1832 books match the query 'Essays' and 74 start with f

cover of Fables of Representation: Essays

Fables of Representation

Essays

Paul Hoover

University of Michigan Press, 2004

From the acclaimed author of Winter (Mirror) and Rehearsal in Black, Fables of Representation is a powerful collection of essays on the state of contemporary poetry, free from the stultifying theoretical jargon of recent literary history.

With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period.

Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture."

Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.
[more]
cover of Facing the Death Penalty: Essays on a Cruel and Unusual Punishment

Facing the Death Penalty

Essays on a Cruel and Unusual Punishment

edited by Michael L. Radelet, foreword by Henry Schwarzschild

Temple University Press, 1990

"These essays...show us the human and inhuman realities of capital punishment through the eyes of the condemned and those who work with them. By focusing on those awaiting death, they present the awful truth behind the statistics in concrete, personal terms." --William J. Bowers, author of Legal Homicide Between 1930 and 1967, there were 3,859 executions carried out under state and civil authority in the United States. Since the ten-year moratorium on capital punishment ended in 1977, more than one hundred prisoners have been executed. There are more than two thousand men and women now living on death row awaiting their executions. Facing the Death Penalty offers an in-depth examination of what life under a sentence of death is like for condemned inmates and their families, how and why various professionals assist them in their struggle for life, and what these personal experiences with capital punishment tell us about the wisdom of this penal policy. The contributors include historians, attorneys, sociologists, anthropologists, criminologists, a minister, a philosopher, and three prisoners. One of the prisoner-contributors is Willie Jasper Darden, Jr., whose case and recent execution after fourteen years on death row drew international attention. The inter-disciplinary perspectives offered in this book will not solve the death penalty debate, but they offer important and unique insights on the full effects of American capital punishment provisions. While the book does not set out to generate sympathy for those convicted of horrible crimes, taken together, the essays build a case for abolition of the death penalty. "This work stands with the best of what's been written. It represents the best of those who have seen the worst." --Colman McCarthy, The Washington Post Book World
[more]
cover of Faith and the Historian: CATHOLIC PERSPECTIVES

Faith and the Historian

CATHOLIC PERSPECTIVES

Edited by Nick Salvatore

University of Illinois Press, 2006

Faith and the Historian collects essays from eight experienced historians discussing the impact of being "touched" by Catholicism on their vision of history. That first graduate seminar, these essays suggest, did not mark the inception of one's historical sensibilities; rather, that process had deeper, and earlier, roots. The authors--ranging from "cradle to the grave" Catholics to those who haven’t practiced for forty years, and everywhere in between--explicitly investigate the interplay between their personal lives and beliefs and the sources of their professional work. A variety of heartfelt, illuminating, and sometimes humorous experiences emerge from these stories of intelligent people coming to terms with their Catholic backgrounds as they mature and enter the academy. Contributors include: Philip Gleason, David Emmons, Maureen Fitzgerald, Joseph A. McCartin, Mario T. Garcia, Nick Salvatore, James R. Barrett, and Anne M. Butler. 

[more]
cover of Faithful History: Essays on Writing Mormon History

Faithful History

Essays on Writing Mormon History

George D. Smith

Signature Books, 1992

In this compilation, editor George D. Smith has assembled sixteen thought-provoking essays which represent this ongoing discussion. They include “On Being a Mormon Historian” by D. Michael Quinn, “Two Integrities: An Address to the Crisis in Mormon Historiography” by Martin E. Marty, “Objectivity and History” by Kent E. Robson, “The Acids of Modernity and the Crisis in Mormon Historiography” by Louis Midgley, and “Historicity of the Canon” by Edward H. Ashment.

“History, myth, and legend are not always distinguishable,” cautions Smith,” “but there are some things we can know. The authors of these essays attempt to define the boundaries between objectivity and the biases of belief and unbelief which may color what is written about the past.”

Over the past decade Mormons have debated how their history should be written. New Mormon Historians believe that balanced, unprejudiced approaches produce the most reliable history. Traditionalists contend that no historian can be completely objective, that Mormon history should therefore be written with the “pre-understanding” that Joseph Smith restored the ancient Christian church.

[more]
cover of Fast Break to Line Break: Poets on the Art of Basketball

Fast Break to Line Break

Poets on the Art of Basketball

Todd Davis

Michigan State University Press, 2012

If baseball is the sport of nostalgic prose, basketball’s movement, myths, and culture are truly at home in verse. In this extraordinary collection of essays, poets meditate on what basketball means to them: how it has changed their perspective on the craft of poetry; how it informs their sense of language, the body, and human connectedness; how their love of the sport made a difference in the creation of their poems and in the lives they live beyond the margins. Walt Whitman saw the origins of poetry as communal, oral myth making. The same could be said of basketball, which is the beating heart of so many neighborhoods and communities in this country and around the world. On the court and on the page, this “poetry in motion” can be a force of change and inspiration, leaving devoted fans wonderstruck.

[more]
cover of Fatefully, Faithfully Feminist: A Critical History of Women, Patriarchy, and Mexican National Discourse

Fatefully, Faithfully Feminist

A Critical History of Women, Patriarchy, and Mexican National Discourse

Carlos Monsiváis, edited by Norma Kahn and Ilana Luna

Vanderbilt University Press, 2024

This critical anthology of writings by Carlos Monsiváis represents a foundational set of texts by an exceptional (yet under‑translated) Mexican cultural critic. Fatefully, Faithfully Feminist situates the urgencies of social movements as they developed in real time. Spanning from 1973 to 2008, Monsiváis’s essays, which were originally compiled by scholar Marta Lamas, analyze the role of women in a patriarchal culture from pre‑Columbian times to the present. This critical edition offers extensive annotation and cultural background to understand the cogent, but particularly Mexican arguments that Monsiváis makes, many of which are extremely relevant in today’s political economy in the US and the world. Norma Klahn and Ilana Luna’s translation, critical introduction, and commentary consider issues of context, history, and conventions, framing Monsiváis’s debates in relation to global feminist history and human rights struggles.
[more]
cover of Father Nature: Fathers as Guides to the Natural World

Father Nature

Fathers as Guides to the Natural World

Paul S. & Stan Piper & Tag

University of Iowa Press, 2003

“How do you thank the person who gave you a vantage from which to see the world?” This question is more than the opening statement of Father Nature: Fathers as Guides to the Natural World—it is the resounding theme that runs through each of the essays in this tribute to fathers and fathering and to nature, the connection that ties them together.
In addition to the editors, the contributors include Lorraine Anderson, John Bower, Brain Doyle, John Elder, Mark Harfenist, Bernd Heinrich, ted Kooser, Gretchen Legler, Charles W. Luckmann, Stephen J. Lyons, Jessica Maxwell, James McKean, Mark Menlove, John Rember, Scott Russell Sanders, David Sobel, and Frank Stewart.
Both poignant and entertaining, Father Nature is an inspiring tribute to fathers who shared one gift that can be passed down for generations—a profound love and respect for the natural world.
[more]
cover of Fauna and Flora, Earth and Sky: Brushes with Nature's Wisdom

