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"My energies for near a lifetime have been used almost entirely to win such prominence as I could in outdoor photography."—H. H. Bennett

Henry Hamilton Bennett (1843–1908) became a celebrated photographer in the half-century following the American Civil War. Bennett is admired for his superb depictions of dramatic landscapes of the Dells of the Wisconsin River and also for his many technical innovations in photography, including a stop-action shutter and a revolving solar printing house that is now housed at the Smithsonian Institution. With his instantaneous shutter, he gained recognition for his striking images of moving subjects, such as lumber raftsmen shooting the river rapids and his son Ashley leaping in midair from a bluff to the craggy pillar of Stand Rock. Less well-known are Bennett’s splendid urban photographs of nineteenth-century Chicago, Milwaukee, and St. Paul.
    This engaging biography of H. H. Bennett tells his life story, illustrated throughout with his remarkable photographs, some of them rarely viewed before. It draws on the photographer’s own letters and journals, along with other family documents, to portray the sweep of his career and personal life. An important figure in the history of photography, he also contributed to the growth of American tourism: his nationally distributed stereoscopic views of Dells rock formations and his portraits of local Ho-Chunk Indians played a significant role in creating the Wisconsin Dells as the popular tourist destination it is today. Despite personal challenges—a crippling Civil War injury, the death of his first wife, and continual financial worries—Bennett produced an extensive portfolio that captures the midwestern culture of his time. He accepted commissions in the 1890s to document Chicago’s modern skyscrapers, grand residences of Milwaukee’s entrepreneurs and sailing ships in its harbor, enormous scenic panoramas along the routes of Wisconsin railroads, and sparkling ice palaces lit by fireworks at the St. Paul Winter Carnival.

Finalist, Midwest Regional Interest, Midwest Book Awards

This full-color book of photographs records Wisconsin from an unusual viewpoint: a camera suspended from a kite and controlled by photographer Craig M. Wilson from the ground. Taken from fifty to a few hundred feet in the air, Wilson’s photos capture natural and man-made views that wouldn’t otherwise be possible. The result is a vibrant collection that captures Wisconsin in all its shifting beauty in landscapes and cityscapes, festivals, Door County’s lighthouses, Milwaukee’s neighborhoods, and the crowd at a Badger football game. Captions are provided in English, Spanish, German, and Mandarin Chinese.

Grab a cozy blanket, light a few flickering candles, and enjoy the unnerving tales of Haunted Wisconsin. Gathered from personal interviews with credible eyewitnesses, on-site explorations, historical archives, newspaper reports, and other sources, these scores of reports date from Wisconsin’s early settlement days to recent inexplicable events.
    You’ll read about Wisconsin’s most famous haunted house, Summerwind; three Milwaukee men who encountered the beautiful ghost of National Avenue; a phantom basketball player; a spectral horse that signaled death in the pioneer era of the Wisconsin Dells; a poltergeist in St. Croix County who attracted a crowd of more than three hundred spectators; the Ridgeway Ghost who haunts the driftless valleys of southwestern Wisconsin; a swinging railroad lantern held by unseen hands; the Ghost Island of the Chippewa Flowage; and many others. Are ghosts real? That’s for you to decide!
    Now available in a Third Edition with updates and several new accounts, Haunted Wisconsin remains a favorite collection of unexplained midwestern tales, enjoyed by readers of all ages.

In Hidden Thunder, renowned watercolor artist Geri Schrab and archaeologist Robert "Ernie" Boszhardt give readers an up-close-and-personal look at rock art. With an eye toward preservation, Schrab and Boszhardt take you with them as they research, document, and interpret at the ancient petroglyphs and pictographs made my Native Americans in past millennia. In addition to publicly accessible sites such as Wisconsin’s Roche-a-Cri State Park and Minnesota’s Jeffers Petroglyphs, Hidden Thunder covers the artistic treasures found at several remote and inaccessible rock art sites—revealing the ancient stories through words, full-color photographs, and artistic renditions.

Offering the duo perspectives of scientist and artist, Boszhardt shares the facts that archaeologists have been able to establish about these important artifacts of our early history, while Schrab offers the artist's experience, describing her emotional and creative response upon encountering and painting these sites. Viewpoints by members of the Menominee, Ho-Chunk, Ojibwe, and other Native nations offer additional insight on the historic and cultural significance of these sites. Together these myriad voices reveal layers of meaning and cultural context that emphasize why these fragile resources—often marred by human graffiti and mishandling or damage from the elements—need to be preserved.

