Results by title
476 books match the query 'World War, 1939-1945' and 9 start with g
Gas Mask Nation
Visualizing Civil Air Defense in Wartime JapanGennifer Weisenfeld
University of Chicago Press, 2023
A fascinating look at the anxious pleasures of Japanese visual culture during World War II.
Airplanes, gas masks, and bombs were common images in wartime Japan. Yet amid these emblems of anxiety, tasty caramels were offered to children with paper gas masks as promotional giveaways, and magazines featured everything from attractive models in the latest civil defense fashion to futuristic weapons.
Gas Mask Nation explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense—or bōkū—through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, cartoons, advertising, fashion, everyday goods, government posters, and state propaganda. Gennifer Weisenfeld reveals the immersive aspects of this culture, in which Japan’s imperial subjects were mobilized to regularly perform highly orchestrated civil air defense drills throughout the country.
The war years in Japan are often portrayed as a landscape of privation and suppression under the censorship of the war machine. But alongside the horrors, pleasure, desire, wonder, creativity, and humor were all still abundantly present in a period before air raids went from being a fearful specter to a deadly reality.
Airplanes, gas masks, and bombs were common images in wartime Japan. Yet amid these emblems of anxiety, tasty caramels were offered to children with paper gas masks as promotional giveaways, and magazines featured everything from attractive models in the latest civil defense fashion to futuristic weapons.
Gas Mask Nation explores the multilayered construction of an anxious yet perversely pleasurable visual culture of Japanese civil air defense—or bōkū—through a diverse range of artworks, photographs, films and newsreels, magazine illustrations, postcards, cartoons, advertising, fashion, everyday goods, government posters, and state propaganda. Gennifer Weisenfeld reveals the immersive aspects of this culture, in which Japan’s imperial subjects were mobilized to regularly perform highly orchestrated civil air defense drills throughout the country.
The war years in Japan are often portrayed as a landscape of privation and suppression under the censorship of the war machine. But alongside the horrors, pleasure, desire, wonder, creativity, and humor were all still abundantly present in a period before air raids went from being a fearful specter to a deadly reality.
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Gasa Gasa Girl Goes to Camp
A Nisei Youth Behind A World War II FenceLily Yuriko Nakai Havey
University of Utah Press, 2014
Lily Nakai and her family lived in southern California, where sometimes she and a friend dreamt of climbing the Hollywood sign that lit the night. At age ten, after believing that her family was simply going on a “camping trip,” she found herself living in a tar-papered barrack, nightly gazing out instead at a searchlight. She wondered if anything would ever be normal again.
In this creative memoir, Lily Havey combines storytelling, watercolor, and personal photographs to recount her youth in two Japanese-American internment camps during World War II. In short vignettes snapshots of people, recreated scenes and events a ten-year-old girl develops into a teenager while confined. Vintage photographs reveal the historical, cultural, and familial contexts of that growth and of the Nakais’ dislocation. The paintings and her animated writing together pull us into a turbulent era when America disgracefully incarcerated, without due process, thousands of American citizens because of their race.
These stories of love, loss, and discovery recall a girl balancing precariously between childhood and adolescence. In turn wrenching, funny, touching, and biting but consistently engrossing, they elucidate the daily challenges of life in the camp and the internees’ many adaptations.
Winner of the Evans Biography Award.
Selected by the American Library Association as one the Best of the Best from University Presses.
Finalist in the cover design category in the Southwest Book Design and Production Awards.
In this creative memoir, Lily Havey combines storytelling, watercolor, and personal photographs to recount her youth in two Japanese-American internment camps during World War II. In short vignettes snapshots of people, recreated scenes and events a ten-year-old girl develops into a teenager while confined. Vintage photographs reveal the historical, cultural, and familial contexts of that growth and of the Nakais’ dislocation. The paintings and her animated writing together pull us into a turbulent era when America disgracefully incarcerated, without due process, thousands of American citizens because of their race.
These stories of love, loss, and discovery recall a girl balancing precariously between childhood and adolescence. In turn wrenching, funny, touching, and biting but consistently engrossing, they elucidate the daily challenges of life in the camp and the internees’ many adaptations.
Winner of the Evans Biography Award.
Selected by the American Library Association as one the Best of the Best from University Presses.
Finalist in the cover design category in the Southwest Book Design and Production Awards.
