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615 books match the query 'England' and 14 start with g

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GENDER AND PETTY VIOLENCE IN LONDON, 1680-1720

JENNINE HURL-EAMON

The Ohio State University Press, 2005

Looking at a heretofore overlooked set of archival records of London in the late 17th and early 18th centuries, Hurl-Eamon reassesses the impact of gender on petty crime and its prosecution during the period. This book offers a new approach to the growing body of work on the history of violence in past societies. By focusing upon low-cost prosecutions in minor courts, Hurl-Eamon uncovers thousands of assaults on the streets of early modern London. Previous histories stressing the masculine nature of past violence are questioned here: women perpetrated one-third of all assaults. In looking at more mundane altercations rather than the homicidal attacks studied in previous histories, the book investigates violence as a physical language, with some forms that were subject to gender constraints, but many of which were available to both men and women. Quantitative analyses of various circumstances surrounding the assaults—including initial causes, weapons used, and injuries sustained—outline the patterns of violence as a language.

Hurl-Eamon also stresses the importance of focusing on the prosecutorial voice. In bringing the court’s attention to petty attacks, thousands of early modern men and women should be seen as agents rather than victims. This view is especially interesting in the context of domestic violence, where hundreds of wives and servants prosecuted patriarchs for assault, and in the Mohock Scare of 1712, where London’s populace rose up in opposition to aristocratic violence. The discussion is informed by a detailed knowledge of assault laws and the rules governing justices of the peace.

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Gaming the Stage

Playable Media and the Rise of English Commercial Theater

Gina Bloom

University of Michigan Press, 2018

Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology.

Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.

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Gehennical Fire

The Lives of George Starkey, an American Alchemist in the Scientific Revolution

William R. Newman

University of Chicago Press, 2002

Both the quest for natural knowledge and the aspiration to alchemical wisdom played crucial roles in the Scientific Revolution, as William R. Newman demonstrates in this fascinating book about George Starkey (1628-1665), America's first famous scientist. Beginning with Starkey's unusual education in colonial New England, Newman traces out his many interconnected careers—natural philosopher, alchemist, chemist, medical practitioner, economic projector, and creator of the fabulous adept, "Eirenaeus Philalethes." Newman reveals the profound impact Starkey had on the work of Isaac Newton, Robert Boyle, Samuel Hartlib, and other key thinkers in the realm of early modern science.

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Gender in Play on the Shakespearean Stage

Boy Heroines and Female Pages

Michael Shapiro

University of Michigan Press, 1996

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity.
Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.
The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations.
"Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --Choice
Michael Shapiro is Professor of English, University of Illinois, Urbana.

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Gendering Bodies/Performing Art

Dance and Literature in Early Twentieth-Century British Culture

Amy Koritz

University of Michigan Press, 1995

Gendering Bodies / Performing Art is the first book that attempts a conceptual integration of dance and literary history in British culture. It attempts to make visible the role of dance in creating, reinforcing, and challenging developments in aesthetic practice and ideology in which both dance and literature participated. Koritz integrates chapters on dance and dancers- from music hall ballet girls of the 1890s to the prestigious season of Diaghilev's Russian Ballet- with discussions on how major literary figures such as Oscar Wilde, W.B. Yeats, George Bernard Shaw, and T.S. Eliot used dance to further their own aesthetic agendas. In doing so, she provides an illuminating analysis of the connections between literature and dance, and explores the ways in which these two arts actively engaged in cultural processes encompassing both. ". . . provocative and stimulating . . . an invaluable addition to the work that is already available on turn-of-century theater/culture. . . ."--Vivien Gardner, Manchester University "Reaching between the poles of popular music hall and the Ballet Russe, Koritz addresses a series of interrelated, mutually informing discourses in which we overhear the language of the literary community in its accolades and in its outcries. Koritz's book will prove useful to a wide variety of readers; many scholars of English literature will undoubtedly use this book to the fullest, turning to it again and again as a contextual primer for performance issues in their field."--Cheryl Herr, University of Iowa Amy Koritz is Co-Director of the Cultural Studies Program and Assistant Professor of English, Tulane University.

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George Cruikshank's Life, Times, and Art

George Cruikshank's Life, Times, and Art, vol. 1

Patten, Robert L

Rutgers University Press, 1991

"Patten consistently manages with great deftness to intertwine the personal and the historical, the strands of Cruikshank's life and those of his caricatures, illustrations, and moralities without a sign of jargon or pedantry. . . . This is a monumental life and works."--Ronald Paulson, The Johns Hopkins University

"At last, an authoritative, exhaustively researched biography of one of nineteenth-century England's greatest popular artists! It will rescue him from the biographical obscurity in which he has dwelt and inspire a fresh estimate of his achievement as a rough-and-tumble caricaturist and prolific book illustrator."--Richard D. Altick, Ohio State University

The etchings and wood engravings by George Cruikshank (1792-1878) recorded, commented on, and satirized his times to such an extent that they have been frequently used to represent the age. Cruikshank, a popular artist in the propaganda war against Napoleon, an ardent campaigner for Reform and Temperance, and the foremost illustrator of such classics as Grimms' Fairy Tales, Scott's novels, and Dickens's Oliver Twist, is known for his versatility, imagination, humor, and incisive images. His long life, marked by a ceaseless struggle to win recognition for his art, intersected with many of Britain's important political, social, and cultural leaders.

