vistazo a la imaginación y las aspiraciones de los jíbaros, los campesinos de Puerto Rico.
 
Algunas historias brindan un distintivo toque caribeño a cuentos clásicos como "Blanca Nieves" y "Cenicienta". Otros ficcionalizan la vida de personajes históricos locales, como el famoso pirata Roberto Cofresí, representado como una figura al estilo de Robin Hood, quien subvierte el orden social colonial. La colección también presenta personajes locales tan queridos como Cucarachita Martina, la amable cucaracha que se enamora de Ratoncito Pérez, su devoto esposo ratón que le trae deliciosa comida. 
 
Incluyendo una nueva traducción al inglés de estos cuentos populares, así como las versiones originales en español, la colección también contiene una introducción del historiador literario Rafael Ocasio, quien destaca la importancia histórica de estos cuentos y los valores culturales del jíbaro que éstos imparten en los relatos. Estas historias vibrantes, divertidas y conmovedoras brindarán a los lectores una visión única de la rica herencia cultural de Puerto Rico.

Introducción en español (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/02/03154419/Ocasio_Cuentos_Intro_Espan%CC%83ol.pdf)

Rafael Ocasio will discussing his book, 'Folk Stories from the Hills of Puerto Rico / Cuentos folklóricos de las montañas de Puerto Rico' at Biblioteca Juvenil de Mayagüez in Puerto Rico (https://youtu.be/o6Tub094EoI)
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cover of Forgotten Futures, Colonized Pasts: Transnational Collaboration in Nineteenth-Century Greater Mexico

Forgotten Futures, Colonized Pasts

Transnational Collaboration in Nineteenth-Century Greater Mexico

Cara Anne Kinnally

Bucknell University Press, 2019

Forgotten Futures, Colonized Pasts traces the existence of a now largely forgotten history of inter-American alliance-making, transnational community formation, and intercultural collaboration between Mexican and Anglo American elites. This communion between elites was often based upon Mexican elites’ own acceptance and reestablishment of problematic socioeconomic, cultural, and ethno-racial hierarchies that placed them above other groups—the poor, working class, indigenous, or Afro-Mexicans, for example—within their own larger community of Greater Mexico. Using close readings of literary texts, such as novels, diaries, letters, newspapers, political essays, and travel narratives produced by nineteenth-century writers from Greater Mexico, Forgotten Futures, Colonized Pasts brings to light the forgotten imaginings of how elite Mexicans and Mexican Americans defined themselves and their relationship with Spain, Mexico, the United States, and Anglo America in the nineteenth century. These “lost” discourses—long ago written out of official national narratives and discarded as unrealized or impossible avenues for identity and nation formation—reveal the rifts, fractures, violence, and internal colonizations that are a foundational, but little recognized, part of the history and culture of Greater Mexico.  

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Form and Instability: Eastern Europe, Literature, Postimperial Difference

Form and Instability

Eastern Europe, Literature, Postimperial Difference

Anita Starosta

Northwestern University Press, 2015

Form and Instability: Eastern Europe, Literature, and Post-Imperial Difference busies itself with the work of accounting for this discrepancy between ostensible historical change and the persistence of anachronistic ways of thinking, a discrepancy that remains unaddressed and eludes attention; and it goes on to propose that literature—not simply as an archive of representations or a source of cultural capital but as a critical perspective in its own right—offers a way to apprehend and to redress this problem.Historical situations such as the post-1989 transitions to capitalism and liberal democracy, as well as the “Eastern” enlargement of the E.U., not only entail empirical change; they also call for and provoke intense renegotiations of cultural values and analytical concepts. Through rhetoric, reading, and translation—terms central to this book—literature will be seen to expedite and redirect such re-arrangements. It will be shown to destabilize discursively fixed categories without imposing, in turn, its own fixity.

