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395 books match the query 'How' and 153 start with h

cover of How the West Really Lost God: A New Theory of Secularization

How the West Really Lost God

A New Theory of Secularization

Mary Eberstadt

Templeton Press, 2014

In this magisterial work, leading cultural critic Mary Eberstadt delivers an influential new theory about the decline of religion in the Western world. The conventional wisdom is that the West first experienced religious decline, followed by the decline of the family. Eberstadt turns this standard account on its head. Marshaling an impressive array of research, from fascinating historical data on family decline in pre-Revolutionary France to contemporary popular culture both in the United States and Europe, Eberstadt shows the reverse is also true: the undermining of the family has further undermined Christianity itself.
 
Drawing on sociology, history, demography, theology, literature, and many other sources, Eberstadt shows that family decline and religious decline have gone hand in hand in the Western world in a way that has not been understood before—that they are, as she puts it in a striking new image summarizing the book’s thesis, “the double helix of society, each dependent on the strength of the other for successful reproduction.”
 
In sobering final chapters, Eberstadt then lays out the enormous ramifications of the mutual demise of family and faith in the West. While it is fashionable in some circles to applaud the decline of both religion and the nuclear family, there are, as Eberstadt reveals, enormous social, economic, civic, and other costs attendant on both declines. Her conclusion considers this compelling question: whether the economic and demographic crisis now roiling Europe and spreading to America will have the unintentional result of reviving the family as the most viable alternative to the failed welfare state—fallout that could also lay the groundwork for a religious revival as well.
 
How the West Really Lost God is a startlingly original account of how secularization happens and a sweeping brief about why everyone should care. A book written for agnostics as well as believers, atheists as well as “none of the above,” it will permanently change the way every reader understands the two institutions that have hitherto undergirded Western civilization as we know it—family and faith—and the fundamental nature of the relationship between those two pillars of history.
 
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cover of How the Workers Became Muslims: Immigration, Culture, and Hegemonic Transformation in Europe

How the Workers Became Muslims

Immigration, Culture, and Hegemonic Transformation in Europe

Ferruh Yilmaz

University of Michigan Press, 2016

Writing in the beginning of the 1980s, Ernesto Laclau and Chantal Mouffe explored possibilities for a new socialist strategy to capitalize on the period’s fragmented political and social conditions. Two and a half decades later, Ferruh Yilmaz acknowledges that the populist Far Right—not the socialist movement—has demonstrated greater facility in adopting successful hegemonic strategies along new structural lines Laclau and Mouffe imagined. Right-wing hegemonic strategy, Yilmaz argues, has led to the reconfiguration of internal fault lines in European societies.

Yilmaz’s primary case study is Danish immigration discourse, but his argument contextualizes his study in terms of questions of current concern across Europe, where right-wing groups that were long on the fringes of “legitimate” politics have managed to make significant gains with populations traditionally aligned with the Left. Specifically, Yilmaz argues that sociopolitical space has been transformed in the last three decades such that group classification has been destabilized to emphasize cultural rather than economic attributes.

According to this point-of-view, traditional European social and political splits are jettisoned for new “cultural” alliances pulling the political spectrum to the right, against the “corrosive” presence of Muslim immigrants, whose own social and political variety is flattened into an illusion of alien sameness.
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cover of How the World Changed Social Media

How the World Changed Social Media

Daniel Miller, Elisabetta Costa, Nell Haynes, Tom McDonald, Razvan Nicolescu, Jolynna Sinanan, Juliano Spyer, Shriram Venkatraman, and Xinyuan Wang,

University College London, 2016

How the World Changed Social Media is the first book in Why We Post, a book series that investigates the findings of anthropologists who each spent 15 months living in communities across the world. This book offers a comparative analysis summarising the results of the research and explores the impact of social media on politics and gender, education and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individual or more social? Why is public social media so conservative? Why does equality online fail to shift inequality offline? How did memes become the moral police of the internet? Supported by an introduction to the project’s academic framework and theoretical terms that help to account for the findings, the book argues that the only way to appreciate and understand something as intimate and ubiquitous as social media is to be immersed in the lives of the people who post. Only then can we discover how people all around the world have already transformed social media in such unexpected ways and assess the consequences.
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cover of How to Abandon Ship

How to Abandon Ship

Sasha West

Four Way Books, 2024

In How to Abandon Ship, Sasha West harnesses poetry as a vessel to ferry the inconceivable, to wreck upon the shores of what we’ve known thus far. Assessing the accelerating emergencies of climate change amid the West’s self-cannibalizing capitalism, the speaker of these poems wrestles with the state of the world and its compounding catastrophes as a new parent. That fierce love becomes her grappling hook into the glut of information and epochal view of time and space we must scale to leave our children a habitable, equitable planet. To approach a perspective too vast for the individual mind, West cycles through personae which collectively metabolize the strands of the past, and the foundational myths of Western civilization, that constructed this looming future. West speaks as a contemporary mother and an ancient proxy, the unheeded Greek oracle Cassandra; gives voice to fossil fuels; and imagines grown children, real and mythological, surviving beyond a world our generation preemptively mourns. “I have taken / my voice past the threshold, past / the lintel,” Cassandra addresses readers and, more broadly, a paralyzed and apathetic public. “I am speaking to you now from / inside the wildfire while it burns the hair / from my body: I don’t expect you will listen.” But while making space for climate grief, holding our faces up to the ever-expanding sinkhole of earthly loss, West liberates us unto joy, enjoining us to remake the narratives that drive our culture, our consumption, and our relationship to the non-human world. Cassandra’s daughter rides the ship as it sinks, declaring, “I am being shaped / into something new, waiting, / listening to birds give out song / before / the songs give out.” And Cassandra’s granddaughter endures to remind us that, when the sails buckle, we need not drown if we choose to swim. “When you were still alive and apt to get weepy over what you saw as rubbled landscapes, I was impatient. Only a tourist fetishizes the ground where tragedy occurred…. What needs to be done, we do. We act in tiny increments.” These splinters compose the timeless story of humanity: we love each other because we cannot help it; we fail, and fail repeatedly; we go on. 
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cover of How to Be French: Nationality in the Making since 1789

How to Be French

Nationality in the Making since 1789

Patrick Weil

Duke University Press, 2008

How to Be French is a magisterial history of French nationality law from 1789 to the present, written by Patrick Weil, one of France’s foremost historians. First published in France in 2002, it is filled with captivating human dramas, with legal professionals, and with statesmen including La Fayette, Napoleon, Clemenceau, de Gaulle, and Chirac. France has long pioneered nationality policies. It was France that first made the parent’s nationality the child’s birthright, regardless of whether the child is born on national soil, and France has changed its nationality laws more often and more significantly than any other modern democratic nation. Focusing on the political and legal confrontations that policies governing French nationality have continually evoked and the laws that have resulted, Weil teases out the rationales of lawmakers and jurists. In so doing, he definitively separates nationality from national identity. He demonstrates that nationality laws are written not to realize lofty conceptions of the nation but to address specific issues such as the autonomy of the individual in relation to the state or a sudden decline in population.

