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102 books match the query 'Indians' and 2 start with h

cover of Hobomok and Other Writings on Indians

Hobomok and Other Writings on Indians

Karcher, Carolyn L

Rutgers University Press, 1986

Hobomok, A Tale of Early Times is the provocative story of an upperclass white woman who marries an Indian chief, has a child, then leaves him--with the child--for another man. This novel, originally published in 1824, is a powerful first among antipatriarchal and antiracist novels in American literature. In addition, this collection contains seven remarkable short stories; an extract on Indian women from Child's groundbreaking History of the Condition of Women in Various Ages and Nations (1835); a selection from her best-selling volume of journalistic sketches, Letters from New-York (1843); and her eloquent Appeal for Indians (1868). This revised edition of "Hobomok" and Other Writings on Indians includes three new stories: "The Church in the Wilderness," "Willie Wharton," and "The Indians"--as well as explanatory notes and an updated bibliography.
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cover of Horror and Indigeneity: Literature, Film, and Television

Horror and Indigeneity

Literature, Film, and Television

Edited by Murray Leeder and Gary D. Rhodes

University of Texas Press, 2026

A collection of essays about Indigeneity and horror in cinema, literature, and beyond.

How did Indigeneity come to be horrifying? Think of the “Indian burial ground” trope, a staple of 1970s horror cinema, not to mention decades of Western films and fictions that made “savage Indians” the face of fear in popular culture. Can horror do something else in the hands of Indigenous people? Creators such as Eden Robinson and Jeff Barnaby have self-consciously turned to horror to tell new kinds of stories, stories that question who is a monster and what constitutes the monstrous.

Horror and Indigeneity explores representations of Indigenous people in settler horror texts and in the growing corpus of horror by Indigenous writers and filmmakers. Widely spanning time periods and media, the contributors to this edited volume address themes such as cannibalism, eco-horror, historical trauma, and contemporary antiracism as they relate to classical horror cinema and recent works such as The Dead Can’t Dance, Lovecraft Country, and Stephen Graham Jones’s The Only Good Indians. Also featuring interviews with Jones and director T. J. Cuthand, Horror and Indigeneity rethinks the terror of the Other in potent and provocactive terms.

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