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General Lewis B. Hershey and Conscientious Objection during World War II
Nicholas A. Krehbiel
University of Missouri Press, 2012
During World War II, the United States drafted 10.1 million men to serve in the military. Of that number, 52,000 were conscientious objectors, and 12,000 objected to noncombatant military service. Those 12,000 men served the country in Civilian Public Service, the program initiated by General Lewis Blaine Hershey, the director of Selective Service from 1941 to1970. Despite his success with this program, much of Hershey’s work on behalf of conscientious objectors has been overlooked due to his later role in the draft during the Vietnam War.
Seeking to correct these omissions in history, Nicholas A. Krehbiel provides the most comprehensive and well-rounded examination to date of General Hershey’s work as the developer and protector of alternative service programs for conscientious objectors. Hershey, whose Selective Service career spanned three major wars and six presidential administrations, came from a background with a tolerance for pacifism. He served in the National Guard and later served in both World War I and the interwar army. A lifelong military professional, he believed in the concept of the citizen soldier—the civilian who responded to the duty of service when called upon. Yet embedded in that idea was his intrinsic belief in the American right to religious freedom and his notion that religious minorities must be protected.
What to do with conscientious objectors has puzzled the United States throughout its history, and prior to World War II, there was no unified system for conscientious objectors. The Selective Service Act of 1917 only allowed conscientious objection from specific peace sects, and it had no provisions for public service. In action, this translated to poor treatment of conscientious objectors in military prisons and camps during World War I. In response to demands by the Historic Peace Churches (the Brethren, Mennonites, and the Society of Friends) and other pacifist groups, the government altered language in the Selective Service Act of 1940, stating that conscientious objectors should be assigned to noncombatant service in the military but, if opposed to that, would be assigned to “work of national importance under civilian direction.”
Under the direction of President Franklin D. Roosevelt and with the cooperation of the Historic Peace Churches, Hershey helped to develop Civilian Public Service in 1941, a program that placed conscientious objectors in soil conservation and forestry work camps, with the option of moving into detached services as farm laborers, scientific test subjects, and caregivers, janitors, and cooks at mental hospitals. Although the Civilian Public Service program only lasted until 1947, alternative service was required for all conscientious objectors until the end of the draft in 1973.
Krehbiel delves into the issues of minority rights versus mandatory military service and presents General Hershey’s pivotal role in the history of conscientious objection and conscription in American history. Archival research from both Historic Peace Churches and the Selective Service makes General Lewis B. Hershey and Conscientious Objection during World War II the definitive book on this subject.
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Gertrude Stein's Surrealist Years
Ery Shin
University of Alabama Press, 2020
Examineshow surrealism enriches our understanding of Stein’s writing through its poetics of oppositions
Gertrude Stein’s Surrealist Years brings to life Stein’s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Stein’s earlier works such as Tender Buttons and Lucy Church Amiably tend to prioritize formal innovations over narrative-building and overt political motifs. However, Ery Shin argues that Stein’s later works engage more with storytelling and life-writing in startling ways—most emphatically and poignantly through the surrealist lens.
Beginning with The Autobiography of Alice B. Toklas and continuing in later works, Stein renders legible her war-torn era’s jarring dystopian energies through narratives filled with hallucinatory visions, teleportation, extreme coincidences, action reversals, doppelgangers, dream sequences spanning both sleeping and waking states, and great whiffs of the occult. Such surrealist gestures are predicated on Stein’s return to the independent clause and, by extension, to plot, characterization, and anecdotes. By summoning the marvelous in a historically situated world, Stein joins her surrealist contemporaries in their own ambivalent crusade on behalf of historiography.
Besides illuminating Stein’s art and life, the surrealist framework developed here brings readers deeper into those philosophical ideas invoked by war. Topics of discussion emphasize how varied Jewish experiences were in Hitler’s Europe, how outliers like Stein can be included in the surrealist project, surrealism’s theoretical bind in the face of WWII, and the age-old question of artistic legacy.
Gertrude Stein’s Surrealist Years brings to life Stein’s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Stein’s earlier works such as Tender Buttons and Lucy Church Amiably tend to prioritize formal innovations over narrative-building and overt political motifs. However, Ery Shin argues that Stein’s later works engage more with storytelling and life-writing in startling ways—most emphatically and poignantly through the surrealist lens.
Beginning with The Autobiography of Alice B. Toklas and continuing in later works, Stein renders legible her war-torn era’s jarring dystopian energies through narratives filled with hallucinatory visions, teleportation, extreme coincidences, action reversals, doppelgangers, dream sequences spanning both sleeping and waking states, and great whiffs of the occult. Such surrealist gestures are predicated on Stein’s return to the independent clause and, by extension, to plot, characterization, and anecdotes. By summoning the marvelous in a historically situated world, Stein joins her surrealist contemporaries in their own ambivalent crusade on behalf of historiography.
