2194 books match the query 'Women's Studies' and 71 start with h

cover of Home Safe Home: Housing Solutions for Survivors of Intimate Partner Violence

Home Safe Home

Housing Solutions for Survivors of Intimate Partner Violence

Botein, Hilary

Rutgers University Press, 2016

Housing matters for everyone, as it provides shelter, security, privacy, and stability. For survivors of intimate partner violence (IPV), housing takes on an additional meaning; it is the key to establishing a new life, free from abuse. IPV survivors often face such inadequate housing options, however, that they must make excruciating choices between cycling through temporary shelters, becoming homeless, or returning to their abusers. 
 
Home Safe Home offers a multifaceted analysis that accounts for both IPV survivors’ needs and the practical challenges involved in providing them with adequate permanent housing. Incorporating the varied perspectives of the numerous housing providers, activists, policymakers, and researchers who have a stake in these issues, the book also lets IPV survivors have their say, expressing their views on what housing and services can best meet their short and long-term goals. Researchers Hilary Botein and Andrea Hetling not only examine the federal and state policies and funding programs determining housing for IPV survivors, but also provide detailed case studies that put a human face on these policy issues. 
 
As it traces how housing options and support mechanisms for IPV survivors have evolved over time, Home Safe Home also offers innovative suggestions for how policymakers and advocates might work together to better meet the needs of this vulnerable population. 
 
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cover of Home and Harem: Nation, Gender, Empire and the Cultures of Travel

Home and Harem

Nation, Gender, Empire and the Cultures of Travel

Inderpal Grewal

Duke University Press, 1996

Moving across academic disciplines, geographical boundaries, and literary genres, Home and Harem examines how travel shaped ideas about culture and nation in nineteenth-century imperialist England and colonial India. Inderpal Grewal’s study of the narratives and discourses of travel reveals the ways in which the colonial encounter created linked yet distinct constructs of nation and gender and explores the impact of this encounter on both English and Indian men and women. Reworking colonial discourse studies to include both sides of the colonial divide, this work is also the first to discuss Indian women traveling West as well as English women touring the East.

In her look at England, Grewal draws on nineteenth-century aesthetics, landscape art, and debates about women’s suffrage and working-class education to show how all social classes, not only the privileged, were educated and influenced by imperialist travel narratives. By examining diverse forms of Indian travel to the West and its colonies and focusing on forms of modernity offered by colonial notions of travel, she explores how Indian men and women adopted and appropriated aspects of European travel discourse, particularly the set of oppositions between self and other, East and West, home and abroad.

Rather than being simply comparative, Home and Harem is a transnational cultural study of the interaction of ideas between two cultures. Addressing theoretical and methodological developments across a wide range of fields, this highly interdisciplinary work will interest scholars in the fields of postcolonial and cultural studies, feminist studies, English literature, South Asian studies, and comparative literature.

 

 

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cover of Home and Hegemony: Domestic Service and Identity Politics in South and Southeast Asia

Home and Hegemony

Domestic Service and Identity Politics in South and Southeast Asia

Kathleen M. Adams and Sara Dickey, Editors

University of Michigan Press, 2000

In the intimate context of domestic service, power relations take on one of their most personalized forms. Domestic servants and their employers must formulate their political identities in relationship to each other, sometimes reinforcing and sometimes challenging broader social hierarchies such as those based on class, caste or rank, gender, race and ethnicity, nationality, sexual orientation, and kinship relations.
This pathbreaking collection builds on recent examinations of identity in the postcolonial states of South and Southeast Asia by investigating the ways in which domestic workers and their employers come to know and depict one another and themselves through their interactions inside and outside of the home. This setting provides a particularly apt arena for examining the daily negotiations of power and hegemony.
Contributors to the volume, all anthropologists, provide rich ethnographic analyses that avoid a narrow focus on either workers or employers. Rather, they examine systems of power through specific topics that range from the notion of "nurture for sale" to the roles of morality and humor in the negotiation of hierarchy and the dilemmas faced by foreign employers who find themselves in life-and-death dependence on their servants.
With its provocative theoretical and ethnographic contributions to current debates, this collection will be of interest to scholars in Asian studies, women's studies, anthropology, sociology, and cultural studies.
Kathleen M. Adams is Associate Professor of Anthropology, Loyola University of Chicago. Sara Dickey is Associate Professor of Anthropology, Bowdoin College.
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cover of Homeland Maternity: US Security Culture and the New Reproductive Regime

