376 books match the query 'Racism' and 13 start with f

cover of Fandom, Now in Color: A Collection of Voices

Fandom, Now in Color

A Collection of Voices

Rukmini Pande

University of Iowa Press, 2020

Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.

Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín

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cover of Feeling Yellow: Asian Americans and Yellowface in Twenty-First-Century Musical Theatre

Feeling Yellow

Asian Americans and Yellowface in Twenty-First-Century Musical Theatre

Donatella Galella

University of Michigan Press, 2026

Feeling Yellow examines how yellowface has persisted on the contemporary musical stage and how Asian Americans have contested yellowface, as they stake their own claim to the theatrical stage and nation state. Donatella Galella boldly argues that the pleasures of musical theatre and the disavowal of systemic anti-Asian racism enable the ongoing portrayal of Asian and Asian American characters by non-Asian actors. Galella offers two concepts to understand these phenomena: feeling yellow and yellowface without yellowed faces. Feeling yellow encapsulates the racialized anger, despair, and alienation of Asian American artists and audiences. Yellowface without yellowed faces denotes subtle ways of conveying Asianness, such as performing Asianness with exaggerated irony, using racialized costumes rather than yellow skin and slanted eye makeup, and setting musicals in fantasy Asian lands populated by multiracial casts. 

Galella utilizes musicals such as Thoroughly Modern Millie, Anything Goes, The Mikado, and Soft Power, to understand how Asian and Asian American representation is connected to larger questions: How does racial identity shape emotional reactions to musical theatre? Why does yellowface and anti-Asian racism persist? What are the terms for Asian Americans belonging in the United States? Using a range of approaches from dramaturgy to auto-ethnography and materials from interviews to Reddit posts, Feeling Yellow spotlights Asian American affect, artistry, and activism.

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cover of Felix Longoria's Wake: Bereavement, Racism, and the Rise of Mexican American Activism

Felix Longoria's Wake

Bereavement, Racism, and the Rise of Mexican American Activism

By Patrick Carroll

University of Texas Press, 2003

Winner, Tullis Prize, Texas State Historical Association, 2004

Private First Class Felix Longoria earned a Bronze Service Star, a Purple Heart, a Good Conduct Medal, and a Combat Infantryman's badge for service in the Philippines during World War II. Yet the only funeral parlor in his hometown of Three Rivers, Texas, refused to hold a wake for the slain soldier because "the whites would not like it." Almost overnight, this act of discrimination became a defining moment in the rise of Mexican American activism. It launched Dr. Héctor P. García and his newly formed American G.I. Forum into the vanguard of the Mexican civil rights movement, while simultaneously endangering and advancing the career of Senator Lyndon B. Johnson, who arranged for Longoria's burial with full military honors in Arlington National Cemetery.

In this book, Patrick Carroll provides the first fully researched account of the Longoria controversy and its far-reaching consequences. Drawing on extensive documentary evidence and interviews with many key figures, including Dr. García and Mrs. Longoria, Carroll convincingly explains why the Longoria incident, though less severe than other acts of discrimination against Mexican Americans, ignited the activism of a whole range of interest groups from Argentina to Minneapolis. By putting Longoria's wake in a national and international context, he also clarifies why it became such a flash point for conflicting understandings of bereavement, nationalism, reason, and emotion between two powerful cultures—Mexicanidad and Americanism.

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cover of Fictive Kinship: Family Reunification and the Meaning of Race and Nation in American Immigration

Fictive Kinship

Family Reunification and the Meaning of Race and Nation in American Immigration

Catherine Lee

Russell Sage Foundation, 2013

Today, roughly 70 percent of all visas for legal immigration are reserved for family members of permanent residents or American citizens. Family reunification—policies that seek to preserve family unity during or following migration—is a central pillar of current immigration law, but it has existed in some form in American statutes since at least the mid-nineteenth century. In Fictive Kinship, sociologist Catherine Lee delves into the fascinating history of family reunification to examine how and why our conceptions of family have shaped immigration, the meaning of race, and the way we see ourselves as a country. Drawing from a rich set of archival sources, Fictive Kinship shows that even the most draconian anti-immigrant laws, such as the Chinese Exclusion Act of 1882, contained provisions for family unity, albeit for a limited class of immigrants. Arguments for uniting families separated by World War II and the Korean War also shaped immigration debates and the policies that led to the landmark 1965 Immigration Act. Lee argues that debating the contours of family offers a ready set of symbols and meanings to frame national identity and to define who counts as “one of us.” Talk about family, however, does not inevitably lead to more liberal immigration policies. Welfare reform in the 1990s, for example, placed limits on benefits for immigrant families, and recent debates over the children of undocumented immigrants fanned petitions to rescind birthright citizenship. Fictive Kinship shows that the centrality of family unity in the immigration discourse often limits the discussion about the goals, functions and roles of immigration and prevents a broader definition of American identity. Too often, studies of immigration policy focus on individuals or particular ethnic or racial groups. With its original and wide-ranging inquiry, Fictive Kinship shifts the analysis in immigration studies toward the family, a largely unrecognized but critical component in the regulation of immigrants’ experience in America.
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cover of Filipinos Represent: DJs, Racial Authenticity, and the Hip-hop Nation

Filipinos Represent

DJs, Racial Authenticity, and the Hip-hop Nation

Antonio T. Tiongson Jr.