Fauna and Flora, Earth and Sky

Brushes with Nature's Wisdom

Trudy Dittmar

University of Iowa Press, 2003

"[Fauna and Flora, Earth and Sky] is, in fact, the most intelligent, thoughtful, original, challenging, and highly entertaining work of nature writing since Barry Lopez's Artic Dreams. . . . It is her broad scope of contemplation, combined with her fiercely beautiful and detailed renderings of passion, natural and human, that give Trudy Dittmar's first but fully mature book its remarkable originality and considerable power." --Robert Finch,Los Angeles Times Book Review "Honest self-scrutiny is irresistible, especially when told with a knack for diction of place, as this author demonstrates on every page. She is both of the landscape and an informed observer of it, willing to examine her conflicts between the experiences that play in her imagination and the scientific knowledge she's gleaned through training and reading." --The Bloomsbury Review "Trudy Dittmar is an elegant stylist and an acute observer. She's read everything there is to read about the physics of rainbows, the habits of the porcupine, the winter survival skills of the moose and the orbits of the planets, but even her learning is outdistanced by her patient powers of looking, smelling, hearing, touching and tasting. Her originality arises out of this patience. And, magically, she is able to read into and out of the rich, endangered natural world an Emersonian understanding of self. This is at once the most objective and subjective book I have ever read." --Edmund White, author of A Boy's Own Story "Dittmar writes about life with the precision of a scientist and the introspective lyricism of a poet, illuminating for us those parts of the world we barely remember to notice...from the complex emotional lives of cows and pronghorns to the dazzling leaves of a silver maple to the teeming hidden pools of bright salamanders. Reading this book is like finding a geode in a stream bed--crack it open and it sparkleso--Jo Ann Beard "Dittmar, who won a Rona Jaffe Foundation Writer' Award in 2000 and whose writings have appeared in numerous publications . . . provides a fascinating look at natural and personal history in these ten essays on animals, plants, and other natural phenomena. . . . An excellent choice for both public and academic libraries." --Library Journal In essays with settings that range from the Wind River Mountains of Wyoming, to the mountain town of Leadville, Colorado, to the Pine Barrens of New Jersey, Trudy Dittmar weaves personal experience with diverse threads of subject matter to create unexpected connections between human nature and nature at large. Life stories, elegantly combined with mindful observations of animals, plants, landscape and the skies, theories in natural science, environmental considerations, and touches of art criticism and popular culture, offer insights into the linked analogies of nature and soul. A glacial pond teeming with salamanders in arrested development is cause for reflection on the limits of a life that knows only bounty. The hot blue lights of celestial phenomena are a metaphor for fast, flashy men--he loves of a life--and a romantic career is interpreted. Watching a pronghorn buck battling for, and ultimately losing, his harem leads to a meditation on a kind of immortality. Fauna and Flora, Earth and Sky is testimony to the bearing and consequence of nature in one life, and to the richness of understanding it can bring to all human lives. Trudy Dittmar was born and raised in New Jersey farm country. In addition to holding an MA in English literature from the University of Chicago, she is a graduate of Columbia University's MFA program in writing and the founder and former director of a writing program at Brookdale Community College in New Jersey. Her work has appeared in such publications as The Norton Book of Nature Writing, Pushcart XXI, Georgia Review, and Orion. She divides her time between her family home in New Jersey and her cabin in Wyoming.
[more]
cover of Fawn Island

Fawn Island

Douglas Wood

University of Minnesota Press, 2018

Fawn Island is a place where crows serve as alarm clocks, white-throated sparrows leave the tracks of their songs upon the evening hush, and chickadees help a woodsman learn to whistle. The island is also a jumping-off place for journeys large and small, earthly and spiritual-to nearby Mallard Island, Gull Island, or Bald Rock, by sea kayak into the wild recesses of sprawling Voyageurs National Park, or on a midnight paddle in which the paddler can reach the silent wilderness of the stars themselves. In his latest book, best-selling author Douglas Wood guides the reader on a deep journey into the heart of the North Woods.

For Wood, Fawn Island is not merely a charming wilderness hideaway; it is the entry to realms of thought and meaning as well. From its pine-clad shores he probes for insights into the nature of neighborliness and independence, of community and solitude. Out of an ancient Ojibwe legend comes an exploration of personal loss and life after death. Wood questions the notion of being a “force of nature” and the concept of the passage of time in the context of seemingly eternal trees, lakes, rock ledges, and stars. From beneath the ascending trunks of pines comes an inquiry into the principles of optimism and, finally, a personal response to the eternal question: Is the universe a friendly place?

Embedded in the text like roots of the island’s pines is Wood’s gentle, self-effacing humor and the author’s own original pen-and-ink drawings that superbly evoke the poetry and mystery of this “small bit of rock and tree,” this “lucky place” in the wilderness. 

[more]
cover of Fear Falls Away: and Other Essays from Hard and Rocky Places

Fear Falls Away

and Other Essays from Hard and Rocky Places

Janice Emily Bowers

University of Arizona Press, 1997

Jan Bowers lives in the right place. A lover of nature and the outdoors, an avid hiker and backpacker, she is surrounded by mountain ridges, peaks, and canyons of almost every description. In this book, she invites us to come along and find out why some of these places are special, why some of them stay in her mind long after she has returned to the workaday world of the city. Readers have come to expect the best from this writer, termed "a rare talent. . . uncommonly good at the craft" by Wilderness magazine. Her new book is filled with creeks and meadows, tiny ferns and towering oaks, bears and butterflies and Red-tailed Hawks. We see gray clouds clogging the sky in a canyon, "wildly, almost tastelessly romantic, as full of clouds as a tea kettle with steam," and we startle a female grouse and her half-dozen fuzzy chicks "exploding from underfoot like billiard balls scattered with a cue stick."