Homeland Maternity

US Security Culture and the New Reproductive Regime

Natalie Fixmer-Oraiz

University of Illinois Press, 2019

In US security culture, motherhood is a site of intense contestation--both a powerful form of cultural currency and a target of unprecedented assault. Linked by an atmosphere of crisis and perceived vulnerability, motherhood and nation have become intimately entwined, dangerously positioning national security as reliant on the control of women's bodies. Drawing on feminist scholarship and critical studies of security culture, Natalie Fixmer-Oraiz explores homeland maternity by calling our attention to the ways that authorities see both non-reproductive and "overly" reproductive women's bodies as threats to social norms--and thus to security. Homeland maternity culture intensifies motherhood's requirements and works to discipline those who refuse to adhere. Analyzing the opt-out revolution, public debates over emergency contraception, and other controversies, Fixmer-Oraiz compellingly demonstrates how policing maternal bodies serves the political function of securing the nation in a time of supposed danger--with profound and troubling implications for women's lives and agency.
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cover of Homeless Mothers: Face to Face with Women and Poverty

Homeless Mothers

Face to Face with Women and Poverty

Deborah R. Connolly

University of Minnesota Press, 2001

A first-person look at the challenges and cultural perceptions confronting homeless women. Homeless Mothers follows the lives of mothers on the margins and asks where they fit in the increasingly black-and-white model of motherhood set up by society. Their voices, so rarely heard and so often ignored, resonate throughout this book. Both an anthropologist in the field and a social worker on the job, Deborah R. Connolly is ideally placed to draw out these women's life stories. Using their own words, by turns eloquent and awkward, poignant and harsh, she maps the perilous territory between the promise of childhood and the hard reality of motherhood on the street. What emerges is a glimpse of the cultural, class, gender, and economic challenges these women experience, a glimpse as real for us as the headlines and stereotypes that so often displace homeless mothers and consign them to silence. "Connolly explores in rich detail the day-to-day experiences of women who use family shelters. Homeless Mothers is an insider's view on poverty and homelessness from the standpoint of mothers, families, and the social service providers who work with them. Connolly uses ethnographic methods and skills worthy of a good fiction writer to portray the daily lives, struggles, and intricate negotiations of homeless mothers." --Housing Studies Deborah R. Connolly is an advocate for the homeless and a senior research associate at Edgewood Center for Children and Families in San Francisco. She recently taught cultural anthropology at the University of Missouri, Kansas City.
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cover of Honeypot: Black Southern Women Who Love Women

Honeypot

Black Southern Women Who Love Women

E. Patrick Johnson

Duke University Press, 2019

E. Patrick Johnson's Honeypot opens with the fictional trickster character Miss B. barging into the home of Dr. EPJ, informing him that he has been chosen to collect and share the stories of her people. With little explanation, she whisks the reluctant Dr. EPJ away to the women-only world of Hymen, where she serves as his tour guide as he bears witness to the real-life stories of queer Black women throughout the American South. The women he meets come from all walks of life and recount their experiences on topics ranging from coming out and falling in love to mother/daughter relationships, religion, and political activism. As Dr. EPJ hears these stories, he must grapple with his privilege as a man and as an academic, and in the process he gains insights into patriarchy, class, sex, gender, and the challenges these women face. Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.
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cover of Honor and the Political Economy of Marriage: Violence against Women in the Kurdistan Region of Iraq

Honor and the Political Economy of Marriage

Violence against Women in the Kurdistan Region of Iraq

Joanne Payton

Rutgers University Press, 2020

'Honor' is used as a justification for violence perpetrated against women and girls considered to have violated social taboos related to sexual behavior. Several ‘honor’-based murders of Kurdish women, such as Fadime Sahindal, Banaz Mahmod and Du’a Khalil Aswad, and campaigns against 'honor'-based violence by Kurdish feminists have drawn international attention to this phenomenon within Kurdish communities.

Honor and the Political Economy of Marriage provides a description of ‘honor’-based violence that focuses upon the structure of the family rather than the perpetrator’s culture. The author, Joanne Payton, argues that within societies primarily organized by familial and marital connections, women’s ‘honor’ is a form of symbolic capital within a ‘political economy’ in which marriage organizes intergroup connections.
Drawing on statistical analysis of original data contextualized with historical and anthropological readings, Payton explores forms of marriage and their relationship to ‘honor’, sketching changing norms around the familial control of women from agrarian/pastoral roots to the contemporary era.
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cover of Hope Leslie: Or, Early Times in the Massachusetts

Hope Leslie

Or, Early Times in the Massachusetts

Sedgwick, Catherine M

Rutgers University Press, 1987

Hope Leslie (1827), set in the seventeenth-century New England, is a novel that forced readers to confront the consequences of the Puritans’ subjugation and displacement of the indigenous Indian population at a time when contemporaries were demanding still more land from the Cherokees, the Chickasaws, and the Choctaws.

