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A breathtaking portrait of Alabama rivers.

From their primal seepages in the Appalachian highlands or along the broad Chunnenuggee Hills, Alabama’s rivers carve through the rocky uplands and down the Fall Line rapids, then ease across the coastal plain to their eventual confluence with the Gulf of Mexico.

Beth Maynor Young’s 155 full-color photographs constitute art through a lens; the colors, the light, and the angles all converge for a tender praise of her subject. Her stunning visuals are supported by tantalizing captions and introductory text from John C. Hall, a master field trip leader. Together, they tell a proud story of the native beauty and complexity of these Alabama watercourses that shepherd fully 20% of the nation’s fresh water to sea.

The intimate close-up of verdant mosses or pebbled beaches pulls one into their space just as surely as does a sweeping scene of a watershed valley or a sparkling sunset over water. We all become eager listeners and observers on this guided “paddle to the Gulf,” drinking in the peace, delight, and beauty offered by the experience. At the end, we know we won’t be the same as before beginning the journey.

In addition to being a celebration of their richness, Headwaters serves as a call to greater stewardship of these riverine resources. Conservation sidebars describe the current efforts in this direction and encourage further study and protection. This book tells us, in glorious color and instructive word, why we’ll always treasure these wonderful rivers.

Discover the stories behind Alabama’s timeless structures.

Robert Gamble outlines in detail the primary architectural currents and styles that have surfaced in Alabama over the years and defined the state's built landscape. The structures and styles, all well-illustrated,range from folk houses and early settlement buildings to railway terminals, churches, libraries, municipal and university buildings, palatial private mansions, and modest homes. Structures from every period and every major stylistic era—Federal, Greek Revival, Gothic Revival, Italianate, Romanesque and Mission Revival, and the Richardsonian—are documented meticulously, along with examples of early—Modern buildings, including Alabama's only Frank Lloyd Wright structure and skyscrapers from the Chicago school.

More than 200 photographs, supplemented by sketches, plans, and etchings, provide the general reader and the design professional with images of Alabama architecture in all its variety and range. Many illustrations offer rare views of buildings long since demolished. A substantial glossary of architectural terms and a thorough bibliography enhance this standard sure to be welcomed anew by any lover of old buildings, whether weekend rambler or serious student.

Discover the lost towns that shaped Alabama’s earliest history.

This encyclopedic work is a listing of 398 ancient towns recorded within the present boundaries of the state of Alabama, containing basic information on each village's ethnic affiliation, time period, geographic location, descriptions, and (if any) movements. While publications dating back to 1901 have attempted to compile such a listing, none until now has so exhaustively harvested the 214 historic maps drawn between 1544, when Hernando de Soto's entourage first came through the southeastern territory, and 1846, when Indian removal to the Oklahoma Territory was complete. Wright combines the map data with a keen awareness of both previously published information and archival sources, such as colonial town lists, census information, and travel narratives.

The towns are listed alphabetically, and the text of each entry develops chronologically. While only a few of these towns have been accurately located by archaeologists, this volume provides a wealth of information for the future study of cultural geography, southeastern archaeology, and ethnohistory. It will be an enduring reference source for many years to come.

SAMPLE ENTRY, 

ALIBAMA TOWN (Alibama)
The Alibama consisted of several towns—Mucclassa, Tawasa, Tomopa, Koarsati (Knight 1981, 27:48). Pickett ([1851] 1962:81) adds Ecanchati, Pawokti, and Autauga. The Alibama Town can also be added. Many maps show the Alibama as a group, but one map, 1796 Thomas and Andrews, locates the "Alabama Town"on the east bank of the Coosa just below Wetumpka.

Swanton ([1922] 1970a:209) wrote that the Tuskegee at the Alabama forks may have been known as the "Alabama Town"; however, this is unlikely, as Major W. Blue, a removal agent, wrote in July 1835 that Coosada, Alabama Town, and Tuskegee were ready to emigrate and they all lived adjoining each other in Macon County (ASP, Military Affairs 1861,6:731).

On 6 July 1838, some twenty-seven towns, including "Alibama" (NA M234 R225), attended the Creek council held in Indian Territory. Thomas Bibb, brother to Alabama territorial govenor William Wyatt Bibb, and others, including Nashville investors, founded the town of Alabama in 1817 at Ten Mile Bluff in Montgomery County (Moser 1980-94, 4:131). The town soon disappeared into history.

Exploring the history, challenges, and promise of a changing South through the legacy of Wayne Flynt.

This collection of essays on the social and political history of the modern South consider the region’s poor, racial mores and race relations, economic opportunity, Protestant activism, political coalitions and interest groups, social justice, and progressive reform. History and Hope in the Heart of Dixie illuminates the dual role of historian and public advocate in modern America. In a time when the nation’s eyes have been focused by Hurricanes Katrina and Rita onto the vulnerability and dire condition of poor people in the South, the applicability of research, teaching, and activism for this voiceless element seems all the more relevant.

Responding to the example of Wayne Flynt, whose fierce devotion to his state of Alabama and its region has not blinded his recognition of the inequities and despair that define southern life for so many, the scholars assembled in this work present contributions to the themes Flynt so passionately explored in his own work.Two seasoned observers of southern history and culture—John Shelton Reed and Dan T. Carter—offer assessments of Flynt’s influence on the history profession as a whole and on the region of the South in particular.