Throughout How to Be French, Weil compares French laws to those of other countries, including the United States, Great Britain, and Germany, showing how France both borrowed from and influenced other nations’ legislation. Examining moments when a racist approach to nationality policy held sway, Weil brings to light the Vichy regime’s denaturalization of thousands of citizens, primarily Jews and anti-fascist exiles, and late-twentieth-century efforts to deny North African immigrants and their children access to French nationality. He also reveals stark gender inequities in nationality policy, including the fact that until 1927 French women lost their citizenship by marrying foreign men. More than the first complete, systematic study of the evolution of French nationality policy, How to be French is a major contribution to the broader study of nationality.

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cover of How to Be South Asian in America: Narratives of Ambivalence and Belonging

How to Be South Asian in America

Narratives of Ambivalence and Belonging

Authored by anupama jain

Temple University Press, 2011

Providing a useful analysis of and framework for understanding immigration and assimilation narratives, anupama jain's How to Be South Asian in America considers the myth of the American Dream in fiction (Meena Alexander's Manhattan Music), film (American Desi, American Chai), and personal testimonies. By interrogating familiar American stories in the context of more supposedly exotic narratives, jain illuminates complexities of belonging that also reveal South Asians' anxieties about belonging, (trans)nationalism, and processes of cultural interpenetration.

jain argues that these stories transform as well as reflect cultural processes, and she shows just how aspects of identity—gender, sexual, class, ethnic, national—are shaped by South Asians' accommodation of and resistance to mainstream American culture.

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cover of How to Be a Good Husband

How to Be a Good Husband

Edited by the Bodleian Library

Bodleian Library Publishing, 2008

 
Don’t think that your wife has placed waste-paper baskets in the rooms as ornaments.
 
Don’t forget that very true remark that while face powder may catch a man, baking powder is the stuff to hold him.
 
Marriage can be a series of humorous miscommunications, a power struggle, or a diplomatic nightmare. Men and women have long struggled to figure each other out—and the misunderstandings can continue well after they’ve been joined in matrimony. But long before Men Are From Mars, Women Are From Venus, couples turned to self-help booklets such as How to Be a GoodHusband and How to Be a Good Wife, two historic advice books that are now delightfully reproduced by the Bodleian Library.

            The books, originally published in the 1930s for middle-class British couples, are filled with witty and charming aphorisms on how wives and husbands should treat each other. Some advice is unquestionably outdated—“It is a wife’s duty to look her best. If you don’t tidy yourself up, don’t be surprised if your husband begins to compare you unfavorably with the typist at the office”—but many other pieces of advice are wholly applicable today. They include such insightful sayings as: “Don’t tell your wife terminological inexactitudes, which are, in plain English, lies. A woman has wonderful intuition for spotting even minor departures from the truth”; “After all is said and done, husbands are not terribly difficult to manage”; or “Don’t squeeze the tube of toothpaste from the top instead of from the bottom. This is one of the small things of life that always irritates a careful wife.”

            Entertaining and charmingly illustrated, How to Be a Good Husband and How to Be a Good Wife offer enduringly useful advice for all couples, from the newly engaged to those celebrating their golden anniversary.
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cover of How to Be a Good Wife

How to Be a Good Wife

Edited by the Bodleian Library

Bodleian Library Publishing, 2008

Don’t think that your wife has placed waste-paper baskets in the rooms as ornaments.
 
Don’t forget that very true remark that while face powder may catch a man, baking powder is the stuff to hold him.
 
Marriage can be a series of humorous miscommunications, a power struggle, or a diplomatic nightmare. Men and women have long struggled to figure each other out—and the misunderstandings can continue well after they’ve been joined in matrimony. But long before Men Are From Mars, Women Are From Venus, couples turned to self-help booklets such as How to Be a GoodHusband and How to Be a Good Wife, two historic advice books that are now delightfully reproduced by the Bodleian Library.

The books, originally published in the 1930s for middle-class British couples, are filled with witty and charming aphorisms on how wives and husbands should treat each other. Some advice is unquestionably outdated—“It is a wife’s duty to look her best. If you don’t tidy yourself up, don’t be surprised if your husband begins to compare you unfavorably with the typist at the office”—but many other pieces of advice are wholly applicable today. They include such insightful sayings as: “Don’t tell your wife terminological inexactitudes, which are, in plain English, lies. A woman has wonderful intuition for spotting even minor departures from the truth”; “After all is said and done, husbands are not terribly difficult to manage”; or “Don’t squeeze the tube of toothpaste from the top instead of from the bottom. This is one of the small things of life that always irritates a careful wife.”

Entertaining and charmingly illustrated, How to Be a Good Husband and How to Be a Good Wife offer enduringly useful advice for all couples, from the newly engaged to those celebrating their golden anniversary.
 
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cover of How to Be a Texan: The Manual

How to Be a Texan

The Manual

By Andrea Valdez

University of Texas Press, 2016

There are certain things every Texan should know how to do and say, whether your Lone Star roots reach all the way back to the 1836 Republic or you were just transplanted here yesterday. Some of these may be second nature to you, but others . . . well, maybe it wouldn’t hurt to have a few handy hints if, say, branding the herd or hosting a tamalada aren’t your usual pastimes. That’s where How to Be a Texan can help.

In a friendly, lighthearted style, Andrea Valdez offers illustrated, easy-to-follow steps for dozens of authentic Texas activities and sayings. In no time, you’ll be talking like a Texan and dressing the part; hunting, fishing, and ranching; cooking your favorite Texas dishes; and dancing cumbia and two-step. You’ll learn how to take a proper bluebonnet photo and build a Día de los Muertos altar, and you’ll have a bucket list of all the places Texans should visit in their lifetime. Not only will you know how to do all these things, you’ll finish the book with a whole new appreciation for what it means to be a Texan and even more pride in saying “I’m from Texas” anywhere you wander in the world.

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cover of How to Be an Indian in the 21st Century

How to Be an Indian in the 21st Century

Louis V. Clark (Two Shoes)

Wisconsin Historical Society Press, 2017

In deceptively simple prose and verse, Louis V. "Two Shoes" Clark III shares his life story, from childhood on the Rez, through school and into the working world, and ultimately as an elder, grandfather, and published poet. How to Be an Indian in the 21st Century explores Clark’s deeply personal and profound take on a wide range of subjects, from schoolyard bullying to workplace racism to falling in love. Warm, plainspoken, and wryly funny, Clark’s is a unique voice talking frankly about a culture’s struggle to maintain its heritage. His poetic storytelling style matches the rhythm of the life he recounts, what he calls "the heartbeat of my nation."
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cover of How to Be an Intellectual in the Age of TV: The Lessons of Gore Vidal

How to Be an Intellectual in the Age of TV

The Lessons of Gore Vidal

Marcie Frank

Duke University Press, 2005

Novelist, television personality, political candidate, and maverick social commentator, Gore Vidal is one of the most innovative, influential, and enduring American intellectuals of the past fifty years. In How to Be an Intellectual in the Age of TV, Marcie Frank provides a concise introduction to Vidal’s life and work as she argues that the twentieth-century shift from print to electronic media, particularly TV and film, has not only loomed large in Vidal’s thought but also structured his career. Looking at Vidal’s prolific literary output, Frank shows how he has reflected explicitly on this subject at every turn: in essays on politics, his book on Hollywood and history, his reviews and interviews, and topical excursions within the novels. At the same time, she traces how he has repeatedly crossed the line supposedly separating print and electronic culture, perhaps with more success than any other American intellectual. He has written television serials and screenplays, appeared in movies, and regularly appeared on television, most famously in heated arguments with Norman Mailer on The Dick Cavett Show and with William F. Buckley during ABC’s coverage of the 1968 Democratic National Convention.