Faced with the prospect of moving to another place, Bowers finds herself thinking about the familiar world in new and unfamiliar ways. Through her eyes, too, we see how an interest in nature and the outdoors developed from early childhood and how simple curiosity has led her to the most surprising discoveries. At odd and unexpected moments, her work also seems to bring new insights into herself and her life as a writer, a wife, and a mother. These pages promise a new adventure at every turn in the trail. For sheer terror, there's a climb up the face of Baboquivari, for laughs, there's the great bagworm caper, and for some quiet truths, there are themes of gain and loss, of connection and reconcilliation. Crunching through winter snow or sweating under summer sun, we know we're in the hands of an experienced guide. And we know we couldn't ask for a better companion.
[more]
cover of Fear Icons: Essays

Fear Icons

Essays

Kisha Lewellyn Schlegel

The Ohio State University Press, 2018

“Who are we to each other when we’re afraid?” Kisha Lewellyn Schlegel asks in Fear Icons, her moving and original debut essay collection. Her answer is a lyric examination of the icons that summon and soothe our fears. From Donald Trump to the Virgin Mary, Darth Vader to the Dalai Lama, Schlegel turns cultural criticism personal with bracing intelligence and vulnerability as she explores what it means to be human, a woman, an artist, and, in particular, a parent: what it means to love a child beyond measure, someone so vulnerable, familiar, and strange. Schlegel looks at fear and faith—the ways the two are more similar than we realize—and the many shapes our faith takes, from nationalism to friendship, from art to religious dogma. Each essay is woven through with other voices—Baldwin, Ashbery, Du Bois, Cixous—positioning Schlegel’s arguments and meditations within a diverse and dynamic literary lineage. Fear Icons is a vital and timely inquiry into the complex relationship between love and fear—and the ways that each intensifies the other. 
[more]
cover of Feminism and American Literary History: Essays

Feminism and American Literary History

Essays

Baym, Nina

Rutgers University Press, 1992

Bodies may be currently fashionable in social and feminist theory, but their insides are not. Biological bodies always seem to drop out of debates about the body and its importance in Western culture. They are assumed to be fixed, their workings uninteresting or irrelevant to theory. Birke argues that these static views of biology do not serve feminist politics well. As a trained biologist, she uses ideas in anatomy and physiology to develop the feminist view that the biological body is socially and culturally constructed. She rejects the assumption that the body's functioning is somehow fixed and unchanging, claiming that biological science offers more than just a deterministic narrative of 'how nature works'. Feminism and the Biological Body puts biological science and feminist theory together and suggests that we need a politics which includes, rather than denies, our bodily flesh.
[more]
cover of Fiat Flux: The Writings of Wilson R. Bachelor, Nineteenth-Century Country Doctor and Philosopher

Fiat Flux

The Writings of Wilson R. Bachelor, Nineteenth-Century Country Doctor and Philosopher

William D. Lindsey

University of Arkansas Press, 2013

Wilson R. Bachelor was a Tennessee native who moved with his family to Franklin County, Arkansas, in 1870. A country doctor and natural philosopher, Bachelor was impelled to chronicle his life from 1870 to 1902, documenting the family's move to Arkansas, their settling a farm in Franklin County, and Bachelor's medical practice. Bachelor was an avid reader with wide-ranging interests in literature, science, nature, politics, and religion, and he became a self-professed freethinker in the 1870s. He was driven by a concept he called "fiat flux," an awareness of the "rapid flight of time" that motivated him to treat the people around him and the world itself as precious and fleeting. He wrote occasional pieces for a local newspaper, bringing his unusually enlightened perspectives to the subjects of women's rights, capital punishment, the role of religion in politics, and the domination of the American political system by economic elite in the 1890s. These essays, along with family letters and the original diary entries, are included here for an uncommon glimpse into the life of a country doctor in nineteenth-century Arkansas.
[more]
cover of Fiction and the Ways of Knowing: Essays on British Novels

Fiction and the Ways of Knowing

Essays on British Novels

By Avrom Fleishman

University of Texas Press, 1978

In this highly individual study, Avrom Fleishman explores a wide range of literary references to human culture—the culture of ideas, facts, and images. Each critical essay in Fiction and the Ways of Knowing takes up for sustained analysis a major British novel of the nineteenth or the twentieth century. The novels are analyzed in the light of social, historical, philosophical, and other perspectives that can be grouped under the human sciences.

The diversity of critical contexts in these thirteen essays is organized by Avrom Fleishman's governing belief in the interrelations of literature and other ways of interpreting the world. The underlying assumptions of this approach—as explained in his introductory essay—are that fiction is capable of encompassing even the most recondite facts and recalcitrant ideas; that fiction, though never a mirror of reality, is linked to realities and takes part in the real; and that a critical reading may be informed by scientific knowledge without reducing the literary work to a schematic formula.

Fleishman investigates the matters of fact and belief that make up the designated meanings, the intellectual contexts, and the speculative parallels in three types of novel. Some of the novels discussed make it clear that their authors are informed on matters beyond the nonspecialist's range; these essays help bridge this information gap. Other fictional works are only to be grasped in an awareness of the cultural lore tacitly distributed in their own time; a modern reader must make the effort to fathom their anachronisms. And other novels can be found to open passageways that their authors can only have glimpsed intuitively; these must be pursued with great caution but equal diligence.

The novels discussed include Little Dorrit, The Way We Live Now, Daniel Deronda, he Return of the Native, and The Magus. Also examined are Wuthering Heights, Vanity Fair, Northanger Abbey, To the Lighthouse, Under Western Eyes, Ulysses, and A Passage to India.

[more]
cover of Field Of Vision

Field Of Vision

Lisa Knopp

University of Iowa Press, 1996

In this contemplative collection of essays, Lisa Knopp moves out from the prairies of Nebraska and Iowa to encompass a fully developed vision of light, memory, change, separateness, time, symbols, responsibility, and unity. Knopp charts a stimulating course among the individual, community, and culture that removes the boundaries between self and other, allowing one to become fully present in the world. Her keen vision sees beyond the ordinary to illuminate the mysteries and meanings of our personal and natural worlds.

[more]
cover of Fields of Vision: Essays on the Travels of William Bartram

Fields of Vision

Essays on the Travels of William Bartram

Edited by Kathryn E. Holland Braund and Charlotte M. Porter

University of Alabama Press, 2010

 A classic work of history, ethnography, and botany, and an examination of the life and environs of the 18th-century south

William Bartram was a naturalist, artist, and author of Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the ExtensiveTerritories of the Muscogulees, or Creek Confederacy, and the Country of the Choctaws. The book, based on his journey across the South, reflects a remarkable coming of age. In 1773, Bartram departed his family home near Philadelphia, Pennsylvania, as a British colonist; in 1777, he returned as a citizen of an emerging nation of the United States. The account of his journey, published in 1791, established a national benchmark for nature writing and remains a classic of American literature, scientific writing, and history. Brought up as a Quaker, Bartram portrayed nature through a poetic lens of experience as well as scientific observation, and his work provides a window on 18th-century southern landscapes. Particularly enlightening and appealing are Bartram’s detailed accounts of Seminole, Creek, and Cherokee peoples.
 
The Bartram Trail Conference fosters Bartram scholarship through biennial conferences held along the route of his travels. This richly illustrated volume of essays, a selection from recent conferences, brings together scholarly contributions from history, archaeology, and botany. The authors discuss the political and personal context of his travels; species of interest to Bartram; Creek architecture; foodways in the 18th-century south, particularly those of Indian groups that Bartram encountered; rediscovery of a lost Bartram manuscript; new techniques for charting Bartram’s trail and imaging his collections; and a fine analysis of Bartram’s place in contemporary environmental issues.
 
[more]
cover of Fierce and Delicate: Essays on Dance and Illness

Fierce and Delicate

Essays on Dance and Illness

Renée K. Nicholson

West Virginia University Press, 2021

Memoir about ballet and illness from a creative writing teacher whose career as a ballerina was stopped by rheumatoid arthritis.

