Results by title

In April 1644, two nuns fled Bologna’s convent for reformed prostitutes. A perfunctory archiepiscopal investigation went nowhere, and the nuns were quickly forgotten. By June of the next year, however, an overwhelming stench drew a woman to the wine cellar of her Bolognese townhouse, reopened after a two-year absence—where to her horror she discovered the eerily intact, garroted corpses of the two missing women.
           
Drawing on over four thousand pages of primary sources, the intrepid Craig A. Monson reconstructs this fascinating history of crime and punishment in seventeenth-century Italy. Along the way, he explores Italy’s back streets and back stairs, giving us access to voices we rarely encounter in conventional histories: prostitutes and maidservants, mercenaries and bandits, along with other “dubious” figures negotiating the boundaries of polite society. Painstakingly researched and breathlessly told, Habitual Offenders will delight historians and true-crime fans alike.

M. L . Stapleton's Harmful Eloquence: Ovid's "Amores" from Antiquity to Shakespeare traces the influence of the early elegiac poetry of Ovid (43 b.c.e.-17 c.e.) on European literature from 500-1600 c.e. The Amores served as a classical model for love poetry in the Middle Ages and the Renaissance and were essential to the formation of fin' Amors, or "courtly love." Medieval Latin poets, the troubadours, Dante, Petrarch, and Shakespeare were all familiar with Ovid in his various forms, and all depended greatly upon his Amores in composing their cansos, canzoniere, and sonnets.

Harmful Eloquence begins with a detailed analysis of the Amores themselves and their artistic unity. It moves on to explain the fragmentary transmission of the Amores in the "Latin Anthology" and the cohesion of the fragments into the conventions of Medieval Latin and troubadour "courtly love" poetry. Two subsequent chapters explain the use of the Amores, their narrator, and the conventions of "courtly love" in the poetry of both Dante and Petrarch. The final chapter concentrates on Shakespeare's reprocessing and parody of this material in his sonnets.

Harmful Eloquence analyzes the intertextual transmission of the Amores in major medieval and Renaissance love poetry for the first time. No previous study has devoted itself exclusively to this Ovidian text in this particular way. The premise that Ovid consciously used the device of persona from the very beginning of his writing career is fully explored, as is the "Ovidian hypothesis" of Wilibald Schroetter. Connections between Dante's La vita nuova and the Amores are newly discovered; significant for Shakespeare studies, the use of Christopher Marlowe's translation of the Amores by Shakespeare in his "dark lady" sonnets is also carefully analyzed for the first time.

Medievalists, classicists, and scholars of Renaissance studies will find Harmful Eloquence particularly engaging and useful, as will all those interested in the process and methods of literary transmission.

M. L. Stapleton is Associate Professor of English, Stephen F. Austin University.

While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. Sara Petrosillo’s Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer’s Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

Originally composed in Latin by Gilbertus Anglicus (Gilbert the Englishman), his Compendium of Medicine was a primary text of the medical revolution in thirteenth-century Europe. Composed mainly of medicinal recipes, it offered advice on diagnosis, medicinal preparation, and prognosis. In the fifteenth-century it was translated into Middle English to accommodate a widening audience for learning and medical “secrets.”
    Faye Marie Getz provides a critical edition of the Middle English text, with an extensive introduction to the learned, practical, and social components of medieval medicine and a summary of the text in modern English. Getz also draws on both the Latin and Middle English texts to create an extensive glossary of little-known Middle English pharmaceutical and medical vocabulary.

James E. Cathey's Hêliand: Text and Commentary is a simply unique, wonderfully encompassing, and helpful text, and nothing quite like it exists anywhere in the world. The commentary portion of the book consists of an interweaving of interpretation and philological consideration. This work presents the reader with explanatory commentary that encompasses both the scientific and the poetic and treats them both with equal felicity. The volume also contains something that is exceptionally valuable and cannot be found in English: a compact and serviceable grammar of Old Saxon and an appended glossary that defines all of the vocabulary found in this edited version of the Hêliand.