Frank highlights the connections between Vidal’s attitudes toward TV, sex, and American politics as they have informed his literary and political writings and screen appearances. She deftly situates his public persona in relation to those of Andy Warhol, Jacqueline Susann, Mary McCarthy, Susan Sontag, and others. By describing Vidal’s shrewd maneuvering between different media, Frank suggests that his career offers a model to aspiring public intellectuals and a refutation to those who argue that electronic media have eviscerated public discourse.

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cover of How to Build Successful Business Relationships

How to Build Successful Business Relationships

Frances Kay

The Institution of Engineering and Technology, 2009

People mean business and most professionals know how important it is to get on well with others.
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cover of How to Communicate in Business: A handbook for engineers

How to Communicate in Business

A handbook for engineers

David Silk

The Institution of Engineering and Technology, 1995

This is a practical handbook. Its aim is to help engineers and others with a technical background to communicate effectively with non-technical people. Effective communication is essential for both individual and corporate success in business.
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cover of How to Control Fire on a Burning Continent

How to Control Fire on a Burning Continent

Timothy Neale

Duke University Press, 2026

A critical and ethnographic exploration of wildfire management in Australia, one of Earth’s most fire-prone countries, Timothy Neale’s How to Control Fire on a Burning Continent critiques the colonial logics of control deployed to manage unruly environments and explores alternative forms of environmental stewardship.

Each year, Australia faces increasingly unprecedented wildfires, marked both by their scale and by the intense public disagreements about their political, cultural, and ecological causes. How to Control Fire on a Burning Continent is a critical and ethnographic exploration of wildfire management in Australia and the technoscientific systems of control that shape its current and future possibilities. Timothy Neale observes how two seemingly opposing forces—an entrenched sense of crisis and widespread normalization—combine to form an apparatus of institutional fire management that increasingly centers technical control and militarization. While sympathetic to the double binds many fire management professionals find themselves in, Neale ties contemporary wildfire problems to ongoing colonization and Indigenous dispossession, exploring Indigenous-led land management and cultural burning as a practical assertion of sovereignty. Through dialogue and collaboration with professional fire managers and Indigenous environmental stewards, Neale calls for a collective movement beyond control thinking by fostering new alliances and modes of coping with, rather than commanding, our flammable world.
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cover of How to Court Disaster

How to Court Disaster

Blakinger, Kate

University of Iowa Press, 2026

How to Court Disaster takes us from wide expanses of open ocean to the enclosed spaces of grimy dive bars, echoing caves, and the holds of a musty ship. A grieving mother explores the secret chambers of a cave system. A stranded sailor joins the crew of a movie being filmed on a remote tropical island. A pregnant teenager finds herself on foot in the middle of a whiteout snowstorm with a stranger’s baby in her arms. A bed-and-breakfast owner struggles to rekindle her bond with the husband who no longer fully remembers their life together. Moving headlong into trouble, the characters in these stories discover they possess the inner resources they need to carry them beyond it: pluck, grit, fierceness, hope, and a growing sense of who they are becoming.

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cover of How to Create a Universe

How to Create a Universe

Jakob Ion Wille, Simon Jon Andreasen, and Gunnar Wille

University of Westminster Press, 2025

How to Create a Universe helps you create and understand the universes that you love from books, films, TV series and games. Through ideas, reflections, drawings, conversations, theories and first-hand examples, the book takes the mystery out of universe building and provides new knowledge and methods for understanding and creating content for fictional universes. You can use the methods in the book to develop, conceptualize and devise universes whether you are a game creator, film producer, writer, TV series showrunner, designer, theatre director, artist, researcher, student or educator – or simply enjoy being a curious explorer wishing to understand the creative process of building a fictional universe. The book follows a similar approach to design research by focusing on methods and tools and, not least, interdisciplinary collaboration. Combining approaches from art research and the humanities with media studies and development processes, the book draws on extensive studies of works across different media, including film, TV series, games, computer games, theatre, literature and oral lore. We are inspired by explanations from narrative theory and biological evolution of the human urge to create and delve into fiction and fictive universes. Furthermore, we share the interest in methods, tools and collaboration models that characterizes design thinking.The book’s nine chapters contain insights into the process of universe building from idea to publication; interviews with some of the world’s leading universe thinkers and builders; practical exercises for developing universes across traditional, new and future media formats; and more than 200 drawings and illustrations of models and examples to provide support and inspiration. The authors draw on knowledge and information collected around the world over several years. In the book, you will meet people who have been involved in creating and developing the universes for Squid Game, Fight Club, The Terminal, Minority Report, Your Name, Suzume, Black Mirror, Mr. Turner, Wallace and Gromit, Pandemic Legacy, Dead of Winter, Dark, Lego, El Tigre, Avatar, Spiderman, Halo, Quirky Circuits, End of Night, The Guilty and Enforcement.
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cover of How to Date a Flying Mexican: New and Collected Stories

How to Date a Flying Mexican

New and Collected Stories

Daniel A. Olivas

University of Nevada Press, 2022

How to Date a Flying Mexican is a collection of stories derived from Chicano and Mexican culture but ranging through fascinating literary worlds of magical realism, fairy tales, fables, and dystopian futures. Many of Daniel A. Olivas’s characters confront—both directly and obliquely— questions of morality, justice, and self-determination.

The collection is made up of Olivas’s favorite previously published stories, along with two new stories—one dystopian and the other magical— that challenge the Trump administration’s anti-immigration rhetoric and policies. How to Date a Flying Mexican draws together some of Olivas’s most unforgettable and strange tales, allowing readers to experience his very distinct, and very Chicano, fiction.
 
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cover of How to Dine in Style: The Art of Entertaining, 1920

How to Dine in Style

The Art of Entertaining, 1920

J. Rey

Bodleian Library Publishing, 2013

The 1920s marked the high point of refined dining, when silver tray–bearing white-gloved waiters circulated among guests and starched linens and candlelit tables were de rigueur. For the decadent class that came to prominence during the post-war period, achieving a reputation for throwing the most recherché dinner parties meant instant social success, and many an enterprising host or hostess sought advice in J. Rey’s The Whole Art of Dining.

