496 books match the query 'Ethnic identity' and 12 start with f

cover of Faces of Resistance: Maya Heroes, Power, and Identity

Faces of Resistance

Maya Heroes, Power, and Identity

Edited by S. Ashley Kistler

University of Alabama Press, 2018

Fosters a holistic understanding of the roles of Maya heroic figures as cornerstones of cultural identity and political resistance and power
 
In the sixteenth century, Q’eqchi’ Maya leader Aj Poop B’atz’ changed the course of Q’eqchi’ history by welcoming Spanish invaders to his community in peace to protect his people from almost certain violence. Today, he is revered as a powerful symbol of Q’eqchi’ identity. Aj Poop B’atz’ is only one of many indigenous heroes who has been recognized by Maya in Mexico and Guatemala throughout centuries of subjugation, oppression, and state-sponsored violence.
 
Faces of Resistance: Maya Heroes, Power, and Identity explores the importance of heroes through the analyses of heroic figures, some controversial and alternative, from the Maya area. Contributors examine stories of hero figures as a primary way through which Maya preserve public memory, fortify their identities, and legitimize their place in their country’s historical and political landscape. Leading anthropologists, linguists, historians, and others incorporate ethnographic, ethnohistoric, and archival material into their chapters, resulting in a uniquely interdisciplinary book for scholars as well as students.
 
The essays offer the first critical survey of the broad significance of these figures and their stories and the ways that they have been appropriated by national governments to impose repressive political agendas. Related themes include the role of heroic figures in the Maya resurgence movement in Guatemala, contemporary Maya concepts of “hero,” and why some assert that all contemporary Maya are heroes.
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cover of Fashioning Diaspora: Beauty, Femininity, and South Asian American Culture

Fashioning Diaspora

Beauty, Femininity, and South Asian American Culture

Vanita Reddy

Temple University Press, 2015

In her insightful study, Fashioning Diaspora, Vanita Reddy carefully maps how transnational itineraries of Indian beauty and fashion shape South Asian American cultural identities and racialized belonging from the 1990s to the late-2000s. She observes how diasporic subjects engage with and respond to various encounters with Indian beauty and fashion.
 
One of the first books to consider beauty and fashion as a point of entry into an examination of South Asian diasporic public cultures, Fashioning Diaspora examines a range of literature, visual art, and live performance. Through careful analyses of novels by Bharati Mukherjee and Jhumpa Lahiri, young adult literature, performance art by Shailja Patel, as well as objects of popular culture including an Indian American fashion doll, and beauty and adornment practices, Reddy challenges fashion and beauty as a set of dematerialized, overly commodified cultural practices. She argues instead that beauty and fashion structure South Asian Americans’ uneven access to social mobility, capital, and citizenship, and demonstrates their varying capacities to produce social attachments across national, class, racial, gender, and generational divides.  
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cover of Filipinos Represent: DJs, Racial Authenticity, and the Hip-hop Nation

Filipinos Represent

DJs, Racial Authenticity, and the Hip-hop Nation

Antonio T. Tiongson Jr.

University of Minnesota Press, 2013

The “Hip-hop Nation” has been scouted, staked out, and settled by journalists and scholars alike. Antonio T. Tiongson Jr. steps into this well-mapped territory with questions aimed at interrogating how nation is conceptualized within the context of hip-hop. What happens, Tiongson asks, to notions of authenticity based on hip-hop’s apparent blackness when Filipino youth make hip-hop their own?

Tiongson draws on interviews with Bay Area–based Filipino American DJs to explore the authenticating strategies they rely on to carve out a niche within DJ culture. He shows how Filipino American youth involvement in DJing reconfigures the normal boundaries of Filipinoness predicated on nostalgia and cultural links with an idealized homeland. Filipinos Represent makes the case that while the engagement of Filipino youth with DJ culture speaks to the broadening racial scope of hip-hop—and of what it means to be Filipino—such involvement is also problematic in that it upholds deracialized accounts of hip-hop and renders difference benign.

