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Although his typewriter has been silent for nearly fifty years, Gordon MacQuarrie’s words continue to inspire generations of hunting and fishing enthusiasts. Through his “Stories of the Old Duck Hunters,” most of which are still in print, MacQuarrie captured the intangible, emotional qualities of the outdoor life in a way that made him unique among his peers. As a result, his audience and his legend continue to grow. Gordon MacQuarrie: The Story of an Old Duck Hunter is the first full-length biography of this literary legend. It explores the relationships he nurtured and treasured; records his coming of age during Theodore Roosevelt’s Conservation Movement; documents his rise to national prominence as the first full-time, professional outdoor writer in America; and follows his life as journalist, storyteller, husband, father, outdoorsman, and conservationist. Complete with rarely seen photographs and a comprehensive timeline of his writings, this book is a fitting companion to MacQuarrie’s own Stories of the Old Duck Hunters anthologies.

Govan Mbeki (1910–2001) was a core leader of the African National Congress, the Communist Party, and the armed wing of the ANC during the struggle against apartheid. Known as a hard-liner, Mbeki was a prolific writer and combined in a rare way the attributes of intellectual and activist, political theorist and practitioner. Sentenced to life in prison in 1964 along with Nelson Mandela and others, he was sent to the notorious Robben Island prison, where he continued to write even as tension grew between himself, Mandela, and other leaders over the future of the national liberation movement. As one of the greatest leaders of the antiapartheid movement, and the father of Thabo Mbeki, president of South Africa from 1999 to 2008, the elder Mbeki holds a unique position in South African politics and history.

This biography by noted historian Colin Bundy goes beyond the narrative details of his long life: it analyzes his thinking, expressed in his writings over fifty years. Bundy helps establish what is distinctive about Mbeki: as African nationalist and as committed Marxist—and more than any other leader of the liberation movement—he sought to link theory and practice, ideas and action.

Drawing on exclusive interviews Bundy did with Mbeki, careful analysis of his writings, and the range of scholarship about his life, this biography is personal, reflective, thoroughly researched, and eminently readable.

Long before Bill Clinton spoke of "triangulation," a term that referred to a centrist governing style, prior to Tony Blair repositioning the British Labor Party midway between Thatcher conservatism and militant trade unionism, and far ahead of George W. Bush referring to his agenda as "compassionate conservatism," there was Tom Kean. From the moment of his election to the New Jersey state assembly in 1967, through his guidance of the 9/11 Commission nearly three decades later, Kean consistently displayed a knack for bipartisan leadership.

In this first political biography of one of the nation's most popular and successful governors, Alvin S. Felzenberg tells the story of a remarkable career that culminated in an unexpected and crucial contribution to the country-chairmanship of the 9/11 Commission. Felzenberg describes how, early in his political career, Kean worked to transform New Jersey's legislature in the aftermath of court rulings that mandated redistricting in accordance with the "one man, one vote" principle. He discusses Kean's efforts to relieve the urban crisis that followed in the wake of the 1967 Newark riots. He relates how Kean was able to use the New Jersey governorship-purportedly the strongest in the country-to transform a so-called "rust belt" state into a leader in education, environmental responsibility, and economic growth.

Kean's successes in these and other areas caused leaders outside New Jersey to follow in his path. Together with his fellow governors, Kean forged a national consensus on domestic policy between Democratic congresses and Republican presidents, in the process winning for himself a leadership role in his own party. Kean's story serves as an uncommon case of how a Republican loyal to the historic roots and principles of his party can not only win election in a "blue state" but effectively govern it.

Starting from the example the governor set on the state level, Felzenberg's account traces Kean's career to positions of trusted authority on the national stage. After several years of advising presidents, Kean was appointed chairman of the 9/11 Commission. In this role, he made the bipartisan, Congressionally mandated commission one of the most successful in American history.

Drawing on interviews with Kean as well as with state and national leaders, including former presidents Gerald Ford and Bill Clinton and former New York City mayor Ed Koch, Felzenberg not only provides a marvelous biography, but also offers a unique look at American politics during the last four decades of the twentieth century.