Besides illuminating Stein’s art and life, the surrealist framework developed here brings readers deeper into those philosophical ideas invoked by war. Topics of discussion emphasize how varied Jewish experiences were in Hitler’s Europe, how outliers like Stein can be included in the surrealist project, surrealism’s theoretical bind in the face of WWII, and the age-old question of artistic legacy.
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Glidermen of Neptune
The American D-Day Glider AttackCharles J. Masters
Southern Illinois University Press, 1995
Although the word gliderman does not appear in the dictionary, a brave group of World War II soldiers known as glidermen flew into combat inside unarmed and unarmored canvas-covered gliders known as "flying coffins."
Charles J. Masters points out that because World War II was the first truly mechanized and armored global conflict, the role of the glidermen and their combat gliders was at best anachronistic. Fighter planes exceeded speeds of 400 miles per hour and were heavily armed with multiple machine guns. Dogfights had taken on new dimensions, eclipsing the tactics, speed, and firepower first evidenced by the fragile biplanes of World War I. Tanks achieved a lethal efficiency barely dreamed of even five years before the war. An array of weaponry never seen in any previous military engagement confronted the combat soldier during World War II.And yet there were gliders. And glidermen.
Masters tells of these men and of their fragile aircraft in a war of mechanized chaos. In copious detail, he describes the gliders and the Americans who boarded them during the American D-Day glider attack, a mission that was part of the overall cross-channel plan code-named "Operation Neptune." The son of a gliderman with the 82nd Airborne Division, Masters had unique access to the surviving glidermen and comrades of his father. During the course of his research, he located and interviewed 106 of the men who had flown the D-Day mission in gliders. As an insider—in a sense almost a member of the family and fraternity of glider-men—Masters was cordially received by the members of the American airborne divisions that participated in D-Day, many of whom told him stories they had seldom told their own friends and families. Often harrowing and always riveting, the stories these men told an eager listener and researcher are very much a part of this narrative.
Masters has also assembled the finest existing collection of photographs of the American D-Day glider attack. These photographs—many of which have never before been published—provide a spectacular photographic record of a little-known aspect of this war. In fact, because of the short military history of the American combat glider, most readers, including veterans of World War II, will not have seen one of these "flying coffins," even at a distance. These photographs afford the opportunity to actually examine the inside of the combat gliders used on D-Day, to observe the glidermen in action, and to witness the often tragic consequences of the glider attack.
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Glory in Their Spirit
How Four Black Women Took On the Army during World War IISandra M Bolzenius
University of Illinois Press, 2018
Before Rosa Parks and the March on Washington, four African American women risked their careers and freedom to defy the United States Army over segregation. Women Army Corps (WAC) privates Mary Green, Anna Morrison, Johnnie Murphy, and Alice Young enlisted to serve their country, improve their lives, and claim the privileges of citizenship long denied them. Promised a chance at training and skilled positions, they saw white WACs assigned to those better jobs and found themselves relegated to work as orderlies. In 1945, their strike alongside fifty other WACs captured the nation's attention and ignited passionate debates on racism, women in the military, and patriotism. Glory in Their Spirit presents the powerful story of their persistence and the public uproar that ensued. Newspapers chose sides. Civil rights activists coalesced to wield a new power. The military, meanwhile, found itself increasingly unable to justify its policies. In the end, Green, Morrison, Murphy, and Young chose court-martial over a return to menial duties. But their courage pushed the segregated military to the breaking point ”and helped steer one of American's most powerful institutions onto a new road toward progress and justice.
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Good-bye to the Mermaids
A Childhood Lost in Hitler's BerlinKarin Finell
University of Missouri Press, 2026
Good-bye to the Mermaids conveys the horrors of war as seen through the innocent eyes of a child. It is the story of World War II as it affected three generations of middle-class German women: Karin, six years old when the war began, who was taken in by Hitler’s lies; her mother, Astrid, a rebellious artist who occasionally spoke out against the Nazis; and her grandmother Oma, a generous and strong-willed woman who, having spent her own childhood in America, brought a different perspective to the events of the time. It tells of a convoluted world where children were torn between fear and hope, between total incomprehension of events and the need to simply deal with reality.