University of Minnesota Press, 2013

The “Hip-hop Nation” has been scouted, staked out, and settled by journalists and scholars alike. Antonio T. Tiongson Jr. steps into this well-mapped territory with questions aimed at interrogating how nation is conceptualized within the context of hip-hop. What happens, Tiongson asks, to notions of authenticity based on hip-hop’s apparent blackness when Filipino youth make hip-hop their own?

Tiongson draws on interviews with Bay Area–based Filipino American DJs to explore the authenticating strategies they rely on to carve out a niche within DJ culture. He shows how Filipino American youth involvement in DJing reconfigures the normal boundaries of Filipinoness predicated on nostalgia and cultural links with an idealized homeland. Filipinos Represent makes the case that while the engagement of Filipino youth with DJ culture speaks to the broadening racial scope of hip-hop—and of what it means to be Filipino—such involvement is also problematic in that it upholds deracialized accounts of hip-hop and renders difference benign.

Looking at the ways in which Filipino DJs legitimize their place in an expressive form historically associated with African Americans, Tiongson examines what these complex forms of identification reveal about the contours and trajectory of contemporary U.S. racial formations and discourses in the post–civil rights era.

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cover of Fire Dreams: Making Black Feminist Liberation in the South

Fire Dreams

Making Black Feminist Liberation in the South

Laura McTighe, with Women With A Vision

Duke University Press, 2024

For thirty-five years, the New Orleans-based Black feminist collective Women With A Vision (WWAV) has fought for the liberation of their communities through reproductive justice, harm reduction, abolition feminism, racial justice, and sex workers' rights. In 2012, shortly after one of WWAV's biggest organizing victories, arsonists firebombed and destroyed their headquarters. Fire Dreams is an innovative collaboration between WWAV and Laura McTighe, who work in community to build a social movement ethnography of the organization’s post-arson rebirth. Rooting WWAV in the geography of the South and the living history of generations of Black feminist thinkers, McTighe and WWAV weave together stories from their founders’ pioneering work during the Black HIV/AIDS crisis in the 1980s and their groundbreaking organizing to end criminalization in the aftermath of Hurricane Katrina---with other movements for liberation as accomplices. Together, the authors refuse the logics of racial capitalism and share WWAV’s own world-building knowledges, as well as their methods for living these Black feminist futures now. Fire Dreams is a vital toolkit for grassroots organizers, activist-scholars, and all those who dream to make the world otherwise.
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cover of Flowers for Otello: On the Crimes That Came Out of Jena

Flowers for Otello

On the Crimes That Came Out of Jena

Esther Dischereit

Seagull Books, 2022

A powerful performance text that illuminates incidents of anti-immigrant violence in contemporary Germany.
 
Between 1998 and 2007 a series of killings in Germany, disdainfully styled “doner murders” by the media, were attributed by German police to internecine rivalries among immigrants. The victims included eight citizens of Turkish origin, a Greek citizen, and a German policewoman. Not until 2011 did the German public learn not only that the police had ignored signs pointing to the real perpetrators, a neo-Nazi group called the National Socialist Underground, but also that important files, possibly containing evidence implicating state agencies, had disappeared from the archives of Federal Police and intelligence organizations.
 
Esther Dischereit, one of the preeminent German-Jewish voices of the post-Holocaust generation, takes that failure of the state to protect its citizens from racist violence as the core of her performance text Flowers for Otello: On the Crimes That Came Out of Jena. Seeking an appropriate language with which to meet the bereaved, she also finds a way to raise the blanket of silence that is used by those who would prefer that we forget. Combining witness testimony, myth, and incidents from a history of violence against minorities, Flowers for Otello, in Iain Galbraith’s translation, refuses chaos, instead revealing the chilling, patterned order of tragedy while bringing a great writer’s humanism to the fore.
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cover of For a Pragmatics of the Useless

For a Pragmatics of the Useless

Erin Manning

Duke University Press, 2020

What has a use in the future, unforeseeably, is radically useless now. What has an effect now is not necessarily useful if it falls through the gaps. In For a Pragmatics of the Useless Erin Manning examines what falls outside the purview of already-known functions and established standards of value, not for want of potential but for carrying an excess of it. The figures are various: the infrathin, the artful, proprioceptive tactility, neurodiversity, black life. It is around the latter two that a central refrain echoes: "All black life is neurodiverse life." This is not an equation, but an "approximation of proximity." Manning shows how neurotypicality and whiteness combine to form a normative baseline for existence. Blackness and neurodiversity "schizz" around the baseline, uselessly, pragmatically, figuring a more-than of life living. Manning, in dialogue with Félix Guattari and drawing on the black radical tradition's accounts of black life and the aesthetics of black sociality, proposes a "schizoanalysis" of the more-than, charting a panoply of techniques for other ways of living and learning.
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cover of Force Of Prejudice: On Racism and Its Doubles

Force Of Prejudice

On Racism and Its Doubles

Pierre-Andre Taguieff

University of Minnesota Press, 2001

Can humanity escape segregating behavior or master the tendency to exclusion? Where does the force of prejudice come from? How might one conceive the philosophical foundations of an effective antiracism? Pursuing these questions, Pierre-André Taguieff puts forward a powerful thesis: that racism has evolved from an argument about races, naturalizing inequality between "biologically" defined groups on the basis of fear of the other, to an argument about cultures, naturalizing historical differences and justifying exclusion. Correspondingly, he shows how antiracism must adopt the strategy that fits the variety of racism it opposes.