By turns a collection of practical advice and a catalog of eccentricities, The Whole Art of Dining, republished by the Bodleian Library as How to Dine in Style, contained everything the would-be socialite needed to know in order to elevate food to high art, from tricks for putting together a proper French menu or throwing a garden party to practical tips on serving wines in the correct order and at the right temperature. Throughout the book are stories of astonishing excess, such as the search for ever-more-elaborate themes and venues, and the more daring of the book’s devotees might have been tempted to emulate efforts like those of the intrepid hostess whose mountaineering-themed dinner party had guests rappel to the rooftop of her Chicago home or American millionaire George A. Kessler, whose infamous “Gondola Party” flooded— for the first and only time—the central courtyard of the Savoy.

A captivating glimpse into the golden age of fine dining, this book will be consumed with interest by discerning diners and fans of the Roaring Twenties—and it may even inspire readers to try their hand at throwing a stylish soiree of their own.

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cover of How to Do It: Guides to Good Living for Renaissance Italians

How to Do It

Guides to Good Living for Renaissance Italians

Rudolph M. Bell

University of Chicago Press, 1999

How to Do It shows us sixteenth-century Italy from an entirely new perspective: through manuals which were staples in the households of middlebrow Italians merely trying to lead better lives. Addressing challenges such as how to conceive a boy, the manuals offered suggestions such as tying a tourniquet around your husband's left testicle. Or should you want to goad female desires, throw 90 grubs in a liter of olive oil, let steep in the sun for a week and apply liberally on the male anatomy. Bell's journey through booklets long dismissed by scholars as being of little literary value gives us a refreshing and surprisingly fun social history.

"Lively and curious reading, particularly in its cascade of anecdote, offered in a breezy, cozy, journalistic style." —Lauro Martines, Times Literary Supplement

"[Bell's] fascinating book is a window on a lost world far nearer to our own than we might imagine. . . . How pleasant to read his delightful, informative and often hilarious book." —Kate Saunders, The Independent

"An extraordinary work which blends the learned with the frankly bizarre." —The Economist

"Professor Bell has a sly sense of humor and an enviably strong stomach. . . . He wants to know how people actually behaved, not how the Church or philosophers or earnest humanists thought they should behave. I loved this book." —Christopher Stace, Daily Telegraph
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cover of How to Do Things with Legal Doctrine

How to Do Things with Legal Doctrine

Pierre Schlag and Amy J. Griffin

University of Chicago Press, 2020

Legal doctrine—the creation of doctrinal concepts, arguments, and legal regimes built on the foundation of written law—is the currency of contemporary law. Yet law students, lawyers, and judges often take doctrine for granted, without asking even the most basic questions. How to Do Things with Legal Doctrine is a sweeping and original study that focuses on how to understand legal doctrine via a hands-on approach. Taking up the provocative invitations from the “New Doctrinalists,” Pierre Schlag and Amy J. Griffin refine the conceptual and rhetorical operations legal professionals perform with doctrine—focusing especially on those difficult moments where law seems to run out, but legal argument must go on.  The authors make the crucial operations of doctrine explicit, revealing how they work, and how they shape the law that emerges. How to Do Things with Legal Doctrine will help all those studying or working with law to gain a more systematic understanding of the doctrinal moves many of our best lawyers make intuitively.
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cover of How to Do Things with Sensors

How to Do Things with Sensors

Jennifer Gabrys

University of Minnesota Press, 2019

An investigation of how-to guides for sensor technologies

Sensors are increasingly common within citizen-sensing and DIY projects, but these devices often require the use of a how-to guide. From online instructional videos for troubleshooting sensor installations to handbooks for using and abusing the Internet of Things, the how-to genres and formats of digital instruction continue to expand and develop. As the how-to proliferates, and instructions unfold through multiple aspects of technoscientific practices, Jennifer Gabrys asks why the how-to has become one of the prevailing genres of the digital. How to Do Things with Sensors explores the ways in which things are made do-able with and through sensors and further considers how worlds are made sense-able and actionable through the instructional mode of citizen-sensing projects.

Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

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cover of How to Do Things with Videogames

How to Do Things with Videogames

Ian Bogost

University of Minnesota Press, 2011

In recent years, computer games have moved from the margins of popular culture to its center. Reviews of new games and profiles of game designers now regularly appear in the New York Times and the New Yorker, and sales figures for games are reported alongside those of books, music, and movies. They are increasingly used for purposes other than entertainment, yet debates about videogames still fork along one of two paths: accusations of debasement through violence and isolation or defensive paeans to their potential as serious cultural works. In How to Do Things with Videogames, Ian Bogost contends that such generalizations obscure the limitless possibilities offered by the medium’s ability to create complex simulated realities.

Bogost, a leading scholar of videogames and an award-winning game designer, explores the many ways computer games are used today: documenting important historical and cultural events; educating both children and adults; promoting commercial products; and serving as platforms for art, pornography, exercise, relaxation, pranks, and politics. Examining these applications in a series of short, inviting, and provocative essays, he argues that together they make the medium broader, richer, and more relevant to a wider audience.

Bogost concludes that as videogames become ever more enmeshed with contemporary life, the idea of gamers as social identities will become obsolete, giving rise to gaming by the masses. But until games are understood to have valid applications across the cultural spectrum, their true potential will remain unrealized. How to Do Things with Videogames offers a fresh starting point to more fully consider games’ progress today and promise for the future.

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cover of How to Do the History of Homosexuality

How to Do the History of Homosexuality

David M. Halperin

University of Chicago Press, 2002

In this long-awaited book, David M. Halperin revisits and refines the argument he put forward in his classic One Hundred Years of Homosexuality: that hetero- and homosexuality are not biologically constituted but are, instead, historically and culturally produced. How to Do the History of Homosexuality expands on this view, updates it, answers its critics, and makes greater allowance for continuities in the history of sexuality. Above all, Halperin offers a vigorous defense of the historicist approach to the construction of sexuality, an approach that sets a premium on the description of other societies in all their irreducible specificity and does not force them to fit our own conceptions of what sexuality is or ought to be.

Dealing both with male homosexuality and with lesbianism, this study imparts to the history of sexuality a renewed sense of adventure and daring. It recovers the radical design of Michel Foucault's epochal work, salvaging Foucault's insights from common misapprehensions and making them newly available to historians, so that they can once again provide a powerful impetus for innovation in the field. Far from having exhausted Foucault's revolutionary ideas, Halperin maintains that we have yet to come to terms with their startling implications. Exploring the broader significance of historicizing desire, Halperin questions the tendency among scholars to reduce the history of sexuality to a mere history of sexual classifications instead of a history of human subjectivity itself. Finally, in a theoretical tour de force, Halperin offers an altogether new strategy for approaching the history of homosexuality—one that can accommodate both ruptures and continuities, both identity and difference in sexual experiences across time and space.

