Results by title
112 books match the query 'Body' and 3 start with h
He Heru. A Comb
An Ornament for the Most Sacred Part of the BodyWhiti Hereaka
Diaphanes, 2026
In Whiti Hereaka’s new fiction collection, a single comb becomes a universe of stories.
Drawing inspiration from a seemingly simple comb, or heru, this new text by Whiti Heraka comes in nine sections, “a part for each tooth, and a part for each space between them.” The parts tell stories of love, loss, and longing: tales of whales whose bones were used to make objects, of a carver creating a comb, of Maori gods and the power of women, of colonial whalers fishing their prey almost to extinction in the South Pacific, of a writer who cuts her hair and moves across worlds, weaving connections. Hereaka unfurls a stunning cosmology around the heru, combing with it through time and space to make “stories of ocean blue, blood red, bone white.”
Drawing inspiration from a seemingly simple comb, or heru, this new text by Whiti Heraka comes in nine sections, “a part for each tooth, and a part for each space between them.” The parts tell stories of love, loss, and longing: tales of whales whose bones were used to make objects, of a carver creating a comb, of Maori gods and the power of women, of colonial whalers fishing their prey almost to extinction in the South Pacific, of a writer who cuts her hair and moves across worlds, weaving connections. Hereaka unfurls a stunning cosmology around the heru, combing with it through time and space to make “stories of ocean blue, blood red, bone white.”
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Heritage in the Body
Sensory Ecologies of Health Practice in Times of ChangeKristina Baines
University of Arizona Press, 2024
Through storytelling, ethnography, and interviews, Heritage in the Body examines the links between health and heritage in times of change. Using a series of case studies, anthropologist Kristina Baines tells the intimate stories of how Indigenous Maya and Garifuna Belizeans—both in Belize and in the United States—navigate macro-level processes such as economic development, climate change, political shifts, and global health crises in the context of changes in their own lives.
Employing an embodied ecological heritage (EEH) framework, Baines explores the links between health and heritage as a fluid series of ecological practices. Health and wellness are holistically defined and approached from a phenomenological perspective. Baines focuses on how sensory experiences change the body through practice and provides insights into community-driven alternatives as a means to maintain and support happy, healthy lives.
Employing an embodied ecological heritage (EEH) framework, Baines explores the links between health and heritage as a fluid series of ecological practices. Health and wellness are holistically defined and approached from a phenomenological perspective. Baines focuses on how sensory experiences change the body through practice and provides insights into community-driven alternatives as a means to maintain and support happy, healthy lives.
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Humoring the Body
Emotions and the Shakespearean StageGail Kern Paster
University of Chicago Press, 2004
Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience.
Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.
Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.
[more]