Located at the intersection of comparative literature, area studies, and literary theory, this interdisciplinary study has a twofold commitment: to Eastern Europe on the one hand and to literature on the other. It aims to intervene in the way we conceive of Eastern Europe by seeking to develop a more equitable way of thinking, one that avoids subordinating it to Eurocentric narratives of progress. At the same time, it marshals literature as both object and method of this rethinking, in order to extend existing conceptions of the usefulness and of the proper organization of literary studies. The three terms in the title of this book mark a passage—via literature—from “Eastern Europe” as an inadequate and obsolescent category to “post-imperial difference” as a more accurate, if provisional, account of the region. By way of original readings of particular texts, and by attending to literature as a critical
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cover of Forms of Mobility: Genre, Language, and Media in African Literary Cultures

Forms of Mobility

Genre, Language, and Media in African Literary Cultures

Stephanie Bosch Santana

Northwestern University Press, 2025

Presents alternative categories of fiction through which to examine how contemporary writers have envisaged Africa’s changing literary terrains

Stephanie Bosch Santana analyzes southern African writers’ experimentations with literary form in periodical print and digital media since the mid-twentieth century in order to offer an alternative account of contemporary African imaginations of mobility. Based on an understudied archive of texts in English and Chichewa/Nyanja from Malawi, South Africa, Zimbabwe, and Zambia, Forms of Mobility: Genre, Language, and Media in African Literary Cultures examines new, noncanonical categories of fiction, including migrant forms, township tales, weekend stories, and digital diaries. These generically, linguistically, and geographically mobile forms map changing ideas of interconnection and belonging. By reading them “in motion,” as they travel across space, time, genre, and language and between publications and platforms, Bosch Santana limns multiple centers of literary influence and relation across southern African and Black diasporas, revealing forms of literary mobility and space making that are occluded by current models of world literature.

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cover of Freedom’s Ring: Literatures of Liberation from Civil Rights to the Second Wave

Freedom’s Ring

Literatures of Liberation from Civil Rights to the Second Wave

Jacqueline Foertsch

Rutgers University Press, 2021

Freedom’s Ring begins with the question of how the American ideal of freedom, which so effectively defends a conservative agenda today, from globally exploitative free trade to anti-French “freedom fries” during the War in Iraq, once bolstered the progressive causes of Freedom Summer, the Free Speech Movement, and more militant Black Power and Women’s Liberation movements with equal efficacy. Focused as it is on the faring of freedom throughout the liberation era, this book also explores attempts made by rights movements to achieve the often competitive or cross-canceling American ideal of equality–economic, professional, and otherwise. Although many struggled and died for it in the civil rights era, freedoms such as the vote, integrated bus rides, and sex without consequences via the Pill, are ultimately free–costing officialdom little if anything to fully implement—while equality with respect to jobs, salaries, education, housing, and health care, will forever be the much more expensive nut to crack. Freedom’s Ring regards the politics of freedom, and politics in general, as a low-cost substitute for and engrossing distraction from substantive economic problem-solving from the liberation era to the present day.
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cover of From the Edge: Chicana/o Border Literature and the Politics of Print

From the Edge

Chicana/o Border Literature and the Politics of Print

Fagan, Allison E

Rutgers University Press, 2016

Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom.  As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. 
 
From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary canon, tracing the negotiations between authors, editors, and publishers that determined how these books appeared in print. Allison Fagan demonstrates how the texts surrounding the authors’ words—from editorial prefaces to Spanish-language glossaries, from cover illustrations to reviewers’ blurbs—have crucially shaped the reception of Chicana/o literature. To gain an even richer perspective on the politics of print, she ultimately explores one more border space, studying the marks and remarks that readers have left in the margins of these books. 
 
From the Edge vividly demonstrates that to comprehend fully the roles that ethnicity, language, class, and gender play within Chicana/o literature, we must understand the material conditions that governed the production, publication, and reception of these works. By teaching us how to read the borders of the text, it demonstrates how we might perceive and preserve the faint traces of those on the margins. 
 
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