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During the 1930s, the United States began to look more favorably on its southern neighbors. Latin America offered expanded markets to an economy crippled by the Great Depression, while threats of war abroad nurtured in many Americans isolationist tendencies and a desire for improved hemispheric relations.

One of these Americans was Franklin Delano Roosevelt, the primary author of America's Good Neighbor Policy. In this thought-provoking book, Fredrick Pike takes a wide-ranging look at FDR's motives for pursuing the Good Neighbor Policy, at how he implemented it, and at how its themes have played out up to the mid-1990s.

Pike's investigation goes far beyond standard studies of foreign and economic policy. He explores how FDR's personality and Eleanor Roosevelt's social activism made them uniquely simpático to Latin Americans. He also demonstrates how Latin culture flowed north to influence U.S. literature, film, and opera. The book will be essential reading for everyone interested in hemispheric relations.

Sally Chivers provides a fascinating look at and challenge to how North American popular culture has portrayed old age as a time of disease, decline, and death. Within contemporary Canadian literary and film production, a tradition of articulate central elderly female characters challenges what the aging body has come to signify in a broader cultural context. Rather than seek positive images of aging, which can do their own prescriptive damage, the author focuses on constructive depictions that provide a basis on which to create new stories and readings of growing old. This type of humanities approach to the study of aging promises neither to fixate on nor avoid consideration of the role of the body in the much broader process of getting older. The progression implied in the title from the solitary symbol of The Old Woman toward a community of older women, indicates not a move toward euphemism, but rather an increasing and necessary awareness of the social and cultural dimensions of aging.

Witness the faces that defined a movement for freedom and equality

The old adage “One picture is worth ten thousand words” is definitely true for Faces of Freedom Summer. There are simply not enough words to describe the period in our history that is recorded by the pictures in this book.

As this book afirms, the resurgence of overt activities by hate groups—both the old traditional ones (e.g., the Ku Klux Klan) and the new ones (e.g., the Skin Heads)—however much the hard work and sacrifices of the modern civil rights movement humanized American society, much still remains to be done. The modern civil rights movement associated with the 1960s was not in vain, yet it did not eradicate from our society the evils of racism and sexism. While we activists made the United States more of an open society than it has ever been in its history, our vision and desire for the beloved community did not reach into all sectors of American society. “Freedom,” it has been said, “is a constant struggle, a work of eternal vigilance.”

Faces of Freedom Summer brings to life that there was such a time and there were such people and, if such a people were once, then they are still among us. Yet, they may only become aware of themselves when they are confronted with visible evidence, such as the evidence contained in the pictures of Herbert Randall.
 

They crossed the ocean to fight in someone else's war. They came for glory, honor, and plunder. Instead, they became America's most famous captives.

In Steven Bier's groundbreaking book, Facing Washington's Crossing: The Hessians at the Battle of Trenton, old stereotypes are shattered and new information emerges. Using newly translated documents, rare hard-to-find material, and obscure nearly-forgotten sources, Facing Washington's Crossing rewrites our understanding of the Battle of Trenton.

For 250 years, the story has been told mostly from one side. Now the essential counterpoint is finally revealed.

The rivers of the Texas Panhandle, the Canadian, and the forks of the Red break through the Cap Rock at the eastern edge of the Staked Plains. It’s rough, bleak country, with few trees and a great expanse of sky. Storms that form on the Great Plains and in the Rocky Mountains sweep through with nothing much to slow them down. And the small dusty towns that serve this vast ranchland cling to the waterways as they have for over a hundred years, since their early settlement. Their names aren’t well known now, but they were once focal points in a rugged country where buffalo hunters, trail drivers, outlaws, and ordinary folks alike passed through.

Rufe LeFors was one such "ordinary" man. With his father and older brothers, he was among the first to settle this country, drawn to West Texas by tales of open land and good grass. His life story, set down near the end of his long and adventurous life, is the best sort of insider's history, the chronicle of a life lived fully amid the exciting events and rough landscape of the frontier's final years.

Rufe LeFors recorded his story over the course of a decade, finishing up in 1941 in his eighty-first year. His memoirs span the period from the War between the States to the early twentieth century, when the Panhandle was still scarcely settled, a true frontier. In his time LeFors was trail driver, pony express rider, and rancher. He traveled for a year with Arrington's Texas Rangers, and he wore the badge of deputy sheriff in the wild west town of Old Mobeetie. He rode a fast horse after claims in the Cherokee Strip, spent time as a horse trader, and finally settled in Lawton, Oklahoma, where, after some twenty years as a deputy, he was elected to the office of sheriff.

LeFors knew how to tell a story. Whether it is an account of an outlaw's capture or the rescue of a white girl from prairie fire by a Comanche brave, he weaves into his narrative all the color, drama, and character of the event. His version of the death of Billy the Kid adds another perspective to that much celebrated episode in western history. His encounters with Temple Houston, the governor's flamboyant son, rancher Charles Goodnight, and Ranger Captain Arrington add to our fund of knowledge about those legendary frontier figures. LeFors wanted to get the facts—as he remembered them—straight. With his sharp eye for texture and detail and keen ear for language and timing, he created a narrative that wonderfully captures the flavor of his life and exciting times.

