Edited by May Berenbaum, Illustrated by Nils Cordes
University of Illinois Press, 2010
Eben Pindyck
Oregon State University Press, 2027
Far from your average fishing book, Hooked on Oregon invites readers to visit unexpected places—behind prison walls, inside a bait factory, deep in a forbidden forest, up a mountain, and around a desert oasis—while introducing a troop of unforgettable fishing buddies. A German orphan adopted by an American war hero, a parolee busted for fishing without a license, and a Marine veteran, among others, help show what life looks like through the eyes of an inveterate angler.
Fishing stories in Oregon have never been greater than those told by Eben Pindyck. Whether casting a line on the Columbia River or visiting Herman the Sturgeon at the State Fair, there’s a real-life tale to capture the interest and fancy of anyone in search of a good story. These funny, honest, and elucidative essays take you to lakes, streams, and waterways throughout the state—and far beyond the anecdote about the one that got away.
Paul R. Ehrlich and Michael Charles Tobias
University of Chicago Press, 2014
Edited by Carl Gans and David Crews
University of Chicago Press, 1992
Stuart A. Welsh
Ohio University Press, 2023
Zatz, Arline
Rutgers University Press, 2004
Arline Zatz has writtenthe first guidebook to everything equine in the Garden State: Horsing Around in New Jersey. This accessible, easy-to-use volume is essential reading for the novice who yearns to go horseback riding but doesn't know how or where to begin; for the experienced equestrian seeking new trails and campsites; for anyone wishing to attend an equestrian event; and for those seeking a job in the equestrian field, which already employs nearly 6,000 New Jerseyans. The industry generates more than 650 million dollars in annual revenue. Millions of people attend equine events in New Jersey each year. The U.S. Equestrian team makes its home there, and New Jersey's state animal is the horse.
Zatz tells readers--including those with disabilities--where they can take lessons, rent a horse, and prepare for riding. She includes safety and first aid tips. Horse history and breeds common to New Jersey are discussed, as are health concerns, including diseases, preventative medicine, and emergency care. The book showcases New Jersey's eighty-five equestrian trails and covers information on where to obtain riding permits and their accompanying rules and regulations. There is advice for both new horse owners and renters, including recommendations on tack and clothing, stable management, and horse adoption.
The book acquaints readers with year-round equine entertainment opportunities, and offers dozens of suggestions on where to watch or participate in sports on horseback. Zatz lists equine education programs for all ages, and outlines numerous employment opportunities within the equine industry. The book concludes with a glossary of common horse industry terminology, a listing of national equine associations and breed registries, equipment sources, and equine publications for further reading.
Benjamin Neimark
University of Arizona Press, 2023
Barbara J. King
University of Chicago Press, 2013
Edited by Alison Bashford, Duncan Kelly, and David Nally
Prickly Paradigm Press, 2026
How do we think about population in the Anthropocene?
The “Great Acceleration” describes a set of interrelated human-driven transformations of Earth’s systems, including the eightfold population growth since 1800. Yet ideas about population in the epoch many call the Anthropocene sit uncomfortably in contemporary discussions.
How Do We Think About Population in the Anthropocene? brings together the world’s key thinkers in Anthropocene studies from a wide range of disciplines, including geology, geography, demography, history, political theory, and more. How do we think about population in the Anthropocene, or should we even think in terms of population at all? The twelve short essays in this pamphlet offer responses that reimagine how we think about economy, environment, consumption, reproduction, and extinction.
Capainolo, Peter
Rutgers University Press, 2010
Franz-Josef Brüggemeier
Ohio University Press, 2005
Jarrett Zigon
HAU, 2024
Maria Melendez
University of Arizona Press, 2006
Dorothy L. Cheney and Robert M. Seyfarth
University of Chicago Press, 1990
Yrjö Haila and Chuck Dyke, eds.
Duke University Press, 2006
Exploring ways of conceiving the complexity and multiplicity of humans’ many interactive relationships with the environment, the contributors provide in-depth case studies of the interweaving of culture and nature in socio-historical processes. The case studies focus on the origin of environmental movements, the politicization of environmental issues in city politics, the development of a local energy production system, and the convergence of forest management practices toward a dominant scheme. They are supported by explorations of big-picture issues: recurring themes in studies of social and environmental dynamics, the difficulties of deliberative democracy, and the potential gains for socio-ecological research offered by developmental systems theory and Pierre Bourdieu’s theory of intentionality.
How Nature Speaks includes a helpful primer, “On Thinking Dynamically about the Human Ecological Condition,” which explains the basic principles of complexity and nonlinear thinking.
Contributors. Chuck Dyke, Yrjö Haila, Ari Jokinen, Ville Lähde, Markus Laine, Iordanis Marcoulatos, John O’Neill, Susan Oyama, Taru Peltola, Lasse Peltonen, John Shotter, Peter Taylor
Edited by Joanna E. Lambert, Margaret A. H. Bryer, and Jessica M. Rothman
University of Chicago Press, 2024
H. D. Harrington
Ohio University Press, 1957
First issued in 1957 by Swallow Press, this classic guide to the art of plant identification is now familiar to an entire generation of students. Harrington who was Professor of Botany and Curator of the Herbarium at Colorado State University, gives step-by-step instructions and definitions to help readers recognize and classify plants. The new printing has been reset and reformatted, and L.W. Durrell’s drawings and glossary—more than 500 images—have been digitally enhanced for clarity.
