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During the 1950s and 1960s, labor leaders Harold Gibbons and Ernest Calloway championed a new kind of labor movement that regarded workers as "total persons" interested in both workplace affairs and the exercise of effective citizenship in their communities. Working through Teamsters Local 688 and viewing the city of St. Louis as their laboratory, this remarkable interracial duo forged a dynamic political alliance that placed their "citizen members" on the front lines of epic battles for urban revitalization, improved public services, and the advancement of racial and economic justice. Parallel to their political partnership, Gibbons functioned as a top Teamsters Union leader and Calloway as an influential figure in St. Louis's civil rights movement. Their pioneering efforts not only altered St. Louis's social and political landscape but also raised fundamental questions about the fate of the post-industrial city, the meaning of citizenship, and the role of unions in shaping American democracy.

Author Barry B. Witham reclaims the work of Manny Fried, an essential American playwright so thoroughly blacklisted after he defied the House Committee on Un-American Activities in 1954, and again in 1964, that his work all but completely disappeared from the canon. Witham details Manny Fried’s work inside and outside the theatre and examines his three major labor plays and the political climate that both nurtured and disparaged their productions. Drawing on never-before-published interview materials, Witham reveals the details of how the United States government worked to ruin Fried’s career.
 
From Red-Baiting to Blacklisting includes the complete text of Fried’s major labor plays, all long out of print. In Elegy for Stanley Gorski, Fried depicts one of the many red-baiting campaigns that threatened countless unions in the wake of the Taft-Hartley Act and the collusion of the Catholic Church with these activities. In Drop Hammer, Fried tackles the issues of union dues, misappropriation, and potential criminal activities. In the third play, The Dodo Bird, perhaps his most popular, Fried achieves a remarkable character study of a man outsourced from his job by technology and plant closures.
 
Manny Fried’s plays portray the hard edges of capitalism and government power and illuminate present-day struggles with hostility to labor unions and the passage in several states of right-to-work laws. Fried had no illusions about the government’s determination to destroy communism and unionism—causes to which he was deeply committed.