Renée Nicholson’s professional training in ballet had both moments of magnificence and moments of torment, from fittings of elaborate platter tutus to strange language barriers and unrealistic expectations of the body. In Fierce and Delicate, she looks back on the often confused and driven self she had been shaped into—always away from home, with friends who were also rivals, influenced by teachers in ways sometimes productive and at other times bordering on sadistic—and finds beauty in the small roles she performed. When, inevitably, Nicholson moved on from dancing, severed from her first love by illness, she discovered that she retained the lyricism and narrative of ballet itself as she negotiated life with rheumatoid arthritis.

An intentionally fractured memoir-in-essays, Fierce and Delicate navigates the traditional geographies of South Florida, northern Michigan, New York City, Milwaukee, West Virginia, and also geographies of the body—long, supple limbs; knee replacements; remembered bodies and actual. It is a book about the world of professional dance and also about living with chronic disease, about being shattered yet realizing the power to assemble oneself again, in a new way.
[more]
cover of Figures of Resistance: Essays in Feminist Theory

Figures of Resistance

Essays in Feminist Theory

Teresa de Lauretis. Edited and with an Introduction by Patricia White

University of Illinois Press, 2006

The changing face of feminist discourse as reflected by the career of one of its preeminent scholars Figures of Resistance brings together the unpublished lectures and little-seen essays of internationally renowned theorist Teresa de Lauretis, spanning over twenty years of her finest work. Thirty years after the height of feminist theory, this collection invites us to reflect on the history of feminism and take a hard look at where it stands today. Selected essays include "Sexual Indifference and Lesbian Representation," "The Lure of the Mannish Lesbian," "Eccentric Subjects," "Habit Changes," "The Intractability of Desire," and the unpublished article "Figures of Resistance." An introduction from feminist film scholar Patricia White provides an overview of the development of de Lauretis's thought and of feminist theory over past decades.
[more]
cover of Final Acts: Death, Dying, and the Choices We Make

Final Acts

Death, Dying, and the Choices We Make

Bauer-Maglin, Nan

Rutgers University Press, 2010

Today most people die gradually, from incremental illnesses, rather than from the heart attacks or fast-moving diseases that killed earlier generations. Given this new reality, the essays in Final Acts explore how we can make informed and caring end-of-life choices for ourselves and for those we loveùand what can happen without such planning.

Contributors include patients, caretakers, physicians, journalists, lawyers, social workers, educators, hospital administrators, academics, psychologists, and a poet, and among them are ethicists, religious believers, and nonbelievers. Some write moving, personal accounts of "good" or 'bad" deaths; others examine the ethical, social, and political implications of slow dying. Essays consider death from natural causes, suicide, and aid-in-dying (assisted suicide).

Writing in a style free of technical jargon, the contributors discuss documents that should be prepared (health proxy, do-not-resuscitate order, living will, power of attorney); decision-making (over medical interventions, life support, hospice and palliative care, aid-in-dying, treatment location, speaking for those who can no longer express their will); and the roles played by religion, custom, family, friends, caretakers, money, the medical establishment, and the government.

For those who yearn for some measure of control over death, the essayists in Final Acts, from very different backgrounds and with different personal and professional experiences around death and dying, offer insight and hope.

[more]
cover of Final Light: The Life and Art of V. Douglas Snow

Final Light

The Life and Art of V. Douglas Snow

Frank McEntire

University of Utah Press, 2013

The motivating force behind Final Light was to document Snow’s “visual language”—forged early in his career from abstract expressionist influences typified by Willem de Kooning, Joan Mitchell, Robert Motherwell, and Franz Kline, among others. Final Light represents the first book to examine the legacy of this significant Utah educator and painter. Renowned scholars, writers, and activists who are familiar with Snow’s work—many of whom were his close friends—recount personal experiences with the artist and delve into his motives, methods, and reputation. The volume not only offers their commentaries, but also contains more than 80 exquisite full-color reproductions of Snow’s paintings, dating from the 1950s until 2009, when he died in an auto accident at the age of eighty-two.

A nationally recognized artist, Snow chose to stay in Utah where, when not teaching at the University of Utah, he roamed the southern Utah desert gaining inspiration from the red rock formations, especially the Cockscomb outside his studio near Capitol Reef National Park. Snow said, “Every artist probably wonders if he or she made the right decision to dig in to a certain place.” He dug into the landscape in and around Southern Utah and never regretted it. Just as “Tennessee Williams’s South, William Faulkner’s Mississippi, [or] John Steinbeck’s West Coast, formed their work,” the desert lands of the Colorado Plateau formed Snow’s. Their sense of place, “without provincialism,” said Snow “is what gives their art its enduring power.” Final Light will appeal to art historians and art lovers, especially those interested in abstract expressionism and the art of Utah, the West, and the Southwest.

Chosen by 15 Bytes, Utah's art magazine, as the most exceptional art book for 2014.  
[more]
cover of Finding Querencia: Essays from In-Between

Finding Querencia

Essays from In-Between

Harrison Candelaria Fletcher

The Ohio State University Press, 2022

Winner, 2022 New Mexico-Arizona Book Award (Autobiography/Memoir category)

With its roots in the Spanish verb querer—“to want, to love”—the term querencia has been called untranslatable but has come to mean a place of safety and belonging, that which we yearn for when we yearn for home. In this striking essay collection, Harrison Candelaria Fletcher shows that querencia is also a state of being: the peace that arises when we reconcile who we are. A New Mexican of mixed Latinx and white ethnicity, Candelaria Fletcher ventures into the fault lines of culture, landscape, and spirit to discover the source of his lifelong hauntings. Writing in the persona of coyote, New Mexican slang for “mixed,” he explores the hyphenated elements within himself, including his whiteness. Blending memory, imagination, form, and language, each essay spirals outward to investigate, accept, and embrace hybridity. Ultimately, Finding Querencia offers a new vocabulary of mixed-ness, a way to reconcile the crosscurrents of self and soul.
[more]
cover of Finding a Clear Path

Finding a Clear Path

JIM MINICK

West Virginia University Press, 2006

Finding a Clear Path intertwines literature, agriculture, and ecology as author Jim Minick takes the reader on many journeys, allowing you to float on a pond, fly with a titmouse, gather ginseng, and grow the lowly potato. The reader visits monarch butterflies and morel mushrooms, encountering beavers, black snakes, and bloodroot along the way. Using his background as a blueberry farmer, gardener and naturalist, Minick explores the Appalachian region and also introduces information that can be appreciated from a scientific point of view, explaining, for example, the ears of an owl, or the problems with the typical Christmas tree. Reading this collection of essays invites you to search for ways to better understand and appreciate this marvelous world, opening paths for journeys of your own.

[more]
cover of Finished Business: My Fifty Years of Headlines, Heroes, and Heartaches

Finished Business

My Fifty Years of Headlines, Heroes, and Heartaches

Ray Didinger

Temple University Press, 2021

Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.

Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.

Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.

In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.

His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.

[more]
cover of Fire and Ink: An Anthology of Social Action Writing

Fire and Ink

An Anthology of Social Action Writing

Edited by Frances Payne Adler, Debra Busman, and Diana García

University of Arizona Press, 2009

Fire and Ink is a powerful and impassioned anthology of stories, poems, interviews, and essays that confront some of the most pressing social issues of our day. Designed to inspire and inform, this collection embodies the concepts of “breaking silence,” “bearing witness,” resistance, and resilience. Beyond students and teachers, the book will appeal to all readers with a commitment to social justice.

Fire and Ink brings together, for the first time in one volume, politically engaged writing by poets, fiction writers, and essayists. Including many of our finest writers—Martín Espada, Adrienne Rich, June Jordan, Patricia Smith, Gloria Anzaldúa, Sharon Olds, Arundhati Roy, Sonia Sanchez, Carolyn Forche, Chitra Banerjee Divakaruni, Alice Walker, Linda Hogan, Gary Soto, Kim Blaeser, Minnie Bruce Pratt, Li-Young Lee, and Jimmy Santiago Baca, among others—this is an indispensable collection.

This groundbreaking anthology marks the emergence of social action writing as a distinct field within creative writing and literature. Featuring never-before-published pieces, as well as reprinted material, Fire and Ink is divided into ten sections focused on significant social issues, including identity, sexuality and gender, the environment, social justice, work, war, and peace. The pieces can often be gripping, such as “Frame,” in which Adrienne Rich confronts government and police brutality, or Chris Abani’s “Ode to Joy,” which documents great courage in the face of mortal danger.

Fire and Ink serves as a wonderful reader for a wide range of courses, from composition and rhetoric classes to courses in ethnic studies, gender studies, American studies, and even political science, by facing a past that was often accompanied by injustice and suffering. But beyond that, this collection teaches us that we all have the power to create a more equitable and just future.
[more]
cover of First Amendment Studies in Arkansas: The Richard S. Arnold Prize Essays

First Amendment Studies in Arkansas

The Richard S. Arnold Prize Essays

Stephen Smith

University of Arkansas Press, 2016

This collection of fourteen essays written by young communication scholars at the University of Arkansas presents unique insights into how First Amendment issues have played out in the state. Rather than exploring the particular legal issues and the constitutional principles enunciated by the courts, First Amendment Studies tells the stories of actual people expressing challenged or unpopular points of view and reveals the ways that constitutional controversies arise from the actions of local officials and individual citizens.

Drawing on public documents as well as extensive interviews with participants, these essays demonstrate the dynamics of democratic dissent—on college campuses, in public schools, in churches, on the streets, in the forests and on the farms, and in legislative chambers and courtrooms.

Each essay was selected for the Richard S. Arnold Prize in First Amendment Studies, an endowed fund established in 1999 to encourage University of Arkansas graduate students in communication and the liberal arts to explore and examine questions about freedom of speech and freedom of religion.
[more]
cover of First Days Of The Year

First Days Of The Year

Helene Cixous

University of Minnesota Press, 1998

[more]
cover of First Encounters with AI: Writers on Writing

First Encounters with AI

Writers on Writing

Edited by Nina Beguš

University of Michigan Press, 2026

First Encounters with AI gathers some of today’s most original literary minds to explore one of the central artistic and cultural questions of our era: What happens to writing when language is no longer used only by humans? As large language models enter the public imagination and everyday creative practice, writers across genres—novelists, poets, screenwriters, essayists, translators, scholars, technologists, language artists—are grappling with profound shifts in how stories are conceived, crafted, and shared.

Allison Parrish, Ted Chiang, Annelyse Gelman, Sasha Stiles, James Yu, Hannes Bajohr, Ken Liu, Qiufan Chen, Joseph Dumit, Gerardo Con Diaz, Iain S. Thomas, Sheila Heti, Nicholas Nardini, Jasmin B. Frelih, Katy Ilonka Gero, and Alex Saum-Pascual reflect on their early, intimate encounters with generative text at a moment when artificial intelligence feels at once thrilling, unsettling, and unavoidable. Their essays portray AI not as a monolith, but as a dynamic field of possibility and tension between creativity and computation, where longstanding human questions about intention, desire, authorship, labor, and value gain new urgency. Ranging from deeply personal meditations to critical provocations, from philosophical investigations to playful experiments, these writers reveal how writing tools shape writing itself—and what is at stake when those tools begin to imitate us. Curated and introduced by editor Nina Beguš, First Encounters with AI offers readers an essential guide to navigating this new literary landscape. Together, these essays map the terrain of our first contact zone with AI, offering clarity, insight, and imaginative depth at a moment of radical change.

[more]
cover of Flight Calls: Exploring Massachusetts through Birds

Flight Calls

Exploring Massachusetts through Birds

John R. Nelson

University of Massachusetts Press, 2019

The paths of different birds look like double helixes, flowing strands of hair, and migrating serpents, and they beckon with calls that have definite meanings. These mysterious creatures inspire growing numbers of birders in their passionate pursuit of new species, and writer John R. Nelson is no exception. In Flight Calls, he takes readers on explorations to watch, hear, and know Massachusetts's hummingbirds, hawks, and herons along the coasts and in the woodlands, meadows, and marshes of Cape Ann, Cape Cod, the Great Marsh, Mount Auburn Cemetery, the Quabbin wilderness, Mount Wachusett, and elsewhere.

With style, humor, and a sense of wonder, Nelson blends his field adventures with a history of the birding community; natural and cultural history; bird stories from authors such as Henry David Thoreau, Emily Dickinson, and Mary Oliver; current scientific research; and observations about the fascinating habits of birds and their admirers. These essays are capped off with a plea for bird conservation, in Massachusetts and beyond.
[more]
cover of Folk Law: Essays in the Theory and Practice of Lex Non Scripta

Folk Law

Essays in the Theory and Practice of Lex Non Scripta

Alison Dundes Renteln

University of Wisconsin Press, 1995

In every culture there exists unwritten law—obligations and prohibitions that are understood and passed on, and transgressions that are punished. Folk Law, a comprehensive two-volume collection of essays, examines this meeting place of folklore and jurisprudence. The contributors explore the historical significance and implications of folk law, its continuing influence around the globe, and the conflicts that arise when folk law diverges from official law.
    The collection begins by defining various forms of “folk law,” drawing on examples from many cultures. The second section provides historical profiles of pioneering figures in the study of folk law. Following sections examine field research techniques used to identify folk laws; aspects of folk law within the realm of rituals, songs, and other forms of expressive culture; instances where folk law comes into conflict with national law, and the role of folk law in the international arena. The volumes also include description and analysis of two approaches to folk law—the rule approach, in which scholars dissect the codes that underlie folk law, and the case approach, in which researchers examine specific cases involving folk law.
    Valuable for students and scholars of law, folklore, or anthropology, this extensive casebook marks a rare interdisciplinary approach to two important areas of research.