Impassioned but judicious, controversial but deeply informed, How to Do the History of Homosexuality is a book rich in suggestive propositions as well as eye-opening details. It will prove to be essential reading for anyone interested in the history of sexuality.
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cover of How to Draw a Circle: On Reading and Writing

How to Draw a Circle

On Reading and Writing

Dan Beachy-Quick

University of Michigan Press, 2024

What is it to write a poem? What work do words do when placed with care and vision into the intensely charged space of poetic effort? How to Draw a Circle does not seek to answer those questions, but to encounter them as fully and honestly as one can. The thread running through the essays is an ongoing investigation into poetry as an epistemological experiment, one which binds the imagination to the worldly, and trusts that creative endeavor is a form of participation in the ongoing creation of the world. It does so in part by focusing on thinkers, poets, writers, and literary movements where such thinking for a while prevailed, from Socrates to Melville, Mythology to Romanticism. Here the poem is approached as something deeply rooted in human consciousness, done so not to make an atavistic claim about poetry's history, but to show the ways in which oldest tradition gives us ever-new eyes. The hope this book gathers around is that poetry—poetic expression, the wild wonder of working in words—turns us back toward the world in more vibrant, more open, more ethical ways. How to Draw a Circle summons lyric powers—not an argument, but a participation in the ways poetry works in us and on us. 
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cover of How to Dungeon Master Parenting: A Guidebook for Gamifying the Child Rearing Quest, Leveling Up Your Skills, and Raising Future Adventurers

How to Dungeon Master Parenting

A Guidebook for Gamifying the Child Rearing Quest, Leveling Up Your Skills, and Raising Future Adventurers

Shelly Mazzanoble

University of Iowa Press, 2024

2025 National Indie Excellence Award Finalist, Parenting & Family

2025 Independent Publishers Book Awards (IPPY Awards) bronze medalist, Parenting

2024 Zibby Awards, Best Book for Parents selection

2024 Foreword INDIES Book of the Year Awards Finalist, Family & Relationship 

2024 American Book Fest Best Book Award Finalist, Parenting

Gather your party, it’s time to level up your parenting game!

For years, millions of fans have looked to the beloved roleplaying game Dungeons & Dragons for fun, friendship, and entertainment. And now parents and parents-to-be can use D&D to gain inspiration and how-to when it comes to their most challenging and rewarding role yet. Dungeon Masters are not just expert storytellers and arbiters of the rules, they’re compassionate, creative, quick-thinking leaders who embody the same traits that make a great parent.

Where do you find an adventuring party who will have your back? What must-have starting equipment should you own before venturing into babyland? How does your gaming style reflect your parenting style? You don’t have to know how to be a Dungeon Master to master parenting—just think like one. Kids may not come with rulebooks, but now their parents do.


 
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cover of How to Educate an American: The Conservative Vision for Tomorrow's Schools

How to Educate an American

The Conservative Vision for Tomorrow's Schools

Michael J. Petrilli

Templeton Press, 2020

In the years after A Nation at Risk, conservatives’ ideas to reform America’s lagging education system gained much traction. Key items like school choice and rigorous academic standards drew bipartisan support and were put into practice across the country.

Today, these gains are in retreat, ceding ground to progressive nostrums that do little to boost the skills and knowledge of young people. Far from being discouraged, however, conservatives should seize the moment to refresh their vision of quality K–12 education for today’s America. These essays by 20 leading conservative thinkers do just that.

Students, according to this vision, should complete high school with a thorough understanding of the country’s history, including gratitude for its sacrifices, respect for its achievements, and awareness of its shortcomings. They should also learn to be trustworthy stewards of a democratic republic, capable of exercising virtue and civic responsibility.

Beyond helping to form their character, schools ought to ready their pupils for careers that are productive, rewarding, and dignified. Excellent technical-training opportunities will await those not headed to a traditional college. Regardless of the paths and schools that they select, all students must come to understand that they can succeed in America if they are industrious, creative, and responsible.  

Anchored in tradition yet looking towards tomorrow, How to Educate an American should be read by anyone concerned with teaching future generations to preserve the country’s heritage, embody its universal ethic, and pursue its founding ideals.
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cover of How to Escape from The Diabolic Triangle?: Followed by a Short Analysis of Some Other Collective Delusions

How to Escape from The Diabolic Triangle?

Followed by a Short Analysis of Some Other Collective Delusions

Jan Berting

Eburon Academic Publishers, 2010

Conspiracy theories have always been with us, but in the age of the Internet, twenty-four-hour news programs of varying reliability, and ever-more incendiary talk radio, the crop of rumors, bombshells, and shadowy secrets seems more extensive and potent than ever. How to Escape from the Diabolic Triangle? dives into those collective delusions to show what they mean to us as individuals and what role they play in society. Looking closely at nine cases of collective delusion, Jan Berting shows how they can help society articulate widespread fears, but that at the same time they can be wildly misleading, even dangerous.
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cover of How to Find a Martian: A Fossil Hunter’s Guide to the Red Planet

How to Find a Martian

A Fossil Hunter’s Guide to the Red Planet

Sean McMahon

University of Chicago Press, 2027

Join today’s search for signs of alien life in fossil remains from prehistoric Mars, an Earth-like world that glittered with rivers, lakes, and deep blue seas.

Billions of years ago, there was another Earth in our solar system: the temperate and blue-streaked world of ancient Mars. Today, the rocky ruins of that lost world offer our best hope of finding signs of alien life. In How to Find a Martian, astrobiologist and paleontologist Sean McMahon argues that we may soon find fossils on Mars—perhaps even in our lifetime.

There are now thousands of astrobiologists around the world, using the tools of modern science to answer some of the most profound, intellectually exciting questions that have ever been asked: What is life? How does it evolve and proliferate across vast spans of space and time, and what forms might it take on alien worlds? The search for life on Mars is a mainstay of this research program, and it has never been more advanced, more sophisticated, or better funded than it is today. Although scientists have not yet found fossils on Mars, astrobiologist Sean McMahon says, we have at least learned how to find them. We now know which regions and landscapes on Mars could once have supported life and preserved its remains in rocks and minerals. We know how the remains of living organisms can end up woven into the texture of ancient rocks, transmuted into minerals or transcribed into the subtle language of fossil carbon molecules. But we have also learned to be cautious—and not to be fooled when non-living nature imitates the patterns of life. 

Accessibly explaining trailblazing ideas and findings in astronomy, geology, microbiology, and paleontology, McMahon makes a persuasive and alluring case that we have the tools, ideas, methods, and missions to find past life on Mars. 

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cover of How to Fool a Cat: Japanese Folktales for Children

How to Fool a Cat

Japanese Folktales for Children

Hiroko Fujita & Fran Stallings

Parkhurst Brothers, Inc., 2015

“Charming and captivating, these authentic and little-known Japanese folktales are told clearly and simply, making them easily accessible to young listeners at home or in the classroom. Thoughtful comments and notes from the two tellers provide clear tips for successful telling, along with a very useful glossary. If you tell stories to children, this is a must-purchase book!”

