584 books match the query 'Short Stories (single author)' and 21 start with f

cover of Family Feeling

Family Feeling

Jean Ross Justice

University of Iowa Press, 2014

Jean Ross Justice’s Family Feeling, a novella and collection of stories, is a moving portrait of American domestic life of the last half-century. Often spanning generations, the stories are defined by subtle shifts in both family relationships and the ways in which we reconfigure them in memory and mind.

Many of the stories revolve around end-of-life scenes. An elderly man is visited by his middle-aged son’s young second wife and child, whom the son has temporarily abandoned in order to tend to his dying ex-wife. A recently widowed woman faces a complicated relationship with a troubled home health-care worker who had been uncommonly kind to her dying husband. Four middle-aged siblings reconvene in their childhood home to attend to the death of their father and find themselves simultaneously children of, and parents to, their own parents.

The unobtrusive historical breadth of the stories is remarkable. Reflecting back to Depression-era southern America from the perspective of the early twenty-first century, the characters provide us with an intimate view of the changing cultural landscape of our country. Issues of class are not merely ideological here—they are fluid and intricate aspects of fate and of soul.
Justice’s prose is characterized by quiet humor and attention to gesture. The deeply self-reflective and self-contained narrators offer us a window into issues of aging and mortality that is real and rare. In the manner of Alice Munro or William Trevor, Jean Ross Justice’s thought-driven fiction centers on pivotal moments of action or conversation that haunt—or reverberate—for decades.
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cover of Family Ties

Family Ties

By Clarice Lispector

University of Texas Press, 1972

The silent rage that seizes a matriarch whose family is feting her eighty-ninth year.The tangle of emotions felt by a sophisticated young woman toward her elderly mother. An adolescent girl's obsessive fear of being looked at. The "giddying sense of compassion" that a blind man introduces into a young housewife's settled existence. Of such is made the world of Clarice Lispector, the Brazilian writer whose finest work is acknowledged to be her exquisitely crafted short stories. Here, in these thirteen of Lispector's most brilliantly conceived stories, mysterious and unexpected moments of crisis propel characters to self-discovery or keenly felt intuitions about the human condition. Her characters mirror states of mind. Alienated by their unsettling sense of life's absurdity, they seem at times absorbed in their interior lives and in the passions that dominate and usually defeat them.

Giovanni Pontiero's translation has been lauded by Gregory Rabassa as "magnificent."

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cover of Father Guards the Sheep

Father Guards the Sheep

Sari Rosenblatt

University of Iowa Press, 2020

In Sari Rosenblatt’s collection, by turns tender and hilarious, we see fathers who are bullies and nervous watchdogs, haunted by their own pasts and fear of the future they may never see. And who do their daughters become? A substitute teacher who encounters mouthy students who believe she’s not real. Another lands a job on her city’s arson squad, researching derelict properties their owners might want to burn. A beleaguered mother, humiliated by the PTA’s queen bee, finds solace in an ancient piece of caramel candy. “I keep sucking,” she says, “until some flavor, no longer caramel, comes out.” In the end, this is what all these finely wrought characters want: to wring sweetness from what’s been passed down to them.

Rosenblatt’s comic sensibility, so present in these stories, entertains and consoles, while seeming to say to her readers: you might as well laugh.

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cover of Faulkner's Narrative Poetics: Style as Vision

Faulkner's Narrative Poetics

Style as Vision

Arthur F. Kinney

University of Massachusetts Press, 1978

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cover of Fear in the Middle of a Vast Field and Other Stories

Fear in the Middle of a Vast Field and Other Stories

Mustafa Taj Aldeen Almosa; translated by Maisaa Tanjour and Alice Holttum

University of Texas Press, 2025

Short stories by a celebrated playwright bare the horrors of the Syrian civil war.

