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A new model of health emerged in Britain between 1870 and 1939. Centered on the working body, organized around the concept of efficiency, and grounded in scientific understandings of human labor, scientists, politicians, and capitalists of the era believed that national economic productivity could be maximized by transforming the body of the worker into a machine. At the core of this approach was the conviction that worker productivity was intimately connected to worker health.

Under this new “science of work,” fatigue was seen as the ultimate pathology of the working-class body, reducing workers’ capacity to perform continued physical or mental labor. As Steffan Blayney shows, the equation between health and efficiency did not go unchallenged. While biomedical and psychological experts sought to render the body measurable, governable, and intelligible, ordinary men and women found ways to resist the logics of productivity and efficiency imposed on them, and to articulate alternative perspectives on work, health, and the body.

A memoir of service, culture and transformation in a rural Panamanian village by a young American woman trained as a community forester for the Peace Corp.

In the storied fifty-year history of the US Peace Corps, Heart of Palms is the first Peace Corps memoir set in Panama, the slender isthmus that connects two continents and two oceans. In her memoir, Meredith Cornett transports readers to the remote village of Tranquilla, where dugout canoes are the mainstay of daily transportation, life and nature are permeated by witchcraft, and a restful night’s sleep may be disturbed by a raiding phalanx of army ants.

Cornett is sent to help counter the rapid deforestation that is destroying the ecosystem and livelihoods of the Panama Canal watershed region. Her first chapters chronicle her arrival and struggles not only with the social issues of language, loneliness, and insecurity, but also with the tragicomic basics of mastering open-fire cookery and intrusions by insects and poisonous snakes. As she grows to understand the region and its people, her keen eye discerns the overwhelming scope of her task. Unable to plant trees faster than they are lost, she writes with moving clarity about her sense of powerlessness.

Combating deforestation leads Cornett into an equally fierce battle against her own feelings of fear and isolation. Her journey to Panama becomes a parallel journey into herself. In this way, Heart of Palms is much more than a record of her Peace Corps service; it is also a moving environmental coming-of-age story and nuanced meditation on one village’s relationship to nature. When she returns home two years later, Cornett brings with her both skills and experience and a remarkable, newfound sense of confidence and mission.

Writing with rueful, self-deprecating humor, Cornett lets us ride along with her on a wave of naïve optimism, a wave that breaks not only on fear and intimidation, but also on tedium and isolation. Heart of Palms offers a bracing alternative to the romantic idealism common to Peace Corps memoirs and will be valued as a welcome addition to writing about the Peace Corps and environmental service.

Presents a comparative and textual exploration of Gramsci's interpretation of Machiavelli's political analyses. This valuable contribution to our understanding of Gramsci includes a comparison of the major Machiavellian ideas such as the nature of political knowledge, the new principality, the concept of the people, and the relation between thought and action, to Gramsci's concepts of hegemony, moral and intellectual reform, and the collective will.

A biography of Bruce Crawford, a southwest Virginia journalist-writer of the radical tradition and one of the first to interpret Appalachian labor history.

Hell’s Not Far Off is a grounded, politically engaged study of the Appalachian journalist and political critic Bruce Crawford, a scourge of coal and railway interests. Crawford fought injustices wherever he saw them at major risk to his own life and became an early interpreter of Appalachian labor history.

His writings and actions from the 1920s to the 1960s helped shape southwest Virginia and West Virginia. Through Crawford’s Weekly, a newspaper active from 1920 to 1935, Crawford challenged the Ku Klux Klan, lynch mobs, and the private police forces of coal barons. The wounds received for these efforts were the closing of his paper and a bullet to his leg during a Harlan County strike in the 1930s. In his work after journalism, he led the West Virginia branch of the Federal Writers’ Project during the political standoff over the contents of the state’s official guidebook.

In Hell’s Not Far Off, Josh Howard resurrects strands of a radical tradition centered especially on matters of labor, environment, and race, drawing attention to that tradition’s ongoing salience: “Present-day Appalachia’s fights were [Crawford’s], and his fights are still ours.”

Henpecked: Winston Churchill and Women’s Suffrage explores the recurrent interactions between Winston Churchill and the women’s suffrage movement in Britain. Churchill purposely concealed, under a discursive veil, his complex and shifting perceptions of women’s competency to use the franchise. In balancing a public stance that vaguely favored the “principle” of women’s suffrage with his, often private, opposition to the movement’s legislative efforts, he employed every available rhetorical tool. This book presents a new understanding of his early Parliamentary career, his ability to manipulate public and private discourse, and his complicated stance on women’s right to vote. This rhetorical history challenges the view that Winston Churchill was only dissuaded in his support of women’s suffrage by the militancy of suffrage activists.