—Sherry Norfolk, Storyteller, Author and Teaching Artist

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cover of How to Get into Our House and Where We Keep the Money

How to Get into Our House and Where We Keep the Money

Panio Gianopoulos

Four Way Books, 2017

In a bizarre love triangle, a man becomes increasingly desperate for the attention of a woman obsessed with her little dog. A hapless unromantic develops an algorithm to help him succeed at dating. And a divorcee becomes consumed with jealousy when a man she likes begins to date her 60 year old mother. In these tales of love pursued, yet rarely caught, characters find themselves tripping, sometimes painfully, sometimes hilariously, toward self-revelation. Here is life in all of its clumsiness, humor, and beauty. 
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cover of How to Go Mad without Losing Your Mind: Madness and Black Radical Creativity

How to Go Mad without Losing Your Mind

Madness and Black Radical Creativity

La Marr Jurelle Bruce

Duke University Press, 2020

“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.
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cover of How to Grow a Community

How to Grow a Community

Kyle Lough

Michigan Publishing Services, 2023

This book was created for the course titled “Nature, Culture, & Landscape” taught by Professor Sara Adlerstein-Gonzalez at the University of Michigan School for Environment & Sustainability.

The objective was to create a book that uses the topic of urban gardening to teach young readers about the importance of environmental stewardship— respecting and caring for Earth and the diversity of life it sustains.

Through art and science, we can better understand complex environmental issues like access to food and water, loss of biodiversity, and land-use. Any reader, of any age, can make a difference in their community through forming stronger connections with people and the earth.
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cover of How to Grow a Human: Adventures in How We Are Made and Who We Are

How to Grow a Human

Adventures in How We Are Made and Who We Are

Philip Ball

University of Chicago Press, 2019

Two summers ago, scientists removed a tiny piece of flesh from Philip Ball’s arm and turned it into a rudimentary “mini-brain.” The skin cells, removed from his body, did not die but were instead transformed into nerve cells that independently arranged themselves into a dense network and communicated with each other, exchanging the raw signals of thought. This was life—but whose? 

In his most mind-bending book yet, Ball makes that disconcerting question the focus of a tour through what scientists can now do in cell biology and tissue culture. He shows how these technologies could lead to tailor-made replacement organs for when ours fail, to new medical advances for repairing damage and assisting conception, and to new ways of “growing a human.” For example, it might prove possible to turn skin cells not into neurons but into eggs and sperm, or even to turn oneself into the constituent cells of embryos. Such methods would also create new options for gene editing, with all the attendant moral dilemmas. Ball argues that such advances can therefore never be about “just the science,” because they come already surrounded by a host of social narratives, preconceptions, and prejudices. But beyond even that, these developments raise questions about identity and self, birth and death, and force us to ask how mutable the human body really is—and what forms it might take in years to come. 
 
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cover of How to Have Theory in an Epidemic: Cultural Chronicles of AIDS

How to Have Theory in an Epidemic

Cultural Chronicles of AIDS

Paula A. Treichler

Duke University Press, 1999

Paula A. Treichler has become a singularly important voice among the significant theorists on the AIDS crisis. Dissecting the cultural politics surrounding representations of HIV and AIDS, her work has altered the field of cultural studies by establishing medicine as a legitimate focus for cultural analysis. How to Have Theory in an Epidemic is a comprehensive collection of Treichler’s related writings, including revised and updated essays from the 1980s and 1990s that present a sustained argument about the AIDS epidemic from a uniquely knowledgeable and interdisciplinary standpoint.
“AIDS is more than an epidemic disease,” Treichler writes, “it is an epidemic of meanings.” Exploring how such meanings originate, proliferate, and take hold, her essays investigate how certain interpretations of the epidemic dominate while others are obscured. They also suggest ways to understand and choose between overlapping or competing discourses. In her coverage of roughly fifteen years of the AIDS epidemic, Treichler addresses a range of key issues, from biomedical discourse and theories of pathogenesis to the mainstream media’s depictions of the crisis in both developed and developing countries. She also examines representations of women and AIDS, treatment issues, and the role of activism in shaping the politics of the epidemic. Linking the AIDS tragedy to a uniquely broad spectrum of contemporary theory and culture, this collection concludes with an essay on the continued importance of theoretical thought for untangling the sociocultural phenomena of AIDS—and for tackling the disease itself.
With an exhaustive bibliography of critical and theoretical writings on HIV and AIDS, this long-awaited volume will be essential to all those invested in studying the course of AIDS, its devastating medical effects, and its massive impact on contemporary culture. It should become a standard text in university courses dealing with AIDS in biomedicine, sociology, anthropology, gay and lesbian studies, women’s studies, and cultural and media studies.


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cover of How to House the Homeless

How to House the Homeless

Ingrid Gould Ellen

Russell Sage Foundation, 2010

How to House the Homeless, editors Ingrid Gould Ellen and Brendan O'Flaherty propose that the answers entail rethinking how housing markets operate and developing more efficient interventions in existing service programs. The book critically reassesses where we are now, analyzes the most promising policies and programs going forward, and offers a new agenda for future research. How to House the Homeless makes clear the inextricable link between homelessness and housing policy. Contributor Jill Khadduri reviews the current residential services system and housing subsidy programs. For the chronically homeless, she argues, a combination of assisted housing approaches can reach the greatest number of people and, specifically, an expanded Housing Choice Voucher system structured by location, income, and housing type can more efficiently reach people at-risk of becoming homeless and reduce time spent homeless. Robert Rosenheck examines the options available to homeless people with mental health problems and reviews the cost-effectiveness of five service models: system integration, supported housing, clinical case management, benefits outreach, and supported employment. He finds that only programs that subsidize housing make a noticeable dent in homelessness, and that no one program shows significant benefits in multiple domains of life. Contributor Sam Tsemberis assesses the development and cost-effectiveness of the Housing First program, which serves mentally ill homeless people in more than four hundred cities. He asserts that the program's high housing retention rate and general effectiveness make it a viable candidate for replication across the country. Steven Raphael makes the case for a strong link between homelessness and local housing market regulations—which affect housing affordability—and shows that the problem is more prevalent in markets with stricter zoning laws. Finally, Brendan O'Flaherty bridges the theoretical gap between the worlds of public health and housing research, evaluating the pros and cons of subsidized housing programs and the economics at work in the rental housing market and home ownership. Ultimately, he suggests, the most viable strategies will serve as safety nets—"social insurance"—to reach people who are homeless now and to prevent homelessness in the future. It is crucial that the links between effective policy and the whole cycle of homelessness—life conditions, service systems, and housing markets—be made clear now. With a keen eye on the big picture of housing policy, How to House the Homeless shows what works and what doesn't in reducing the numbers of homeless and reaching those most at risk.
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cover of How to Humble a Wingnut and Other Lessons from Behavioral Economics

How to Humble a Wingnut and Other Lessons from Behavioral Economics

Cass R. Sunstein

University of Chicago Press, 2013

In How to Humble a Wingnut, leading constitutional scholar, behavioral economist, and former Administrator of the White House Office of Information and Regulatory Affairs Cass R. Sunstein examines the unconventional impetuses behind human decision-making. Why it is that people often choose to behave so strangely? Sunstein’s incisive commentaries point to recent empirical findings to demonstrate how and why people convince themselves they are right despite evidence to the contrary; fear dangers they are unlikely to encounter; and ignore real risks. Mining developments in recent behavioral studies for tips on everything from holiday shopping and political biases to staying healthy and clear thinking in general, Sunstein nudges his reader towards that rarest of grounds—understanding.
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cover of How to Identify Grasses and Grasslike Plants: Sedges and Rushes

How to Identify Grasses and Grasslike Plants

Sedges and Rushes

H. D. Harrington

Ohio University Press, 1977

There is no easy way to identify grasses. And no one understands this better than H.D. Harrington, who observed thousands of students struggle and learn. His clear, concise, and well-organized guide will continue to be a basic and essential text for use in the classroom or in the field. The book contains over 500 drawings and an illustrated glossary.