"This handsome reprint ... makes available after many decades the New Englander's tale of seventeeth-century Puritans, and their relations with the indigenous Indian population." -- Nineteeth-Century Literature

" A splendidly conceived edition of Sedwick's historical romance. Highly recommended." --Choice

"Develop(s) the connections between patriarchal authority within the Puritan state and its policy of dispossessing and exterminating Indians. The different heritage it envisions explicitly link white women and Indians and elaborates a communal concept of liberty at odds with the individualistic concept which predominated in American culture." -- Legacy

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cover of Hostels, Sexuality, and the Apartheid Legacy: Malevolent Geographies

Hostels, Sexuality, and the Apartheid Legacy

Malevolent Geographies

Glen S. Elder

Ohio University Press, 2003

In the last decade, the South African state has been transformed dramatically, but the stubborn, menacing geography of apartheid still stands in the way of that country’s visions of change. Environmentally degraded old homelands still scar the rural geography of South Africa.

Formerly segregated, now gated, neighborhoods still inhibit free movement. Hostels, Sexuality, and the Apartheid Legacy is a study of another such space, the converted “male” migrant worker hostel.

Professor Glen Elder identifies hostels as sites of public and domestic violence, literal destruction and rebuilding, and as an important node in the spread of HIV/AIDS.

Hostels have also become home to increasing numbers of “invisible” female residents. Finding that one way to understand hostel space is through women’s experiences, Professor Elder turned to thirty black migrant women living in an East Rand hostel to map the everyday geographies of South Africa’s time of change.

By following the lives of these women, Elder identifies spatialized forms of marginalization, impoverishment, infection, and disempowerment. But, as he points out, the women’s survival strategies may provide signposts to the way out of apartheid’s malevolent geography.

Hostels, Sexuality, and the Apartheid Legacy argues that the gendered geography of the migrant labor system developed in South Africa was premised upon sexual assumptions about men, women, and their bodies, and that feminist and queer analyses of space can inform public policy decisions.

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cover of How Development Projects Persist: Everyday Negotiations with Guatemalan NGOs

How Development Projects Persist

Everyday Negotiations with Guatemalan NGOs

Erin Beck

Duke University Press, 2017

In How Development Projects Persist Erin Beck examines microfinance NGOs working in Guatemala and problematizes the accepted wisdom of how NGOs function. Drawing on twenty months of ethnographic fieldwork, she shows how development models and plans become entangled in the relationships among local actors in ways that alter what they are, how they are valued, and the conditions of their persistence. Beck focuses on two NGOs that use drastically different methods in working with poor rural women in Guatemala. She highlights how each program's beneficiaries—diverse groups of savvy women—exercise their agency by creatively appropriating, resisting, and reinterpreting the lessons of the NGOs to match their personal needs. Beck uses this dynamic—in which the goals of the developers and women do not often overlap—to theorize development projects as social interactions in which policymakers, workers, and beneficiaries critically shape what happens on the ground. This book displaces the notion that development projects are top-down northern interventions into a passive global south by offering a provocative account of how local conditions, ongoing interactions, and even fundamental tensions inherent in development work allow such projects to persist, but in new and unexpected ways.
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cover of How Places Make Us: Novel LBQ Identities in Four Small Cities

How Places Make Us

Novel LBQ Identities in Four Small Cities

Japonica Brown-Saracino

University of Chicago Press, 2017

We like to think of ourselves as possessing an essential self, a core identity that is who we really are, regardless of where we live, work, or play. But places actually make us much more than we might think, argues Japonica Brown-Saracino in this novel ethnographic study of lesbian, bisexual, and queer individuals in four small cities across the United States.