A selection of stories by Syrian author and playwright Mustafa Taj Aldeen Almosa about characters enduring the horrors of the Syrian civil war. With exquisite wit and lightness of touch, Almosa portrays the internal world of characters facing great physical violence or psychological pressures. Using both realism and fantastic elements, Almosa weaves short stories that are strange, violent, and delicate at the same time. This collection is an invaluable attempt to denounce war, to exist, to love life in all its manifestations and to learn how to cope with loss and disappointment. It is a cry against fear and death as much as it is an ode and a homage to life and love in times of both war and peace.

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cover of Fertility and Other Stories

Fertility and Other Stories

Vsevolod Ivanov

Northwestern University Press, 1998

Vsevolod Ivanov's personal experiences in Siberia and Central Asia during the Revolution and Civil War, set against a childhood and youth wandering that vast expanse, infuse his writing. Combining traditional elements with the fantastic and the surreal, Ivanov's stories address not only the themes of the Revolution--the dehumanizing effects of famine; the ferment, energy, and uncertainty of the tempestuous times—but also the quotidian: the quiet world of man and nature, and the elemental bond that tied peasants to their native land. Fertility and Other Stories makes available for the first time in English some of the best stories of one of the most talented twentieth-century Russian writers.
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cover of Fidelities

Fidelities

Valerie Nieman

West Virginia University Press, 2004

Fidelities is the first collection of eighteen short stories to be published by this multi-faceted author. The stories in Fidelities, which are mostly set in West Virginia, are both heartrending and beautiful. Nieman published her first novel, Neena Gathering, a post-apocalyptic science fiction novel, in 1988. She has also published two poetry chapbooks, Slipping out of Old Eve and How We Live. Her second fictional work, Survivors, was published in 2000.

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cover of Field Observations: Stories

Field Observations

Stories

Stories by Rob Davidson

University of Missouri Press, 2001

Field Observations, the debut fiction collection from Rob Davidson, contains stories about people who find themselves at difficult turning points in their lives—times when they are faced with hard choices, broken promises, and the fear of self-destruction. Davidson's characters are diverse: a retired math teacher, an auto repair worker, a technical writer, a nurse living overseas. What connects them is the way Davidson renders each character with essential human dignity, regardless of his or her flaws. This collection addresses such contemporary concerns as love relationships, cultural interaction, divorce, aging, and alcoholism in a lively, sometimes offbeat way.

In "Inventory"—winner of a 1997 AWP Intro Journals Award—the young narrator, fresh out of the army, struggles to take stock of his civilian life and assume responsibility for himself. An estranged wife, in "You Have to Say Something," competes for attention with her husband's manic approach to work, finding both solace and frustration in a new friend, a compulsive gift-giver. "A Private Life" renders a young Peace Corps volunteer grappling with her loneliness in a foreign country, with a sense of exposure and violation. In "What We Leave Behind," a college dropout and onetime golf prodigy finds himself dissatisfied with his current career as a vacuum cleaner salesman; after a quirky encounter with a client, he finds hope for a new beginning.

A recurrent motif in the stories is the presentation of characters who either tend to observe, even spy on, others, or who have the sense that they themselves are being watched. The notion of a passive observer extends to several characters who seem to treat their own lives as subject for observation rather than action, frequently persisting in patterns of behavior that are clearly destructive.

Rendered in clean, smooth prose with sharply observed details and driven by Davidson's fine ear for dialogue, these stories poignantly capture the difficult in-between states that trouble people every day. Fully defined and evocatively written, this collection addresses important real-life issues and concerns.

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cover of Fire on Water: Porgess and The Abyss

Fire on Water

Porgess and The Abyss

Arnost Lustig

Northwestern University Press, 2005

Contemplations of survival by one of the leading Czech writers of the twentieth century

It occurred to me why I was able to forgive the Italians, but never the Germans. Was it because the Italians never slept on mattresses stuffed with the hair of Luster Leibling or Weltfeind Flusser?