When championing the commercial buildings and homes that made the Windy City famous, one can’t help but mention the brilliant names of their architects—Daniel Burnham, Louis Sullivan, and Frank Lloyd Wright, among others. But few people are aware of Henry Ives Cobb (1859–1931), the man responsible for an extraordinarily rich chapter in the city’s turn-of-the-century building boom, and fewer still realize Cobb’s lasting importance as a designer of the private and public institutions that continue to enrich Chicago’s exceptional architectural heritage.

Henry Ives Cobb’s Chicago is the first book about this distinguished architect and the magnificent buildings he created, including the Newberry Library, the Chicago Historical Society, the Chicago Athletic Association, the Fisheries Building for the 1893 World’s Fair, and the Chicago Federal Building. Cobb filled a huge institutional void with his inventive Romanesque and Gothic buildings—something that the other architect-giants, occupied largely with residential and commercial work, did not do. Edward W. Wolner argues that these constructions and the enterprises they housed—including the first buildings and master plan for the University of Chicago—signaled that the city had come of age, that its leaders were finally pursuing the highest ambitions in the realms of culture and intellect.

Assembling a cast of colorful characters from a free-wheeling age gone by, and including over 140 images of Cobb’s most creative buildings, Henry Ives Cobb’s Chicago is a rare achievement: a dynamic portrait of an architect whose institutional designs decisively changed the city’s identity during its most critical phase of development.

When capitalism is clearly catastrophically out of control and its excesses cannot be sustained socially or ecologically, the ideas of Herbert Marcuse become as relevant as they were in the 1960s. This is the first English introduction to Marcuse to be published for decades, and deals specifically with his aesthetic theories and their relation to a critical theory of society.

Although Marcuse is best known as a critic of consumer society, epitomised in the classic One-Dimensional Man, Malcolm Miles provides an insight into how Marcuse's aesthetic theories evolved within his broader attitudes, from his anxiety at the rise of fascism in the 1930s through heady optimism of the 1960s, to acceptance in the 1970s that radical art becomes an invaluable progressive force when political change has become deadlocked.

Marcuse's aesthetics of liberation, in which art assumes a primary role in interrupting the operation of capitalism, made him a key figure for the student movement in the 1960s. As diverse forms of resistance rise once more, a new generation of students, scholars and activists will find Marcuse’s radical theory essential to their struggle.

Biography of a forgotten poet who used his name and influence to speak up for those on the margins of society.

Few surnames resonate in American history more than Beecher. The family’s abolitionist ministers, educators, and writers are central figures in the historical narrative of the United States. The Beechers’ influence was greatest in the nineteenth century, but the family story continued—albeit with less public attention—with a descendant who grew up in Birmingham, Alabama, during the early twentieth century.

John Beecher (1904–1980) never had the public prominence of his famous ancestors, but as a poet, professor, sociologist, New Deal administrator, journalist, and civil rights activist, he spent his life fighting for the voiceless and oppressed with a distinct moral sensibility that reflected his self-identification as the twentieth-century torchbearer for his famous family. While John Beecher had many vocations in his lifetime, he always considered himself a poet and a teacher. Some critics have compared the populist elements of Beecher’s poetry to the work of Walt Whitman and Carl Sandburg, but his writing never gained a broad audience or critical acclaim during his lifetime.

In Here I Stand: The Life and Legacy of John Beecher, Angela J. Smith examines Beecher’s writing and activism and places them in the broader context of American culture at pivotal points in the twentieth century. Employing his extensive letters, articles, unpublished poetry and prose, and audio interviews in addition to his numerous published books, Smith uncovers a record of public concerns in American history ranging from the plight of workers in 1920s steel mills to sharecroppers’ struggles during the Depression to the civil rights movement of the 1960s.

Winner of the Society for Music Theory's Outstanding Multi-Author Collection Award

This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.

The Masses was the most dynamic and influential left-wing magazine of the early twentieth century, a touchstone for understanding radical thought and social movements in the United States during that era. As a magazine that supported feminist issues, it played a crucial role in shaping public discourse about women's concerns. Women editors, fiction writers, poets, and activists like Mary Heaton Vorse, Louise Bryant, Adriana Spadoni, Elsie Clews Parsons, Inez Haynes Gillmore, and Helen Hull contributed as significantly to the magazine as better-known male figures.

In this major revisionist work, Margaret C. Jones calls for reexamination of the relevance of Masses feminism to that of the 1990s. She explores women contributors' perspectives on crucial issues: patriarchy, birth control, the labor movement, woman suffrage, pacifism, and ethnicity. The book includes numerous examples of the writings and visual art of Masses women and a series of biographical/bibliographical sketches designed to aid other researchers.