From 1909 to 1913, Governor William Glasscock served the state of West Virginia as an ardent progressive and reformer. In his inaugural address he proclaimed government "the machinery invoked and devised by man for his benefit and protection” and good government the guarantor of the happiness, prosperity, success, and welfare of the people. Governor William Glasscock and Progressive Politics in West Virginia recounts the life and work of West Virginia’s thirteenth governor. Born during the Civil War, Glasscock witnessed a country torn by sectional, fratricidal war become a powerful industrial nation by the turn of the twentieth century. Author Gary Jackson Tucker demonstrates how Glasscock, along with others during the Progressive Era, railed against large and powerful political and economic machines to enact legislation protecting free and fair elections, just taxation, regulation of public utilities, and workmen’s compensation laws. Never hesitating to use the power of the state to stand firm against racism and mob rule, and placing his own personal safety in jeopardy, Glasscock won the praise and admiration of average people. Glasscock’s four years in office took his own health and financial security from him, but left behind a better government—a good government—for the people of West Virginia.

"Ever since I was 10 years old, I’d felt myself yearning to 'go astray.' For me, that didn’t mean drinking and cavorting with boys; it meant being myself without fear."—from the book

What happens when a trained singer who grew up in a "house of vowels" finds that her voice is not her own? What happens when a woman loses the Mormon faith of her childhood and abandons the rituals she’s always known? What does a woman, already married for thirteen years by her early thirties, do when she realizes she has been "lying for years?" How does one sing, with grace, from the heart?

In the spirit of Mary Catherine Bateson’s Composing a Life and Kathleen Norris’s Cloister Walk, Heidi Hart’s luminous memoir retraces her search for an opening to her heart’s path. She finds that the religious life of her Latter-day Saint family—which includes a revered General Authority—robs her of her voice and her spirit. When she discovers Catharine, a mute, Quaker ancestor, Hart begins a vital journey—a journey blessed by her devout and devoted husband; a journey that leads her as she studies Zuni mythology, Jewish tradition, Benedictine monastic ritual, Emily Dickinson, and Saint Hildegard of Bingen—a journey that leads her to a place that feels like home: the company of Friends, the Quaker community of Salt Lake City.

With grace and lyricism, Hart shares the private, personal wisdom she has earned in her community of friends, a community that embraces silences and dissonance, a place where she can't keep from singing.

Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made—and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet’s development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.

Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man’s name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce.

Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.

In Granite and Grace Michael Cohen reflects on a lifetime of climbing, walking, and pondering the granite in Yosemite National Park at Tuolumne Meadows. This high-country region of Yosemite is dominated by a young, beautifully glaciated geological formation known as the Tuolumne Intrusive Suite. It does not include familiar Yosemite icons like Half Dome, yet geologists describe this granitic realm at over 8,000 feet as “an iconic American landscape.”

Drawing together the humanistic and scientific significance of the wild landscapes he traverses, Michael uncovers relationships between people and places and meaning and substance, rendering this text part memoir—but also considerably more. On-the-rock encounters by hand and foot open up a dialogue between the heart of a philosopher and the mind of a geologist. Michael adds a literary softness to this hard landscape, blending excursions with exposition and literature with science. It is through his graceful representations that the geological becomes metaphorical, while the science turns mythological.

This high country, where in 1889 John Muir and Robert Underwood Johnson planned what would become Yosemite National Park, is significant for cultural as well as natural reasons. Discoursing on everything from Camus’s “Myths of Sisyphus” to the poems of Gary Snyder, Michael adds depth to an already splendorous landscape. Premier early geologists, such as François Matthes, shaped the language of Yosemite’s landscape. Even though Yosemite has changed over half a century, the rock has not. As Michael explores the beauty and grace of his familiar towering vistas, he demonstrates why, of the many aspects of the world to which one might get attached, the most secure is granite.

Incorporating copious archival research and original close readings of American artist Grant Wood’s iconic as well as lesser-known works, Grant Wood’s Secrets reveals how his sometimes anguished psychology was shaped by his close relationship with his mother and how he channeled his lifelong oedipal guilt into his art. Presenting Wood’s abortive autobiography “Return from Bohemia” for the first time ever, Sue Taylor integrates the artist’s own recollections into interpretations of his art. As Wood dressed in overalls and boasted about his beloved Midwest, he consciously engaged in regionalist strategies, performing a farmer masquerade of sorts. In doing so, he also posed as conventionally masculine, hiding his homosexuality from his rural community. Thus, he came to experience himself as a double man. This book conveys the very real threats under which Wood lived and pays tribute to his resourceful responses, which were often duplicitous and have baffled art historians who typically take them at face value.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

The stormy life of one of the most colorful and complex characters in early 19th-century medicine

An engaging account of one woman’s overcoming the Depression and small town mores.