Robert Patten provides the first documentary biography of Cruikshank. In this first volume of a two-volume work, which covers the artist's Regency caricatures and early book illustrations, Patten demonstrates the ways that Cruikshank was, as his contemporaries frequently declared, the Hogarth of the nineteenth century. Having reviewed over 8,500 unpublished letters and most of Cruikshank's 12,000 or more printed images, Patten gives a thorough and reliable account of the artist's career. He puts Cruikshank's achievement into a variety of larger contexts--publishing history, political and cultural history, the traditions of figurations practiced by Cruikshank's contemporaries, and the literary and social productions of nineteenth-century Britain.

Published to coincide with the Fall 1992 bicentennial celebrations of the artist's birth, this biography provides both the general reader and the specialist with a wealth of new information conveyed in a lively, non-technical prose. Patten's book contributes to current investigation of the rich interactions between high art and low art, texts and pictures, politics and imagination.

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George Eliot’s Serial Fiction

Carol A. Martin

The Ohio State University Press, 1994

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Give Them Stones

Mary Beckett

Catholic University of America Press, 2024

Give Them Stones follows Martha Murtagh’s life in Belfast during the Troubles. A working-class Catholic wife and mother, Martha struggles to find work and safe shelter for her children amid growing civil strife. Having renounced an education in order to financially support her family and living in one of the most precarious parts of the city, Martha discovers her passion for home-baking. Her bread provides sustenance and community for her neighbors, and for Martha herself it brings economic independence and spiritual communion. Mary Beckett’s novel is a skillfully written, moving narrative of one woman’s coming of age amid violence. It won the Sunday Tribune Arts Award in 1987 then fell out of print by the end of the century, while male writers of the Troubles rose to prominence. This restored edition brings Give Them Stones to a new readership, for whom Martha’s struggle for financial and personal independence remains an acutely relevant meditation on the burdens carried by women during war and the redemptive power of simple things.

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Glamorous Sorcery

Magic and Literacy in the High Middle Ages

David Rollo

University of Minnesota Press, 2000

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Glanz und Abglanz

Two Centuries of German Studies in the University of London

Edited by John L. Flood and Anne Simon

University of London Press, 2017

In 1943, in the midst of a London still reeling from the Blitz, initial plans were laid for an Institute devoted to rebuilding relations between English and German scholars and academics once hostilities had ceased. Established in 1950, the Institute served for more than half a century as a research centre and focal point for researchers the world over. However, German Studies in London have a much older tradition which goes back almost two centuries. Glanz und Abglanz tells the fascinating tale of German Studies in London from its beginnings at the ‘godless institution of Gower Street’, and the remarkable personalities whose energy and commitment ensured that the discipline flourished. The story is told through two essays: ‘Taught by Giants’ outlining the history of the subject in London from 1826, and ‘“Sehr schön, Piglet?” “Ja, Pooh.”’ following the development of the Institute of Germanic Languages and Literatures and showcasing its remarkable library. The volume is rounded off with an account of the magnificent collection of rare books assembled by two of the personalities, Robert Priebsch (1866–1935) and August Closs (1898–1990). John L. Flood has been associated with the University of London for more than fifty years, having taught German at King’s College from 1965 until 1979, when he was appointed Deputy Director of the Institute of Germanic Studies. Since his retirement in 2002, Professor Flood has been an Honorary Fellow of the Institute. Anne Simon took her PhD at the University of London, then became Lecturer in Medieval German at the University of Bristol from 1992 to 2011. She held a temporary Lectureship at the Institute of Germanic & Romance Studies, London, in 2012–13, and is now an Associate Fellow of the Institute of Modern Languages Research.

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Governing Pleasures

Pornography and Social Change in England, 1815-1914

Sigel, Lisa Z.

Rutgers University Press, 2002

Governing Pleasures is a historical account of the production, distribution, and consumption of pornography in Great Britain from the early nineteenth century to the turn of the twentieth. Lisa Z. Sigel examines how pornography changed over time as a cultural and symbolic object in British society, and asks: What was considered pornographic? Who looked at pornography and read it? What sorts of messages did this medium transmit to both men and women? What was its thematic content, who controlled it, and how did these messages affect sexual and social dynamics?In contrast to recent ahistorical feminist assertions that pornography necessarily teaches men how to oppress women, Sigel views the use of pornography through the lens of historical and social change. In a careful analysis, she illustrates the cultural complexities of the medium and links Victorian pornography to other arenas such as language, science, consumerism, and politics. Most importantly, the author asserts that pornography offered a way for people to make sense of sexuality and its relationship to their world.Governing Pleasures is a greatly needed examination of a neglected topic. Access to public and private collections of pornography has enabled the author to provide vivid illustrations to bolster her arguments.

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Graham R.

Rosamund Marriot Watson, Woman of Letters

Linda K. Hughes

Ohio University Press, 2005

Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made—and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet’s development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.

Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man’s name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce.

Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.

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