[more]
cover of For Dear Life: Women's Decriminalization and Human Rights in Focus

For Dear Life

Women's Decriminalization and Human Rights in Focus

Carol Jacobsen

University of Michigan Press, 2019

For Dear Life chronicles feminist and artist Carol Jacobsen's deep commitment to the causes of justice and human rights, and focuses a critical lens on an American criminal-legal regime that imparts racist, gendered, and classist modes of punishment to women lawbreakers. Jacobsen's tireless work with and for women prisoners is charted in this rich assemblage of images and texts that reveal the collective strategies she and the prisoners have employed to receive justice. The book gives evidence that women's lawbreaking is often an effort to survive gender-based violence. The faces, letters, and testimonies of dozens of incarcerated women with whom Jacobsen has worked present a visceral yet politicized chorus of voices against the criminal-legal systems that fail us all. Their voices are joined by those of leading feminist scholars in essays that illuminate the arduous methods of dissent that Jacobsen and the others have employed to win freedom for more than a dozen women sentenced to life imprisonment, and to free many more from torturous prison conditions. The book is a document to Jacobsen's love and lifelong commitment to creating feminist justice and freedom, and to the efficacy of her artistic, legal, and extralegal political actions on behalf of women.
[more]
cover of For Jobs and Freedom: Selected Speeches and Writings of A. Philip Randolph

For Jobs and Freedom

Selected Speeches and Writings of A. Philip Randolph

Andrew E. Kersten

University of Massachusetts Press, 2014

As the head of the Brotherhood of Sleeping Car Porters and a tireless advocate for civil rights, A. Philip Randolph (1889–1979) served as a bridge between African Americans and the labor movement. During a public career that spanned more than five decades, he was a leading voice in the struggle for black freedom and social justice, and his powerful words inspired others to join him.

This volume documents Randolph's life and work through his own writings. The editors have combed through the files of libraries, manuscript collections, and newspapers, selecting more than seventy published and unpublished pieces that shed light on Randolph's most significant activities. The book is organized thematically around his major interests—dismantling workplace inequality, expanding civil rights, confronting racial segregation, and building international coalitions. The editors provide a detailed biographical essay that helps to situate the speeches and writings collected in the book. In the absence of an autobiography, this volume offers the best available presentation of Randolph's ideas and arguments in his own words.
[more]
cover of For Love of the World: Essays on Nature Writers

For Love of the World

Essays on Nature Writers

Sherman Paul

University of Iowa Press, 1992

Along with poets, philosophers, and deep ecologists, nature writers—who may be something of all three—address the world alienation of Western civilization. By example as well as with words, they teach us to turn from the self to the world, from ego to ecos.In these deeply felt meditative essays, Sherman Paul contemplates the cosmological homecoming of nature writers who show us how to reenter the world, participate in it, and recover respect for it.
In For Love of the World Sherman Paul considers Thoreau, John Muir, and Aldo Leopold, major writers in the American tradition of nature writing; Henry Beston and Loren Eiseley, writers not yet so canonical; and Richard Nelson and Barry Lopez, our estimable contemporaries.
Paul's meditative mode follows the practice of naturalists who enter the field, come into the open, and relate their immediate experiences. In the most primary and direct way, his essays belong to our moment in history when nothing is more essential than our reattachment to earthly existence. They will reawaken our love of the world—the necessary eros of ecos—and our wonder at and gratitude for being.
[more]
cover of For René Girard: Essays in Friendship and in Truth

For René Girard

Essays in Friendship and in Truth

Sandor Goodhart

Michigan State University Press, 2009

In his explorations of the relations between the sacred and violence, René Girard has hit upon the origin of culture—the way culture began, the way it continues to organize itself. The way communities of human beings structure themselves in a manner that is different from that of other species on the planet.
     Like Albert Einstein, Sigmund Freud, Émile Durkheim, Martin Buber, or others who have changed the way we think in the humanities or in the human sciences, Girard has put forth a set of ideas that have altered our perceptions of the world in which we function. We will never be able to think the same way again about mimetic desire, about the scapegoat mechanism, and about the role of Jewish and Christian scripture in explaining sacrifice, violence, and the crises from which our culture has been born.
     The contributions fall into roughly four areas of interpretive work: religion and religious study; literary study; the philosophy of social science; and psychological studies.
     The essays presented here are offered as "essays" in the older French sense of attempts (essayer) or trials of ideas, as indeed Girard has tried out ideas with us. With a conscious echo of Montaigne, then, this hommage volume is titled Essays in Friendship and in Truth.

[more]
cover of For Those Who Sleep in the Dust: Essays on Archaeology and the Bible

For Those Who Sleep in the Dust

Essays on Archaeology and the Bible

William G. Dever

SBL Press, 2026

A lifetime of essential scholarship from one of biblical archaeology’s most prolific scholars For Those Who Sleep in the Dust collects thirteen of William G. Dever’s best articles and essays on the archaeological history of ancient Israel. Dever’s work on a range of hotly debated topics, including the origins of the Israelite people, the development of the state, and Israelite religion, gives voice to the ordinary, anonymous Israelites and Judahites hidden in the shadows of the leaders, battles, and religious debates memorialized in the Hebrew Bible. These essays not only illuminate the ancient human experience but also make biblical archaeology accessible to anyone who needs a broad introduction to what archaeology can and cannot reveal about the Bible. William G. Dever is Distinguished Visiting Professor at Lycoming College in Williamsport, Pennsylvania, and Professor Emeritus at the Arizona Center for Judaic Studies at the University of Arizona. Dever is the author of more than four hundred publications, including What Did the Biblical Writers Know and When Did They Know It? What Archeology Can Tell Us about the Reality of Ancient Israel (2001), Who Were the Early Israelites and Where Did They Come From? (2003), The Lives of Ordinary People in Ancient Israel: Where Archaeology and the Bible Intersect (2012), Beyond the Texts: An Archaeological Portrait of Ancient Israel and Judah (2017), and My Nine Lives: Sixty Years in Israeli and Biblical Archaeology (2020).
[more]
cover of For a New Novel: Essays on Fiction

For a New Novel

Essays on Fiction

Alain Robbe-Grillet

Northwestern University Press, 1989

Alain Robbe-Grillet, one of the leaders of the new French literary movement of the sixties, has long been regarded as the outstanding writer of the nouveau roman, as well as its major spokesman. For a New Novel reevaluates the techniques, ethos, and limits of contemporary fiction. This is a work of immense importance for any discussions of the history of the novel and for contemporary thinking about the future of fiction.
[more]
cover of For the Love of Mike: More of the Best of Mike Royko

For the Love of Mike

More of the Best of Mike Royko

Mike Royko

University of Chicago Press, 2001

In 1999, the University of Chicago Press published a collection of Mike Royko's columns, entitled One More Time: The Best of Mike Royko. The response was immediate and overwhelming—readers almost instantly began asking when the second volume of Royko columns would appear. With more than a hundred vintage Royko columns and a foreword by Roger Ebert, For the Love of Mike was the answer.