Viola Goode Liddell’s short memoir tells the story of her return to Alabama in search of a husband and a new life. Thirty years old and recently divorced, Liddell comes back to her home state—with her young son—determined to survive, during the depths of the Depression. Liddell narrates the obstacles she faces as a single mother in the 1930s Deep South with self-deprecating humor and a confessional tone that reveal both her intelligence and her unapologetic ambitions.

Unable to earn, borrow, or beg enough money to support herself and her child, Liddell uses her family connections to secure a teaching position in Camden, Alabama. Even though an older sister’s status within the community helps her land the job, Liddell is warned that she must be very careful as she navigates the tricky social terrain of small town life, particularly when it comes to men. A commentary on the plight of women of the time is woven into the narrative as Liddell recounts her experience of being refused a loan at the local bank by her own brother-in-law.

Despite all the restrictions on her behavior and the crushing reality that she has become "the biggest nuisance in the family" because of her past, Liddell cheerfully and successfully builds a new life of respectability and hope.

“The sound of parenthood is the sigh.” So begins Gravity Hill, written from the perspective of a new father seeking hope, beauty, and meaning in an uncertain world. Many memoirs recount the author’s experiences of growing up and struggling with demons; Werner’s shows how old demons sometimes return on the heels of something as beautiful as children. Werner’s memoir is about growing up, getting older, looking back, and wondering what lies ahead—a process that becomes all the more complicated and intense when parenting is involved. Moving backward and forward between past, present, and future, Gravity Hill does not delineate time so much as collapse it.

Werner narrates his struggle growing up in suburban Utah as anon-Mormon and what it took for him, his siblings, and his friends to feel like they belonged. Bonding in separation, they indulged in each other, in natural and urban landscapes, and sometimes in the destructive behaviors that are the native resort of outsidersincluding promiscuous and occasionally violent sexual behavior—and for some, paths to death and suicide. Gravity Hill is the story of the author’s descent into and eventual emergence from his dysfunction and into a newfound life. Infused with humor, honesty, and reflection, this literary memoir will resonate with readers young and old.

The Great Persuader is the biography of a robber baron, the greatest railroad mogul of them all-Collis P. Huntington, the Sacramento, California, storekeeper who, along with Leland Stanford and Mark Hopkins, parlayed $1,500 into America's first continental railroad. It is an almost unbelievable story of a high dream of fortune realized through highhanded practices-an adventure which left the national treasury poorer by millions of swindled dollars, and America itself richer by a national railroad system which contributed greatly to the country's westward expansion.

How did Huntington operate? What were his methods? Was he corrupt? These are questions that were previously unanswered but thanks to the cooperation of the Huntington family who supplied Mr. Lavender with material that had never before been made public, Lavender shows just how Collis P. Huntington operated-and it was defintely outside the law, although well inside the prevailing morality of his time. It shows his complicated dealings with Sanford Hopkins, how he bested such tycoons as Thomas A. Scott, John C. Durrant, Oliver Ames and Jay Gould, how Huntington accumulated the great fortune which was the legacy to his family, and how his great railroad network was to prove an unparalleled legacy to all Americans. The Great Persuader is a powerful story of a remarkable man whose singleness of purpose and ruthless manipulation of men and money propelled the great enterprise forward against all odds.

In TheGreat Unknown, award-winning historian and journalist Greg Robinson offers a fascinating and compulsively readable collection of biographical portraits of extraordinary but unheralded figures in Japanese American history: men and women who made remarkable contributions in the arts, literature, law, sports, and other fields. Recovering and celebrating the stories of noteworthy Issei and Nisei and of their supporters, TheGreat Unknown provides powerful evidence of the diverse experiences and substantial cultural, political, and intellectual contributions of Nikkei throughout the country and over multiple decades.
 
What is more, The Great Unknown reshapes our understanding of the Asian American experience. By focusing attention on exceptional figures who deviated from social norms, Robinson subverts stereotypes of ethnic Japanese and other Asians as conformist or colorless. The collection also highlights a set of recurring themes absent from conventional histories—including the lives of Japanese Americans outside the West Coast, the role of women in shaping community life, encounters between Japanese American and African American communities during the struggle for civil rights, and the evolving status of queer community members.
 