Looking at the ways in which Filipino DJs legitimize their place in an expressive form historically associated with African Americans, Tiongson examines what these complex forms of identification reveal about the contours and trajectory of contemporary U.S. racial formations and discourses in the post–civil rights era.

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cover of Finding Querencia: Essays from In-Between

Finding Querencia

Essays from In-Between

Harrison Candelaria Fletcher

The Ohio State University Press, 2022

Winner, 2022 New Mexico-Arizona Book Award (Autobiography/Memoir category)

With its roots in the Spanish verb querer—“to want, to love”—the term querencia has been called untranslatable but has come to mean a place of safety and belonging, that which we yearn for when we yearn for home. In this striking essay collection, Harrison Candelaria Fletcher shows that querencia is also a state of being: the peace that arises when we reconcile who we are. A New Mexican of mixed Latinx and white ethnicity, Candelaria Fletcher ventures into the fault lines of culture, landscape, and spirit to discover the source of his lifelong hauntings. Writing in the persona of coyote, New Mexican slang for “mixed,” he explores the hyphenated elements within himself, including his whiteness. Blending memory, imagination, form, and language, each essay spirals outward to investigate, accept, and embrace hybridity. Ultimately, Finding Querencia offers a new vocabulary of mixed-ness, a way to reconcile the crosscurrents of self and soul.
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cover of First Nationalism Then Identity: On Bosnian Muslims and Their Bosniak Identity

First Nationalism Then Identity

On Bosnian Muslims and Their Bosniak Identity

Mirsad Kriještorac

University of Michigan Press, 2022

First Nationalism Then Identity focuses on the case of Bosnian Muslims, a rare historic instance of a new nation emerging. Although for Bosnian Muslims the process of national emergence and the assertion of a new salient identity have been going on for over two decades, Mirsad Kriještorac is the first to explain the significance of the whole process and how the adoption of their new Bosniak identity occurred. He provides a historical overview of Yugoslav and Bosnian Slavic Muslims’ transformation into a full-fledged distinct and independent national group as well as addresses the important question in the field of nationalism studies about the relationship between and workings of nationalism and identity. While this book is noteworthy for ordinary readers interested in the case of Bosnian Muslims, it is an important contribution to the scholarly debate on the role of nationalism in the political life of a group and adds an interdisciplinary perspective to comparative politics scholarship by drawing from anthropology, history, geography, and sociology.

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cover of Flavor and Soul: Italian America at Its African American Edge

Flavor and Soul

Italian America at Its African American Edge

John Gennari

University of Chicago Press, 2017

In the United States, African American and Italian cultures have been intertwined for more than a hundred years. From as early as nineteenth-century African American opera star Thomas Bowers—“The Colored Mario”—all the way to hip-hop entrepreneur Puff Daddy dubbing himself “the Black Sinatra,” the affinity between black and Italian cultures runs deep and wide. Once you start looking, you’ll find these connections everywhere. Sinatra croons bel canto over the limousine swing of the Count Basie band. Snoop Dogg deftly tosses off the line “I’m Lucky Luciano ’bout to sing soprano.” Like the Brooklyn pizzeria and candy store in Spike Lee’s Do the Right Thing and Jungle Fever, or the basketball sidelines where Italian American coaches Rick Pitino and John Calipari mix it up with their African American players, black/Italian connections are a thing to behold—and to investigate.

In Flavor and Soul, John Gennari spotlights this affinity, calling it “the edge”—now smooth, sometimes serrated—between Italian American and African American culture. He argues that the edge is a space of mutual emulation and suspicion, a joyous cultural meeting sometimes darkened by violent collision. Through studies of music and sound, film and media, sports and foodways, Gennari shows how an Afro-Italian sensibility has nourished and vitalized American culture writ large, even as Italian Americans and African Americans have fought each other for urban space, recognition of overlapping histories of suffering and exclusion, and political and personal rispetto.

Thus, Flavor and Soul is a cultural contact zone—a piazza where people express deep feelings of joy and pleasure, wariness and distrust, amity and enmity. And it is only at such cultural edges, Gennari argues, that America can come to truly understand its racial and ethnic dynamics.
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cover of Forever Foreigners or Honorary Whites?: The Asian Ethnic Experience Today

Forever Foreigners or Honorary Whites?