In this pair of short novels, Arnošt Lustig continues his lifelong project of creating a universe-at once concrete and dreamlike-to examine the horrors of the Holocaust and the impossible burden of living as a survivor.
The Abyss is the fragmented memories of David Wiesenthal, aged twenty, tortured by what he has witnessed and by the knowledge that luck-not skill, not courage, certainly not goodness-separated the survivors from the doomed. He seeks solace remembering the women he's loved or desired, even the one who represents his death.
In Porgess, the narrator recounts the life of the title character, "the most handsome boy in Jewish Prague" who was paralyzed on the last day of World War II. The two discuss their mutual fascinations-women, jazz, the significance of numbers-in sometimes bitter, sometimes sardonic voices, but always with the specters of the dead and the guilt of survival close at hand.
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cover of First Horses: Stories Of The West

First Horses

Stories Of The West

Robert Franklin Gish

University of Nevada Press, 1993

The fourteen stories in this collection are set in the sometimes magical, sometimes brutal Southwest: a multi-ethnic, contemporary West that encourages the reader to see beyond the stereotypes of the Old West. All of the stories depict the emotional and psychological costs of the prejudices and injustices of the Old West that have carried over into the present. Gish’s vivid storytelling utilizes compelling voices and gritty characters, tracing the recognition of remnant violence, racism, sexism, and environmental pollution carried over from earlier generations. Cutting through class and ethnicity, each story illustrates how a land and its history both determine and are determined by the people who live there.
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cover of First World Third Class and Other Tales of the Global Mix

First World Third Class and Other Tales of the Global Mix

By Regina Rheda

University of Texas Press, 2005

Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable.

Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil diminished, opted to leave their country, even if it meant taking menial jobs abroad. At the center of the narrative is Rita, a thirty-year-old aspiring filmmaker who migrates to England, and then Italy. She looks for work and love in all the wrong places, moving from city to city and from bed to bed.

The last three stories in this collection also happen to be among the author's most recent. "The Enchanted Princess" is an ironic title for a postfeminist tale of a South American woman being wooed to marry an old-world gentleman who promises to take care of her every need. "The Sanctuary" concerns the living conditions of immigrant workers and farm animals. Equally piquant in nature, "The Front" deals with ecology, labor environments, and gender politics.

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cover of Flight And Other Stories

Flight And Other Stories

José Skinner

University of Nevada Press, 2001

In this rich group of stories about Latinos in the American Southwest, Skinner explores many themes. "Archangela's Place" features a wonderful Mexican character who weaves herself permanently into the lives of an Anglo family with enduring results. "Flight" tackles racial misunderstanding between an urban African-American and a rural Chicano woodcutter. Coming-of-age stories, "Eloy" and "Every Head's A World," illustrate in various degrees of tragedy and comedy the complexities faced by Hispanic-American youth. "Careful" is an ironic and humorous story of an encounter between two gay teenagers, one Hispanic and one Anglo, that is admirably honest and compelling in its sensuality. Among the rest are two pure romances, "Pickup," which is like a tormented country-western song, and "Spring," a witty story of love unrequited for forty years until, finally, the elderly lovers can openly and tenderly embrace in a passionate and charming conclusion. The stories in this collection show a wide range of compassion and understanding of the often confusing rules of love in a multicultural world.
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cover of For You, I'd Steal a Goat: Short Stories

For You, I'd Steal a Goat

Short Stories

Niq Mhlongo

Ohio University Press, 2025

For You, I’d Steal a Goat is a vibrant collection of short stories filled with memorable characters, intriguing plots, and twist endings. It explores a wide range of themes, such as corruption, racial bias, family troubles, and lovers’ spats, to name a few. In his stories about queer relationships, Niq Mhlongo surfaces the complexities of a community whose narratives have been silenced. With his keen observations and insights into human nature, Mhlongo explores the things that people do for each other, but also to each other, including acts of injustice and exploitation as well as of love and desire. Mhlongo’s stories are critical, erudite, and masterfully crafted using satire and careful deliberation to connect to the quotidian lived experiences of readers. With a sense of humor, Mhlongo reflects on some of the greatest transformations South Africans have faced in recent times and engages with crucial matters in the present.