Taking us into communities in Ithaca, New York; San Luis Obispo, California; Greenfield, Massachusetts; and Portland, Maine; Brown-Saracino shows how LBQ migrants craft a unique sense of self that corresponds to their new homes. How Places Make Us demonstrates that sexual identities are responsive to city ecology. Despite the fact that the LBQ residents share many demographic and cultural traits, their approaches to sexual identity politics and to ties with other LBQ individuals and heterosexual residents vary markedly by where they live. Subtly distinct local ecologies shape what it feels like to be a sexual minority, including the degree to which one feels accepted, how many other LBQ individuals one encounters in daily life, and how often a city declares its embrace of difference. In short, city ecology shapes how one “does” LBQ in a specific place. Ultimately, Brown-Saracino shows that there isn’t one general way of approaching sexual identity because humans are not only social but fundamentally local creatures. Even in a globalized world, the most personal of questions—who am I?—is in fact answered collectively by the city in which we live.  
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cover of How Will the Heart Endure: Elizabeth Bowen and the Landscape of War

How Will the Heart Endure

Elizabeth Bowen and the Landscape of War

Heather Bryant Jordan

University of Michigan Press, 1992

The career of Elizabeth Bowen (1899-1973) has been hard to categorize. As an Anglo-lrish writer, a follower of the modernists but not technically one herself; as an independent woman writer but not, by her admission, a feminist; and as a creative writer in time of war, she has eluded compartmentalization. In How Will the Heart Endure, Heather Bryant Jordan provides a new assessment of Bowen’s achievement, arguing that Bowen’s response to war is the best lens for elucidating the relation between art and life expressed in Bowen’s work.Bowen created novels, short stories, essays, and autobiographical works in a war-torn world that saw successively the Troubles in Ireland, the Irish Civil War, World War I, and World War Il. The strains she felt as a result of these experiences were expressed in the intensely personal vision of loss and betrayal that her fiction conveys.Jordan’s study combines historical and literary analysis and incorporates new archival research on Bowen’s correspondence and on her war reports to the Ministry of Information. How Will the Heart Endure offers not only a new reading of Bowen’s work, but an insightful look into the wartime publishing climate in which Bowen and her circle—which included Virginia Woolf, T. S. Eliot, John and Rosalind Lehmann, Cyril Connolly, Evelyn Waugh, Graham Greene, and Stephen Spender—operated. It will be of interest to specialists in modern British fiction, women’s studies, Irish studies, and Anglo-lrish literature.
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cover of How Women Saved The City

How Women Saved The City

Daphne Spain

University of Minnesota Press, 2001

Reclaims the lost history of women’s contributions to the development of American cities

In the days between the Civil War and World War I, women rarely worked outside the home, rarely went to college, and, if our histories are to be believed, rarely put their mark on the urban spaces unfolding around them. And yet, as this book clearly demonstrates, women did play a key role in shaping the American urban landscape.

To uncover the contribution of women to urban development during this period, Daphne Spain looks at the places where women participated most actively in public life—voluntary organizations like the Young Women’s Christian Association, the Salvation Army, the College Settlements Association, and the National Association of Colored Women. In the extensive building projects of these associations—boarding houses, vocational schools, settlement houses, public baths, and playgrounds—she finds clear evidence of a built environment created by women. Exploring this environment, Spain reconstructs the story of the "redemptive places" that addressed the real needs of city dwellers—especially single women, African-Americans, immigrants, and the poor—and established an environment in which newcomers could learn to become urban Americans.
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cover of How a Century of War Changed the Lives of Women

How a Century of War Changed the Lives of Women

Lindsey German

Pluto Press, 2013

How a Century of War Changed the Lives of Women looks at the remarkable impact of war on women in Britain. It shows how conflict has changed women’s lives and how those changes have put women at the centre of peace campaigning.

Lindsey German, one of the UK's leading anti-war activists and commentators, shows how women have played a central role in anti-war and peace movements, including the recent wars in Afghanistan and Iraq. The women themselves talk about how they overcame prejudice and difficulty to become active. The book integrates this experience with a historical overview, analysing the two world wars as catalysts of social change for women. It looks at how the changing nature of war, especially the involvement of civilians, increasingly involves significant numbers of women.

As well as providing an inspiring account of women's opposition to war, the book also tackles key contemporary developments, challenging negative assumptions about Muslim women and showing how anti-war movements are feeding into a broader desire to change society.

