Results by title

87 books match the query 'Emotions' and 5 start with h

cover of HAVING A GOOD CRY: Effeminate Feelings and Pop-Culture Forms

HAVING A GOOD CRY

Effeminate Feelings and Pop-Culture Forms

Robyn R. Warhol

The Ohio State University Press, 2003

Robyn R. Warhol’s goal is to investigate the effects of readers’ emotional responses to formulaic fiction of the nineteenth and twentieth centuries on gendered subjectivity. She argues that modern literary and cultural studies have ignored nonsexual affectivity in their inquiries. The book elaborates on Warhol’s theory of affect and then focuses on sentimental stories, marriage plots, serialized novels, and soap operas as distinct genres producing specific feelings among fans.

Popular narrative forms use formulas to bring up familiar patterns of feelings in the audiences who love them. This book looks at the patterns of feelings that some nineteenth- and twentieth-century popular genres evoke, and asks how those patterns are related to gender. Soap operas and sentimentalism are generally derided as “effeminate” forms because their emotional range is seen as hyperfeminine. Having a Good Cry presents a celebration of effeminate feelings and works toward promoting more flexible, less pejorative concepts of gender. Using a psychophysiological rather than a psychoanalytic approach to reading and emotion, Warhol seeks to make readers more conscious of what is happening to the gendered body when we read.

[more]
cover of Head and Heart: Perspectives from Religion and Psychology

Head and Heart

Perspectives from Religion and Psychology

Fraser Watts

Templeton Press, 2013

Theologians and religious figures often draw a distinction between religion of the ‘”head” and religion of the “heart,” but few stop to ask what the terms “head” and “heart” actually denote. Many assume that this distinction has a scriptural basis, and yet many Biblical authors used the word “heart” as a synonym for “mind.” In fact, there isn’t a strict separation of the two concepts until the modern period, as in Pascal’s famous claim that “the heart has its reasons that reason can not know.” Since then, many other philosophers and theologians have made a similar distinction.

The fact that this distinction has been so persistent makes it an important area of study. Head and Heart: Perspectives from Religion and Psychology takes an inter-disciplinary ap­proach, linking the thinking of theologians and philosophers with theory and research in present-day psychology. The tradition of using framing questions that have been developed in theology and philosophy can now be brought into dialogue with scientific approaches developed within cognitive psy­chology and neuroscience. Though these scientific approaches have not generally used the terms “head” and “heart,” they have arrived at a similar distinction in other ways. There is a notable convergence upon the realization that humans have two modes of cognition at their disposal that correspond to “head” and “heart.” The time is therefore ripe to bring the approaches of theology and science in to dialogue—an impor­tant dialogue that has been heretofore neglected.
 
Head and Heart draws on the unique expertise in relating theology and psychology of the University of Cambridge’s Psychology and Religion Research Group (PRRG). In addi­tion to providing historical and theoretical perspectives, the contributors to this volume will also address practical issues arising from the group’s applied work in deradicalisation and religious education.
 
Contributors include Geoff Dumbreck, Nicholas J. S. Gibson, Malcolm Guite, Liz Gulliford, Russell Re Manning, Glendon L. Moriarty, Sally Myers, Sara Savage, Carissa A. Sharp, Fraser Watts, Harris Wiseman, and Bonnie Poon Zahl.
[more]
cover of How Emotions Work

How Emotions Work

Jack Katz

University of Chicago Press, 1999

Many of the ways in which we express and react to emotions make very little sense. From the tears that mark both the best and worst moments in our lives to the rages sparked by the most trivial of traffic annoyances, emotions surprise us-they lead us to act in ways contrary to our better judgment, and they always seem to lie just beyond our control. In How Emotions Work, Jack Katz observes situations ranging from a criminal's interrogation-room breakdown to a child's temper tantrum, and offers new approaches to understanding our emotions, their sources, and the behavior they lead to, all with unprecedented clarity.
[more]
cover of How Lifeworlds Work: Emotionality, Sociality, and the Ambiguity of Being

How Lifeworlds Work

Emotionality, Sociality, and the Ambiguity of Being

Michael Jackson

University of Chicago Press, 2017

Michael Jackson has spent much of his career elaborating his rich conception of lifeworlds, mining his ethnographic and personal experience for insights into how our subjective and social lives are mutually constituted.
 
In How Lifeworlds Work, Jackson draws on years of ethnographic fieldwork in West Africa to highlight the dynamic quality of human relationships and reinvigorate the study of kinship and ritual. How, he asks, do we manage the perpetual process of accommodation between social norms and personal emotions, impulses, and desires? How are these two dimensions of lived reality joined, and how are the dual imperatives of individual expression and collective viability managed? Drawing on the pragmatist tradition, psychology, and phenomenology, Jackson offers an unforgettable, beautifully written account of how we make, unmake, and remake, our lifeworlds. 
[more]
cover of Humoring the Body: Emotions and the Shakespearean Stage

Humoring the Body

Emotions and the Shakespearean Stage

Gail Kern Paster

University of Chicago Press, 2004

Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience.

Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.
[more]