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cover of Former Virgin

Former Virgin

Cris Mazza

University of Alabama Press, 2026

When innocence becomes history, desire rewrites the story.

In this collection of stories, critically acclaimed writer Cris Mazza shines a kleig light on the dark underside of relationships in a disturbing look at the ambiguous nature of our own desires. From women who foster their own abusive relationships, to failed suicide attempts, to furtive -- and horribly violent -- encounters in steamy basements, Mazza's stories cut to the heart of doomed human relationships, landing squarely in the murky territory between desire and despair, between freedom and loss of control.

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cover of Fortune Teller Miracle Fish

Fortune Teller Miracle Fish

Cathryn Hankla

Michigan State University Press, 2011

A mentally challenged teen in a coma, a WWII veteran weighing his beliefs, an intersexed man anticipating a relationship, a single woman who has kissed far too many frogs, and a first grader suffering at the hands of a family friend. These are just a few of the unforgettable characters in Fortune Teller Miracle Fish, an innovative collection of stories from award-winning novelist and poet Cathryn Hankla. The figures in these stories struggle toward more truthful expressions of themselves, as outsiders whose dilemmas, emotions, and desires make them unmistakably human. As varied as they are vivid, they strive for closer connections of love and community. Through humor and understanding, Hankla intrepidly navigates the transitions that define them—unplanned pregnancy, divorce, death, and gender change, to name a few. Acutely attuned to her subjects’ inner landscapes, Hankla captures the full spectrum of human experience, from childhood to old age, with heart, rare skill, and nerve.

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cover of Fourteen Stories, None of Them Are Yours: A Novel

Fourteen Stories, None of Them Are Yours

A Novel

Luke B. Goebel

University of Alabama Press, 2014

A wild, sex-and-peyote-fueled road trip through heartbreak and the mythic American West, Fourteen Stories, None of Them Are Yours is a fever dream and cult classic of love, loss, and self-destruction. Goebel’s grief-stricken adrenalized alter ego goes on a cross-country search for his sanity—crashing through relationships, memories, and mania from New York to Texas, Puerto Rico to Los Angeles, spiraling through the wreckage of a love affair that won’t stay put. Grieving the sudden death of his brother and a past that won’t let go, the narrator must rewrite his own story before it devours him. At its heart, this is a raw reckoning with loss, abuse, and madness, told in lyrical prose that feels pulled from the heart of a bard on fire. With echoes of The Dharma Bums, The Chronology of Water, and The Catcher in the Rye, this is an untamed, confessional Künstlerroman—a howl of desire, dislocation, and the burning need to belong to a world that doesn’t even exist.
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cover of Frankincense, Gold, and Myrrh: A Christmas Chrestomathy

Frankincense, Gold, and Myrrh

A Christmas Chrestomathy

Joseph Bottum

St. Augustine's Press, 2024

For over thirty years, Joseph Bottum has been writing widely acclaimed Christmas essays, columns, short stories, and carols for American magazines and newspapers. Now, for the first time, St. Augustine’s Press has gathered a selection of these classic pieces—with a vast range across the Christmas spectrum. 

There’s the comic: “Tinsel. No one needs tinsel. Even the word is a tinselly kind of word.” There’s the sentimental: “Her hair was the same thin shade of gray as the weather-beaten pickets of the fence around her frozen garden.” There’s the reminiscent: “Christmas was books, and books Christmas, in those days now mostly washed down to the cold sea.” Along the way, there’s the theological, the learned, the mystical, and the musical.