For many, “Greece” is synonymous with “ancient Greece,” the civilization that gave us much that defines Western culture today. But, how did Greece come to be so powerfully attached to the legacy of the ancients in the first place and then define an identity for itself that is at once Greek and modern? This book reveals the remarkable achievement, during the last three hundred years, of building a modern nation on the ruins of a vanished civilization—sometimes literally so. This is the story of the Greek nation-state but also, and more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics; it is also a history of culture, of the arts, of people, and of ideas.
 
Opening with the birth of the Greek nation-state, which emerged from encounters between Christian Europe and the Ottoman Empire, Roderick Beaton carries his story into the present moment and Greece’s contentious post-recession relationship with the rest of the European Union. Through close examination of how Greeks have understood their shared identity, Beaton reveals a centuries-old tension over the Greek sense of self. How does Greece illuminate the difference between a geographically bounded state and the shared history and culture that make up a nation?

A magisterial look at the development of a national identity through history, Greece: Biography of a Modern Nation is singular in its approach. By treating modern Greece as a biographical subject, a living entity in its own right, Beaton encourages us to take a fresh look at a people and culture long celebrated for their past, even as they strive to build a future as part of the modern West.

As Stephen Pyne reveals in his biography, few other scientists can match Grove Karl Gilbert’s range of talents. A premier explorer of the American West who made major contributions to the cascade of new discoveries about the earth, Gilbert described two novel forms of mountain building, invented the concept of the graded stream, inaugurated modern theories of lunar origin, helped found the science of geomorphology, and added to the canon of conservation literature.
    Gilbert knew most of geology's grand figures--including John Wesley Powell, Clarence Dutton,  and Clarence King--and Pyne's chronicle of the imperturbable, quietly unconventional Gilbert is couterpointed with sketches of these prominent scientists. The man who wrote that "happiness is sitting under a tent with walls uplifted, just after a brief shower,", created answers to the larger questions of the earth in ways that have become classics of his science.

While most histories of the Plains focus on farm life, Schwieder writes entirely about small-town society. She uses newspaper accounts, state and county histories, census data, interviews with residents, and the childhood memories of herself and her nine siblings to create an entwined, first-hand social and economic portrait of life on main street from the perspective of its citizens. 

The youngest of a large Norwegian immigrant family, Gudrun Thue Sandvold was known for her beaming blue eyes and a reserve that gave way to laughter whenever she got together with her sisters. She took immeasurable pride in her children and grandchildren, kept an exquisite home, and turned the most mundane occasion into a party. And to all who knew her, Gudrun’s cooking was the stuff of legend.

Part cookbook, part immigrant story, and part family memoir, Gudrun's Kitchen features hundreds of Gudrun Sandvold’s recipes for comfort food from a time when families and friends gathered at the table and connected with one another every single day. But this book is much more than a guide to Norwegian culinary traditions; it is an important contribution to immigrant history and a vital documentation of our nation’s multicultural heritage.

Peter Rose has spent a lifetime exploring patterns of culture, examining issues of race and ethnicity, working with refugees, teaching sociology, and roaming the world. In Guest Appearances and Other Travels in Time and Space, he reflects on his adventures and the formative experiences that led him to a fascination with lives that seem quite unlike our own.

Guest Appearances and Other Travels in Time and Space introduces us to many of those whom Rose has met along the way, a cast of characters as colorful as it is diverse. It includes his music-loving mother; his tour guides in China, Germany, and Israel; Indochinese refugees he followed to the United States; the notorious murderer, Nathan Leopold; the simple tailor, Mr. David; and three writers for whom Rose has a special affinity: Philip Roth, John Updike, and Paul Theroux.

Peter Rose gives us an entirely pleasurable and insightful look into the life of an American scholar actively involved in contemporary issues as he takes readers along on his field trips and guest appearances.

Guillaume: A Life is the autobiography of esteemed Broadway, Hollywood, and television star Robert Guillaume. Ten months after suffering a stroke, Guillaume—perhaps best known as television’s Benson—began this autobiography with award-winning author and collaborator David Ritz.

The book goes beyond the recounting of a long and successful career to examine the forces that shaped the man: family, religion, race, and class. Startlingly candid and disarmingly self-aware, Guillaume seeks to know and understand himself, his treatment of the women in his life, and the choices he made along the way. He pursues the truth, however painful it may be, says Ritz, guided by two questions, “Who the hell am I?” and “What made me do what I did?”