In the early twentieth century, marriage manuals sought to link marital sex to the progress of civilization, searching for the history of what they considered to be normal sexuality. In Heterosyncrasies, Karma Lochrie looks to the foundation of modern society in the Middle Ages to undertake a profound questioning of the heterosexuality of that history. Lochrie begins this provocative rethinking of sexuality by dismantling the very idea of normal through a study of the development of statistics in the nineteenth century. She then intervenes in contemporary debates about queer versus ostensibly stable heterosexual social and sexual categories by exposing the "heterosyncratic" organization of sexuality in the Middle Ages and by clarifying the dubious contribution that the concept of normality has made to the construction of sexuality. In medieval texts from the letters of Heloise to Lollard heretical attacks on the Church, to Chaucer's Canterbury Tales, medical discourse surrounding the clitoris, and finally the Amazons of medieval myth, Lochrie focuses on female sexuality in the Middle Ages in an effort to discern a less binary, more diversified understanding of it. Lochrie demonstrates how the medieval categories of natural and unnatural were distinctly different from our modern categories of normal and abnormal. In her work we see how abandoning heteronormativity as a medieval organizer of sexualities profoundly changes the way we understand all sexualities - past, present, and possibly even future. Heterosyncrasies is a milestone in the study of sexual identity politics, revealing not only how presumptions of normality obscure our understanding of the past, but also how these beliefs affect our present-day laws, society, and daily life.

Aaron Gurevich has long been considered one of the world's leading medievalists and a pioneer in the field of historical anthropology. This book brings together eleven of his most important essays—many difficult to find and some never before available in English.

Gurevich's writing, while informed by the history of mentalities as practiced by the French school of Le Goff and Duby, reflects a broader view of European culture outside France. He rejects reductionist concepts and operates with a total view of culture, using a wide range of sources—legal as well as ecclesiastical, popular as well as learned, oral and visual as well as literary.

This collection amply demonstrates this breadth of Gurevich's work and highlights his ability to synthesize historical, anthropological, and semiotic approaches to culture. Especially valuable are pieces such as Gurevich's essay Wealth and Gift-Bestowal Among the Ancient Scandinavians, about the importance of gift exchange in the medieval world. One of the first studies for this practice, this classic essay has for years been unavailable. Other pieces range from the deities and heroes of Germanic poetry to the image of the Beyond in the Middle Ages.

Today we can walk into any well-stocked bookstore or library and find an array of historical atlases. The first thorough review of the source material, Historical Atlases traces how these collections of "maps for history"—maps whose sole purpose was to illustrate some historical moment or scene—came into being.

Beginning in the sixteenth century, and continuing down to the late nineteenth, Walter Goffart discusses milestones in the origins of historical atlases as well as individual maps illustrating historical events in alternating, paired chapters. He focuses on maps of the medieval period because the development of maps for history hinged particularly on portrayals of this segment of the postclassical, "modern" past. Goffart concludes the book with a detailed catalogue of more than 700 historical maps and atlases produced from 1570 to 1870.

Historical Atlases will immediately take its place as the single most important reference on its subject. Historians of cartography, medievalists, and anyone seriously interested in the role of maps in portraying history will find it invaluable.

In this pioneering work, Ernst Breisach presents an effective, well-organized, and concise account of the development of historiography in Western culture. Neither a handbook nor an encyclopedia, this updated second edition narrates and interprets the development of historiography from its origins in Greek poetry to the present, with sections on such current topics as postmodernism, deconstructionism, black history, women's history, microhistory, Historikerstreit, the linguistic turn, and more.

A masterwork of erudition and deep knowledge, Historiography offers no less than an account of the entire development of historiography in Western culture

In this pioneering work, Ernst Breisach presents an effective, well-organized, and concise account of the development of historiography in Western culture. Neither a handbook nor an encyclopedia, this up-to-date third edition narrates and interprets the development of historiography from its origins in Greek poetry to the present, with compelling sections on postmodernism, deconstructionism, African-American history, women’s history, microhistory, the Historikerstreit, cultural history, and more. The definitive look at the writing of history by a historian, Historiography provides key insights into some of the most important issues, debates and innovations in modern historiography.