Domingo F. Sarmiento's classic 1845 essay Facundo, Civilizacion y Barbarie opened an inquiry into the nature of Argentinian culture that continues to the present day. In this elegantly written study, Diana Sorensen Goodrich explores the varied, and often conflicting, readings that Facundo has received since its publication and shows how these readings have contributed to the making and remaking of the Argentine nation and its culture.

Goodrich's analysis sheds new light on the intersection between canon formation and nation-building. While much has been written about Facundo as a primary text in Latin American letters, this is the first study that locates it within the problematics of canon formation and the cultural, social, and political contexts in which conflicting interpretations are constructed.

This new approach to Facundo illuminates the interactions among institutions, cultural ideologies, and political life. This book will be important reading for everyone interested in questions of national identity and the institutionalization of a national tradition.

The remarkable and improbable story of the utopian single-tax social experiment that gave rise to one of the most unique and colorful communities along the Gulf Coast

Paul E. and Blanche R. Alyea’s Fairhope, 1894–1954, first published in 1954, is the history of this unique and improbable community and the single-tax social experiment that gave rise to it. This new edition offers an introduction by historian and Fairhope resident Tennant McWilliams, giving invaluable context and entertaining anecdotes not just regarding Fairhope’s founding but about the Alyeas themselves—all to the abiding value of their story for today’s residents and visitors.

On November 15, 1894, a small group of men and women met on a remote stretch of Mobile Bay’s eastern shore to establish a colony. It was a decidedly utopian undertaking in a period characterized by many similar social experiments and ideal communities, most of them failures. This group, which gathered at “Stapleton’s pasture” to found Fairhope, hoped to demonstrate the benefits of the single tax as a means of curing social and economic evils, making a practical test of the doctrines of economist Henry George.

Today, the wealth of parks, public and private schools, art galleries, and restaurants, combined with quaint shops and residential areas and a vibrant nautical life, all attest to Fairhope’s unique position among many older communities in the same region. Its residents represent a diverse array of interests and talents, and with a strong civic regard for individualism and creativity, Fairhope is also a haven for painters, potters, writers, and musicians.

Explore a diversity of feminist readings of the Bible

This latest volume in the Bible and Women series is concerned with documenting, through word and image, both well-known and largely unknown women and their relationship to the Bible from the period of the late eighteenth century up to the beginning of the twentieth century. The essays in this collection illustrate the broad range of treatment of the Holy Scripture. Paul Chilcote, Marion Ann Taylor, Christiana de Groot, Elizabeth M. Davis, and Pamela S. Nadell offer perspectives on the Anglo-American sphere during this period. Marina Cacchi, Adriano Valerio, Inmaculada Blasco Herranz, and Alexei Klutschewski and Eva Maria Synek illuminate the areas of southern and eastern Europe. Angela Berlis, Ruth Albrecht, Doris Brodbeck, Ute Gause, and Michaela Sohn-Kronthaler examine women from the German-speaking world and their texts. Bernhard Schneider, Magda Motté, Katharina Büttner-Kirschner, and Elfriede Wiltschnigg treat the subject area of religious literature and art.

Features

• Insight into how women participated in academic exegesis and applied biblical figures as models for structuring their own lives
• Exploration of genres used by women, including letters, diaries, autobiographical records, stories, novels, songs, poems, and specialized exegetical treatises and commentaries on individual books of the Bible
• Detailed analyses of women’s interpretations ranging from those that sought to confirm traditions to those that challenged them

An intimate history that puts the Black church at the heart of New England’s struggle with race, power, and belonging

On the eve of Barack Obama’s historic election in 2008, the Macedonia Church of God in Christ in Springfield, Massachusetts—a church built by historian Todd E. Robinson’s family—was set ablaze in an act of racial terror. This devastating event echoes a long history of attacks on Black churches, institutions that have served as vital centers of faith, civic life, and community organization.

In Faith in the Fire, Robinson charts the evolution of Springfield’s Black community from its seventeenth-century beginnings through the Great Migration and into the twenty-first century. Centering the Black church, he demonstrates how African Americans shaped the city’s industrial, cultural, and civic landscape, building social networks and organizations that became enduring anchors of community life. From the League of Gileadites, an all-Black armed anti-slavery militia, to twentieth-century initiatives like the Springfield Plan—a pioneering but short-lived experiment in interracial education—Robinson uncovers the city’s deep history of Black resistance to white supremacy. In doing so, he exposes the limits of New England’s mythic racial tolerance. Racial violence, police brutality, economic inequality, educational disparities, and housing segregation, Robinson argues, are not aberrations of the South but also enduring features of Northern life and culture.

Drawing on extensive archival research and his own family’s experience, Robinson offers a powerful and deeply personal narrative that links past and present. Through the intertwined story of Springfield’s Black community and the destruction of one of its most cherished institutions, he illuminates how the long struggle for freedom, justice, and belonging continues to shape the life of Black Americans and the nation as a whole.

Sons of Britches. The Great American Chuckwagon Dinner Show. The Haygoods. The Grand Jubilee. These are just a couple of the many shows performed in Branson, MO, a popular tourist destination that has played a role in the nation’s culture wars for over one hundred years.
 
Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it “God’s Country” and others “as close to Hell as anything on Earth.” For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertises—and maybe we should too.
 
For Das, Branson’s performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be. 
 
Faith, Family, and Flag is a comprehensive history of the Branson entertainment industry, within the context of America’s long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left (“Hollywood liberals”), came to be so important to the political right and its vision for America.