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cover of How to be Human*: *Though an Economist

How to be Human*

*Though an Economist

Deirdre N. McCloskey

University of Michigan Press, 2000

In this thoroughly engaging book Deirdre McCloskey puts the "dismal science" under the microscope. She offers advice to young economists, offering models from the old; and she lambastes the middle-aged who have allowed economics to become, as she puts it with characteristic verve, "a boys' game in a sandbox." McCloskey deploys her wit and style to serious purpose: to bring economics back to science.
Anyone can learn about the field of economics from How to Be Human. She can learn how economics works as a discipline and as a piece of sociology, who the heroes are and the villains, how a career in economics relates to matters of ethics and epistemology. She can learn what it is like to be a new woman in a boys' subject, a subject that avoids at all costs the word "love."
During the 1990s Deirdre McCloskey established herself as the main internal critic of the economic mainstream. Her quarterly columns in the Eastern Economic Journal, many of which are collected here, have become a handbook for reform. Trained in economics herself, she knows the normal science of the field from the inside: she has done it as a distinguished economic historian; and has watched it work from the faculties of Chicago (for twelve years) and Iowa (for nineteen), and now at the University of Illinois at Chicago.
Her criticism from the inside is that the two methods on which economics has depended since the 1940s--existence-theorem mathematics and significance-testing statistics--are nonsense. They have, she claims, nothing to do with economic science, and have massively diverted economists from finding out how the economy works.
McCloskey's book is written for anyone interested in economics, whether trained in it or not--anyone who cares about the economy but is not taken in by the boys' game.
Deirdre McCloskey is University Professor of the Human Sciences, University of Illinois at Chicago.
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cover of Huerfano: A Memoir of Life in the Counterculture

Huerfano

A Memoir of Life in the Counterculture

Roberta M. Price

University of Massachusetts Press, 2004

In the late 1960s, new age communes began springing up in the American Southwest with names like Drop City, New Buffalo, Lama Foundation, Morning Star, Reality Construction Company, and the Hog Farm. In the summer of 1969, Roberta Price, a recent college graduate, secured a grant to visit these communities and photograph them. When she and her lover David arrived at Libre in the Huerfano Valley of southern Colorado, they were so taken with what they found that they wanted to participate instead of observe. The following spring they married, dropped out of graduate school in upstate New York, packed their belongings into a 1947 Chrysler Windsor Coupe, and moved to Libre, leaving family and academia behind.

Huerfano is Price's captivating memoir of the seven years she spent in the Huerfano ("Orphan") Valley when it was a petri dish of countercultural experiments. She and David joined with fellow baby boomers in learning to mix cement, strip logs, weave rugs, tan leather, grow marijuana, build houses, fix cars, give birth, and make cheese, beer, and furniture as well as poetry, art, music, and love. They built a house around a boulder high on a ridge overlooking the valley and made ends meet by growing their own food, selling homemade goods, and hiring themselves out as day laborers. Over time their collective ranks swelled to more than three hundred, only to diminish again as, for many participants, the dream of a life of unbridled possibility gradually yielded to the hard realities of a life of voluntary poverty.

Price tells her story with a clear, distinctive voice, documenting her experiences with photos as well as words. Placing her story in the larger context of the times, she describes her participation in the antiwar movement, the advent of the women's movement, and her encounters with such icons as Ken Kesey, Gary Snyder, Abbie Hoffman, Stewart Brand, Allen Ginsberg, and Baba Ram Dass.

At once comic, poignant, and above all honest, Huerfano recaptures the sense of affirmation and experimentation that fueled the counterculture without lapsing into nostalgic sentimentality on the one hand or cynicism on the other.

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cover of Humanity's Ruins: Ethics, Feminism, and Genocidal Humanitarianism

Humanity's Ruins

Ethics, Feminism, and Genocidal Humanitarianism

Danielle Bouchard

Duke University Press, 2025

In Humanity’s Ruins, Danielle Bouchard examines how genocidal aspirations animate contemporary Western humanitarian projects and discourses. Drawing on anticolonial and antiracist feminist critique, Bouchard argues that humanitarianism has functioned in the Cold War and post-Cold War eras to perpetuate longer-lived, fundamentally racist conceptualizations of humanity’s defining characteristics. She examines the aesthetics of humanitarian texts, which are filled with figures of the wounded, dead, and disappeared—the atomic bomb victim whose only remainder is a shadow imprinted on concrete, the grievously injured Muslim woman, the vanished members of Amazonian “uncontacted” tribes, the dying African—to elucidate how the appearance of these figures reaffirms a genocidal view of humanity that aligns with the continuation of Western imperial warfare. Humanitarian discourses conceive of humanity as a community which, by definition, is under existential threat from some humans who are explicitly or implicitly understood as needing to be eliminated. Bouchard invokes “humanity’s ruins” to expose the genocidal fantasy of a human world in which such threat has been eliminated in the interest of supposedly ensuring humanity’s survival.
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cover of Hungry Heart: The Literary Emergence of Julia Ward Howe