In The Later Middle Ages, the third volume of his monumental History of Political Ideas, Eric Voegelin continues his exploration of one of the most crucial periods in the history of political thought. Illuminating the great figures of the high Middle Ages, Voegelin traces the historical momentum of our modern world in the core evocative symbols that constituted medieval civilization. These symbols revolved around the enduring aspiration for the sacrum imperium, the one order capable of embracing the transcendent and immanent, the ecclesiastical and political, the divine and human. The story of the later Middle Ages is that of the "civilizational schism"—the movement in which not only the reality but the aspiration for the sacrum imperium gradually disappeared and the unification of faith and reason dissolved.

His recognition of this civilizational schism provides Voegelin with a unique perspective on medieval society. William of Ockham, Dante, Giles of Rome, and Marsilius of Padua all emerge in Voegelin's study as predecessors to modern thought; each turns to personal authority and intellectual analysis in an attempt to comprehend the loss of the sacrum imperium as an authoritative ideal. Voegelin is further drawn into investigations that, despite insufficient attention by scholars, still bear relevance to the study of the later Middle Ages. The mysticism apparent in Piers Plowman and the apocalyptic revolt of Cola di Rienzo are merely two reactions to the disintegration of wholeness.

Yet the story of the later Middle Ages does not merely revolve around disintegration. Voegelin recognizes the emergence of the constitutional political tradition as the most positive development of this period. He is at his best when explaining the difference between the presence of a representative institution and the growth of communal consciousness. Voegelin's study of the English political pattern is matched only by his unique perspective on the German imperial zone, culminating in a fitting conclusion on Nicholas of Cusa—the one political thinker with the ability to evoke the unity of mankind beyond fragmentation.

The Later Middle Ages is at once a brilliant examination of the symbols that characterized medieval society and a remarkable predecessor to Voegelin's study of the modern world, beginning with the Renaissance and the Reformation.

In this sweeping study of the organization of time, Dohrn-van Rossum offers fresh insight into the history of the mechanical clock and its influence on European society from the late Middle Ages to the industrial revolution. Detailing the clock's effects on social activity, he presents a vivid picture of a society regulated by the precise measurement of identical hours.

"In tracing the evolution of time consciousness with scholarship and skill . . . Dohrn-van Rossum evokes the many ways that the small moments of life have come to be reckoned with the passage of time."—Dava Sobel, Civilization

"Dohrn-van Rossum paints a highly nuanced picture of time's conquest of modern life."—Steven Lagerfeld, Wilson Quarterly

"This book is definitive in showing the clock's pervasive influence over European society."—Virginia Quarterly Review

"[A] delightful, excellently translated history."—Choice

"Dohrn-van Rossum has produced a persuasive and brilliantly documented new understanding of how modern time-consciousness arose."—Owen Gingerich, Nature

Is there a resemblance between the contemporary anorexic teenager counting every calorie in her single-minded pursuit of thinness, and an ascetic medieval saint examining her every desire? Rudolph M. Bell suggests that the answer is yes.

"Everyone interested in anorexia nervosa . . . should skim this book or study it. It will make you realize how dependent upon culture the definition of disease is. I will never look at an anorexic patient in the same way again."—Howard Spiro, M.D., Gastroenterology

"[This] book is a first-class social history and is well-documented both in its historical and scientific portions."—Vern L. Bullough, American Historical Review

"A significant contribution to revisionist history, which re-examines events in light of feminist thought. . . . Bell is particularly skillful in describing behavior within its time and culture, which would be bizarre by today's norms, without reducing it to the pathological."—Mary Lassance Parthun, Toronto Globe and Mail

"Bell is both enlightened and convincing. His book is impressively researched, easy to read, and utterly fascinating."—Sheila MacLeod, New Statesman

How Soon Is Now? performs a powerful critique of modernist temporal regimes through its revelatory exploration of queer ways of being in time as well as of the potential queerness of time itself. Carolyn Dinshaw focuses on medieval tales of asynchrony and on engagements with these medieval temporal worlds by amateur readers centuries later. In doing so, she illuminates forms of desirous, embodied being that are out of sync with ordinarily linear measurements of everyday life, that involve multiple temporalities, that precipitate out of time altogether. Dinshaw claims the possibility of a fuller, denser, more crowded now that theorists tell us is extant but that often eludes our temporal grasp.

