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Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.

They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.

After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.

As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.

Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.

When President Harry Truman authorized the use of atomic weapons against Japan, he did so to end a bloody war that would have been bloodier still had the planned invasion of Japan proved necessary. Revisionists claim that Truman’s real interest was a power play with the Soviet Union and that the Japanese would have surrendered even earlier had the retention of their imperial system been assured. Truman wanted the war to continue, they insist, in order to show off America’s powerful new weapon.

This anthology exposes revisionist fallacies about Truman’s motives, the cost of an invasion, and the question of Japan’s surrender. Essays by prominent military and diplomatic historians reveal the hollowness of revisionist claims, exposing the degree to which these agenda-driven scholars have manipulated the historical record to support their contentions. They show that, although some Japanese businessmen and minor officials indicated a willingness to negotiate peace, no one in a governmental decision-making capacity even suggested surrender. And although casualty estimates for an invasion vary considerably, the more authoritative approximations point to the very bloodbath that Truman sought to avoid.

Volume editor Robert Maddox first examines the writings of revisionist Gar Alperovitz to expose the unscholarly methods Alperovitz employed to support his claims, then distinguished Japanese historian Sadao Asada reveals how difficult it was for his country’s peace faction to prevail even after the bombs had been dropped. Other contributors point to continuing Japanese military buildups, analyze the revisionists’ low casualty estimates for an invasion, reveal manipulations of the Strategic Bombing Survey of 1946, and show how even the exhibit commemorating the fiftieth anniversary of the bombing at the Smithsonian National Air and Space Museum hewed to the revisionist line. And a close reading of Tsuyoshi Hasegawa’s acclaimed Racing the Enemy exposes many grave discrepancies between that recent revisionist text and its sources.

The use of atomic bombs against Japan remains one of the most controversial issues in American history. Gathered in a single volume for the first time, these insightful readings take a major step toward settling that controversy by showing how insubstantial Hiroshima revisionism really is—and that sometimes history cannot proceed without decisive action, however regrettable.

A leading interpreter of the Nazi period addresses crucial issues in modern European and contemporary history.

In this brave and original work, Federica Clementi focuses on the mother-daughter bond as depicted in six works by women who experienced the Holocaust, sometimes with their mothers, sometimes not. The daughters’ memoirs, which record the “all-too-human” qualities of those who were persecuted and murdered by the Nazis, show that the Holocaust cannot be used to neatly segregate lives into the categories of before and after. Clementi’s discussions of differences in social status, along with the persistence of antisemitism and patriarchal structures, support this point strongly, demonstrating the tenacity of trauma—individual, familial, and collective—among Jews in twentieth-century Europe.

Carl Lavin was a high school senior when Pearl Harbor was attacked. The Canton, Ohio, native was eighteen when he enlisted, a decision that would take him with the US Army from training across the United States and Britain to combat with the 84th Infantry Division in the Battle of the Bulge. Home Front to Battlefront is the tale of a foot soldier who finds himself thrust into a world where he and his unit grapple with the horrors of combat, the idiocies of bureaucracy, and the oddities of life back home—all in the same day. The book is based on Carl’s personal letters, his recollections and those of the people he served beside, official military history, private papers, and more.

Home Front to Battlefront contributes the rich details of one soldier’s experience to the broader literature on World War II. Lavin’s adventures, in turn disarming and sobering, will appeal to general readers, veterans, educators, and students of the war. As a history, the book offers insight into the wartime career of a Jewish Ohioan in the military, from enlistment to training through overseas deployment. As a biography, it reflects the emotions and the role of the individual in a total war effort that is all too often thought of as a machine war in which human soldiers were merely interchangeable cogs.