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Spanning nearly six decades and three continents, this engrossing memoir traces one woman’s sexual awakening amid a reckoning with family secrets. After a teenage Virginia stumbles onto her father’s closeted homosexuality and rampant infidelity, she spends the next few years suppressing memories of the discovery and the traumatic night when she first realized her family had a secret. Simultaneously, the glamorous jet-setting existence she had known throughout her childhood—following her father’s business ventures in France, Kenya, and Denmark—comes to a sudden end.

Years later, when Virginia Scott confides in her father about her own lesbian awakening, he advises her to “live it on the side” as he had. The consequences of this advice are disastrous: A failed marriage results in loss of custody of her children, forcing her to reckon with her sexuality and its place in her life. Forthright and unflinching, Scott’s memoir follows her path from trauma to healing, from secrets to truth, and from denying to embracing her identity.

The essays in Goddesses and Monsters recognize popular culture as a primary repository of ancient mythic energies, images, narratives, personalities, icons, and archetypes.  Together, they take on the patriarchal myth, where serial killers are heroes, where goddesses—in the form of great white sharks, femmes fatales, and aliens—are ritually slaughtered, and where pornography is the core story underlying militarism, environmental devastation, and racism.  They also point to an alternative imagination of female power that still can be found behind the cult devotion given to Princess Diana and animating all the goddesses disguised as popular monsters, queen bitches, mammies, vamps, cyborgs, and sex bombs.

Runner-up, Best Popular Fiction in English, Latino Book Awards Competition, 2010

The golondrina is a small and undistinguished swallow. But in Spanish, the word has evoked a thousand poems and songs dedicated to the migrant's departure and hoped-for return. As such, the migrant becomes like the swallow, a dream-seeker whose real home is nowhere, everywhere, and especially in the heart of the person left behind.

The swallow in this story is Amada García, a young Mexican woman in a brutal marriage, who makes a heart-wrenching decision—to leave her young daughter behind in Mexico as she escapes to el Norte searching for love, which she believes must reside in the country of freedom. However, she falls in love with the man who brings her to the Texas border, and the memories of those three passionate days forever sustain and define her journey in Texas. She meets and marries Lázaro Mistral, who is on his own journey—to reclaim the land his family lost after the U.S.-Mexican War. Their opposing narratives about love and war become the legacy of their first-born daughter, Lucero, who must reconcile their stories into her struggle to find "home," as her mother, Amada, finally discovers the country where love beats its infinite wings.

Bárbara Renaud González, a native-born Tejana and acclaimed journalist, has written a lyrical story of land, love, and loss, bringing us the first novel of a working-class Tejano family set in the cruelest beauty of the Texas panhandle. Her story exposes the brutality, tragedy, and hope of her homeland and helps to fill a dearth of scholarly and literary works on Mexican and Mexican American women in post–World War II Texas.

After the 2016 U.S. Presidential election, a large cohort of women emerged to run for office. Their efforts changed the landscape of candidates and representation. However, women are still far less likely than men to seek elective office, and face biases and obstacles in campaigns. (Women running for Congress make twice as many phone calls as men to raise the same contributions.) 

The editors and contributors to Good Reasons to Run, a mix of scholars and practitioners, examine the reasons why women run—and do not run—for political office. They focus on the opportunities, policies, and structures that promote women’s candidacies. How do nonprofits help recruit and finance women as candidates? And what role does money play in women’s campaigns? 

The essays in Good Reasons to Run ask not just who wants to run, but how to activate and encourage such ambition among a larger population of potential female candidates while also increasing the diversity of women running for office.

Grace Paley is a "writer's writer," admired by both scholars and the reading public for her originality and unique voice. In this first book-length study of her work, Jacqueline Taylor explores the source of Paley's originality, locating it in the way Paley transforms language to create strongly woman-centered stories.

Drawing on interviews with the author, as well as the stories themselves, Taylor emphasizes Paley's awareness that women's voices have been muted and their stories ignored or left untold in our culture's male-oriented dominant discourse. She watches Paley in the process of reshaping language at both the semantic and narrative levels to make it express women's perceptions and experiences. In Paley's stories, it becomes possible to ignore traditional heroic and dramatic themes and instead talk about women and children in such everyday settings as the playground, the kitchen, and the grocery store.

Some of the specific techniques Paley uses to accomplish this include identifying and repudiating sexist language in the dominant discourse and redefining ordinary words from the perspective of women. At the narrative level, Taylor reveals how she draws on women's oral traditions to tell open-ended stories that resist rigid beginning-middle-and-end structuring.

This transformed language enables Paley to construct a social world where woman-centered meanings can flourish. In her nontraditional stories, no single narrator or version of events dominates. Anyone can be a storyteller and no one has the last word.

Great American Treasures is a comprehensive survey of America's historic sites and buildings, their furnishings, and their gardens.

America’s historic sites, homes, and public buildings are a living record of the diverse ethnicities that, over four centuries, helped to build a growing nation. Since 1891, the National Society of the Colonial Dames of America (NSCDA) has actively promoted our national heritage through historic preservation, restoration, and the interpretation of historic sites across the United States. In conjunction with NSCDA, in 2025 The Artist Book Foundation (TABF) published Great American Treasures, a comprehensive survey of the architecture, furnishings, and gardens that epitomize the nation’s diverse material culture over more than 400 years.

The publication features the NSCDA’s collection of historic places, which span the sixteenth to the twentieth centuries, and highlights the residences of those who established themselves in America during this time. It features an array of buildings that speak to the diversity of traditions, people, and architecture in a growing nation—from English Georgian houses on the eastern seaboard to a French Colonial dwelling in Missouri and mission houses in Hawai’i. This survey illuminates the stories and material traditions of the wide range of individuals who contributed to the founding of the United States and to the development of America as a dynamic multicultural nation.

Many of the sites tell the stories of familiar historic figures like George and Martha Washington, John Adams, James and Dolley Madison, John Quincy Adams, Benjamin Franklin, and George Mason. Other sites offer the narratives of figures who contributed to America’s artistic heritage, such as John James Audubon and John Smibert, or those who helped to shape the country’s mercantile system, like Frederick Van Cortlandt and James Logan. Some places were designed by well-known architects such as Robert Mills or McKim, Mead & White, while most were the work of unknown or little-known architects, builders, joiners, and slave laborers. The classic architecture of these sites, their exquisite furnishings and lush gardens, and even the headstones in historic cemeteries all provide a window into the rich diversity of men, women, and children—free, indentured, and enslaved—who came together to build America.

After thirty years of military rule and state-sponsored violence, Guatemala reinstated civilian control and began rebuilding democratic institutions in 1986. Responding to these changes, Guatemalan women began organizing to gain an active role in the national body politic and restructure traditional relations of power and gender. This pioneering study examines the formation and evolution of the Guatemalan women's movement and assesses how it has been affected by, and has in turn affected, the forces of democratization and globalization that have transformed much of the developing world.

Susan Berger pursues three hypotheses in her study of the women's movement. She argues that neoliberal democratization has led to the institutionalization of the women's movement and has encouraged it to turn from protest politics to policy work and to helping the state impose its neoliberal agenda. She also asserts that, while the influences of dominant global discourses are apparent, local definitions of femininity, sexuality, and gender equity and rights have been critical to shaping the form, content, and objectives of the women's movement in Guatemala. And she identifies a counter-discourse to globalization that is slowly emerging within the movement. Berger's findings vigorously reveal the manifold complexities that have attended the development of the Guatemalan women's movement.