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73 books match the query 'Style' and 4 start with h

cover of Heath Robinson's Home Front: How to Make Do and Mend in Style

Heath Robinson's Home Front

How to Make Do and Mend in Style

W. Heath Robinson and Cecil Hunt

Bodleian Library Publishing, 2016

Heath Robinson’s Home Front sees the well-loved cartoonist working in collaboration with the writer and humorist Cecil Hunt. Together, they offer hopelessly impractical solutions to some of the most perplexing problems of the day. Pity the poor Briton advised to play his weekly bridge tournament while wearing a gas mask, the gardener who substitutes a complex configuration of magnets in the shortage of simple pea-sticks, or the motorist who must find a way to power her vehicle without gasoline. The result is an amusingly idiosyncratic celebration of the British population’s remarkable ability to “make do and mend.”

Heath Robinson was a household name in Britain, and millions of readers around the world continue to thoroughly enjoy his cartoons today. A classic military-themed compendium, Heath Robinson’s Home Front will be a favorite with fans of the cartoonist’s complicated, fanciful contraptions.
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cover of Henry James and the Queerness of Style

Henry James and the Queerness of Style

Kevin Ohi

University of Minnesota Press, 2010

Kevin Ohi begins this energetic book with the proposition that to read Henry James—particularly the late texts—is to confront the queer potential of style and the traces it leaves on the literary life. In contrast to other recent critics, Ohi asserts that James’s queerness is to be found neither in the homoerotic thematics of the texts, however startlingly explicit, nor in the suggestions of same-sex desire in the author’s biography, however undeniable, but in his style.

For Ohi, there are many elements in the style that make James’s writing queer. But if there is a thematic marker, Ohi shows through his careful engagements with these texts, it is belatedness. The recurrent concern with belatedness, Ohi explains, should be understood not psychologically but stylistically, not as confessing the sad predicament of being out of sync with one’s life but as revealing the consequences of style’s refashioning of experience. Belatedness marks life’s encounter with style, and it describes an experience not of deprivation but of the rich potentiality of the literary work that James calls “freedom.” In Ohi’s reading, belatedness is the indicator not of sublimation or repression, nor of authorial self-sacrifice, but of the potentiality of the literary—and hence of the queerness of style.

Presenting original readings of a series of late Jamesian texts, the book also represents an exciting possibility for queer theory and literary studies in the future: a renewed attention to literary form and a new sounding—energized by literary questions of style and form—of the theoretical implications of queerness.
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cover of How to Dine in Style: The Art of Entertaining, 1920

How to Dine in Style

The Art of Entertaining, 1920

J. Rey

Bodleian Library Publishing, 2013

The 1920s marked the high point of refined dining, when silver tray–bearing white-gloved waiters circulated among guests and starched linens and candlelit tables were de rigueur. For the decadent class that came to prominence during the post-war period, achieving a reputation for throwing the most recherché dinner parties meant instant social success, and many an enterprising host or hostess sought advice in J. Rey’s The Whole Art of Dining.

By turns a collection of practical advice and a catalog of eccentricities, The Whole Art of Dining, republished by the Bodleian Library as How to Dine in Style, contained everything the would-be socialite needed to know in order to elevate food to high art, from tricks for putting together a proper French menu or throwing a garden party to practical tips on serving wines in the correct order and at the right temperature. Throughout the book are stories of astonishing excess, such as the search for ever-more-elaborate themes and venues, and the more daring of the book’s devotees might have been tempted to emulate efforts like those of the intrepid hostess whose mountaineering-themed dinner party had guests rappel to the rooftop of her Chicago home or American millionaire George A. Kessler, whose infamous “Gondola Party” flooded— for the first and only time—the central courtyard of the Savoy.

A captivating glimpse into the golden age of fine dining, this book will be consumed with interest by discerning diners and fans of the Roaring Twenties—and it may even inspire readers to try their hand at throwing a stylish soiree of their own.

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cover of How to Write Well: 50 Pointers on Process, Usage, and Style

How to Write Well

50 Pointers on Process, Usage, and Style

Bryan A. Garner

University of Chicago Press, 2027

Stop worshipping Strunk and White. Start writing well, with 50 tips and techniques from language expert Bryan A. Garner. 

For decades, people looking for a concise guide to English-language writing turned to The Elements of Style by William Strunk Jr. and E. B. White. That slim book has been used by everyone from high school and college students to professionals seeking quick advice on usage, grammar, and form. But The Elements of Style hasn’t been updated in more than a quarter century, and it no longer reflects the way good writers work or what they most need to know, especially in the age of generative AI.

How to Write Well: 50 Pointers on Process, Usage, and Style is the modern, evidence-based alternative. Leading language and writing expert Bryan A. Gamer distills a lifetime of teaching and research into 50 compact pointers for modern writers seeking to produce clear, accurate, and lively prose. You’ll learn how strong writers think, how they turn ideas into blueprints, and how they draft, revise, and tighten with ruthless selectivity. You’ll also encounter lucid guidance on grammar and punctuation that corrects Strunk & White’s famous blunders, including shaky treatment of passive voice and a fixation on trivia over substance. 

How to Write Well presents a start-to-finish method: mindset, habits, process, and the concrete techniques that produce clean, forceful writing. Unlike The Elements of Style, this book doesn’t pretend your draft magically appears on the page. It shows you how to generate ideas, structure them, and build a repeatable process for everything you write—from emails and memos to articles, briefs, and books. And while emphasizing the mind and the voice of the writer, it also offers advice on working intelligently with AI while keeping full editorial control. 

If you’re serious about writing, Garner’s How to Write Well is the indispensable style book you need now.

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