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Pioneer Texas Buildings opened people's eyes when it was first published in 1968. At a time when "progress" meant tearing down the weathered houses, barns, churches, and stores built by the original settlers of Central Texas, this book taught people to see the beauty, simplicity, and order expressed in the unadorned geometric forms of early Texas buildings. It inspired the preservation and restoration of many of the remaining pioneer buildings, as well as the design of modern buildings that employ the same simple geometries.

This revised edition of Pioneer Texas Buildings juxtaposes the historic structures with works by twenty contemporary architects who are inspired by the pioneer tradition to show how seamlessly the basic geometries translate from one era to another. As in the first edition, sketches and brief commentary by Clovis Heimsath explain how squares, triangles, and circles take shape in the cubic, triangular, and cylindrical forms that comprise houses and other buildings. Then black-and-white photographs, the heart of the book, illustrate these geometric forms in historic and modern buildings. The book also includes two essays in which Heimsath discusses the factors that led him and his wife Maryann to document early Texas buildings and the results in historic preservation and timeless architectural designs that have followed from their efforts.

In this book devoted exclusively to temples and perceptions of the divine presences that inhabit them, Michael B. Hundley focuses on the official religions of the ancient Near East and explores the interface between the human and the divine within temple environs.

Hundley identifies common ancient Near Eastern temple systems and examines issues that include what temple structures communicate, how temples were understood to function, temple ideology, the installation of divine presence in a temple, the connection between presence and physical representation, and human service to the deity.

Drawing on architectural and spatial theory, ritual theory, theories of language, art history, archaeology, sociocultural anthropology, and comparative studies, Hundley offers a single interpretive lens through which to view temple worship.

Features:

• A close examination of temples in Egypt, Mesopotamia, Hittite Anatolia, and Syria-Palestine
• An interdisciplinary treatment of architecture, language, ritual, and art
• A dual focus on how a deity's divine presence connects to space and art and how human service to the deity maintains the deity's active presence

An innovative look at the contribution of montage to twentieth-century architecture—now in paperback

Graphic Assembly unearths the role played by montage and collage in the development of architectural culture over the past century, revealing their unexamined yet crucial significance. Craig Buckley brings together experimental architectural practices based in London, Paris, Vienna, and Florence, showing how breakthroughs in optical media and printing technologies enabled avant-garde architects to reimagine their field.

Graphic Assembly considers a range of architects and movements from the 1950s through the early ’70s, including Theo Crosby, Hans Hollein, and John McHale; the magazine Clip-Kit; and the groups Archigram, Superstudio, and Utopie. It gives a thorough account of how montage concepts informed the design of buildings, prototypes, models, exhibitions, and multimedia environments, accompanied by Buckley’s insightful interpretations of the iconic images, exhibitions, and buildings of the 1960s that mark how the decade is remembered.

Richly illustrated with never-before-published material from more than a dozen archives and private collections, Graphic Assembly offers a comparative overview of the network of experimental architectural practice in Europe. It provides a deep historical account of the cut-and-paste techniques now prevalent with architecture’s digital turn, demonstrating the great importance of montage to architecture past, present, and future.

Great American Treasures is a comprehensive survey of America's historic sites and buildings, their furnishings, and their gardens.

America’s historic sites, homes, and public buildings are a living record of the diverse ethnicities that, over four centuries, helped to build a growing nation. Since 1891, the National Society of the Colonial Dames of America (NSCDA) has actively promoted our national heritage through historic preservation, restoration, and the interpretation of historic sites across the United States. In conjunction with NSCDA, in 2025 The Artist Book Foundation (TABF) published Great American Treasures, a comprehensive survey of the architecture, furnishings, and gardens that epitomize the nation’s diverse material culture over more than 400 years.

The publication features the NSCDA’s collection of historic places, which span the sixteenth to the twentieth centuries, and highlights the residences of those who established themselves in America during this time. It features an array of buildings that speak to the diversity of traditions, people, and architecture in a growing nation—from English Georgian houses on the eastern seaboard to a French Colonial dwelling in Missouri and mission houses in Hawai’i. This survey illuminates the stories and material traditions of the wide range of individuals who contributed to the founding of the United States and to the development of America as a dynamic multicultural nation.

Many of the sites tell the stories of familiar historic figures like George and Martha Washington, John Adams, James and Dolley Madison, John Quincy Adams, Benjamin Franklin, and George Mason. Other sites offer the narratives of figures who contributed to America’s artistic heritage, such as John James Audubon and John Smibert, or those who helped to shape the country’s mercantile system, like Frederick Van Cortlandt and James Logan. Some places were designed by well-known architects such as Robert Mills or McKim, Mead & White, while most were the work of unknown or little-known architects, builders, joiners, and slave laborers. The classic architecture of these sites, their exquisite furnishings and lush gardens, and even the headstones in historic cemeteries all provide a window into the rich diversity of men, women, and children—free, indentured, and enslaved—who came together to build America.

• Entries organized by neighborhood
• Maps with easy-to-locate landmarks and mass transit options
• Background on each entry, including the design architect, name and address, description, and other essential information
• Sidebars on additional sites and projects
• A detailed supplemental section with a glossary, selected bibliography, and indexes by architect, building name, and building type

Up-to-date and illustrated with almost four hundred color photos, the Guide to Chicago's Twenty-First-Century Architecture takes travelers and locals on a journey into an ever-changing architectural mecca.