Hungry Heart

The Literary Emergence of Julia Ward Howe

Gary Williams

University of Massachusetts Press, 2009

Hungry Heart reexamines the early literary career of Julia Ward Howe (1819–1910), best remembered as the author of "The Battle Hymn of the Republic." Combining biographical narrative with textual analysis, Gary Williams reconstructs Howe's emergence as a writer against the backdrop of her deeply troubled marriage to Boston philanthropist Samuel Gridley Howe. Among her early writings, Williams pays particular attention to Passion-Flowers, a celebrated yet controversial volume of poems published in 1854, as well as to an unpublished 400-page story that features a hermaphrodite as its protagonist. Williams shows how this latter work, startling in its bold exploration of sexual ambiguities, reflects Howe's effort to come to terms with her husband's intimate attachment to the prominent abolitionist Charles Sumner. The result is a fascinating cultural biography that not only enhances Howe's reputation as a writer but also enriches our understanding of the middle-class world of Victorian New England.
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cover of Hungry Translations: Relearning the World through Radical Vulnerability

Hungry Translations

Relearning the World through Radical Vulnerability

Richa Nagar

University of Illinois Press, 2019

Experts often assume that the poor, hungry, rural, and/or precarious need external interventions. They frequently fail to recognize how the same people create politics and knowledge by living and honing their own dynamic visions. How might scholars and teachers working in the Global North ethically participate in producing knowledge in ways that connect across different meanings of struggle, hunger, hope, and the good life?Informed by over twenty years of experiences in India and the United States, Hungry Translations bridges these divides with a fresh approach to academic theorizing. Through in-depth reflections on her collaborations with activists, theatre artists, writers, and students, Richa Nagar discusses the ongoing work of building embodied alliances among those who occupy different locations in predominant hierarchies. She argues that such alliances can sensitively engage difference through a kind of full-bodied immersion and translation that refuses comfortable closures or transparent renderings of meanings. While the shared and unending labor of politics makes perfect translation--or retelling--impossible, hungry translations strive to make our knowledges more humble, more tentative, and more alive to the creativity of struggle.
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cover of Hypertext and the Female Imaginary

Hypertext and the Female Imaginary

Jaishree K. Odin

University of Minnesota Press, 2010

In Hypertext and the Female Imaginary, Jaishree K. Odin reveals how media that use hypertextual strategies of narrative fragmentation provocatively engage questions of gender or cultural difference. Odin addresses hypertext on two levels: as an artistic technique in electronic or film narratives and as a metaphor for describing the complexity of postmodernism in which different cultures, discourses, and media are in continual interaction with one another.

Investigating the work of Trinh T. Minh-ha, Judy Malloy, Shelley Jackson, Stephanie Strickland, and M. D. Coverly, Odin demonstrates how these writers apply hypertextual strategies to subversively convey difference. Through her readings of various transformative hypertext narratives by women writers/artists, she pursues the question of what constitutes empowering descriptions of the world in a technology-mediated culture where the dominant discourse is turning everything into the same.

Using feminist as well as postcolonial perspectives, she explores the embodied state of the human as reflected in critically aware contemporary narratives and examines how these works consider what it means to be human in the twenty-first century.
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cover of Hysteric's Guide to the Future Female Subject

Hysteric's Guide to the Future Female Subject

Juliet Flower Maccannell

University of Minnesota Press, 1999

Proposes an ethics of the feminine through an examination of women’s writing.

The Hysteric’s Guide to the Future Female Subject was first published in 1999. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

How can a girl become a woman today—an ethical woman and a member of society—without being either a victim or a manipulator? Reflecting on this question, Juliet Flower MacCannell takes us for the first time beyond the flawed models for “becoming woman” left to us by Freud and Sade.Having previously explored the logic of feminine sexuality, MacCannell sets out in the Hysteric’s Guide to locate an ethics of the feminine. She does this by examining instances of the (often hysterical) feminine confrontation with (usually perverse) masculine subjects, confrontations that represent crucial scenes in the constitution of female sexuality. Her study takes us into Sadean ethics and the prescriptions of Freudian psychoanalysis; post-Enlightenment colonialism; racism during and after World War I; genocidal fascism in World War II; and the slowing of time and generation during the Cold War.MacCannell treats contemporary art, fiction, and theory, considering works by Arendt, Angelou, Rousseau, Kant, Stendhal, Kleist, Hitchcock, Atwood, Klein, Chodorow, Adorno, and Duras. Ultimately, this book reasserts “becoming woman” as an issue that has, until now, been denied for want of a feminine ethic relevant to contemporary life.
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