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This classic study of the American working class, originally published in 1973, is now back in print with a new introduction and epilogue by the author. An innovative blend of first-person experience and original scholarship, Aronowitz traces the historical development of the American working class from post-Civil War times and shows why radical movements have failed to overcome the forces that tend to divde groups of workers from one another. The rise of labor unions is analyzed, as well as their decline as a force for social change. Aronowitz’s new introduction situates the book in the context of developments in current scholarship and the epilogue discusses the effects of recent economic and political changes in the American labor movement.

During the 1950s and 1960s, labor leaders Harold Gibbons and Ernest Calloway championed a new kind of labor movement that regarded workers as "total persons" interested in both workplace affairs and the exercise of effective citizenship in their communities. Working through Teamsters Local 688 and viewing the city of St. Louis as their laboratory, this remarkable interracial duo forged a dynamic political alliance that placed their "citizen members" on the front lines of epic battles for urban revitalization, improved public services, and the advancement of racial and economic justice. Parallel to their political partnership, Gibbons functioned as a top Teamsters Union leader and Calloway as an influential figure in St. Louis's civil rights movement. Their pioneering efforts not only altered St. Louis's social and political landscape but also raised fundamental questions about the fate of the post-industrial city, the meaning of citizenship, and the role of unions in shaping American democracy.

In Finns in Michigan Gary Kaunonen probes the intricacies of immigration, labor, and ideology among the members of this intriguing and historically important ethnic group. He skillfully traces the evolution of a vibrant, diverse, dramatic, and at times deeply quarrelsome people who left an indelible mark on the state's history.
     Kaunonen examines the many schisms and splits that define the course of Finnish social life in Michigan. Michigan's Finns flocked to diverse cultural organizations that span a broad ideological spectrum. This book examines an extraordinarily wide range of organizations, including religious institutions, temperance societies, working-class political and labor groups, the cooperative movement, and a nationalist association of Finns.
     Finns in Michigan is a study of the contributions of Michigan's Finns in the workplace, in society, and in cultural life. Unlike previous, sometimes mythologized, histories of the Finns in Michigan, Kaunonen's rendition strives to be a more accurate representation of "the good, the bad, and the other" activities of a group he calls "possibly America's most diverse family."

Fiction created by and for the working class emerged worldwide in the early twentieth century as a response to rapid modernization, dramatic inequality, and imperial expansion. In Japan, literary youth, men and women, sought to turn their imaginations and craft to tackling the ensuing injustices, with results that captured both middle-class and worker-farmer readers. This anthology is a landmark introduction to Japanese proletarian literature from that period.

Contextualized by introductory essays, forty expertly translated stories touch on topics like perilous factories, predatory bosses, ethnic discrimination, and the myriad indignities of poverty. Together, they show how even intensely personal issues form a pattern of oppression.  Fostering labor consciousness as part of an international leftist arts movement, these writers, lovers of literature, were also challenging the institution of modern literature itself. This anthology demonstrates the vitality of the “red decade” long buried in modern Japanese literary history.

Who are the lords of labor? The owners, or the working bodies? In this smart, ambitious, and powerful book, David Gewanter reads the body as creator and destroyer—ultimately, as the broken mold of its own work.

Haunted by his father’s autopsy of a workman he witnessed as a child, Gewanter forges intensely personal poems that explore the fate of our laboring bodies, from the Carnegie era’s industrial violence and convict labor to our present day of broken trust, profiteering, and the Koch brothers. Guided by a moral vision to document human experience, this unique collection takes raw historical materials—newspaper articles, autobiography and letters, court testimony, a convict ledger, and even a menu—and shapes them into sonnets, ballads, free verse, and prose poems. The title poem weaves a startling lyric sequence from direct testimony by steelworkers and coal-miners, strikers and members of prison chain-gangs, owners and anarchists, revealing an American empire that feeds not just on oil and metal, but also on human energy, impulse, and flesh. Alongside Gewanter’s family are hapless souls who dream of fortune, but cannot make their fates, confronting instead the dark outcomes of love, loyalty, fantasy, and betrayal. 

It's hard to overestimate the complexity of the factors that dictate something as simple as where, and in what sorts of structures, people live. Urban planning, business, labor, ethnicity, architecture—each influences the types of structures people live in, and the sorts of lives they lead within them.

Joseph C. Bigott takes on all of these fields in From Cottage to Bungalow, a sophisticated study of domestic structures and ethnic working-class neighborhoods in Chicago during the critical period of 1869 to 1929, when the city attracted huge numbers of immigrants. Exploring the meaning of home ownership in this context, Bigott develops two case studies that combine the intimate lives of ordinary people (primarily in Chicago's Polish and German communities) with broad analysis of everything from real estate markets to the very carpentry practices used to construct houses. His progressive methods and the novel conclusions they support chronicle not only the history of housing in Chicago, but also the organizations of people's lives, and the ways in which housing has affected notions of who is—and who is not—a worthy American citizen.

Praise for Dan Kwong:

"Somehow, Kwong has held onto his sense of childlike wonder about the cosmos, and that awe informs his free-wheeling and uproarious performance."
-Asian Week

"He weaves striking, multi-focus stage pictures around simple monologues about his Chinese and Japanese grandfathers, ironic accounts of his own childhood, and litanies of the trials facing Asian American males."
-L.A. Times

"Saturated with high-spirited enthusiasm . . . a refreshingly forthright approach to his often dark material."
-Chicago Tribune

"Kwong's humor is warm and loving . . . it stems from a delightfully twisted taste for the absurdity of human behavior. . . . Be prepared to laugh, to be moved, and to fall in love with a performer."
-L.A. Reader

Dan Kwong's performances delve into the complexities of growing up as a working-class Chinese-Japanese-American male in L.A., land of Hollywood and Disney. Kwong's remarkable performances, a potent array of multimedia effects and athletic physicalization, investigate questions of identity and the intersecting effects of race, culture, class, gender, and sexuality. From Inner Worlds to Outer Space brings together Kwong's scripts with illuminating commentary by critic Robert Vorlicky. The book includes interviews that reveal Kwong's personal and artistic influences, his evolution as an artist, and his philosophical and technical approach to art-making.

Author Barry B. Witham reclaims the work of Manny Fried, an essential American playwright so thoroughly blacklisted after he defied the House Committee on Un-American Activities in 1954, and again in 1964, that his work all but completely disappeared from the canon. Witham details Manny Fried’s work inside and outside the theatre and examines his three major labor plays and the political climate that both nurtured and disparaged their productions. Drawing on never-before-published interview materials, Witham reveals the details of how the United States government worked to ruin Fried’s career.
 
From Red-Baiting to Blacklisting includes the complete text of Fried’s major labor plays, all long out of print. In Elegy for Stanley Gorski, Fried depicts one of the many red-baiting campaigns that threatened countless unions in the wake of the Taft-Hartley Act and the collusion of the Catholic Church with these activities. In Drop Hammer, Fried tackles the issues of union dues, misappropriation, and potential criminal activities. In the third play, The Dodo Bird, perhaps his most popular, Fried achieves a remarkable character study of a man outsourced from his job by technology and plant closures.
 
Manny Fried’s plays portray the hard edges of capitalism and government power and illuminate present-day struggles with hostility to labor unions and the passage in several states of right-to-work laws. Fried had no illusions about the government’s determination to destroy communism and unionism—causes to which he was deeply committed.