Whether discussing Victorian men of letters who parodied the Book of John Mandeville, a fictionalized fourteenth-century travel narrative, or Hope Emily Allen, modern coeditor of the early-fifteenth-century Book of Margery Kempe, Dinshaw argues that these and other medievalists outside the academy inhabit different temporalities than modern professionals operating according to the clock. How Soon Is Now? clears space for amateurs, hobbyists, and dabblers who approach medieval worlds from positions of affect and attachment, from desires to build other kinds of worlds. Unruly, untimely, they urge us toward a disorderly and asynchronous collective.

***Winner, International Studies Association International Political Sociology Best Book Prize 2017***
***Winner, British International Studies Association International Political Economy Working Group Book Prize 2016***
 
Mainstream historical accounts of the development of capitalism describe a profess which is fundamentally European—a system that was born in the mills and factories of English and under the guillotines of the French Revolution. This groundbreaking book tells a very difference story.
 
How the West Came to Rule offers a unique interdisciplinary and international historical account of the origins of capitalism. It argues that, contrary to dominant wisdom, capitalism’s origins should not be understood as a development confined to the geographically and culturally sealed borders of Europe, but the outcome of a wider array of global processes in which non-European societies played a decisive role.
 
Here is a provocative, incisive explanation of how capitalism emerged in England and Europe through a dialectical intersocietal and geopolitical process. The authors’ aim to undermine a Eurocentric bias that has been prominent in the debate about capitalisms rise to supremacy, and their case is remarkably convincing. They provide a fundamental rethinking. Anievas and Nisancioglu contend that often cited assumptions are neither theoretically nor empirically tenable and deny the agency of non-Western societies to the emergence of capitalism. Topics covered include:
 
*The Problem of Eurocentrism
*The Problem of Historical Specificity
*The Brenner Thesis: Explanation and Critique
*The Geopolitical in the Making of Capitalism
*The Political Marxist Conception of Capitalism
*Rethinking the Origins of Capitalism
*And much more!
 
Through an outline of the uneven histories of Mongolian expansion, New World discoveries, Ottoman-Habsburg rivalry, the development of the colonies, and bourgeois revolutions, Alex Anievas and Kerem Nisancioglu offer an account of capitalism’s origins that convincingly argues against the prevailing Eurocentric narratives. It will change minds and open the eyes of historians, economists, and political thinkers.

The Renaissance movement known as humanism eventually spread from Italy through all of western Europe, transforming early modern culture in ways that are still being felt and debated. Central to these debates—and to this book—is the question of whether (and how) the humanist movement contributed to the secularization of Western cultural traditions at the end of the Middle Ages. A preeminent scholar of Italian humanism, Riccardo Fubini approaches this question in a new way—by redefining the problem of secularization more carefully to show how humanists can at once be secularizers and religious thinkers. The result is a provocative vision of the humanist movement.
Humanism and Secularization offers a nuanced account of humanists contesting medieval ideas about authority not in order to reject Christianity or even orthodoxy, but to claim for themselves the right to define what it meant to be a Christian. Fubini analyzes key texts by major humanists—isuch as Petrarch, Poggio, and Valla—from the first century of the movement. As he subtly works out these authors’ views on religion and the Church from both biographical and textual information, Fubini reveals in detail the new historical consciousness that animated the humanists in their reading of classical and patristic texts. His book as a whole shows convincingly just how radical the humanism of the first half of the fifteenth century was and how sharply it challenged well-entrenched ideas and institutions. Appearing here in English for the first time, his work provides a model set of readings of humanist texts and a critical perspective on Italian humanism that will alter and enrich discussion and understanding of the nature of the humanist movement.