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Set in the summer of 1979 at the height of the movement to free Soviet Jewry, Farewell, Mama Odessa is an autobiographical novel whose intertwined storylines follow a variety of people—dissidents, victims of ethnic discrimination, and black marketeers among them—as they bid farewell to their beloved hometown of Odessa, Ukraine, and make their way to the West. At the book’s center is Boris, a young writer thwarted by state censorship and antisemitism. With an Angora kitten for his companion and together with other émigrés, he puts the old country in his rear-view mirror and sets out on a journey that will take him to Bratislava, Vienna, Rome, and New York on his way to Los Angeles. Will Boris be able to rekindle his creative passion and inspiration in the West? Will other Jewish émigrés fit into the new society, so much different than the one they left behind? With humor and compassion, Farewell, Mama
Odessa describes the émigrés’ attempts at adjustment to the free world. 

When first published in 1979, Haim Be’er’s Feathers was a critical and commercial success, ushering in a period of great productivity and expansiveness in modern Hebrew literature. Now considered a classic in Israeli fiction the book is finally available to English readers worldwide. In this, his first novel, Be’er portrays the world of a deeply religious community in Jerusalem during the author’s childhood and adolescence in the 1950s and 60s. The novel is filled with vivid portraits of eccentric Jerusalem characters, chief among them the book’s main character, Mordecai Leder, who dreams of founding a utopian colony based on the theories of the nineteenth-century Viennese Jewish thinker Karl Popper-Lynkeus. Similar high-flying dreams inspire the family of the narrator, strict Orthodox Jews with impractical minds and adventurous souls—men such as the narrator’s father, who periodically disappears from home on botanical expeditions meant to prove that the willow tree of Scripture is in fact the Australian eucalyptus. Experimental in structure and mood, Feathers features kaleidoscopic jumps in time, back and forth in the narrator’s memories from boyhood to adulthood. Its moods swing wildly from hilarity to the macabre, from familial warmth to the loneliness of adolescence. Jerusalem and its inhabitants, as well as the emotional life of the narrator, are splintered and reconstituted, shattered and patched. This fragmentation, combined with a preoccupation with death and physical dissolution and dreamlike flights of imagination, evokes an Israeli magical realism. Feathers was chosen one of the 100 Greatest Works of Modern Jewish Literature by the National Yiddish Book Center.

This book offers a fresh perspective on classical Jewish literature by providing a gender-based, feminist reading of rabbinical anecdotes and legends. Viewing rabbinical legends as sources that generate perceptions about women and gender, Inbar Raveh provides answers to questions such as how the Sages viewed women; how they formed and molded their characterization of them; how they constructed the ancient discourse on femininity; and what the status of women was in their society. Raveh also re-creates the voices and stories of the women themselves within their sociohistorical context, moving them from the periphery to the center and exposing how men maintain power. Chapter topics include desire and control, pain, midwives, prostitutes, and myth. A major contribution to the fields of literary criticism and Jewish studies, Raveh’s book demonstrates the possibility of appreciating the aesthetic beauty and complexity of patriarchal texts, while at the same time recognizing their limitations.

The first comprehensive and interdisciplinary study of the prostitute in Latin American literature, Claire Thora Solomon’s book The Naturalist Prostitute and Her Avatars in Latin American Literature, 1880–2010 shows the gender, ethnic, and racial identities that emerge in the literary figure of the prostitute during the consolidation of modern Latin American states in the late nineteenth century in the literary genre of Naturalism. Solomon first examines how legal, medical, and philosophical thought converged in Naturalist literature of prostitution. She then traces the persistence of these styles, themes, and stereotypes about women, sex, ethnicity, and race in the twentieth and twenty-first century literature with a particular emphasis on the historical fiction of prostitution and its selective reconstruction of the past.
 
Fictions of the Bad Life illustrates how at very different moments—the turn of the twentieth century, the 1920s–30s, and finally the turn of the twenty-first century—the past is rewritten to accommodate contemporary desires for historical belonging and national identity, even as these efforts inevitably re-inscribe the repressed colonial history they wish to change.

 

Contemplations of survival by one of the leading Czech writers of the twentieth century

It occurred to me why I was able to forgive the Italians, but never the Germans. Was it because the Italians never slept on mattresses stuffed with the hair of Luster Leibling or Weltfeind Flusser?

In this pair of short novels, Arnošt Lustig continues his lifelong project of creating a universe-at once concrete and dreamlike-to examine the horrors of the Holocaust and the impossible burden of living as a survivor.
The Abyss is the fragmented memories of David Wiesenthal, aged twenty, tortured by what he has witnessed and by the knowledge that luck-not skill, not courage, certainly not goodness-separated the survivors from the doomed. He seeks solace remembering the women he's loved or desired, even the one who represents his death.
In Porgess, the narrator recounts the life of the title character, "the most handsome boy in Jewish Prague" who was paralyzed on the last day of World War II. The two discuss their mutual fascinations-women, jazz, the significance of numbers-in sometimes bitter, sometimes sardonic voices, but always with the specters of the dead and the guilt of survival close at hand.

An emotionally powerful, poetic Yiddish novel, available in English for the first time, that expands our understanding of Holocaust literature and testimony

Flames from the Earth: A Novel from the Łódź Ghetto is an autobiographical novel written by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust. Originally published in Israel in 1966, the novel brings together material that Spiegel wrote while imprisoned in the Łódź Ghetto, which he recovered from a cellar when he returned from Auschwitz after the war. The only works by Spiegel previously available to English readers have been short stories.

In this, his first novel, Spiegel explores a complex web of characters in and around the Łódź Ghetto: Vigdor and Gitele, lovers who are involved in the ghetto resistance movement; Nicodem, a Polish priest, who hides a member of the Jewish underground; Stefan Kaczmarek, a Polish tavern keeper who betrays Nicodem to preserve his own smuggling business; Franz Jessike, a Nazi guard who blackmails local Poles for personal gain; and Chaim Vidaver, the heroic leader of the ghetto resistance. Based largely on historical events, the novel’s lyrical style echoes its emotional intensity.

Gripping and atmospheric, Flames from the Earth honors daring acts of heroism and human connections forged amid unthinkable conditions. Spiegel’s novel represents an important contribution to the archive of literary depictions of historical trauma.
 

When looking at how trauma is represented in literature and the arts, we tend to focus on the weight of the past. In this book, Amir Eshel suggests that this retrospective gaze has trapped us in a search for reason in the madness of the twentieth century’s catastrophes at the expense of literature’s prospective vision. Considering several key literary works, Eshel argues in Futurity that by grappling with watershed events of modernity, these works display a future-centric engagement with the past that opens up the present to new political, cultural, and ethical possibilities—what he calls futurity.