Looking at racial and racist theories one by one and then at their antiracist counterparts, Taguieff traces an intellectual genealogy of differentialist and inegalitarian ways of thinking. Already viewed as an essential work of reference in France, The Force of Prejudice is an invaluable tool for identifying and understanding both racism and its antidote in our day. 

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cover of Freeing Black Girls: A Black Feminist Bible on Racism and Revolutionary Mothering

Freeing Black Girls

A Black Feminist Bible on Racism and Revolutionary Mothering

Tamura Lomax

Duke University Press, 2025

In Freeing Black Girls, Tamura Lomax offers an insurgent feminist love letter to Black girls, women, mothers, and othermothers. Exploring what it means to mother Black children in the twenty-first century, Lomax shares her journey from her traditionalist Black girlhood to finding the path to revolutionary Black motherhood. Along the way, she shows how all Black people are endangered by white supremacist capitalist heteropatriarchal dominance and emphasizes the power of looking and talking back. Lomax insists on Black feminist ways of living that value and nourish whole persons, sketching a radical dream that will allow Black women and girls to survive America while being able to love themselves, others, and collective Black freedom. Ultimately, Lomax declares that Black women and girls are emphatically not defective, second-class, or immanent nurturers; they are sacred and revolutionary beings who deserve to live a life free of predation, patriarchy, misrecognition, misogynoir, and violence.
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cover of From Black Power to Hip Hop: Racism, Nationalism, and Feminism

From Black Power to Hip Hop

Racism, Nationalism, and Feminism

Patricia Hill Collins

Temple University Press, 2006

Despite legislation designed to eliminate unfair racial practices, the United States continues to struggle with a race problem. Some thinkers label this a "new" racism and call for new political responses to it. Using the experiences of African American women and men as a touchstone for analysis, Patricia Hill Collins examines new forms of racism as well as political responses to it.In this incisive and stimulating book, renowned social theorist Patricia Hill Collins investigates how nationalism has operated and re-emerged in the wake of contemporary globalization and offers an interpretation of how black nationalism works today in the wake of changing black youth identity. Hers is the first study to analyze the interplay of racism, nationalism, and feminism in the context of twenty-first century black America.From Black Power to Hip Hop covers a wide range of topics including the significance of race and ethnicity to the American national identity; how ideas about motherhood affect population policies; African American use of black nationalism ideologies as anti-racist practice; and the relationship between black nationalism, feminism and women in the hip-hop generation.
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cover of From Honolulu to Brooklyn: Running the American Empire’s Base Paths with Buck Lai and the Travelers from Hawai’i

From Honolulu to Brooklyn

Running the American Empire’s Base Paths with Buck Lai and the Travelers from Hawai’i

Joel S. Franks

Rutgers University Press, 2022

From 1912 to 1916, a group of baseball players from Hawaiʻ i barnstormed the U.S. mainland. While initially all Chinese, the Travelers became more multiethnic and multiracial with ballplayers possessing Chinese, Japanese, Hawaiian, and European ancestries. As a group and as individuals the Travelers' experiences represent a still much too marginalized facet of baseball and sport history. Arguably, they traveled more miles and played in more ball parks in the American empire than any other group of ballplayers of their time. Outside of the major leagues, they were likely the most famous nine of the 1910s, dominating their college opponents and more than holding their own against top-flight white and black independent teams. And once the Travelers’ journeys were done, a team leader and star Buck Lai gained fame in independent baseball on the East Coast of the U.S., while former teammates ran base paths and ran for political office as they confronted racism and colonialism in Hawaiʻ i.
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cover of From Racism to Genocide: Anthropology in the Third Reich

From Racism to Genocide

Anthropology in the Third Reich

Gretchen E. Schafft

University of Illinois Press, 2007

In paperback for the first time, From Racism to Genocide is an explosive, richly detailed account of how Nazi anthropologists justified racism, developed practical applications of racist theory, and eventually participated in every phase of the Holocaust. 

Using original sources and previously unpublished documentation, Gretchen E. Schafft shows the total range of anti-human activity from within the confines of a particular discipline. Based on seven years of archival research in the United States and abroad, the work includes many original photos and documents, most of which have never before been published. It uses primary data and original texts whenever possible, including correspondence written by perpetrators. The book also reveals that the United States was not merely a bystander in this research, but instead contributed professional and financial support to early racial research that continued through the first five years of Hitler’s regime.

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