"Guitarist Dennis Coffey was in that elite band of musicians who helped to create the Motown Sound."
---Edwin Starr

"There can never be enough stories told from the vantage point of Motown's fabled Snake Pit, from one of the journeyman musicians working behind the scenes. Guitars, Bars, and Motown Superstars also shows just how frenetic and creative the Detroit music scene was in the '60s and '70s. But it's Dennis Coffey's personal story that's most gripping: the journey from Motown, to Billboard's Top Ten, to working the line at Chevrolet."
---Susan Whitall, Detroit News; author of Women of Motown

Under Berry Gordy, Motown was a place where studio musicians usually stood in the shadows, unlike the solo stars whose names appeared on the albums. Gordy held a tight rein on his musicians, forbidding them from playing for other record companies and denying them credit on his records.

In Guitars, Bars, and Motown Superstars, author and guitarist Dennis Coffey tells how he slipped Gordy's draconian rules and went on to success as both a Motown musician and a million-selling solo artist. He offers a fascinating backstage look at the Detroit, L.A., and New York music scenes in the '60s and '70s, with side trips to the smoky clubs and funky studios where the Motown sound was born.

Coffey is credited with creating a lot of that sound, including the famous guitar intro to the Temptations' classic "Cloud Nine." He played on hundreds of Motown albums, and introduced such innovations as the Wah Wah pedal into the Motown recording studio.

Guitars, Bars, and Motown Superstars is an entertaining and amusing memoir of one of the most dynamic and influential periods in contemporary pop culture, and a unique insight into the ups and downs of the studio guitar-for-hire. It's also a look at the dizzying rags-to-riches-and-back-again career of a rock musician who went from million-seller with a house in the Hollywood Hills, and ultimately back to his roots in the Detroit area. A must for fans of Motown, rock, and you-are-there pop-culture history.

From "rock & roll kid" to honorary member of Motown's elite rhythm section the Funk Brothers, Dennis Coffey was one of Detroit's most in-demand session guitarists. After leaving Motown, Coffey became a regular at Hitsville USA, playing on records for Marvin Gaye, the Supremes, Stevie Wonder, Gladys Knight, and Junior Walker. Most recently he appeared in the documentary Standing in the Shadows of Motown.

In these highly personal essays and powerful tales that verge on memoir, Merrill Joan Gerber opens to us her life and work as a writer. She is candid and unflinching in revealing the truths and inventions of a writer’s vision and the use of life as the raw material of art. Her personal essays range widely, from the mysteries of love and marriage to painful encounters with suicides and family deaths.

Gerber writes of her apprenticeships with celebrated writing teachers Andrew Lytle and Wallace Stegner and recounts her ghostly (and ghastly) experiences during a month at Yaddo, the famous retreat for artists. Gerber includes three pieces in the book—originally published as stories—but which blur the line between fiction and memoir, demonstrating Gerber’s contention that the deepest secrets in life beget the most passionate fictions.

Writer, artist, filmmaker, provocateur, revolutionary, and impresario of the Situationist International, Guy Debord shunned the apparatus of publicity he dissected so brilliantly in his most influential work, The Society of the Spectacle. In this ambitious and innovative biography, Vincent Kaufmann places Debord's very hostility toward the inquisitive, biographical gaze at the center of an investigation into his subject's diverse output-from his earliest films to his landmark works of social theory and political provocation-and the poetic sensibility that informed both his work and his life.

Instead of providing a conventional day-to-day account of Debord's life, Kaufmann deftly locates his subject within the historical and intellectual context of the radical social, political, and artistic movements in which he participated. He traces Debord's development as an intellectual: his involvement with the lettrist movement in the early 1950s, his central role in the Situationist International from 1957 to 1971 and in the events of May 1968, and the productive and frequently misunderstood period between the dissolution of the situationists and his suicide, during which time Debord clarified the rules of his war against inauthenticity.

As Kaufmann makes clear, for Debord political thought and action were inseparable from aesthetics and poetic expression. Whether envisioning the recovery of a lost, protocommunist age of authenticity and transparency in The Society of the Spectacle or critically assessing the possibility of revolution against postmodern capitalism two decades later, Debord advocated and practiced an art of defiance, a concurrently martial and melancholic poetics. Avoiding the mythologies about Debord that both admirers and critics have cultivated, Kaufmann provides a groundbreaking and generous assessment of Debord and his uncompromising struggle against a corrupt civilization.