Royko, a nationally syndicated Pulitzer Prize winner, wrote for three major Chicago newspapers in the course of his 34 years as a daily columnist. Chosen from more than 7,000 columns, For the Love of Mike brings back more than a hundred vintage Royko pieces-most of which have not appeared since their initial publication-for readers across the country to enjoy. This second collection includes Royko's riffs on the consequences of accepting a White House dinner invitation (not surprisingly, he turned it down); his explanation of the notorious Ex-Cub Factor in World Series play; and his befuddlement at a private screening of Beyond the Valley of the Dolls, to which he was invited by his pal Ebert, the screenplay's author. The new collection also illuminates Royko's favorite themes, topics he returned to again and again: his skewering of cultural trends, his love of Chicago, and his rage against injustice. By turns acerbic, hilarious, and deeply moving, Royko remains a writer of wit and passion who represents the best of urban journalism.

"To read these columns again is to have Mike back again, nudging, chuckling, wincing, deflating pomposity, sticking up for the little guy, defending good ideas against small-minded people," writes Roger Ebert in his foreword to the book. For the Love of Mike does indeed bring Mike back again, and until a Chicago newspaper takes up Ebert's suggestion that it begin reprinting each of Royko's columns, one a day, this collection will more than satisfy Royko's loyal readers.
[more]
cover of For the Sake of the Song: Essays on Townes Van Zandt

For the Sake of the Song

Essays on Townes Van Zandt

Ann Norton Holbrook

University of North Texas Press, 2022

[more]
cover of Forests of Gold: Essays on the Akan and the Kingdom of Asante

Forests of Gold

Essays on the Akan and the Kingdom of Asante

Ivor Wilks

Ohio University Press, 1995

Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.

[more]
cover of Forgiveness & Reconciliation: Public Policy & Conflict Transformation

Forgiveness & Reconciliation

Public Policy & Conflict Transformation

Raymond G. Helmick

Templeton Press, 2001

 This book brings together a unique combination of experts in conflict resolution and focuses on the role forgiveness can play in the process. It deals with theology, public policy, psychological and social theory, and social policy implementation of forgiveness. This book is essential for libraries, scholars, conflict negotiators, and all people who hope to understand the role of forgiveness in the peace process.

The book's first section explores how ideas like "forgiveness" and "reconciliation" are moving out from the seminary and academy into the world of public policy and how these terms have been used and defined in the past. The second section looks at forgiveness and public policy. One of the chapters, by Donald W. Shriver Jr., addresses forgiveness in a secular political forum.

The third section of the book draws us to a more thorough analysis of the relationship between forgiveness and reconciliation from voices in the academic and theological community, and the final section highlights the work of practitioners currently working with religion, public policy, and conflict transformation, particularly in areas such as Ireland and Africa. 

Contributors include Desmond M. Tutu, Rodney L. Petersen, Miroslav Volf, Stanley S. Harakas, Raymond G. Helmick, SJ, Joseph V. Montville, Douglas M. Johnston, Donna Hicks, Donald W. Shriver, Jr., Everett L. Worthington, Jr., John Paul Lederach, Ervin Staub, Laurie Anne Pearlman, John Dawson, Audrey R. Chapman, Olga Botcharova, Anthony da Silva, SJ, Geraldine Smythe, OP, Andrea Bartoli, Ofelia Ortega, and George F. R. Ellis.

[more]
cover of Forms of Association: Making Publics in Early Modern Europe

Forms of Association

Making Publics in Early Modern Europe

Paul Yachnin

University of Massachusetts Press, 2015

In today's connected and interactive world, it is hard to imagine a time when cultural and intellectual interests did not lead people to associate with others who shared similar views and preoccupations. In this volume of essays, fifteen scholars explore how these kinds of relationships began to transform early modern European culture.

Forms of Association grows out of the “Making Publics: Media, Markets, and Association in Early Modern Europe” (MaPs) project, funded by the Social Sciences and Humanities Research Council of Canada. This scholarly initiative convened an interdisciplinary research team to consider how “publics”—new forms of association built on the shared interests of individuals—developed in Europe from 1500 to 1700. Drawing on a wide array of texts and histories, including the plays of Shakespeare, the legend of Robin Hood, paintings, and music as well as English gossip about France, the contributors develop a historical account of what publics were in early modern Europe. This collaborative study provides a dynamic way of understanding the political dimensions of artistic and intellectual works and opens the way toward a new history of early modernity.

Until his death in 2008, the great Renaissance scholar Richard Helgerson was a key participant in the MaPs project. The scholars featured in this volume originally met in Montreal to engage in a critical, commemorative conversation about Helgerson's work, the issues and questions coming out of the MaPs project, and how Helgerson's thinking advanced and could in turn be advanced by MaPs. This collection represents the fruits of that conversation.

[more]
cover of Forrest Gander: Poetry, Translation, Ecology

Forrest Gander

Poetry, Translation, Ecology

Edited by Robert Baker

University of Michigan Press, 2026

Pulitzer Prize winner Forrest Gander is widely celebrated as a love poet, a meditative poet, and a poet of ecological awareness. He has always been a writer drawn to cross-cultural encounter, as active in translation as any poet of his generation. This collection of essays on his work brings together an international range of poets, novelists, critics, and translators, including Charles Altieri, Stephanie Burt, Julia Fiedorczuk, Jorie Graham, and Jeanette Winterson.

The collection features interviews as well as essays of different kinds—reviews, appreciations, and interpretations—and they address Gander’s poetry, fiction, and translations. They illuminate major concerns at the heart of all his work: eros, companionship, loss, renewal, an openness to the life all around us, and a rapt attention to the natural world.

[more]
cover of Fourth City: Essays from the Prison in America

Fourth City

Essays from the Prison in America

Edited by Doran Larson

Michigan State University Press, 2014

At 2.26 million, incarcerated Americans not only outnumber the nation’s fourth-largest city, they make up a national constituency bound by a shared condition. Fourth City: Essays from the Prison in America presents more than seventy essays from twenty-seven states, written by incarcerated Americans chronicling their experience inside. In essays as moving as they are eloquent, the authors speak out against a national prison complex that fails so badly at the task of rehabilitation that 60% of the 650,000 Americans released each year return to prison. These essays document the authors’ efforts at self-help, the institutional resistance such efforts meet at nearly every turn, and the impact, in money and lives, that this resistance has on the public. Directly confronting the images of prisons and prisoners manufactured by popular media, so-called reality TV, and for-profit local and national news sources, Fourth City recognizes American prisoners as our primary, frontline witnesses to the dysfunction of the largest prison system on earth. Filled with deeply personal stories of coping, survival, resistance, and transformation, Fourth City should be read by every American who believes that law should achieve order in the cause of justice rather than at its cost.
[more]
cover of Fourth Genre: Twenty-Five Essays from Our First Twenty-Five Years