The Asian Ethnic Experience Today

Mia Tuan

Rutgers University Press, 1999

What does it mean to be an Asian-American in the United States today? Are Asian-Americans considered "honorary whites" or forever thought of as "foreigners?"

Mia Tuan examines the salience and meaning of ethnicity for later generation Chinese- and Japanese-Americans, and asks how their concepts of ethnicity differ from that of white ethnic Americans. She interviewed 95 middle-class Chinese and Japanese Californians and analyzes the importance of ethnic identities and the concept of becoming a "real" American for both Asian and white ethnics. She asks her subjects about their early memories and experiences with Chinese/Japanese culture; current lifestyle and emerging cultural practices; experiences with racism and discrimination; and  attitudes toward current Asian immigration.

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cover of Fragmented Memories: Struggling to be Tai-Ahom in India

Fragmented Memories

Struggling to be Tai-Ahom in India

Yasmin Saikia

Duke University Press, 2004

Fragmented Memories is a beautifully rendered exploration of how, during the 1990s, socially and economically marginalized people in the northeastern Indian state of Assam sought to produce a past on which to base a distinctive contemporary identity recognized within late-twentieth-century India. Yasmin Saikia describes how groups of Assamese identified themselves as Tai-Ahom—a people with a glorious past stretching back to the invasion of what is now Assam by Ahom warriors in the thirteenth century. In her account of the 1990s Tai-Ahom identity movement, Saikia considers the problem of competing identities in India, the significance of place and culture, and the outcome of the memory-building project of the Tai-Ahom.

Assamese herself, Saikia lived in several different Tai-Ahom villages between 1994 and 1996. She spoke with political activists, intellectuals, militant leaders, shamans, and students and observed and participated in Tai-Ahom religious, social, and political events. She read Tai-Ahom sacred texts and did archival research—looking at colonial documents and government reports—in Calcutta, New Delhi, and London. In Fragmented Memories, Saikia reveals the different narratives relating to the Tai-Ahom as told by the postcolonial Indian government, British colonists, and various texts reaching back to the thirteenth century. She shows how Tai-Ahom identity is practiced in Assam and also in Thailand. Revealing how the “dead” history of Tai-Ahom has been transformed into living memory to demand rights of citizenship, Fragmented Memories is a landmark history told from the periphery of the Indian nation.

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cover of From Bananas to Buttocks: The Latina Body in Popular Film and Culture

From Bananas to Buttocks

The Latina Body in Popular Film and Culture

Edited by Myra Mendible

University of Texas Press, 2007

From the exuberant excesses of Carmen Miranda in the "tutti frutti hat" to the curvaceous posterior of Jennifer Lopez, the Latina body has long been a signifier of Latina/o identity in U.S. popular culture. But how does this stereotype of the exotic, erotic Latina "bombshell" relate, if at all, to real Latina women who represent a wide spectrum of ethnicities, national origins, cultures, and physical appearances? How are ideas about "Latinidad" imagined, challenged, and inscribed on Latina bodies? What racial, class, and other markers of identity do representations of the Latina body signal or reject?

In this broadly interdisciplinary book, experts from the fields of Latina/o studies, media studies, communication, comparative literature, women's studies, and sociology come together to offer the first wide-ranging look at the construction and representation of Latina identity in U.S. popular culture. The authors consider such popular figures as actresses Lupe Vélez, Salma Hayek, and Jennifer Lopez; singers Shakira and Celia Cruz; and even the Hispanic Barbie doll in her many guises. They investigate the media discourses surrounding controversial Latinas such as Lorena Bobbitt and Marisleysis González. And they discuss Latina representations in Lupe Solano's series of mystery books and in the popular TV shows El Show de Cristina and Laura en América. This extensive treatment of Latina representation in popular culture not only sheds new light on how meaning is produced through images of the Latina body, but also on how these representations of Latinas are received, revised, and challenged.