Although Homosexual Desire, first published in French in 1972 and in English in 1978, has become a classic in gay male theory, no full-length study of its author, Guy Hocquenghem, has been available in English until now. From the rise of the international gay liberation movement of the late 1960s to Hocquenghem’s AIDS-related death in 1988, Bill Marshall discusses the arguments and impact of Hocquenghem’s theoretical and political work while situating this work in its biographical, historical, and intellectual contexts.
Marshall explores all aspects of Hocquenghem’s writing—journalistic, theoretical, and fictional—much of this work still untranslated. His consideration reaches beyond the aftermath of the events of May 1968 and points toward the ways in which Hocquenghem’s work might invigorate contemporary debates on a range of issues in Marxist and queer theory and in gay, lesbian, and cultural studies. These include the construction of homosexuality in social discourse, the status of "identity politics," and the role of the state and civil society in the determination of each. Demonstrating Hocquenghem’s importance within the framework of French leftist thought, Marshall links him to his contemporaries Foucault, Deleuze, and Guattari. Tracing his connections to the intellectual traditions of Benjamin, Diderot, Fourier, Lucretius, and Gnosticism, he also illustrates Hocquenghem’s place within the European intellectual tradition.Guy Hocquenghem brings an important, challenging, and overly neglected French theorist back to the main stage.

A History of the Influential Seneca Leader Who Fought to Maintain Indian Sovereignty During the Bitter Wars for North America
Nearly a century before the United States declared the end of the Indian Wars, the fate of Native Americans was revealed in the battle of Fallen Timbers. In 1794, General Anthony Wayne led the first American army— the Legion of the United States—against a unified Indian force in the Ohio country. The Indians were routed and forced to vacate their lands. It was the last of a series of Indian attempts in the East to retain their sovereignty and foreshadowed what would occur across the rest of the continent. In Guyasuta and the Fall of Indian America, historian Brady J. Crytzer traces how American Indians were affected by the wars leading to American Independence through the life of one of the period’s most influential figures. Born in 1724, Guyasuta is perfectly positioned to understand the emerging political landscape of America in the tumultuous eighteenth century. As a sachem of the vaunted Iroquois Confederacy, for nearly fifty years Guyasuta dedicated his life to the preservation and survival of Indian order in a rapidly changing world, whether it was on the battlefield, in the face of powerful imperial armies, or around a campfire negotiating with his French, British, and American counterparts. Guyasuta was present at many significant events in the century, including George Washington’s expedition to Fort Le Boeuf, the Braddock disaster of 1755, Pontiac’s Rebellion and the Battle of Bushy Run in 1763, and the Battle of Oriskany during the American Revolution. Guyasuta’s involvement in the French and British wars and the American War for Independence were all motivated by a desire to retain relevance for Indian society. It was only upon the birth of the United States of America that Guyasuta finally laid his rifle down and watched as his Indian world crumbled beneath his feet. A broken man, debilitated by alcoholism, he died near Pittsburgh in 1794.
Supported by extensive research and full of compelling drama, Guyasuta and the Fall of Indian America unravels the tangled web of alliances, both white and native, and explains how the world of the American Indians could not survive alongside the emergent United States.

Over the last few decades, as the United States has become embroiled in foreign war after foreign war, some of the most vocal activists for peace have been veterans. These veterans for peace come from all different races, classes, regions, and generations. What common motivations unite them and fuel their activism?
 
Guys Like Me introduces us to five ordinary men who have done extraordinary work as peace activists: World War II veteran Ernie Sanchez, Korean War veteran Woody Powell, Vietnam veteran Gregory Ross, Gulf War veteran Daniel Craig, and Operation Iraqi Freedom veteran Jonathan Hutto. Acclaimed sociologist Michael Messner offers rich profiles of each man, recounting what led him to join the armed forces, what he experienced when fighting overseas, and the guilt and trauma he experienced upon returning home. He reveals how the pain and horror of the battlefront motivated these onetime warriors to reconcile with former enemies, get involved as political activists, and help younger generations of soldiers.
 
Guys Like Me is an inspiring multigenerational saga of men who were physically or psychically wounded by war, but are committed to healing themselves and others, forging a path to justice, and replacing endless war with lasting peace