“Tastefulness is just small-mindedness pretending to be art,” he writes in praise of mad and cluttered holidays. “Christmas will not be defined by our failures to apply its lessons and carols,” he explains about Yuletide poetry. To see these essays and short stories gathered in one place—in a beautiful illustrated edition from St. Augustine’s Press—is to see the whole of the vision that Joseph Bottum has been painting for decades: a picture of Christmas as a thin place in the wall between the natural and the numinous, where a burning grace slips into a cold winter world.
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cover of Freak Weather: stories

Freak Weather

stories

Mary Kuryla

University of Massachusetts Press, 2017

From a nurse who sees a rattlesnake in the pediatric ICU to an animal control officer convinced she's found her abducted daughter in the house of a dog hoarder, the thirteen stories in Freak Weather are as unpredictable as the atmospheric changes that give this collection its name. With dark and raucous humor, Mary Kuryla creates female characters who, at times, combine a violent urgency with lack of introspection as they struggle to get out from under the thumb of a perceived authority. The intricate language is inseparable from the narrator's conviction; the characters lie with such bravado they're soon tangled up in their own webs. This brand of romanticism in a female character is little tolerated, and Freak Weather's mission—Kuryla's artistic mission overall—is to scratch at the intolerable. Call it bad instructions for moral behavior.
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cover of Friendly Fire

Friendly Fire

Kathryn Chetkovich

University of Iowa Press, 1998

Winner of the 1998 John Simmons Short Fiction Award "These stories about the common human experiences of romance, friendship, and family are rich with witty, devastating observations. They show us what it means to live where friendly fire is the real hazard. Kathy Chetkovich's touch is deft, affectionate, and very funny."--Nancy Packer, author of Jealous-Hearted Me "I was once lucky enough to publish a story Kathy Chetkovich had worked on for fourteen years, at least that's what she claimed. To me the story felt like a bolt of fire, searing, delicious, made for the moment, all-devouring. She is the kind of crafty writer who makes it seem so easy. I read her the way I eat an apple--grateful something so close to home can be so exquisite."--Howard Junker, editor, ZYZZYVA "This is a book that's genuine fun to read thanks in part to the comic vision that gives these stories a memorable charm. The humor in Friendly Fire springs more from keen observation than situation. It's a complex humor that seems absolutely natural to the predominantly youthful voices of these narrators; yet, beneath the quips, there's a wisdom that prevents the youthfulness from ever seeming callow and a sense of understated sentiment that's all the more affecting for its comic guise."--Stuart Dybek, author of Childhood and Other Neighbors and judge of the 1998 John Simmons Short Fiction Award Friendly Fire describes how we are sometimes brought down by those we love. Kathryn Chetkovich's stories detail the lives of women finding their way in a contemporary world where the traditional maps of love, family, and community are no longer particularly reliable.
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cover of Fruit of the Month

Fruit of the Month

Abby Frucht

University of Iowa Press, 1988

This fine debut of twelve stories explores a topography of the interior, probing the thoughts, motivations, and little-understood impulses behind moments of aggression, jealousy, and loneliness. Turning her eye on the academic landscape as well as the workaday world, Frucht keenly observes people forging friendships, groping for greater self-understanding, and attempting to find meaning in their lives and loves.

Whether writing about a couple trying to conceive a much-wanted child or a lonely husband mourning the changing political attitudes of his wife, Frucht brings her characters and their lives into memorable focus. She builds a fictional world that resonates with the immediate and the familiar.

Although many books of contemporary fiction document the ways people often fail to communicate, the essential quality of Abby Frucht's characters is that they do communicate—connect—and gain part of what they want from life as a result. These stories are never about despair without also being about hope. They speak to each other as playfully and accidentally as memories do.

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cover of Full Metal Jhacket

Full Metal Jhacket

Matthew Derby

University of Michigan Press, 2014

Two boys discover that the title of their stop-motion animated film about Vietnam has been taken by director Stanley Kubrick. A 150-year-old woman on the run from the government is tracked down by the company who extended her life. A military contractor carrying his robot son in a gym bag struggles to find his way out of the Nigerian delta during a bloody civil war. The wife of an up-and-coming politician grieves his infidelity by prowling rooftops with a sniper rifle. Following his celebrated debut collection, Super Flat Times, Matthew Derby delivers a disturbing new set of stories that plunges us into a lonely heartland of misfits, outcasts, and would-be assassins who lurk in the shadows, searching for connection and meaning in all the wrong places.
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