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cover of How to Keep Union Records

How to Keep Union Records

Michael Nash

Society of American Archivists, 2010

Ten chapters address issues of perennial concern to labor archivists: building relationships with the unions, developing collecting policies that support current labor history scholarship, adapting appraisal theory to the unique challenges of labor union archives, and arranging and describing collections so that finding aids speak to both academic and union audiences. In the tradition of Debra E. Barnhardt's classic text on the subject, this new volume highlights recent transformations in the labor archives world, such as changes in recordkeeping practices, the imapct of union mergers and the consolidation movement on archival collections, the growing importance of media collections, and electronic records and union websites. Also included in the volume are an extensive bibliography and a directory of labor archives in the United States. How to Keep Union Records illustrates how basic archival theory and best practice methodologies can be applied to the challenges presented by labor collections. Archivists in collecting repositories and union records administrators will greatly benefit from this excellent collection of essays by leaders in the field.
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cover of How to Kill a Goat and Other Monsters

How to Kill a Goat and Other Monsters

Saúl Hernández

University of Wisconsin Press, 2024

One is never sure who the monsters are in these poems, only that the narrator desperately doesn’t want to be one. In his brilliant debut collection, Hernández explores grief, loss, identity, lineage, and belonging with grace, insight, and compassion. 

These pages are infused with comfort, with desire, with heartache. Never absent is love, family. Hernández—hyperaware of American society’s dismissal or hatred of people who look like him—writes with a refreshing confidence, a sure knowledge of who he is and where he comes from. Transcending any particular experience, this volume will continue to resonate with multiple readings.
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cover of How to Leave Hialeah

How to Leave Hialeah

Capó Crucet, Jennine

University of Iowa Press, 2009

United in their fierce sense of place and infused with the fading echoes of a lost homeland, the stories in Jennine Capó Crucet’s striking debut collection do for Miami what Edward P. Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly.

Crucet’s writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, “ready to mourn everything.”

Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city’s secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.
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cover of How to Lie with Maps

How to Lie with Maps

Mark Monmonier

University of Chicago Press, 1996

Originally published to wide acclaim, this lively, cleverly illustrated essay on the use and abuse of maps teaches us how to evaluate maps critically and promotes a healthy skepticism about these easy-to-manipulate models of reality. Monmonier shows that, despite their immense value, maps lie. In fact, they must.

The second edition is updated with the addition of two new chapters, 10 color plates, and a new foreword by renowned geographer H. J. de Blij. One new chapter examines the role of national interest and cultural values in national mapping organizations, including the United States Geological Survey, while the other explores the new breed of multimedia, computer-based maps.

To show how maps distort, Monmonier introduces basic principles of mapmaking, gives entertaining examples of the misuse of maps in situations from zoning disputes to census reports, and covers all the typical kinds of distortions from deliberate oversimplifications to the misleading use of color.

"Professor Monmonier himself knows how to gain our attention; it is not in fact the lies in maps but their truth, if always approximate and incomplete, that he wants us to admire and use, even to draw for ourselves on the facile screen. His is an artful and funny book, which like any good map, packs plenty in little space."—Scientific American

"A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way. For that alone, it seems worthwhile."—Christopher Lehmann-Haupt, The New York Times

". . . witty examination of how and why maps lie. [The book] conveys an important message about how statistics of any kind can be manipulated. But it also communicates much of the challenge, aesthetic appeal, and sheer fun of maps. Even those who hated geography in grammar school might well find a new enthusiasm for the subject after reading Monmonier's lively and surprising book."—Wilson Library Bulletin

"A reading of this book will leave you much better defended against cheap atlases, shoddy journalism, unscrupulous advertisers, predatory special-interest groups, and others who may use or abuse maps at your expense."—John Van Pelt, Christian Science Monitor

"Monmonier meets his goal admirably. . . . [His] book should be put on every map user's 'must read' list. It is informative and readable . . . a big step forward in helping us to understand how maps can mislead their readers."—Jeffrey S. Murray, Canadian Geographic
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cover of How to Lie with Maps, Third Edition

How to Lie with Maps, Third Edition

Mark Monmonier

University of Chicago Press, 2018

An instant classic when first published in 1991, How to Lie with Maps revealed how the choices mapmakers make—consciously or unconsciously—mean that every map inevitably presents only one of many possible stories about the places it depicts. The principles Mark Monmonier outlined back then remain true today, despite significant technological changes in the making and use of maps. The introduction and spread of digital maps and mapping software, however, have added new wrinkles to the ever-evolving landscape of modern mapmaking.

​Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that technology offers new opportunities for cartographic mischief, deception, and propaganda. While retaining the same brevity, range, and humor as its predecessors, this third edition includes significant updates throughout as well as new chapters on image maps, prohibitive cartography, and online maps. It also includes an expanded section of color images and an updated list of sources for further reading. 
 
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cover of How to Live like a Lord Without Really Trying

How to Live like a Lord Without Really Trying

Shepherd Mead

Bodleian Library Publishing, 2012

In 1958, ad man and soon-to-be best-selling author Shepherd Mead moved to England with his family to pursue his career. Six years later, his observations on the oddities of British culture were enough to compile a satirical guidebook for fellow Americans planning to visit from across the pond. The blunders that could befall them were many. For instance, explains Mead, “Pants are always underpants and what you wear out in the open are trousers. Mistakes in this area can lead to nasty misunderstandings.”

Structured around the fictional Brash family—Peggy and Buckley Brash and their two children—the book, originally published in 1964, includes chapters on such topics as “How to Dress in England,” “The Dream House and How to Rebuild It,” and “How to Live with the Upper Classes Without Having Any Money.” Through the Brash family’s encounters with the British and their amusingly bewildered conversations as they attempt to interpret this alien way of life, Mead answers with obvious affection and quirky humor such questions as “Is England really a pest hole?” and “Do English schools create sex madness?”
 