During the 1990s, growing demands to end chronic welfare dependency culminated in the 1996 federal "welfare-to-work" reforms. But regardless of welfare reform, the United States has always been home to a large population of working poor—people who remain poor even when they work and do not receive welfare. In a concentrated effort to address the problems of the working poor, a coalition of community activists and business leaders in Milwaukee, Wisconsin, launched New Hope, an experimental program that boosted employment among the city's poor while reducing poverty and improving children's lives. In Higher Ground, Greg Duncan, Aletha Huston, and Thomas Weisner provide a compelling look at how New Hope can serve as a model for national anti-poverty policies. New Hope was a social contract—not a welfare program—in which participants were required to work a minimum of thirty hours a week in order to be eligible for earnings supplements and health and child care subsidies. All participants had access to career counseling and temporary community service jobs. Drawing on evidence from surveys, public records of employment and earnings, in-depth interviews, and ethnographic observation, Higher Ground tells the story of this ambitious three-year social experiment and evaluates how participants fared relative to a control group. The results were highly encouraging. Poverty rates declined among families that participated in the program. Employment and earnings increased among participants who were not initially working full-time, relative to their counterparts in a control group. For those who had faced just one significant barrier to employment (such as a lack of access to child care or a spotty employment history), these gains lasted years after the program ended. Increased income, combined with New Hope's subsidies for child care and health care, brought marked improvements to the well-being and development of participants' children. Enrollment in child care centers increased, and fewer medical needs went unmet. Children performed better in school and exhibited fewer behavioral problems, and gains were particularly dramatic for boys, who are at the greatest risk for poor academic performance and behavioral disorders. As America takes stock of the successes and shortcomings of the Clinton-era welfare reforms, the authors convincingly demonstrate why New Hope could be a model for state and national policies to assist the working poor. Evidence based and insightfully written, Higher Ground illuminates how policymakers can make work pay for families struggling to escape poverty.

When the struggling Boston Braves relocated to Milwaukee in March 1953, the city went wild for its new baseball team. Soon, the Braves were winning games, drawing bigger crowds than any team but the Brooklyn Dodgers, and turning Hank Aaron, Eddie Mathews, and Warren Spahn into Hall of Famers. Within five years the team would win a World Series and two pennants.

It seemed the dawn of a new dynasty. Impassioned fans wore their hearts on their sleeves. Yet in October 1964 team owners made a shocking announcement: the Braves were moving to Atlanta.

In the decades since, many have tried to understand why the Braves left Milwaukee. Fans blamed greedy owners and the lure of Coca Cola cash. Team management claimed they weren't getting enough local support. Patrick Steele delves deeply into all facets of the story, looking at the changing business of baseball in the 1960s, the interactions of the team owners with the government officials who controlled County Stadium, the surging success of the Green Bay Packers, and much more, to understand how the "Milwaukee Miracle" went south.

In September 1955 six-year-old Mark O’Brien moved his arms and legs for the last time. He came out of a coma to find himself enclosed from the neck down in an iron lung, the machine in which he would live for much of the rest of his life.
    For the first time in paperback, How I Became a Human Being is O’Brien’s account of his struggles to lead an independent life despite a lifelong disability. In 1955 he contracted polio and became permanently paralyzed from the neck down. O’Brien describes growing up without the use of his limbs, his adolescence struggling with physical rehabilitation and suffering the bureaucracy of hospitals and institutions, and his adult life as an independent student and writer. Despite his physical limitations, O’Brien crafts a narrative that is as rich and vivid as the life he led.

In deceptively simple prose and verse, Louis V. "Two Shoes" Clark III shares his life story, from childhood on the Rez, through school and into the working world, and ultimately as an elder, grandfather, and published poet. How to Be an Indian in the 21st Century explores Clark’s deeply personal and profound take on a wide range of subjects, from schoolyard bullying to workplace racism to falling in love. Warm, plainspoken, and wryly funny, Clark’s is a unique voice talking frankly about a culture’s struggle to maintain its heritage. His poetic storytelling style matches the rhythm of the life he recounts, what he calls "the heartbeat of my nation."

An immigration story of crossing cultural bridges and finding family.

When Madeline Uraneck said hello to the Tibetan woman cleaning her office cubicle, she never imagined the moment would change her life. After learning that Tenzin Kalsang had left her husband and four children behind in a Tibetan refugee settlement in India to try to forge a better life for them, Madeline took on the task of helping her apply for US visas. When the family reunited in their new Midwestern home, Madeline became swept up in their lives, from homework and soccer games to family dinners and shared holiday traditions. By reaching out, she found more than she bargained for—a family who welcomed her as their own and taught her more than she offered them.

An evocative blend of immersion journalism and memoir, How to Make a Life shares the immigration story of a Tibetan refugee family who crossed real and cultural bridges to make a life in Madison, Wisconsin, with the assistance of the Midwestern woman they befriended. From tales of escaping Tibet over the Himalayas, to striking a balance between old traditions with new, to bridging divides one friendly gesture at a time, readers will expand their understanding of family, culture, and belonging.

Meet the Jolly Boys—five men from northern Wisconsin who built a deer hunting shack in 1955 and established a tradition that has now lasted over six decades. Hunting Camp 52, affectionately known as Blue Heaven, is a place where every trail, rock, and ravine has its own nickname; every kill is recorded by hand on a window shade; every hunter happily croons along during evening songfests; and every rowdy poker game lasts late into the night. The outhouse is always cold, the porcupines are always a problem, and the vehicles are always getting stuck in the mud, but there’s nowhere else these men would rather be.

In Hunting Camp 52: Tales from a North Woods Deer Camp, John Marvin Hanson—the son of one of the original Jolly Boys—recounts the sidesplitting antics, the memorable hunts, and the profound camaraderie that has developed over almost sixty seasons at Blue Heaven. Hanson also includes more than twenty recipes for gourmet comfort foods prepared each year at camp, from pickled venison hearts to Norwegian meatballs to the treasured recipe for Reali Spaghetti. As the Jolly Boys age and younger generations take up the mantle of Blue Heaven, Hanson comes to appreciate that hunting camp is not about bagging a trophy buck as much as it is about spending time with the friends and family members who matter most.