Fourth Genre

Twenty-Five Essays from Our First Twenty-Five Years

Joey Franklin

Michigan State University Press, 2025

Fourth Genre: Twenty-Five Essays from Our First Twenty-Five Years is an anthology of outstanding creative nonfiction published since the journal’s first issue in 1999. Describing it as an anthology, though, feels too dry for this collection. Is it a mixtape, maybe? A literary festival or a potluck? A mosaic of voices, a tapestry, or an open mic? This volume includes essays on grief and guns, prayer and parenthood, fear and family, race and religion, hometowns and home cooking. It features stories from parents, teachers, scholars, activists, and artists, told in voices that represent white, Black, brown, gay, straight, transgender, and immigrant experiences. Ordinary people engaged in the extraordinary act of humble self-reflection, all wrestling with issues, big and small, trusting in the power of the personal to reveal essential truths about all of us. Each essay comes paired with writing prompts and a reflective note from the author that reveals their personal creative process, inviting readers to begin their own journeys of discovery. Whether you’re here to teach, learn, or just savor fine writing, this book will remind you that life, in all its strange, wonderful, heartbreaking, devastating beauty and trauma, is always worth writing about.
[more]
cover of Foxes for Everybody: Twenty-Four Hours of Early Motherhood

Foxes for Everybody

Twenty-Four Hours of Early Motherhood

Catherine Pierce

Northwestern University Press, 2026

Meditations on time, motherhood, and the ordinary beauty of everyday life

Like a newborn’s patterns of sleeping and waking, the revelations of motherhood don’t follow a reasonable schedule, and there’s no clocking out. Organized around the hours of the day, Foxes for Everybody gives voice to the marvels, fears, absurdities, and astonishments of parenthood. These essays offer twenty-four glimpses into how we experience time, our families, our planet, and all of those small moments that aren’t small at all. In memories and reflections that weave through tornadoes and jellyfish, cemeteries and carousels, mortality, mental health, and the exquisite gift of a perfect sentence, acclaimed writer Catherine Pierce reminds us that fear and joy can and do live side by side, and urges us to stay awake—even when, especially when, we’re at the brink of exhaustion—to the possibility of wonder.
[more]
cover of Frank Waters: Man and Mystic

Frank Waters

Man and Mystic

Vine Deloria Jr.

Ohio University Press, 1993

“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually. Even with profound faith and rigorous discipline of self, mystics have found it difficult to resolve through action and prayer…I look at the life and writing of Frank Waters…and find…a remarkable journey of inquiry spanning nearly a century and illuminating questions which I did not think possible to formulate.”

—Vine Deloria, Jr., editor

Contributors to this volume are Alvin M. Josephy, Jr., Bobby Bridger, Steven Wall, Will Wright, William Eastlake, Larry Evers, David Jongeward, Max Evans, Win Blevins, Barbara Waters, Rudolfo Anaya, Thomas J. Lyon, Joe Gordon, Robert Kostka, Charles Adams, Father Peter J. Powell, Quay Grigg, Alexander Blackburn, and T. N. Luther.

[more]
cover of Frankincense, Gold, and Myrrh: A Christmas Chrestomathy

Frankincense, Gold, and Myrrh

A Christmas Chrestomathy

Joseph Bottum

St. Augustine's Press, 2024

For over thirty years, Joseph Bottum has been writing widely acclaimed Christmas essays, columns, short stories, and carols for American magazines and newspapers. Now, for the first time, St. Augustine’s Press has gathered a selection of these classic pieces—with a vast range across the Christmas spectrum. 

There’s the comic: “Tinsel. No one needs tinsel. Even the word is a tinselly kind of word.” There’s the sentimental: “Her hair was the same thin shade of gray as the weather-beaten pickets of the fence around her frozen garden.” There’s the reminiscent: “Christmas was books, and books Christmas, in those days now mostly washed down to the cold sea.” Along the way, there’s the theological, the learned, the mystical, and the musical.

“Tastefulness is just small-mindedness pretending to be art,” he writes in praise of mad and cluttered holidays. “Christmas will not be defined by our failures to apply its lessons and carols,” he explains about Yuletide poetry. To see these essays and short stories gathered in one place—in a beautiful illustrated edition from St. Augustine’s Press—is to see the whole of the vision that Joseph Bottum has been painting for decades: a picture of Christmas as a thin place in the wall between the natural and the numinous, where a burning grace slips into a cold winter world.
[more]
cover of Franklin Furnace and the Spirit of the Avant-Garde: A History of the Future

Franklin Furnace and the Spirit of the Avant-Garde

A History of the Future

Toni Sant

Intellect Books, 2011

Franklin Furnace is a renowned New York–based artsorganization whose mission is to preserve, document, and present works of avant-garde art by emerging artists—particularly those whose works may be vulnerable due to institutional neglect or politically unpopular content. Over more than thirty years, Franklin Furnace has exhibited works by hundreds of avant-garde artists, some of whom—Laurie Anderson, Vito Acconci, Karen Finley, Guillermo Gómez-Peña, Jenny Holzer, and the Blue Man Group, to name a few—are now established names in contemporary art.

Here, for the first time, is a comprehensive history of this remarkable organization from its conception to the present. Organized around the major art genres that emerged in the second half of the twentieth century, this book intersperses first-person narratives with readings by artists and scholars on issues critical to the organization's success as well as Franklin Furnace's many contributions to avant-garde art.

[more]
cover of Free Verse: An Essay on Prosody

Free Verse

An Essay on Prosody

Charles O. Hartman

Northwestern University Press, 1996

To make sense of "free verse" in theory of in practice, the study of prosody—the function of rhythm in poetry—must be revised and rethought. In Free Verse: An Essay on Prosody, Charles Hartman develops a theory of prosody that includes the most characteristic form of twentieth-century poetry.
[more]
cover of Friendly Fallout 1953

Friendly Fallout 1953

Ann Ronald

University of Nevada Press, 2011

Friendly Fallout 1953 is a hybrid work of literature that combines the actual history of aboveground atomic testing in the Nevada desert in 1953 with fictional vignettes that explore the impact of the tests on the people who participated in them and on civilian "downwinders." The book brings to life a turbulent era when Cold War fears, patriotic enthusiasm, scientific progress, and unacknowledged political agendas often collided with the welfare of ordinary citizens and the environment.

[more]
cover of Frog Mountain Blues

Frog Mountain Blues

Charles Bowden; Photographs by Jack W. Dykinga

University of Arizona Press, 1994

The Santa Catalina Mountains north of Tucson—whose summit is called “Frog Mountain” by native Tohono O’odham people—offer citizens of a major metropolis a wilderness in their own backyard. Today recreational facilities dot the Catalinas’ peaks, while housing developments creep up their foothills. Charles Bowden and Jack W. Dykinga here convey the natural beauty of the Catalinas and warn readers that this unique wilderness could easily be lost through easy access and overuse.
[more]