Jeff Gillman
Westholme Publishing, 2009
Thomas Hockey
University of Chicago Press, 2002
Gazing up at the heavens from our backyards or a nearby field, most of us see an undifferentiated mess of stars—if, that is, we can see anything at all through the glow of light pollution. Today’s casual observer knows far less about the sky than did our ancestors, who depended on the sun and the moon to tell them the time and on the stars to guide them through the seas. Nowadays, we don’t need the sky, which is good, because we’ve made it far less accessible, hiding it behind the skyscrapers and the excessive artificial light of our cities.
How We See the Sky gives us back our knowledge of the sky, offering a fascinating overview of what can be seen there without the aid of a telescope. Thomas Hockey begins by scanning the horizon, explaining how the visible universe rotates through this horizon as night turns to day and season to season. Subsequent chapters explore the sun’s and moon’s respective motions through the celestial globe, as well as the appearance of solstices, eclipses, and planets, and how these are accounted for in different kinds of calendars. In every chapter, Hockey introduces the common vocabulary of today’s astronomers, uses examples past and present to explain them, and provides conceptual tools to help newcomers understand the topics he discusses.
Packed with illustrations and enlivened by historical anecdotes and literary references, How We See the Sky reacquaints us with the wonders to be found in our own backyards.
Dana Luciano
Duke University Press, 2024
Joseph E. Armstrong
University of Chicago Press, 2014
Timothy Neale
Duke University Press, 2026

H. D. Harrington
Ohio University Press, 1977
There is no easy way to identify grasses. And no one understands this better than H.D. Harrington, who observed thousands of students struggle and learn. His clear, concise, and well-organized guide will continue to be a basic and essential text for use in the classroom or in the field. The book contains over 500 drawings and an illustrated glossary.
Lee Alan Dugatkin and Lyudmila Trut
University of Chicago Press, 2017
Charles L. Redman
University of Arizona Press, 1999
Jerry Sullivan
University of Chicago Press, 2004
Charles J. List
Oregon State University Press, 2013
Edited by Susanne Witzgall, Marietta Kesting, Maria Muhle, and Jenny Nachtigall
Diaphanes, 2021
C. L. Fornari
Brandeis University Press, 2026
A comprehensive, easy-to-use, illustrated guide to hydrangeas for novice gardeners and experienced horticulturists.
With large, long-lasting flowers that range from showy pinks to heartbreaking shades of blue, hydrangeas are captivating, popular plants. Yet gardeners often find themselves flummoxed by the challenge of understanding and growing the many varieties of these shrubs.
Writer, radio host, and gardening consultant C. L. Fornari (also known as The Garden Lady) simplifies the cultivation and care of the six most popular species of hydrangeas in this practical, clear, and accessible guide. Hydrangea Happiness explains the difference between varietals and tells how and where they can successfully grow in assorted soils and conditions throughout the United States. In addition to sharing essential information, Fornari addresses myths and misinformation and fields questions about cultivating these popular plants. Punctuated with catchy rhymes and beautiful photographs, this book makes the road to Hydrangea Happiness easy, successful, and fun.
Lisa Blackmore
University of Minnesota Press, 2027
Reimagining watersheds as living hydrocommons through which artists and communities create more just and sustainable futures
Hydrocommoning explores how artists, activists, and curators coalesce around water in embodied efforts to contest entrenched and enduring forms of harm and degradation. Against the reduction of rivers, streams, and wetlands to mere resources to be managed, Hydrocommoning centers water as a living web of relations through which artists and communities forge creative means of reconnection by moving, weaving, pumping, eating, and listening.
By charting these aesthetic practices, Hydrocommoning shows how artists and organizers across Latin America oppose extractivism, unequal urbanization, ecological degradation, and the erasure of Indigenous water cultures. To cultivate widespread social attunement to vulnerable waters and raise the call for their defense and care, collectives in Brazil, Colombia, Guatemala, and Peru engage in communal meals, sound art, infrastructural interventions, and other practices that Lisa Blackmore theorizes as “hydrocommoning.”
Grounded in five years of experiential fieldwork, archival research, and curatorial projects in Latin America, Blackmore proposes a methodology to work with water as an analytical framework for collective action. Bridging the gap between theory, curating, and community-based practices, Hydrocommoning offers a promising vision of grassroots organizing that actively confronts some of today’s most urgent ecological threats.
Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
Timothy Morton
University of Minnesota Press, 2013
Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.
Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a number of hyperobjects, such as climate, nuclear weapons, evolution, or relativity. Such objects put unbearable strains on our normal ways of reasoning.
Insisting that we have to reinvent how we think to even begin to comprehend the world we now live in, Hyperobjects takes the first steps, outlining a genuinely postmodern ecological approach to thought and action.