In one of the relatively few recollections of the war from a German woman’s perspective, Finell relates what was for her a normal part of growing up: participating in activities of the Hitler Youth, observing Nazi customs at Christmas, and once being close enough to the Führer at a rally to make eye contact with him. She tells of how she first became aware of the yellow star that Jews were forced to wear, and of being asked to identify corpses from a bombed apartment house. She also depicts the lives of people tainted by Hitler’s influence: her half-Jewish relatives who gave in to the strain of trying to remain unnoticed; a favorite aunt who was gassed because she was old and had broken her hip; and a friend of the family who was involved in the abortive putsch against Hitler and hanged as a traitor.
When American and British forces intensified air raids on Berlin in 1943, Finell observed the stoical valor of women during the bombings, firestorms, and mass evacuations. Not yet a teenager, she witnessed the battle for Berlin and the mass rapes perpetrated by conquering Russian and Mongolian troops. Order was restored after the American and British troops arrived. The Marshall Plan jump-started an economic recovery for West Germany, provoking the Russians to blockade Berlin. From 1948 to 1949 the Americans and British kept Berlin’s residents alive with the airlift. But even though food was flown in, the people of Berlin continued to go hungry. Deprivation forced Berliners to look inward and face their collective guilt as they withstood the threat of Soviet occupation during these postwar years.
This eloquent and touching story tells how a decent people were perverted by Hitler and how a young girl ultimately came to recognize the father figure Hitler for the monster he was. From a time of innocence, Karin Finell takes readers along a nightmarish journey in which fantasies are clung to, set aside, and at last set free. Good-bye to the Mermaids presents us with the revelation that human beings can survive such times with their souls intact.
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Good-bye, Piccadilly
BRITISH WAR BRIDES IN AMERICAJenel Virden
University of Illinois Press, 1996
As much of the world tried to return to normal living and working patterns after World War II, some 70,000 British women chose to be uprooted from the homeland they knew and loved. These were British war brides, a uniformly young group who by marrying American servicemen became part of the largest single group of female immigrants to the United States.
Though the women came to the U.S. from all parts of the British Isles, they were an unusually homogeneous group, averaging 23 years of age, from working- or lower-middle-class families and having completed mandatory schooling to the age of fourteen. For the most part they emigrated alone and didn't move into an existing immigrant population.
Jenel Virden draws on records in the National Archives in Washington, D.C., and the Public Record Office in London, as well as questionnaires and personal interviews, in relating the women's story. Virden finds that the marriages actually took place in spite of, rather than because of, the war.
And, while the women benefited from special nonrestrictive immigration legislation--and found public welcomes and a good deal of favorable publicity when they arrived--they also had much in common with other immigrant groups, including a strong sense of ethnic identity.
Though the women came to the U.S. from all parts of the British Isles, they were an unusually homogeneous group, averaging 23 years of age, from working- or lower-middle-class families and having completed mandatory schooling to the age of fourteen. For the most part they emigrated alone and didn't move into an existing immigrant population.
Jenel Virden draws on records in the National Archives in Washington, D.C., and the Public Record Office in London, as well as questionnaires and personal interviews, in relating the women's story. Virden finds that the marriages actually took place in spite of, rather than because of, the war.
And, while the women benefited from special nonrestrictive immigration legislation--and found public welcomes and a good deal of favorable publicity when they arrived--they also had much in common with other immigrant groups, including a strong sense of ethnic identity.
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Guns of February
Ordinary Japanese Soldiers' Views of the Malayan Campaign and the Fall of Singapore, 1941-42Henry Frei
National University of Singapore Press, 1990
Guns of February shows the Fall of Singapore and Japan's 1941 military campaign in Malaya through the eyes of Japanese soldiers who took part, based on interviews, memoirs, war diaries, and other Japanese-language sources. Although an enormous number of books have been published on Japan's wartime advance into Southeast Asia, few books in English make much use of Japanese sources, and they reveal little of what happened on the Japanese side. In the words of the author, the Japanese"'advance by brigade groups', 'outflank the defence', 'sustain many casualties', and remain altogether a largely faceless mass bicycling their way down to Singapore." In Guns of February some of the voices of these soldiers are finally heard, and they tell a fascinating story. A few of them were professional soldiers who served their country with commitment and dedication, but many were conscripts hoping to stay alive, curious and apprehensive about the countries they entered, and moved by the plight of the people whose cities and towns they sometimes destroyed. Many were young men, interested in girls and in the sights and sounds of Southeast Asia, but also missing their families and the familiar world of Japan. It is a picture far removed from the staple view of the remorseless and fanatic Japanese soldier totally devoted to his Emperor and determined to die for his country. In writing this account of the Japanese advance on Singapore, the author attempted to show the universal humanity of the actors concerned.
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