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cover of From Cameroon to Paris: Mousgoum Architecture In and Out of Africa

From Cameroon to Paris

Mousgoum Architecture In and Out of Africa

Steven Nelson

University of Chicago Press, 2007

The kind of extraordinary domed house constructed by Chad and Cameroon’s Mousgoum peoples has long held sway over the Western imagination. In fact, as Steven Nelson shows here, this prototypical beehive-shaped structure known as the teleukhas been cast as everything from a sign of authenticity to a tourist destination to a perfect fusion of form and function in an unselfconscious culture. And in this multifaceted history of the teleuk, thought of by the Mousgoum themselves as a three-dimensional symbol of their culture, Nelson charts how a singular building’s meaning has the capacity to change over time and in different places.

Drawing on fieldwork in Cameroon and Japan as well as archival research in Africa, the United States, and Europe, Nelson explores how the teleuk has been understood by groups ranging from contemporary tourists to the Cameroonian government and—most importantly—today’s Mousgoum people. In doing so, he moves in and out of Africa to provide a window into a changing Mousgoum culture and to show how both African and Western peoples use the built environment to advance their own needs and desires. Highlighting the global impact of African architecture, From Cameroon to Paris will appeal to scholars and students of African art history and architectural history, as well as those interested in Western interactions with Africa.

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cover of From Homemakers to Breadwinners to Community Leaders: Migrating Women, Class, and Color

From Homemakers to Breadwinners to Community Leaders

Migrating Women, Class, and Color

Norma Fuentes-Mayorga

Rutgers University Press, 2022

In From Homemakers to Breadwinners to Community Leaders, Norma Fuentes-Mayorga compares the immigration and integration experiences of Dominican and Mexican women in New York City, a traditional destination for Dominicans but a relatively new one for Mexicans. Her book documents the significance of women-led migration within an increasingly racialized context and underscores the contributions women make to their communities of origin and of settlement. Fuentes-Mayorga’s research is timely, especially against the backdrop of policy debates about the future of family reunification laws and the unprecedented immigration of women and minors from Latin America, many of whom seek human rights protection or to reunite with families in the US. From Homemakers to Breadwinners to Community Leaders provides a compelling look at the suffering of migrant mothers and the mourning of family separation, but also at the agency and contributions that women make with their imported human capital and remittances to the receiving and sending community. Ultimately the book contributes further understanding to the heterogeneity of Latin American immigration and highlights the social mobility of Afro-Caribbean and indigenous migrant women in New York. 
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cover of From the Skin: Defending Indigenous Nations Using Theory and Praxis

From the Skin

Defending Indigenous Nations Using Theory and Praxis

Edited by J. Jeffery Clark and Elise Boxer; Foreword by Nick Estes

University of Arizona Press, 2023

In this volume, contributors demonstrate the real-world application of Indigenous theory to the work they do in their own communities and how this work is driven by urgency, responsibility, and justice—work that is from the skin.

In From the Skin, contributors reflect on and describe how they apply the theories and concepts of Indigenous studies to their communities, programs, and organizations, and the ways the discipline has informed and influenced the same. They show the ways these efforts advance disciplinary theories, methodologies, and praxes. Chapters cover topics including librarianship, health programs, community organizing, knowledge recovery, youth programming, and gendered violence. Through their examples, the contributors show how they negotiate their peoples’ knowledge systems with knowledge produced in Indigenous studies programs, demonstrating how they understand the relationship between their people, their nations, and academia.

Editors J. Jeffery Clark and Elise Boxer propose and develop the term practitioner-theorist to describe how the contributors theorize and practice knowledge within and between their nations and academia. Because they live and exist in their community, these practitioner-theorists always consider how their thinking and actions benefit their people and nations. The practitioner-theorists of this volume envision and labor toward decolonial futures where Indigenous peoples and nations exist on their own terms.

Contributors
Randi Lynn Boucher-Giago
Elise Boxer
Shawn Brigman
J. Jeffery Clark
Nick Estes
Eric Hardy
Shalene Joseph
Jennifer Marley
Brittani R. Orona
Alexander Soto

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