Written with Mead’s characteristic incisive wit and illustrated with the original dynamic cartoons, How to Live Like a Lord Without Really Trying is packed with pithy advice that is equally revealing of Britain in the 1960s as its bemused American visitors.
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cover of How to Live, What to Do: Thirteen Ways of Looking at Wallace Stevens

How to Live, What to Do

Thirteen Ways of Looking at Wallace Stevens

Joan Richardson

University of Iowa Press, 2018

How to Live, What to Do is an indispensable introduction to and guide through the work of a poet equal in power and sensibility to Shakespeare and Milton. Like them, Stevens shaped a new language, fashioning an instrument adequate to describing a completely changed environment of fact, extending perception through his poems to align what Emerson called our “axis of vision” with the universe as it came to be understood during his lifetime, 1879–1955, a span shared with Albert Einstein. Projecting his own imagination into spacetime as “a priest of the invisible,” persistently cultivating his cosmic consciousness through reading, keeping abreast of the latest discoveries of Einstein, Max Planck, Niels Bohr, Louis de Broglie, and others, Stevens pushed the boundaries of language into the exotic territories of relativity and quantum mechanics while at the same time honoring the continuing human need for belief in some larger order. His work records how to live, what to do in this strange new world of experience, seeing what was always seen but never seen before. 

Joan Richardson, author of the standard two-volume critical biography of Stevens and coeditor with Frank Kermode of the Library of America edition of the Collected Poetry and Prose, offers concise, lucid captures of Stevens’s development and achievement. Over the ten years of researching her Stevens biography, Richardson read all that he read, as well as his complete correspondence, journals, and notebooks. She weaves the details drawn from this deep involvement into the background of American cultural history of the period. This fabric is further enlivened by her preparation in philosophy and the sciences, creating in these thirteen panels a contemporary version of a medieval tapestry sequence, with Stevens in the place of the unicorn, as it were, holding our attention and eliciting, as necessary angel, individual solutions to the riddles of our existence on this planet spinning and hissing around its cooling star at 18.5 miles per second.

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cover of How to Live/What to Do: H.D.'s Cultural Poetics

How to Live/What to Do

H.D.'s Cultural Poetics

Adalaide Morris

University of Illinois Press, 2002

The writing of H.D. is so linguistically rich and multilayered in structure that it has had almost as many interpretations as it has interpreters, from Freudians to feminists, from classicists to postmodernists. In How to Live/What to Do, however, Adalaide Morris removes the work of this iconic poet, dramatist, and novelist from compartments into which it has historically been placed. As she examines the "ongoingness" of H.D.'s writing, Morris makes an eloquent and compelling case for a consideration of poems--all poems--as forms of cultural mediation, instructive historical documents that engage the reader in wide-ranging contemporary debates and use their acoustical richness to generate tangible cultural effects.

Ever since the publication of her first H.D. essay in 1985 (included here in an expanded version), Morris has eschewed prevailing literary trends in favor of new approaches that both challenge and overpass dominant critical constructs. As she argues in this volume, the writing and, crucially, the reading of poetry is a process in which meaning is produced by the interplay of words on a page and in the ear of the reader. This quality of being not heard but overheard, composed within the body, is crucial to an appreciation of H.D.

Morris shows H.D. to be a playful linguistic innovator whose writings bear on debates in science, technology, and cinema as well as on poetry. Foremost, however, H.D. was a profound reshaper of the boundaries and possibilities of poetry, a generative form that, as this book shows, can indeed serve the cultural work of survival and resistance against the violence of modern culture.

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cover of How to Live: A memoir-in-essays

How to Live

A memoir-in-essays

Kelle Groom

Tupelo Press, 2023

“At its simplest, this is the story of a restless search for a place to be– a way to live– after a series of devastating events. But there’s nothing simple about it. Kelle Groom has created a marvel: a haunted, haunting, beautifully sustained dream of a book.”
—Joan Wickersham
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cover of How to Lobby Alaska State Government

How to Lobby Alaska State Government

Clive S. Thomas

University of Alaska Press, 2019

Lobbying is about getting the right message to the right people in the right form at the right time. Even the most persuasive arguments or most influential groups will come up short if they aren’t combined with personal connections and an understanding of human nature. How to Lobby Alaska State Government is a guide to the essentials of organizing and implementing a lobbying campaign in Alaska that recognizes how you lobby is as important as who you lobby.

This book starts by helping new lobbyists to think politically, by explaining the structure and operation of state government, the psychology and needs of public officials, and where the power lies in Juneau—who’s got political clout. How to Lobby then moves into the nitty-gritty of a lobbying campaign. It covers the basics of group influence, campaign planning and management, the pros and cons of various group tactics, tips on face-to-face meetings, and the challenges of lobbying day-to-day. In addition to extensive guidance on what to do, this book also emphasizes the things to avoid that will undermine or eliminate a lobbyist’s chances of success. Pragmatic and portable, this book will be valuable to new and professional lobbyists both, and anyone looking for fresh perspectives on this important business.
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cover of How to Look Good in a War: Justifying and Challenging State Violence

How to Look Good in a War

Justifying and Challenging State Violence

Brian Rappert

Pluto Press, 2012

How to Look Good in A War examines the methods used to depict, defend and justify the use of state violence. Many books have shown how 'truth is the first casualty of war' but this is the first to analyse exactly how pro-war narratives are constructed and normalised.

Brian Rappert details the 'upside-down' world of war in which revelation conceals, knowledge fosters uncertainty, and transparency obscures. He looks at government spin during recent wars in Iraq, Afghanistan and Libya where officials manoeuvre between circulating and withholding information.

Examining how organised violence is justified, How to Look Good in A War draws on experiences from recent controversy to consider how ignorance about the operation of war is produced and how concerned individuals and groups can intervene to make a difference.

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cover of How to Lose the Hounds: Maroon Geographies and a World beyond Policing

How to Lose the Hounds

Maroon Geographies and a World beyond Policing

Celeste Winston

Duke University Press, 2023

In How to Lose the Hounds Celeste Winston explores marronage—the practice of flight from and placemaking beyond slavery—as a guide to police abolition. She examines historically Black maroon communities in the Maryland suburbs of Washington, DC, that have been subjected to violent excesses of police power from slavery until the present day. Tracing the long and ongoing historical geography of Black freedom struggles in the face of anti-Black police violence in these communities, Winston shows how marronage provides critical lessons for reimagining public safety and community well-being. These freedom struggles take place in what Winston calls maroon geographies—sites of flight from slavery and the spaces of freedom produced in multigenerational Black communities. Maroon geographies constitute part of a Black placemaking tradition that asserts life-affirming forms of community. Winston contends that maroon geographies operate as a central method of Black flight, holding ground, and constructing places of freedom in ways that imagine and plan a world beyond policing.
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cover of How to Love Everyone and Almost Get Away with It

How to Love Everyone and Almost Get Away with It

Lara Egger

University of Massachusetts Press, 2021

Winner of Ploughshares’ 2022 John C. Zacharis First Book Award


Wrestling with desire, shame, and the complications of attempting to resist one's own nature, How to Love Everyone and Almost Get Away with It offers a tragicomic tour of a heart in midlife crisis. Populated by unruly angels, earthbound astronauts, xylophones, wordplay, and glitter glue, these wildly associative poems transform the world line by line, image by image. Part confessional, part kitsch, and often self-deprecating, this debut collection offers an honest and tender exploration of love's necessary absurdity. Lara Egger asks: Who put the end in crescendo, the over in lover? Are metaphors always reliable witnesses? Why does the past sleep with us when we hope the person beside us is the future?

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